Lake Like

The pre-show jazz proGram was fueled by the breeze off of it.

Limbo- Michael Petrucciani
LP- Cyger & Butterworth
Who Knows- Carlos Henriquez Big Band
Heroes- Billy Childs


Dooty Baby- Tia Fuller, Shamie Royston & Fuller Sound
Now- Jed Levy & Phil Robson
Harvest- Ben Flocks

Catherine Russell F’Taint One Thig It’s Another Live at Jazz at Lincoln Center
Scat- Arturo Sandoval
Days In The Sun- Arturo Sandoval
Hey Pops- Tumbao Bravo Ft. Paul VornHagen (Live)


Gary Bartz Medley- Baltimore Jazz Collective
Heroic Dance- Shunzo Ohno (Live at Joe’s Pub)
Léa’s Run- Shunzo Ohno (Live at Joe’s Pub)

Root & Wings by Amani Burnham

70 years after its initial recording, blues-rock artist Amani Burnham posted a video of himself playing Muddy Waters’ “Hoochie Coochie Man.” It was surreal to see a nineteen year old on Instagram wielding a white Fender Stratocaster with such dexterous ferocity & one-of-a-kind personality. In his hands, the Willie Dixon blues standard sounded sexy & dangerous again. At the time, Amani hadn’t been playing guitar for very long, and the post was simply a natural extension of his love for blues-rock. Yet his fluid soloing and electrifying showmanship captured the imagination of blues fans and seasoned professional musicians alike, inadvertently heralding the arrival of a new blues dynamo. On May 29th, he is stepping out from behind the screen with his debut album, ‘Roots & Wings’, coming soon on Blind Pig Records. The 12-track collection showcases Amani’s remarkable guitar work—played uniquely with his right-hand thumb rather than a pick—alongside soulful vocals and introspective songwriting. From the turbo-charged instrumental “Fastlane” to the deeply personal title track reflecting on his Ethiopian roots, the album crackles with groovy blues-rock riffs, cosmic solos, and stinging vibrato. Recorded at the renowned Carriage House Studios with a classic power-trio setup, Roots & Wings honors the legacy of blues-rock giants while heralding a bold new voice for a new generation. Since starting on social media in late 2023, Amani has amassed more than 240,000 followers and nearly 30 million cumulative views on TikTok, Instagram, & Facebook.

I had the chance to get a quick hang in with Amani to get a deeper sense of how this debut album, ‘Roots and Wings‘ went from ideas to just about being unleashed into the world. We talk about how some of the songs were originally writing when he was just a true kid but he sounds like a young man who feels the past as he helps shape the future of the blues. There is so much, as a listener, you will say you recognize…but its fresh and is like a perfectly fitting ballcap – just so right. We discuss the title track so people get a sense of a being who is grounded and we allow Amani to build a setlist for airplay one day y choosing one of this top to bottom fabulous album and adds a few tunes to it.

photo by: J.B. Lawrence


Ghost Dogs Visit

The final part of this week’s proGram got a friends reminder.

Don’t Let Me Be Misunderstood- Ashley Jackson
Joyful Noise- Carla Bley (Live in Hamburg, 1984)
Re Person I Knew- Bill Evans (live)
Free Kicks – for Ruben- Zela Margossian Quintet


Theme From M*A*S*H- Ahmad Jamal (live)
Straighten Up And Fly Right- Yusef Lateef (live)
Isotope- Joe Henderson – Consonance (live)


Stardust- Mal Waldron Ft. Sonny Stitt (live)
Circus- Roy Hargrove (Live at the Bern Jazz Festival 2000)
Tayamisha- Buster Williams


Punjabi Jhinzaki [Zakir Hussain Tribute]- Ancient Future

Leaves Of Progression

The mid part of the proGram stood up for the right next steps.

