Fishing For Accidents With Wax Tailor

Critically acclaimed French producer and DJ, Wax Tailor has released ‘Fishing For Accidents’ via his own label LAB’ORATOIRE. The album explores cinematic landscapes by sampling a world of vinyl, exploring with his sampler a world of vinyl and cinematographic references. A multi-recidivist talent scout he gathers a prestigious cast of talent from folks in the HipHop world like Mick Jenkins, Mr. Lif, Kuf Knotz, Mattic, and from the indie rock scene (Jennifer Charles, singer of the legendary band Elysian Fields and Victoria Bigelow). With one eye on the past and the other on the horizon Wax Tailor has made an album with one foot in the past and one foot in the present, the result is a unique and beautiful dance. Wax Tailor instills the incandescence of an organic sound and distills his art of sound anachronism in a wide gap between nostalgia and modernity that has made him one of the leaders of the international electro hip hop scene for over twenty years. Going to a live event where you are automatically taken from where you stand and are brought to a new space and place without moving…that’s the experience of a Wax Tailor shared in the moments together time brings.

I had the opportunity to catch back up with family to the program, J.C. (Wax Tailor) ahead of his March 24th performance at the Majestic in Madison. We reel in what the performance could be like for those in the there of the moment. We spend a good amount of time discussing the shaping of the new record “Fishing For Accidents” that he is out in support of. Once aGain, this is another artist that I find to be able to really find the perfect fits when it comes to collaborations or pairing…we get into how that sometimes goes about, and a few examples of other recent artists that have been examples of relationships that have worked out, including Mr. Lif and Kuf Knotz and Christine Elise. All I now is there is no accident with how this music fits together and certainly how I feel lie a different person after a live hang with Wax Tailor.

Unify With Lettuce

Lettuce is bringinG their UNIFY tour to Madison. It’s needed everywhere!! Unify, their 8th studio album and 3rd consecutive record made at Denver’s Colorado Sound Studios, completing a loose trilogy starting with 2019’s Grammy-nominated Elevate, and continuing with 2020’s Resonate. It’s also a benchmark moment for the sextet: Adam Deitch (drums), Ryan Zoidis (saxophone), Adam Smirnoff (guitar), Erick Coomes (bass), Nigel Hall (keyboards/vocals), Eric ‘Benny’ Bloom (trumpet). Approaching 30 years since its humble Boston beginnings, the relentlessly soulful funk outfit has essentially lived on the road, embodying, night after night, the sly wink of its moniker: Let us play! And now, endorsed on Unify by none other than the legendary icon of funk, Bootsy Collins, singing & playing bass on “Keep That Funk Alive”. The roots of Unify took hold several years back, when Lettuce assembled at Colorado Sound to begin work on Elevate. Armed with dozens of songs, the band tracked enough material for that record, its successor, and then some (including a vinyl-only, 45-minute, live-in-the-studio, one-take improvisation, Vibe). A pandemic-abbreviated European tour schedule in 2021 further inspired, as the group traded ideas for more new material. A totally collaborative effort, there were exciting cuts full of brilliant lyrics & arrangements from Hall. And fiery horn parts from Bloom. Plus, the tantalizing prospect of unveiling it all on the upcoming tour. Epitomizing the funk and the fun, it’s impossible for “Keep That Funk Alive,” not to be a focus track, even on a 16-song album full of highlights. Inspired by a buoyant Bootsy Instagram post and an irrepressible groove crafted around it. The venerable Parliament-Funkadelic bassist dug the hybridized creation, laying down low end and vocals on the proper track. “It’s such a dream to have one of the inventors of funk music bless this album. We are all STILL in awe!” exclaims the band. This album is an expression that is pure Lettuce. Unify will teleport you to a funky galaxy far, far away, where all life coexists as one in peace, love, harmony, and music!

I had the pleasure of catching up with Adam Deitch ahead of the maGical night of March 23rd when Lettuce brings that thang they do to Madison at The Majestic. Adam and I get into what any newbie to their scene could expect from heading out for this Unity tour event. We spend a good amount of time discussing how the album took shape and how the stretching out of these tracks live has taken new shapes after the pandemic. I am always interested in artists that play well with others and Lettuce, Adam, these cats seem to fit that mold, so we get into a recent opportunity they had to work on a track for the upcoming album “Late Night Basie”, celebrating some of the tunes of Count Basie. That focus track from Unity featuring Bootsy is so cool, we had to talk about how that went down and the cool it has kept going. Adam and I share a mutual brother in Mister Rourke, so we take the time machine back to a group they were both in called Fatbag. Oh yes we did!! EarGrab this chat and go check out Lettuce live – its healthy for you.

Photo: Jeremy Elder

A Little Time With Sona Jobarteh

Sona Jobarteh is the first professional female Kora virtuoso to come from any of the West African Griot dynasties. Her lineage carries a formidable reputation for renowned Kora masters, most notable amongst these are her grandfather Amadu Bansang Jobarteh and her cousin, the legendary Toumani Diabaté. Sona is reputed for her skill as an instrumentalist, her distinctive voice, infectious melodies and her grace onstage, and she has rapidly achieved international success as a top class performer. The demand for her live performances has rocket in recent years, and 2019 saw her perform at some of the world’s most renowned festivals & venues such as the Hollywood Bowl in LA, WOMAD in Australia & New Zealand and Symphony Space in New York City. Sona has the unique ability to touch audiences globally and from all backgrounds & cultures, while also commanding the attention of sitting presidents & royalty alike. Her captivating stage show has proved to be popular everywhere, and with a repertoire that exudes accessible sophistication, her audience demographic is constantly expanding. Sona’s dedication to spreading powerful humanitarian messages through her songs and her stage performances makes her much more than a regular musician; she is in fact a compelling social activist, speaker, & change-maker who believes in leading by example. Her achievements in setting up a pioneering Academy in The Gambia, alongside her dedication to social change has gained her invitations to deliver speeches at high profile events around the world, including summits for the UN & the World Trade Organization. Sona founded the Gambia Academy in 2015. This pioneering institution is dedicated to achieving her mission of educational reform across the continent Africa. According to Sona, Africa faces the crucial & urgent challenge of addressing its education systems. Children who are fortunate enough to be able to attend school spend most of their waking hours in school, however in most cases the environment, culture, approach & curricula content within these schools are invariably oriented around a post-colonial value system and subsequently a foreign perspective. For Sona, it is detrimental for future generations of the continent whose values and concepts are shaped during their school years, to continue to be trained within a system where African culture, African history, African traditions and their intrinsic values are either non-existent, or at best relegated to the position of extra-curricular ‘activities’. This Academy is therefore the first of its kind in The Gambia to deliver a mainstream academic curriculum at a high level, while also bringing the culture, traditions and history that belong to students, to the front and center of their everyday education.

