Seed And Feel It

The final part of this week’s proGram took the black and white of it all in.

Emmet’s Blues- Emmet Cohen
Vibe Provider- Emmet Cohen
Haiti- Jakob Bro Ft. Lee Konitz/Bill Frisell/Jason Moran/Thomas Morgen/Andrew Cyrille


cahuilla- Lara Somogyi & Jean-Michel Blais
mythes- Lara Somogyi & Jean-Michel Blais
Timo- Colin Vallon’s Trio
Étude No. 2: Breathless- Marie Awadis


Slumber- PureH

Turbulenta- Toomai String Quintet

***pre-recorded conversation with Janet Schiff***
A Dream for Cello and Sitar- Janet Schiff Ft. Ramprapanna Bhattacharya

What Up Bubs

The middle part of the proGram was a clean slate.

Lost In The Woods (Call Sender Remix)- Project Gemini
Darkness Rising- Project Gemini
Modul Drei I- Prepared
Modul Drei II- Prepared


Jerusalem (Peace dub)- Dubblestandart
The Great Escape- Amerigo Gazaway Ft. Napoleon Da Legend
The Serpent In Me Mind- Arema Arega


Should I Stay Or Should I Go?- Allegra Levy
Mr. K- The Michel Petrucciani Trio (LIVE -Jazz Club Montmartre 1988)
Big & Lovely- Allison Miller With The One O’Clock Lab Band

Ends Ice

The first part of this week’s proGram made sure the slip was not scene.

Keep On The Sunny Side- Dwight Yoakam
We’ve Got It Made- Caleb Klauder & Reeb Willms
Ridin’ the Line- Paul Cauthen
Everybody Get in Line- Paul Cauthen


4000 Years Old- Voodoo Ramble Ft. Marcus Flynn
Come To Jesus- Little Georgie & The Shuffling Hungarians
Hello Baby- Jeffery Broussard & The Nighttime Syndicate Ft. Anna Moss


Parasites- Heather The Jerk
Last Night- Heather The Jerk


Gonna Get In My Way- The New Mastersounds w/ Shelby Kemp (Live at Cervantes)

A Dream For Cello And Sitar

For some time now, I have been sampling a few moments of a project that family to the proGram, Janet Schiff had been thinking on and working through. It was a long distance, international dialogue between someone she had never officially met. We spoke on the tapestry that could be. Finally the project got thing wings it deserved and was released into the world. Janet of course, plays the cello. We have had her on the program to discuss some solo work and also with the beloved nineteen thirteen. But this new collaboration was a stretch she had never fully explored before, working with a sitar master in India to create that new bridge of togetherness that formed a healing creation. In our discussion, we learn how she and Ramprapanna Bhattacharya first found each other online and formed a friendship. As music does, that original handshake turned into a ‘hey why don’t we’ and within time a raga was born with sitar being sent over the webs of the internet. The cello parts were created with distinct numbers in mind, adjustments were needed, and what was once a track to be, turned into an EP’s worth of unity, combining the earthly sound of sitar with the looping of many a cello textured to a new mosaic – one that people can easily chill put to, or find their yoga space with or just be deep in or out of the many of this oneness. ‘A Dream For Cello And Sitar’ was born on December 22nd, which is Ramprapanna’s birthday and I for one, am proud to announce it has shown up!

A Dream for Cello and Sitar · Janet Schiff Ft. Ramprapanna Bhattacharya

Coverage Has Begun

The final part of this week’s proGram went from seen to covered in a split moment.