Hang It On The Shelf- Jalen Ngonda
Gone With The Wind- Brother Wallace
**pre-recorded conversation with Brother Wallace**
Who Do You Love?- Brother Wallace


Scraps Of Memories- Shirley Davis & The 45’s Ft. Jimmy James
Unchained Lovers- Tiwayo Ft. Kendra Morris
Electric Spanish- Tiwayo
Go Let Your Freedom Grow- fabric
I Said What I Said- Billy Price


Rehearsal- Black Sumo
¡BASTA YA! (Snow The Product Remix)- Cain Culto Ft. Xiuhtezcat

Split Decision

The first part of this week’s proGram always knows what side it is on.

Me Voy Pa La Playa- Victoria Cardona
Real Kind Mama- Todd Albright


Fool’s Paradise- Chris Thayer
Dennis Muren- Centro Threeo
Filibuster In E Minor- Centro Threeo


greenarrowradio promo- CD Woodbury
Politician- The CD Woodbury Trio
Over The Hill- Boogie Beasts Ft. Luther Dickinson
Snake Drive- Boogie Beasts Ft. Kenny Brown


Going Down- Freddie King (live, 1975)
Whole Lotta Lovin’- Freddie King (live, 1975)
Deep Elem Blues- Terry Callier (Live at The Earl of Old Town Club, Chicago 1967)


Luggin’ Hurt- Little Barrie
Hippies- Sick Gazelle
LEAN ON YOU- Cinema Stereo

All Moments Matter with Brother Wallace

Some artists spend their whole lives getting ready for the moment the world finally hears them. Brother Wallace is one of them. Today, the West Point, Georgia-bred singer, pianist, & soul revivalist announces his debut album, Electric Love, out May 8 via ATO Records. It’s a bold 1st chapter from a voice that feels less like a “new artist” and more like a force that’s been building quietly for years. Raised in a small rural town where the church was both community and classroom, Wallace began singing early and started formal piano training at six years old. By 14, he was directing a 100-member choir—leading not from ambition, but from instinct. Music wasn’t extracurricular; it was identity. Still, his path didn’t follow the typical industry arc. Wallace built a life at the intersection of art & service, becoming a K–12 music teacher and shaping young voices day after day, even as his own kept growing into something undeniable. Over time, that “teacher” story expanded into something bigger: including sharing the stage with gospel legend Kirk Franklin performing at Madison Square Garden. But it wasn’t until a chance meeting sparked a creative partnership—one that stretched across years and continents—that Brother Wallace’s vision began assembling into the album it was always meant to become. That partnership was with Dan Taylor (The Heavy), who became not just a collaborator but a catalyst. Recorded at Real World Studios (the legendary facility founded by Peter Gabriel) and produced/co-written by Taylor, Electric Love captures the breathless immediacy of Wallace’s performances—engineered and mixed by Bob Mackenzie (James Blake, The 1975, King Krule, SAULT) and Jim Abbiss (Adele, Arctic Monkeys). The result is soul music that feels alive in your hands: gritty, radiant, and built around the kind of vocal that turns rooms silent before it turns them inside out. Across its 13 songs, Electric Love is less a debut than a revelation—a body of work fueled by gospel roots and classic soul lineage (Sam Cooke, Little Richard, Southern soul greats) while refusing to live in nostalgia. Wallace writes in lived-in scenes and hard-earned feeling: heartbreak without defeat, joy without naïveté, vulnerability without apology. Brother Wallace will bring that world to the stage supporting St. Paul & The Broken Bones on his first-ever tour—an ideal match for a performer whose voice and presence were made for big rooms, shared air, and nights that feel like revival.

I had the chance to catch up with Brother Wallace ahead of the May 3rd show with St. Paul and the Broken Bones at the Sylvee. Not only did we get a chance to talk about what the people in attendance can expect from him and band, we learn who the players with him are, but the New alum Electric Love drops may 8th. We dive into the story behind the album from how it went down to the feeling of it about to be in the world in its entirety. We get the true story of how he got to be a [part of working with the Heavy – yep – he took a call at the mall and we do share a little educator banter about our ways as well. Before I let him go, I of course wanted to know if he had to air a track as part of building a set on the radio from the new record, which does he go with and why. This question is almost always interesting and often leads me to new artists…but his setlist included some classics.