I had the honor of catching up with Sona ahead of her March 21st event in Madison at the Garver Atrium. Fresh off her 60 Minutes interview that certainly opened more doors and windows to what she has been doing and where she is heading, Sona and I discuss a little about what a newer person to her music can expect at a live event such as the one here in Madison. We learn about some of the music we may here from here latest release, “Badenyaa Kumoo” and how she feels while presenting the music live – the conversation. I could not spend time with Sona without touching on the powerful work she has dedicated as her purpose in life, The Gambia Acadamy. We touch briefly on a few aspects of the what that is happening to help achieve a new model of education in Africa and try and find the middle points in her life’s Venn diagram to see how/where/if/when the two marry. I am honored to have had this opportunity to discuss only a few aspects of what makes Sona go…and go she does, as you can tell by her answer to the final question about where she Goes to find a little ‘Sona time”. Do yourself a favor and find a way to start a conversation of your own by listening to her music, supporting her missions and or both, as forward is the way she is heading.

Masa Ogawa and Yamato the drummers of Japan

YAMATO is a Japanese Taiko drumming group based in Asuka-mura Nara Prefecture which is well known by Japanese people as the hometown of Japan. They call themselves “YAMATO, the Taiko drumming group that travels all over the world”. They have given more than 4,000 shows across 54 countries since their formation in 1993. YAMATO’s Taiko work cannot be fully described by the word “performance”. Their motto is “We go everywhere when somebody needs YAMATO! And bringing energy to the people living in the world!”. On stage, they are standing with more than 40 Taiko drums and all of them are having different characters. For example, their largest drum called “Odaiko”, produced from a huge tree over 400 years old, is approximately two meters in diameter and weighs 500 kg. All other Taiko drums are different sizes and have different sounds. The members of the group have trained their bodies to the limit to beat these massive Taiko drums. The acoustic pressure far surpasses what one could ever imagine. They do not simply make their Taiko drums explode with sound; they produce delicate music that provides the listener with a palette of meticulously crafted sound. This is why YAMATO’s original performances are known as “Physical music”, and continue to receive high acclaim globally. YAMATO is sometimes intense, sometimes sad, sometimes comforting, and in the next moment comical on stage. The audience is more than a group of bystanders, they are engulfed in the sound of the Taiko, and sweat, cry, and laugh and become one with the performers. All types of people gather around the sound of the Taiko, interweaving their lives, and feeling the power of each other’s inner passion and heart.

I had the honor of discussing the upcoming event on April 2 at the Overture Center with the founder and artistic director, Masa Ogawa, when Yamato – the Drummer of Japan come to share energy with Madison. We get into what this audience can expect when they present the World Tour 2023-2024 「火の鳥」”Hinotori” – The wings of Phoenix. Masa does a beautiful job reflecting on how the group and audience share in the created moments of energy and how the travels around the globe help to gain new energies to share with others at the next stop on the journey. We talk about the give back that YAMATO believes in, sharing knowledge that was shared with them and pass it on to the next generations as both a group and as individuals as well as what music he is currently listening to and well…baseball. There is not many “shows’ lie a Taiko drumming “show”, the formation of new lands discovered together in a moment in time is marked with a lifetime of felt emotions and new rhythms to walk the days with.

YAMATO 2019 – 2020 – Masa Ogawa (c)

More Times With Stephane Wrembel

Stephane Wrembel is easily one of the most highly regarded guitarists in the world specializing in the style of legendary composer/guitarist Django Reinhardt. Born in Fontainebleau, France, He learned his craft traveling the French countryside before graduating from Berklee College of Music in Boston. He has had a remarkable career, touring the world, while releasing 16 albums under his name and the nom de plume, The Django Experiment. His original compositions have been featured in Midnight in Paris (“Bistro Fada”), Vicki Cristina Barcelona “Big Brother”) and Rifkin’s Festival (original score). Midnight in Paris received the Grammy Award® for “Best Compilation Soundtrack.” Stephane was selected by award-winning composer/producer Hans Zimmer to perform at the 2012 Academy Awards® as part of his “All Star Band” which also included Esperanza Spalding, Pharrell, and Shelia E. Stephane recorded Gypsy Rumble and toured nationally with famed mandolinist/composer David Grisman. He has opened or performed with Elvis Costello, Patti Smith, The Roots, Medeski Martin & Wood, Me’shell Ndegeocello, John Scofield, Larry Keel, Stochelo Rosenberg, Sam Bush and the amzing and diverse list goes on. In 2019, Stephane released the highly regarded “Django L’Impressionniste”, featuring seventeen of Reinhardt’s preludes for solo guitar, followed by a book of his transcriptions in 2021. He is currently the only guitarist in the world to perform these seventeen preludes in their entirety. Ever since 2003, he has produced the Django-a-Gogo Festival, bringing together some of the finest musicians in the world to celebrate the Sinti guitar style to perform in prestigious venues such as Carnegie Hall and The Town Hall.

I had the chance to get back on a call with Stephane to talk about the upcoming event back here in Madison at Cafe Coda on April 2nd. Stephane’s world-class band includes: Josh Kaye on guitar; Ari Folman-Cohen on bass; and Nick Anderson on drums. We get into a deep space about the feelings, creation and moments within the shared event such as the one upcoming in the MadCity. The music definitely acts as a vessel for me and many I witness in the crowd as the strings vibrate and the grooves form. Over the years, I have watched the Django A Gogo Festival event go from there to here and this year’s here is an amazing array of talent: playing, teaching and sharing. So, we stay on this topic for a bit and it is always special to hear someone like Stephane dish out proper praise of/to others. We also discuss what is this gypsy jazz thing?!. Within the deep, there are hints of ideas about new music coming this Fall, an upcoming trip to Switzerland and Billy Strings. This is always a ride worth taking.