Colourblind- Tom Misch Ft. Loyle Carner
Reason (Bonobo Rework)- Kanako Yamamoto


Make It Home- Robert Glasper Ft. PJ Morton & Sevyn Streeter
Skating- Amanda Whiting


What Are You Doing New Year’s Eve?- Band of Other Brothers
Blue Xmas (To Whom It May Concern)- Band of Other Brothers Ft. Ben Sidran
Merry Christmas Baby- George Kahn & Jazz & Blues Revue Ft. Gina Saputo, Courtney Lemmon & Crystal Starr
Bird’s Luck- Out Of/Into Ft. Gerald Clayton, Immanuel Wilkins, Joel Ross, Kendrick Scott & Matt Brewer


Timepieces- Shabaka Ft. Billy Woods
Cycles of Growth- Shabaka Ft. esperanza spalding
Images in a Mirror- Sun Ra (Live at The Left Bank, July 23, 1978)

Who’s Nuts

The middle part of the proGram had something stashed away for later.

Lump Of Coal- Ben Levin Ft. Lil’ Jimmy Reed
Christmas Mood- Ben Levin Ft. Candice Ivory
Building Blocks- Crash Harmony
Christmas Time Is Here- Reggie Watts


All I Want for Christmas Is You- SNACKTIME (Live WXPN 12.10.23)
Rock’in & Salsa’in Round the Christmas Tree- Jerry Caringi
Wrapt in a Beau- The Bamboos
The Bells of Holly Hill- The Bamboos
Charsnuka- The Pro-Teens


Tony- Anthony Joseph

It’s Christmas in Ukraine (Afro Beat Mix)- Afro Neat
Mele Kalikimaka- Black Market Dub
Santa Claus is Coming to Town- Black Market Dub
Ruckzuck- KID LOCO meets Soul Sugar

Outs The Window

The first part of this week’s proGram saw new risin’.

I Wish It Could Be Christmas Eve…- The Dollyrots
I Hate That Sweater- KC Armstrong
Merry Christmas Baby- Izzo Blues Coalition

Run Rudolph Run- The Reverend Peyton’s Big Damn Band

Peace and Goodwill- Vanesse Thomas
Drink On The Job- Mark Cameron
Snow Shuffle- Big Harp George
Lonesome Christmas- Joe Bonamassa


I Gotta Stop Letting You Let Me Down- Joanne Shaw Taylor
Black Napkins- Wailin’ Walker
Tired of Begging- Wailin’ Walker
Cryin & Pleadin’- GA-20


Mississippi- G. Love & Special Sauce Ft. Alvin Youngblood Hart, R.L. Boyce & Speech
***pre-recorded conversation with G Love***
Lemonades- G. Love & Special Sauce Ft. Cam Kimbrough, Luther Dickinson & Chuck Treece
Fishing For Christmas- G Love

More From G Love

G. Love & Special Sauce is an American Hip-Hop Blues band known for its unique fusion of hip-hop, blues, funk, & soul musics. Formed in 1993 in Philadelphia, Pennsylvania, the band originally featured Garrett Dutton, aka G. Love, as the lead vocalist & guitarist, Jeffrey Clemens on drums, & Jim Prescott on bass. The trio quickly gained attention for their laid-back, groovy style and G. Love’s unique vocal delivery, blending rap-like spoken word with bluesy ‘sanging’. Their debut self-titled album, ‘G. Love & Special Sauce’, was released in 1994 on Epic Records and included the hit single “Cold Beverage,” which became popular on alternative radio stations & MTV, solidifying their presence in the music scene. The band’s style has been described as a mix of “slacker blues” & “alternative hip-hop,” as they frequently incorporate elements of 90s hip-hop beats with classic blues rhythms. Over the years, G. Love & Special Sauce has released numerous albums, including Coast to Coast Motel (1995), Yeah, It’s That Easy (1997), The Electric Mile (2001) and the GRAMMY nominated The Juice (2020). Their sound evolved to include more soul, R&B, and rock influences, though they retained their laid-back vibe and clever lyrical play. Their 2014 album Sugar saw a reunion of the original lineup after several years, and they continued to tour and produce music with a loyal fan base. Known for their energetic live performances, G. Love & Special Sauce has played at festivals like Bonnaroo & Lollapalooza. Garrett Dutton also frequently collaborates with other artists, including Jack Johnson, with whom he shares a similar vibe, and has released solo projects that dive deeper into his blues influences. G. Love & Special Sauce remains a beloved name in the music scene, blending genres in a way that feels fresh & authentic.