Photo By: Irene Ypenburg

Mike Dillon & Punkadelick Inflorescence

Together, Mike Dillon & Punkadelick have conjured Inflorescence, an album of heady, post rock and punk jazz highlighting a band deep in the throes of creative freedom, road-tested and wild. The ten track collection is expansive, focused & fearless, representing a world where Duke Ellington & Augustus Pablo rub shoulders with crate-digger exotica, the freak-funk of Parliament and the ‘anything fits’ outsider ethos of acid-fried punks like The Meat Puppets. This is one powerful trio featuring: Mike Dillon (Ricki Lee Jones, Ani DiFranco, Les Claypool) on vibraphone, marimba, Prophet 6, congas, and bongos, family to the proGam, Mr. Brian Haas (Jacob Fred Jazz Odyssey) on Fender Rhodes, piano, bass Moog and melodica and Nikki Glaspie (Beyonce, Nth Power) on drums, cymbals and vocals, Punkadelick is the unified vision of six hands creating a world that often sounds like the work of an ensemble three times the size.

It is always nice to get a chance to talk with family to the proGram, Mike Dillon, especially when he is brining one of his projects to town. This time around he comes to Madison March 18th at the High Noon Saloon with the trio Punkadelick. Also on the bill is another pal to the show, Marco Benevento. The day we were chatting is the day of the Kansas City Chiefs Super Bowl championship parade and well..it’s in there. Perfect vibration of the day moments. We get into the who and the what of the event and then we get deep into the coming toGether of Punkadelick’s new record Inflorescence (out now on Royal Potato Family), including dissecting the track & Video (put together by Mike’s wife Peregrine Honig), “Pandas“. We even have time for some real talk and Mike builds a setlist around one track he choses off the new album. Priceless time spent talking music.

Family Time With Larry Campbell And Teresa Williams

There is no place on earth that Larry Campbell & Teresa Williams feel more comfortable than onstage at Levon Helm Studios in Woodstock, NY. For almost 10 years, Larry & Teresa were staples of Helm’s Midnight Ramble band, playing countless shows at “The Barn.” So when it came time to record their own live album, it was a no brainer as to where to set up shop for 2 nights to record. Recorded on September 20 & 21, 2019 after returning to Woodstock from months of touring, Live At Levon’s! [out now on Royal Potato Family] gathers the best performances from those 2 shows on a sonically pristine live collection that crackles with both energy & spirit. The album gives us Larry & Teresa delivering originals like “Angel Of Darkness,” “Surrender To Love,” & “It Ain’t Gonna Be A Good Night,” along with their renditions of songs like “Darling Be Home Soon” (The Lovin’ Spoonful), “Caravan” (Duke Ellington) & “Big River” (Johnny Cash).

Of course, Larry was a member of Bob Dylan‘s “Never Ending Tour” band from March 31, 1997, until November 21, 2004. Through his association with Dylan’s bass player Tony Garnier, Campbell joined the band, replacing John Jackson as a guitarist, and expanded the role to multi-instrumentalist, playing instruments such as cittern, violin/fiddle, pedal steel guitar, lap steel guitar, mandolin, banjo, and slide guitar. We don’t have enough room to discuss all the great folks he, and they have worked with or produced, but in our conversation this time around, we do talk about our mutual friend, Mr. Jorma Kaukonen – as one of the new tunes has a story behind it, of course it does and we also discuss Larry & Teresa’s participation on the new tribute album to the great Eric Andersen. We spend a bunch of time discussing the new album, as a live album with these two really shows off all you get when they are in a room sharing music. That’s part of this chat as well. Being toGether. Folks here near the Madison, WI area will get to hang with Larry and Teresa March 21 at the Stoughton Opera House with Shawn Mullins. WOW., so we paint a tiny picture of what that could look and feel like. We have talked many times over the years, but this time on the heels of this live record makes me feel complete. The true experience is out there to go get SUM of.

Some Stories With Cécile McLorin Salvant

Three-time GRAMMY Award-winning composer, jazz singer and musical storyteller Cécile McLorin Salvant will blend sounds that reimagine the jazz genre when she performs at Shannon Hall in Memorial Union on Feb. 7. This concert is part of the Wisconsin Union Theater’s 2022-23 Jazz Series. During her Feb. 7 concert, Salvant will perform a 90-minute set featuring songs from her 2022 album “Ghost Song,” which explores themes of love, loss & life, as well as selections from her previous discography. The New York Times recently named “Ghost Song” the Best Jazz Album of 2022.

She discovered her passion for music at a young age, beginning piano lessons at 5 years old, joining a children’s choir at the age of 8, and enrolling in classical voice training as a teenager. Since her early music education, she has shifted her focus from classical music to jazz and has established herself as one of the most highly acclaimed jazz singers of her generation. Stylistic experimentation, heartfelt storytelling and velvety vocals characterize her unique sound. She considers herself an “eclectic curator,” as she draws connections between genres and time periods usually considered distinct, including vaudeville, blues, jazz, baroque & folkloric music. Salvant’s repertoire contains new takes on jazz standards along with many original compositions. Over the course of her extensive career, Salvant has received an array of prestigious awards, including the MacArthur Fellowship, the Doris Duke Artist Award, & GRAMMY Awards for best jazz vocal album.

Supreme Beings of Leisure “22”

Yes, it’s been 14 years since their last release, 11i, but Supreme Beings of Leisure is back with a brand new story to take us through toGether. The band—consisting of original members Geri Soriano, Ramin Sakurai, and Rick Torres—had to live life. A whole lot of it. There were marriages, kids, a divorce, the death of parents, a flooded recording studio, the pandemic, even a near-death experience. With their 4th studio album, those experiences have been transformed into music. And so 22 years after their critically-acclaimed, self-titled debut (and two decades since this trio has played together), Supreme Beings of Leisure is back, with an impressive array of guests to boot on ’22’. Stay in the game long enough and you collect enough friends to make a fantastic team effort—which is exactly what22 is. Beyond the core trio, the album features keyboardist Rami Jaffee (Foo Fighters), guitarist Marty Friedman (Megadeth), violinist Lili Haydn (Paige/Plant, Funkadelic), drummer Satnam Ramgotra (Hans Zimmer), percussionist Duke Mushroom (Masters at Work, Janet Jackson, Gloria Estefan), bassist Adam Dorn (Mocean Worker), pianist Scott Tibbs (Beyonce), and vocalists Durga McBroom (Pink Floyd, David Gilmore), Frank Navin (The Aluminum Group), and Monica Reed (Sting, James Brown, Deep Purple). Longtime SBoL fans will be thrilled to be back inside of the sonic bubble known as ’22’. There’s so much richness and depth, all packaged in the incredible storytelling and songwriting you’ve come to expect.

I had the fortune of catching with with Geri and Ramim ahead of the new album’s official drop. We actually go back a bunch of years as this music, their music, is one that paints my landscapes and allows a personal walk or run or hopscotchin’ thru and so I am so thrilled there’s some new places to visit. We got into the seed to flowers way this record came to become and form, how the pieces fell into place and the process by which they work. The music has lives attached to it, with individual heartbeats of what was and has been happening immersed within. We got into a few of the tracks and their tales, their importance and yes, their grooves. As noted above, what a list of stars from many skies that became a part of these stores – so of course there were moments shared about collaborating, and a fun chat about that time Ramin got Marty Friedman’s autograph [and vice-versa]. Worth the wait is all I can advise and keep ’22’ on repeat as you go through some of these new normal type days. EXCITING.

Jazz Is Dead And Steve Kimock

Steve Kimock has proved himself a master of fluid improvisation for over 4 decades, in the process inspiring music fans w/his transcendent guitar speak voiced thry electric, acoustic, lap & pedal steel guitars. With his multi-decade reputation as a blazing psychedelic guitarist versatile enough to touch almost all aspects of American music, Mr. Kimock continues to evolve creatively as he wanders thru the landscape of life. While one can say that his genre is rock, no one niche has ever confined him. Instead, through the years, he’s explored various sounds/styles based on what’s moved him at the time, whether it’s blues or jazz; funk or folk; psychedelic or boogie; gypsy or prog-rock; traditional American or world fusion. Threaded thru this expansive & highly nuanced musical landscape is Kimock’s signature sound, the prodigious product of his ability to articulate crystal-clear tone, melody & emotion into intricately woven music crafted with technical brilliance. His passion & devotion to performing live is matchless, and his unparalleled ability to embrace & capture his audiences musically is the stuff of legend. He co-founded the jazz/rock band Zero in the ‘80s & KVHW in the ‘90s; since then, he has recorded & toured in various outfits under his own name. His collaborations with assorted band mates & groups have provided an everlasting wellspring of inspiration for the guitarist, and he has shared the stage with a seemingly endless array of international musical luminaries. After more than 40 years on stage, Mr. Kimock is more committed than ever to a jubilant spirit of musical diversity — the same spirit that has fed his desire to pursue an authentic relationship w/the guitar since the day he realized his calling. While still performing with Zero, he began to explore new terrain with the looser, bluesier Steve Kimock & Friends, an ever-evolving project that continues to feature a cast of acclaimed singer- songwriters, Hammond B-3 players, rock guitarists and numerous other serious players Kimock has befriended along the way. Late in the century it was succeeded by KVHW, a much lauded though short-lived quartet comprised of himself, Zero bassist Vega, drummer Alan Hertz, & former Frank Zappa sideman Ray White. In February 2000, KVHW morphed into the Steve Kimock Band, which featured Kimock & Vega along with a rotating crew of guitarists & drummers. In 2009, he formed the upbeat, gospel-influenced, soul-rock band Steve Kimock Crazy Engine, which featured legendary Hammond B3 player Melvin Seals & Kimock’s son, John Morgan Kimock, on drums. Once touted by Jerry Garcia as his “favorite unknown guitar player,” Mr. Kimock has also performed as part of Bob Weir’s Kingfish and toured in both 2007 and 2014 with Bob Weir’s band RatDog, in addition to post-Grateful Dead ensembles including The Other Ones, Phil Lesh & Friends, and the Rhythm Devils featuring Mickey Hart & Bill Kreutzmann. Dubbed “The Guitar Monk” by Relix magazine, he is driven by the knowledge that there is always more to discover – that and the fact that he loves guitar too much to do anything else. Another project you can hear his sound on is Jazz Is Dead – an acclaimed All-Star instrumental ensemble, famous for interpretations of classic Grateful Dead songs with jazz influences.

I had the thrill of getting some time set aside to chat with Mr. Kimock about the upcoming Jazz Is Dead event on January 19th at the Barrymore Theatre here in Madison. We got into the event and what people who make it to the show will be a part of. That’s right, a part of. We talk about his job of making sure he is in tune with the music, the song and himself – and the practice it takes to be so. I found it thrilling to be in discussion with Mr. Kimock about the idea of making/creating music versus walking in the landscape of what exists and find your way. There is a moment where we discuss the legacy of this music, and the honoring of Jerry Garcia’s time with it. While I have been in the spiral of the day’s sounds with this artist for years, the evolution that I felt while even just discussing music, makes me very aware of what kind of show anyone who gets out on this Jazz Is Dead XXV tour, where they will honor the Dead’s ‘Wake Of The Flood’ and more. It will be that experience we talk about for years to come.