It is always a good time when I get a chance to catch up with family to the program, G Love. This time he is heading on back to Madison with The Special Sauce to get busy at the High Noon Saloon on January 8th. We get into what someone who doesn’t know might find out if they attend this show. We spend a good amount of time discussing an album that both of us think didn’t hit in the ‘rankings’ as much as it should have, the 2022 release ‘Philadelphia Mississippi‘. This outstanding collection really made me go back in time to my first taste of the special sauce, that combination of both raw blues AND hip hop really sat well with me and this album has that feeling. We specifically call out the working with Mr. R.L. Boyce in particular, and G spills the beans on an upcoming release (due around April 2025) from the overflow of tunes worked on with Mr. Boyce (he since has passed) during this original session. Since it is right around the holidays, we get into his new Christmas music, especially ‘Fishing For Christmas’ and how much he loves to create the holiday tunes, and how a little different this one went down. Which brings me to a couple of times we get into the business of it all, we both find the art more important than the money, but it is amazing who gets to have it all. We talk L.L. Cool J & Taylor Swift as well as what would we be spinning on his console if we got toGether to spin some tunes. Just two G’s once again keepin’ it real for the people who feel.

Live at Snug Harbor New Orleans Hot 8 Brass Band

Jazz Foundation Of America
December 18, 2024 5:00 pm – December 18, 2024 5:45 pm
Snug Harbor Jazz Bistro
For over 20 years, the Hot 8 Brass Band has been one of the most popular and visible funk-style brass bands in community parades and funerals. In 1996, sousaphone player Bennie Pete played a key role in merging two former Fortier High School student groups, the High Steppers and the Looney Tunes Brass Bands, to form the Hot 8. The band’s members grew up together, and they continue to maintain strong, family-like bonds and regular membership. Most of the players were born between 1975 & 1987, belonging to a generation that primarily heard modern-style brass bands in community functions. The Hot 8’s lineup is often larger than many other younger groups, frequently featuring 10 members, including 3 trumpets, 3 trombones, tuba, bass drum, & snare drum. As is common in some more modern brass bands, the Hot 8 includes only one reed player. The band’s funk style blends influences from iconic New Orleans groups like the Dirty Dozen and Rebirth, while incorporating contemporary R&B, rap, and the local variation known as “bounce.” This mix creates a unique sound that sets them apart from other brass bands in the genre. The band’s distinctive sound is largely due to the steady flow of creative original songs and ideas contributed by various band members. Since the Dirty Dozen, the sousaphone has played a more prominent role in brass bands, often serving as both a feature and solo instrument. It frequently sets up and maintains short rhythmic (and sometimes melodic) grooves that dominate and propel the band’s songs, adding a driving force to their performances.

Watch the show here.

The Ice Is Grown

The final part of this week’s proGram went from wet to hard in just a matter of moments.

Bluster (Gaudi Remix)- Dub Spencer & Trance Hill
Hello- Philipp Greter
Luminous Illusions- Philipp Greter


Guide And Protect Us Dub- King Jammy
United Nations Dub- King Jammy
Ganja Smuggling- Eek-A-Mouse
Smuggler’s Dub- Roots Radics


Somewhere- Kuf Knotz & Christine Elise
Patience- Kuf Knotz & Christine Elise
Changes (Titeknots Remix)- Bopperson & Bikbaye
Fervour- Lehto & Renegades of Jazz


Estás Aquí- Nöwan

The Water Is Ice

The middle part of this week’s proGram turned everything into gold.