Alphonso Johnson With Jazz Is Dead

Alphonso Johnson is an iconic musician from Philadelphia, Pennsylvania whose contributions with the electric bass set the landscape of music to come. As Weather Report’s bassist, Johnson’s warm tone and fluent chops contributed to the band’s initial breakout from avant-garde into funk fusion. His playing was featured on the songs “Mysterious Traveler”, “Scarlet Woman”, and “Cucumber Slumber” which he co-wrote. Alphonso played with the group Santana and also toured with saxophonist Wayne Shorter, pianist James Beard, drummer Rodney Holmes, and guitarist David Gilmore playing S.R.O. shows that stretched across Europe and Japan. Johnson has taught all over the world and in 2004 was appointed Adjunct Professor of Music at the University of Southern California and Part-Time Lecturer at The California Institute of The Arts. In early 1982, Johnson joined Grateful Dead member Bob Weir’s side project Bobby and the Midnites. He would reunite with Weir in 2000, playing bass in place of Phil Lesh on tour with The Other Ones. He has also performed fusion versions of Grateful Dead songs alongside Billy Cobham in the band Jazz Is Dead. The acclaimed All-Star instrumental ensemble, famous for interpretations of classic Grateful Dead songs with jazz influences, returns in 2023 to celebrate its 25th Anniversary. Co-founder Alphonso Johnson will be joined by Steve Kimock, Pete Lavezzoli & Bobby Lee Rodgers, performing Grateful Dead’s ‘Wake of The Flood’ marking it’s 50th Anniversary, in addition to other beloved selections. Jazz Is Dead XXV ‘reunites’ two greats! Steve Kimock & Alphonso Johnson, who together in heavyweight post-Garcia Grateful Dead offshoot The Other Ones together with Bob Weir, commanded the instrumental prowess of that band.

I had the honor of catching up with Mr. Alphonso Johnson to get into the upcoming concert in Madison on January 19th at The Barrymore Theatre, as Jazz Is Dead comes to keep us company. We get into the idea behind the shows and how the music will guide the way from night to night to night. Mr. Johnson, a natural teacher describes how these 4 cooks bring their individual abilities into the kitchen and we talk a little about the feeling of getting back toGether to find his way through the music with Mr. Steve Kimock. This is one of those events where not only will the music unite, I feel it’s the connection with ALL the people that will be equally as important.

Rock and Roll Warrior David Libert

David Libert had such a long & interesting career in the music business, his friends encouraged him to write a book about it and so he did. The result is an autobiography 50-plus years in the making titled Rock and Roll Warrior, recently released on Sunset Blvd Books. It’s a chronicle of David’s inner circle life in the music industry as a popular international performer, singer/songwriter, tour manager, booking agent, producer, and drug dealer on the Sunset Strip. It’s a story so wild, so crazy, so over-the-top that it can only be true. You can’t make this stuff up! This book is a riotous, humorous, intimate, provocative story of Mr. Libert’s life in music. From his tenure as co-lead singer of 60s pop hitmakers, The Happenings, to his role as tour manager for Alice Cooper’s most legendary 70s tours, to managing funk/R&B legend George Clinton and Parliament-Funkadelic to…yes, there’s more even. Hailing from Paterson, New Jersey, he co-founded The Happenings w/3 high school pals shortly after graduation. The Happenings went on to have several hit records including “See You in September” and “I Got Rhythm.” Those 2 tunes were on the Billboard Hot 100 charts for 14 weeks in 1966 and 13 weeks in 1967, respectively, and both songs peaked on the Billboard Hot 100 charts at #3. Sales for both exceeded one million copies, resulting in R.I.A.A. gold record awards by 1969. David left the group to become a booking agent and eventually a tour manager. After a brief stint as road manager for Rare Earth, he became tour manager for Alice Cooper during Alice’s most formidable years (1971–1975). David figured prominently in Bob Greene’s book about accompanying Cooper’s band on 1973’s Billion Dollar Babies tour. He remains friendly with Alice to this day. In 1975, Libert migrated from New York to Los Angeles and in 1976, opened the David Libert Management Agency which represented George Clinton, Parliament/Funkadelic, Bootsy’s Rubber Band and The Runaways (Cherie Currie, Joan Jett, Lita Ford). In the early 80s, he met Prince through Sheila E, who was one of his management clients at the time. Sheila E opened for Prince on the legendary Purple Rain tour and he spent a lot of time hanging with Prince, many times assisting with his shows. In the late 90s, Libert formed Available Entertainment with entertainment attorney Alan Oken. Mr. Libert has promoted many concerts throughout his career including sold out shows at Madison Square Garden in New York (George Clinton) and the Cricket Wireless Amphitheater in Kansas City (Kool and the Gang). After some personal happenings that took some time to handle – these too are in the book, he regrouped and made a successful return to the music industry as a manager, working with acts including Living Colour and Vanilla Fudge, who were respectful of his knowledge and skills and were happy to work with him. These days, soon to be 80 years young, David is enjoying a much more relaxed and less hectic life. He lives in Southern California and is a devoted animal rights activist, helping to find homes for animals that desperately need one. There’s talk about the book being made into a feature length film as well, which excites David to no end.

I had the joy of discussing the man behind the Rock And Roll Warrior himself, Mr. Liebert to get a little more insight into the tales, the people and the journey. We learn the about the beGinning of a rock and roll life and how it ld up to so many just jaw-dropping experiences. I looked over David’s extensive résumé and had to get a sense of how he was able to fit in with the variety of people and artists and worked with, or formed relationships with. The answer while I suppose is not shocking, it is interesting how much translates from one artist to the other as far as logistics and that stuff, but it’s the knowing when and knowing when not to and the being yourself that got me. We compare/contrast times with Alice Cooper versus the Funkadelic Mothership and there is some very intriguing insight into the man we know as Prince. This guy lived aspects of a life many people have wished upon, dreamt about or cringed towards and lived to tell about it, remarkably. In this book, David shares unvarnished, no-holds-barred, stories of his life in the rock ‘n roll fast lane on the road, backstage, on private jets & inside notorious after-show parties with music legends in the era of free-spirit, hard driving rock ‘n’ roll & R&B. It’s life on the road in technicolor. A roller coaster ride peek behind the curtain at the good, the bad and even yes, the ugly in the music biz of years gone by.

The Halluci Nation is Growing

As they enter a new cycle, Bear Witness & Tim “2oolman” Hill of A Tribe Called Red are reintroducing themselves as The Halluci Nation, to reflect the evolution of their music & mission. The Halluci Nation, takes its name from a phrase coined by John Trudell, to describe the vast global community of people who remember at their core what it means to be human. As a visionary artist & activist, Trudell recognized the connection between his accomplishments and what ATCR did intuitively through music & art. Trudell’s voice was the first heard scattered throughout the music. The Halluci Nation’s future revolves around collaboration. From hip-hop star, Yasiin Bey (AKA Mos Def), to the Indigenous Australian band, OKA, to the Wayuu-Colombian powerhouse, Lido Pimienta, the group has always sought out artists from around the world who would join the Halluci Nation family to form a like minded community as well as an international indigenous alliance. The Halluci Nation maintains focus on what they feel they can impact most: how Indigenous people are seen. Through groundbreaking stage shows & ever-changing visuals, Bear Witness & 2oolman are constantly working to create media that reflects today’s Indigenous identity. They see themselves simply as contributors to a necessary conversation around a subtle and complex representation of the contemporary Indigenous experience.

I am proud to say I had the chance to catch up with Tim “2oolman” Hill (Mohawk, of the Six Nations of the Grand River) and Bear Witness (of the Cayuga First Nation) ahead of the December 13th event at the High Noon Saloon. We get into what someone who may not quite know what they should prepare for will be preparing for. The collaborative spirt of The Halluci Nation is what always drives my ears and mind [and a good body shake] to the music, and the scene so we get into some of the going’s on and going downs when working with artists. The relationships, the family style and the understanding of where each other is coming from unites the people and the sounds as they’re being created. I found it real cool to hear how what they are doing with the music and the culture took on a responsibility – and just how that all clicked in and how they pay homage to those who came before and lend a hand to those on their way. Oh yeah, there’s also a set list built by 2oolman & Bear.

Photo by Jon Riera

Ben Tyree Talks Catalytic

A product of the diverse Washington, DC music scene, guitarist, Ben Tyree is a performer and composer of virtuosic ability, infectious groove & eclectic tastes. He studied both jazz & classical music in high school while writing his own rock songs and going to jam sessions at night. He continued his studies at DC’s prestigious Duke Ellington School of the Arts and at Howard University before moving to New York in 2002. The template for his genre-hopping agility was set by the pioneering Miscellaneous Flux, the band that he co-founded in 1998 while still in residing in DC., the group fused jazz, hip-hop & punk rock into a crowd-invigorating mix, releasing 2 EPs & a full-length album before disbanding in 2005 following its members’ move to New York. Tyree’s longstanding trio BT3 continues in that vein, melding together jazz, funk & rock in an eye-openingly memorable way. The trio recorded their debut CD, re:Vision, in 2010 with special guests and both friends of the proGram, John Medeski& DJ Logic, no strangers to boundary-erasing grooves. In recent years he’s toured and recorded with the group of people who extended my ears, the eclectic Burnt Sugar: The Arkestra Chamber as well as the uncategorizable Memphis singer-songwriter Valerie June, whose unique blend of folk, blues, gospel & soul have brought him to the stages of The Tonight Show with Jay Leno & the Late Show with David Letterman. His compositions have also taken the leap from stage to screen. He has scored several independent films as well as pieces for television that have appeared on ESPN and in advertising campaigns for companies like Green Team USA.

I had the chance to check in with Ben about his latest project titled ‘Catalytic’ in a duo partnership with friend of the proGram, percussionist, Sameer Gupta. The new tunes are due out December 6 via Tyree’s Sonic Architectures imprint. We talk about the process that shaped the new music starring right around the time that the two neighbors put out their Unruly Neighbors record. We discuss the trust that defines an understanding within each other, of each other and the directions the music takes, knowing when an improvisational moment is concluding or shifting. Ben takes time to define how each track took shape and where or how the titles came to be. There are so many relatable moments to this process and this music that make sense to me, and I truly believe that if you approach this listening the same way, with an openness to go with each flow, you’ll find your daily, hourly, momentary moment that fits just right. The key is the desire to be adventurous and look for the unknown, these two creators have it and sharing it has a second part to it…..you need to go find it. Be your own catalyst in finding your adventures. Start here.

Into The Spiral With Marshall Allen

The Sun Ra Arkestra is a sonic explosions recreating itself with each note and was formed in the mid-1950s and led by keyboardist/composer Sun Ra until his death in 1993. They are certainly considered a pioneer of afrofuturism. The Arkestra is still led by saxophonist Marshall Allen, an member since 1958. To this day, the outer shell of the travelers on stage are still draped in their cosmic entrance gear, expelling from the ever-evolving swirl. In jazz, unity could emerge — even as individual notes seemed in disarray and rhythms seemed uncountable. Jazz demanded discipline and precision, but also an open mind. “A lot of things that some men do… come from somewhere else,” Sun Ra said, “or they’re inspired by something that’s not of this planet. And jazz was most definitely inspired, because it wasn’t here before.” Jazz was the road to a mystical experience, a sort of reasoned ecstasy. It was the music of elsewhere. Sun Ra called his band the Arkestra, though it went far beyond the limits of a band. The Arkestra was Sun Ra’s grand Gesamtkunstwerk, a total work that crossed the boundaries of art and life for Sun Ra and his musicians. Arkestra performances were music, theatre, dance, philosophy. They combined the ancient and the radical future, African rhythms played with fists and synthesizers played with the elbows. Arkestra musicians followed Sun Ra’s style, wearing Egyptian headdresses and African robes and Mardi Gras beads. Onstage, they laughed and danced and walked arm in arm. Sun Ra wanted to show his audiences an expression of pure possibility. And yet the Arkestra was more for the musicians than the audience. Musicians lived together (for a long while in a building Sun Ra bought on Morton Street, in the Germantown area of Philadelphia) worked together, thought together. When they weren’t onstage, they were rehearsing. They played music in place of social activities, in place of sleep. The Arkestra breathed music together, abandoned themselves to it, like one single enlightened organism with Sun Ra as their guide. Sun Ra’s compositions were famously difficult, even for the most talented instrumentalists. Arkestra musicians tell stories of being baffled sometimes for months before they could hear music in the written notes. The intervals were mad, impossible. Sun Ra was patient though, often choosing musicians who were more intuitive than knowledgeable, who could be developed (intuitive people had more space in their minds). One could imagine the Morton Street building like a monastery, and Arkestra rehearsals akin to liturgical chant, with Arkestra players embodying the music through repetition until playing was an ecstatic experience. For this experience of both the past and the future, breathing and being altered in the now, we find Marshall Allen continuing to be a director from which it came – within the spiraling sound landings of The Sun Ra Arkestra.