Black Magic Sister- Amayo

Del Cielo Te Cuido- The Altons
Cruz- Marinero
Fantástica Bahia- João Selva


Hotline Bling- BALTHVS (Live)
Desse Barama- Al-Qasar Ft. Alsarah
Tisladi Mehmet Emmi- Şatellites
Domebi- Santrofi


Alphabetical- Myki Tuff & Friendly Fire Band
Kiss, Cuddle & Torture- The Hempolics Ft. Dandelion
Be Alright- The Hempolics Ft. KING ZEPHA
Hempolics Rock- The Hempolics Ft. Cojack

Full Enoughs

The first part of this week’s proGram knew to remember live is like being there or here.

Red Hot Women In Blues- Sheryl Younglbood
Never Be Untrue (Castin Spells)- Jesse Dayton & The Road Kings {Live at Continental Club}


Desert Rose- Eric Johnson (G3 Reunion Live)

The Passenger- Iggy Pop (Live At Montreux Jazz Festival 2023)
Even So- mssv


Dü It Again- Heather The Jerk
***pre-recorded conversation with Heather The Jerk***
SGFE- Heather the Jerk


Promised Land- The Moles
~~
In These Binds- Emilia Sisco & Cold Diamond & Mink
Love So Divine- Emilia Sisco & Cold Diamond & Mink
Ain’t No Sunshine- Hot 8 Brass Band

Not Very Motorcycle by Heather The Jerk

Well, it is one of my favorite times of the times. Madison’s own Heather The Jerk has new music out to help make the days go by a little easier. The eight songs are quick to the ear, but spend a lot of time in my mind – easily being brought back up due to catchy choral imprints and quick-witted lyrics, I just want to scream them all out into the world. We learn straight-away that even though the title is a little misleading, by definition, this album is VERY motorcycle. You don’t have to take it from me either, since I have known this Jerk for a lifetime, take it from one Mr. Henry Rollins, who not only got this new album, but all the other music Heather the Jerk has put out and he airs it over the world wide web on his radio proGram. Check it here. We dive a little into how these tunes came together, we round off the band’s introductions and talk about a couple of tracks as if they were friends. There was a recent tape release part too here in Madison at Mickey’s Tavern and from the sounds of it, there were many people leased with the new music and the scene. Maybe go here and order the music yourself to see what all the Henry Rollins’s hub bub is all about. He oughta know.

Live at Snug Harbor New Orleans Gregg Stafford & his Jazz Hounds

Gregory Vaughan Stafford is an American jazz cornetist, trumpeter, and educator based in New Orleans, known for his work in preserving the city’s jazz heritage. He has been a significant figure in the local music scene since the 1980s, particularly as the long-time leader of the Young Tuxedo Brass Band. He was part of the Fairview Baptist Church Marching Band, a group founded by banjoist Danny Barker in 1971. Gregory Vaughan Stafford graduated from Southern University in 1976 and began performing in New Orleans in the mid-1970s. Alongside Dr. Michael White, Stafford worked to preserve New Orleans’ musical traditions, often playing in each other’s bands. He became a music educator in New Orleans public schools in 1985 and took leadership of the Young Tuxedo Brass Band in 1984. He also led the Heritage Hall Jazz Band after Kid Sheik Cola’s passing in 1992 and took over Danny Barker’s Jazz Hounds in 1994, continuing to shape the city’s jazz scene. Gregory Vaughan Stafford has collaborated with musicians such as Wynton Marsalis, Brian Carrick, & Michael White. He co-founded Black Men of Labor, an organization supporting brass bands and second-line culture in New Orleans. From the wonderful Snug Harbor Jazz Bistro.

Presented by Jazz Foundation of America.

Scarecrow Arms Included

The final part of this week’s proGram took pieces with it.