I had the honor of checking in with Mr. Marshall Allen ahead of CODAFEST 2022 – A Celebration of Creative and Cultural Music’. Highlighting this 5-day event will be the legendary Sun Ra Arkestra, led by the 98-year-old saxophonist and protégé of the late/great Sun Ra. This event will be on November 19th at Cafe Coda. We discussed how the moment, any moment is about the vibration of that day, that moment, that time. This translated into how the group will be proceeding into the spiral while here in Madison, avoiding the square and adding the feeling of the audience to the building blocks of notes to be. This little conversation reminds me to always listen in to what those who’ve been to and from – and how/why there is the reason what the Arkestra did/does resonates within me. Its the moments within each. Take a moment. Make a moment

DA CRUZ Scream Baladas da Luta

The 6th album by DA CRUZ (Bern/São Paulo) is called “Baladas da Luta” (“Ballads for the Fight”), and that’s exactly what it sounds like. Profound, Brazilian urban music in an attack position against hatred, delusion & political short-sightedness. There are guests on this album like the British-Nigerian pidgin rap guru Magugu or Arnaldo Antunes, who was chosen by “Rolling Stone” as one of the hundred best artists in Brazilian music. There is heavy-blooded Afrobeat, angry Hip-Hop or a Brazilian disco flair. There are touches of Krautrock, Baile Funk or Soul – all held together by the warm voice of Afro-Brazilian singer Mariana Da Cruz. Mariana Da Cruz grew up as the seventh child of a cotton picker and a cook in Paranapanema, a small provincial town in the state of São Paulo. Recordings, concerts, music lessons; all that was unaffordable. Music, however, was an escape point even then – Mariana absorbed it through a small transistor radio in her nursery. She was already singing as a teenager in a club in the nearest big city, Campinas, where she studied to become a teacher: Bossa Nova, MPB, Elis Regina, Jorge Ben – all the classics – it was her basic research. But curiosity drove her first to Lisbon in the early noughties, later to Bern, where she lives today. It stands to reason that she would reflect on the world’s dislocations through her first home, Brazil. A country that anticipated all the developments we see everywhere today. “There is a fundamental alienation between politics and the people, there is burgeoning racism, social divisions, there is an ever greater injustice in the distribution of wealth, and there is this inexplicable yearning for authoritarianism”, she says. And she sings against all this. For more than 15 years. A key driver of her music is her engagement with her African roots. Whereby the situation here – as for all Afro-Brazilians – is somewhat complicated: “We know that our ancestors come from Africa, but we don’t know from where. You can’t do any research on that,” explains Mariana Da Cruz. “We’ve travelled a lot in the last few years for this search for traces, been to Burkina Faso, Bahia, Rio – and all these experiences and impressions flow into my music. Da Cruz is a radical independent project. All of their albums so far have been recorded, mixed & produced in their own studio. They have been released on their own label Boom Jah Records, except for two albums released with the American label Six Degrees Records. The core of the band besides Mariana includes Ane H., former singer and programmer of the industrial band Swamp Terrorists, Bernese guitarist Oliver Husmann and drummer Pit Lee.

I had the honor of chatting with Mariana and Ane H. of DA CRUZ about the new release, “Baladas da Luta”. We get deep into the need and reasons behind this album and how the music stands with Brazil as times get very unrecognizable. The power of the songs are clearly explained by Ane and Mariana and if you wonder if music does have the power to make a stand against or stand with a group who is in need of a shouting voice, this album will take you by the ear and show you. Not only do we talk about the music, the situations on a global level that do affect us all, there are questions asked on how we find one language to speak…to SHOUT…to unite. For me, these people making this music always opened my body to the grooves of the sound, but this record has my eyes and mind in concert with my heart and sense of equality and justice. There is power in these songs. Check for yourself.

CODAFEST 2022 and Ugochi

Her created sounds have been described as ‘lively, energetic music that makes your feet move & heart think’. With over 2 decade of experience in the literary & music industry, UGOCHI has gained quite a notable reputation for her solo career & collaborations. Not content to rest on her gnash, UGOCHI are always laying foundations for the next release, adding more classics to their repertoire. She has shared the stage with several established artists such as Common, Eric Benet, John Legend, Femi Kuti, Edwin McCain, Seun Kuti, Maxi Priest, Malik Yusef, Umphrey’s McGee, Richie Stephens, Blitz the Ambassador, Yellowman, J. Ivy, Queen Ifrika, Luciano, Wayna, Femi Kuti, Shaggy, Richie Stephens, Queen Ifrika, Vieux Farka Toure, Tony Allen, Bushman, Fatoumata Diawara, Wayne Wonder and Stephen Marley, King Sunny Ade, Me’Schell Ndegeocello. Ugochi & A.S.E.’s music is not just a unique flavor of soul music cooked up in her cosmic kitchen of sounds, styles & accents; it is also an introduction to world affairs for Africa enthusiasts all over the world. Her music honors her musical influences thru the expression of heart felt lyrical poise & soul swept instrumentation, giving birth to an incredible sound that fills a need that may have been previously unknown.

I had the complete pleasure of catching up once aGain with family to the show, UGOCHI as she and A.S.E. are heading back to Cafe Coda on November 17th as part of CODAFEST 2022. We discuss how a live experience like this is an opportunity to leave all that other stuff somewhere else and make this shared moment an opening to joy and healing. The band always finds this togetherness on a stage, with a community to be healing. Some of the styles of sounds/rhythms are discussed – hint – very similar to the way greenarrowradio flows and the love of how a place like Madison come with open ears, open hearts and especially open minds really is not lost on Ugochi or A.S.E., so, if anyone round here has a couch that is just right for that stage……

Timo Vollbrecht’s FLY MAGIC presents Givers & Takers

FLY MAGIC is saxophonist-composer, bandleader & scholar Timo Vollbrecht’s longstanding signature ensemble. A genre-exploding unit with a bold sense of creativity & intent. After 2 acclaimed records and performances in over 30 countries, their 3rd album, Givers & Takers, marks a new chapter: It conjures acoustic delicateness with otherworldly electronic soundscapes of orchestral width. Recorded in the studio while on a 12-date-tour, it captures the unique chemistry the 4 musicians developed on the road while using the stage as their laboratory. It is out now on BERTHOLD Records. Originally from Germany and based out of New York, Timo is a celebrated creative force on the Brooklyn music scene who fuses jazz with post-rock, electronics & instrumental songwriting. Described as a “luminously-fine bandleader” by the NYC Jazz Record, he has performed at landmark stages like the Village Vanguard. He is also the new Director of Jazz Studies at Brown University. Together with Keisuke Matsuno (guitar), Elias Stemeseder (piano & synthesizers) & Dayeon Seok (drums), he formed a band with no bassist. Instead, Stemeseder – who just led his residency at John Zorn’s iconic Stone venue – plays synth-bass while his other hand operates other keys. Thematically, Givers & Takers refers to Timo’s underlying sense of community through music. The album emerges from this place of human interactivity. It features four musically synergetic friends of diverse backgrounds entering into an improvisational dialog marked by mutual trust. Giving & Taking is a natural part of this process. The fact that Givers & Takers is also the name of their favorite bar in Brooklyn underpins the importance that Timo and his bandmates assign to the gathering. With Givers & Takers, Timo is presenting his vision of a band that is truly original, avoids easy categorization, and blends acoustic and electronic sounds enveloped in intricate song forms.

I had the pleasure of getting toGether with Timo to dive into the creation of this project. We got into how one records this open music without a bassist, how working this music out live during a tour assisted in the heart of the music and how this is really friends making music, and how THAT is part of the entire process of seeing the initial vision through. We talk about the diversity of the individuals making the music and how that fits into the music itself with the live spirit of an audience helping to wrap this into its final building. Once again, this kind of music that encourages spaces for created improvisation and the ‘I Don’t Know’ also does the same for a listener in my opinion. Timo tells me what he would drink at the bar with these friends as well as building a setlist choosing two tracks off the new album. FLY MAGIC does just that for me.

Miguel Espinoza Flamenco Fusion W/Dave Hagedorn

Miguel Espinoza Fusion twists jazz, flamenco, Cuban and classical Indian musical forms into intoxicating journeys that thrill audiences! Described by Guitar Player Magazine as “mesmerizing”, Miguel Espinoza has recorded and performed with Bela Fleck, Kai Eckhardt, Kitaro, Tuck and Patti, Rita Moreno and Ben Vareen. April 2022 saw the release of their third CD – Living in a Daydream – featuring Grammy-winning pianist and Hamonicist Howard Levy. Miguel Espinoza Fusion performs to sold out audiences across Colorado, and were the honored winners of Denver’s Westword Magazine 2019 “Best of World Music.” Their first CD, Turtle Dreams, is the winner of Indie Acoustic’s Best Instrumental Album of 2019 – full of original music that has been described as “colorful and vibrant”, “emotional”, a “stunning combination of jazz, flamenco, and subtle world music”, and ”sophisticated rhythmic elements…emotional, natural and organic”. Their second CD, Veneta, was released in August 2020. Visually and aurally stunning, with flamenco/jazz guitar, fiery cello, riveting salsa and Indian tabla, a Miguel Espinoza Fusion show is like nothing else!

I had the pleasure of chatting with Dianne Betkowski and Miguel Espinoza ahead of the November 4th Miguel Espinoza Flamenco Fusion W/Dave Hagedorn event at the North Street Cabaret in Madison. Special guest, Grammy-nominated vibraphonist Dave Hagedorn, will join Flamenco Fusion for a limited series of Midwest showsand this is one of them. Dave is a world-class performer who has recorded with the George Russell Living Time Orchestra on Blue Note Recordings (nominated for a Grammy award), Brian Setzer Big Band, Pete Whitman X-tet, Phil Hey Quartet, the Out to Lunch Quintet, and also with the St. Paul Chamber Orchestra on Teldec Recordings. Dianne/Miguel and I talk a bit about what working with Dave adds to this already unique sound and stylings. They share an idea of the who and what’s making this group go and what to expect in a live setting. We also talk about their latest release ‘Living In A Daydream’ featuring Howard Levy of Béla Fleck and the Flecktones. [sounds like he and others will be on an upcoming release as well – stay tuned]. We close out the chat with a little discussion of the give back with the work they are doing through Urban Arts Music. Yep, complete package.

The Wood Brothers Head To Madison

Dubbed “masters of soulful folk” by Paste, The Wood Brothers formed after brothers Chris & Oliver Wood pursued separate musical careers for 15 years. Chris already had legions of devoted fans for his incomparable work as one-third of Medeski Martin & Wood, while Oliver toured with Tinsley Ellis before releasing a half-dozen albums with his band King Johnson. With drummer Jano Rix added as a permanent 3rd member, it’s become quite clear that The Wood Brothers is most definitely the main act. Blue Note released their debut ‘Ways Not To Lose’ in 2006 & ‘Loaded’ 2008. The band moved to Zac Brown’s Southern Ground Artists for ‘Smoke Ring Halo’ with ‘The Muse’ to follow in 2013. After relocating to Nashville, The Wood Brothers released ‘Paradise’ in 2015 recorded at Dan Auerbach’s Easy Eye studio. In 2016, the band returned to Levon Helm’s famed Woodstock Barn and recorded ‘Live At The Barn’ which captured their sold-out performance that night and showcased the kind of singularly eclectic & electrifying performance style that’s earned them devoted legions of fans around the world. On February 2nd, 2018, The Wood Brothers released their 6th album, ‘One Drop of Truth.’, the most independent album they have done and the end result is undeniably The Wood Brothers’ most dynamic recording to date and was recognized as such when it received a Grammy Award nomination for “Best Americana Album.” That is until 2019’s ‘Kingdom In MY Mind’. To me, this album really has all cylinders firing and the dynamic ability of this group really taking on a new shape and sound. This one left me wondering what is next.

I had the pleasure of catching back up with family to the proGram, Oliver Wood ahead of the November 3rd event featuring The Wood Brothers at The Barrymore Theatre. Oliver gives us the low down on how he would describe the group to a friend’s friend. We get in there on the what that they do. We go a little back in time and talk King Johnson and think forward with other projects, but most of all the tease of what the soon coming album will sorta kinda be like. Oliver twists and turns through how the new music came together, including spontaneity, togetherness and using all the tools in the toolbox. Oliver even builds a setlist around those potential sounds, leading one to really be hankering for the album to drop. As always, it’s nice to talk music with friends.