A Feather is Not a Bird- Caleb Wheeler Curtis Ft. Sean Conly & Michael Sarin
Introspection- Caleb Wheeler Curtis Ft. Eric Revis & Justin Faulkner
Beginnings- Nick Adema
Fracture- Nick Adema
Day One- Jon Wirtz


Turnaround- Jerry Caringi Ft. Michael Massaro

Day By Day- Samara Joy

Yeah Man- Sun Ra (Live at The Left Bank, July 23, 1978)
Big John’s Special- Sun Ra (Live at The Left Bank, July 23, 1978)
il cosmo… the return- The Adventures of Anacleto
new journey..rebirth..repeat- The Adventures of Anacleto
silent disco- The Adventures of Anacleto Ft. nicholas

Not Cutting Off

The middle part of the proGram was prepared to pan upwards.

Water Suite (Thirst) [Kassa Overall Remix]- Sly5thAve
Greensleeves- Whatitdo Archive Group
Wild Man- Whatitdo Archive Group
Fire in the Disco- Adrian Younge


I’ve Got Rhythm- Steven Feifke Ft. Bryan Carter & Dan Chmielinski
Hot Pot!- Jazz at Lincoln Center Orchestra with Wynton Marsalis (live)
Afreaka- Roy Hargrove’s Crisol


Ofafrii- Out Of/Into Ft. Gerald Clayton, Immanuel Wilkins, Joel Ross, Kendrick Scott & Matt Brewer
Radical- Out Of/Into Ft. Gerald Clayton, Immanuel Wilkins, Joel Ross, Kendrick Scott & Matt Brewer
Ender’s Game- The Fury (live)
Jimbo- The Fury (live)


Capetown Swag- Omer Lesham

Chippin’ Into The Light

The first part of this week’s proGram had one piece to an entire puzzle ready.

From DC to Daylight (Absolution Mix)- Tulipomania
Why I Sing The Blues- B.B. King (Live at the 1977 Nancy Jazz Pulsations Festival)


Politics Don Expose Them- Femi Kuti
World Wide Love DUB- Kumar & The 18th Parallel
Clean Up Your House- Kumar & The 18th Parallel
Fill My Cup- Iotosh Ft. Protoje


Kişisel İsa (Personal Jesus)- Al-Qasar Ft. Sibel
Bissaha Tlaqayna- Al-Qasar Ft. Mariam Hamrouni
Pelkkä persevä neitsyt- Pauanne, Karoliina Kantelinen & Helena Lahelma


Kanawa- Ivan Mazuze
Bongile- Ivan Mazuze
Quddam rasd- Andres Belmonte Ft. Efrén López, Omran Adrah, Ales Cesarini & David Gadea
Jota de veremar del regne animal- Coloma Bertran

Tia Wood: Native American Heritage Month

Tia Wood followed her heart from the Rez to the city of Angels to make her musical dreams come true. Her powerful, soulful voice carries the spirit of her people’s songs that have echoed from her homelands since time immemorial, and the musical roots of her family tree run deep. She began singing as soon as she could talk, inspired and nurtured by her parents, siblings, and her dual Plains Cree and Coast Salish heritage. Wood believes it was inevitable that she’s now blazing her own trail as a solo artist.

A Celebration of Native American Heritage Month on the Millennium stage.

Different Stroke Of Colors

The final part of this week’s proGram took the norm and added some tint.

Hot House/What Is This Thing Called Love?- Emily Remler (Live at the 4 Queens, Las Vegas, 5/28/1984)
Tenor Madness- Emily Remler (Live at the 4 Queens, Las Vegas, May 28, 1984


Nossa Cor- Adrian Younge Ft. Samantha Schmütz
***pre-recorded conversation with Adrian Younge***
Run- Adrian Younge Ft. ALA.NI


Mandingue Suite- JB Moundele
Kalabankora- JB Moundele
Ada Sweet- Oaagaada Oag
Suite Tuli / Part III- Oaagaada Oag
Audrey- Roy Hargrove’s Crisol


Flyways- Aaron Parks
610 Loop- Walter Smith III
24- Walter Smith III