Bernard Allison Back In Madison

For over fifty years, music has been Bernard Allison’s essence. As the youngest son of the much-missed Chicago bandleader Luther Allison, he was a bluesman from birth, naturally drawn to this ancient music that seemed to heal deep wounds, and held spellbound by early encounters with heavyweights like Muddy Waters, Albert King & Hound Dog Taylor. Shuttled between Florida & Illinois as a child, but never separated from his guitar, by 12, Bernard was a fireball player himself, and at 18, he commanded instant respect as his dad’s guest at the 1983 Chicago Blues Festival. One week after graduating high school, Bernard cut his teeth on the road with Koko Taylor’s Blues Machine lineup and ended up staying for most of the ’80s. By the close of the decade, however, he assumed a twin identity, leading & writing for his father’s band, while forging a solo career that exploded in Europe off the back of early albums like The Next Generation (1990), No Mercy (1994) and Funkifino (1995). Across his respected career, Bernard has certainly tasted the highs. Just ask him for his memories of jamming with Stevie Ray Vaughan on his 16th birthday.“He contacted my mom and said he and Double Trouble were going to surprise me after their show.” Or being given a lesson by the Texas tornado himself, “Johnny Winter sat me down and taught me how to play slide in open tuning.” But even when the lows bit, like losing Luther to cancer in 1997, just as his career was peaking, Bernard has defied his circumstances. That same year’s solo album, Keepin’ The Blues Alive, might as well have been his mission statement, and Bernard has spent the last quarter-century both honoring his father and exploring his own voice during a constantly flourishing solo career.

I had the honor of spending a little time with Bernard Allison to get into what his set at The Sessions at McPike Park on August 10 here in Madison will be like. We talk about the real fun that he and his band are having while playing with and for folks. Bernard is sure to remind that this is all about representing the Allison name. We talk energy and style, his and what his father was known for. Bernard and mates had just gotten back from a European tour, which led naturally into discussing how his father Luther was beloved overseas and that family/community feel is still alive and rockin’ whenever he shows up for a gig/festival. Madison Wisconsin holds a special spot for Bernard as his dad hung out here as a place to fish and set the stage for more business, music business that is. So, this welcome back to Madison is going to be one for the books, just like the latest album on Ruf Records (a label created with/by Luther & Thomas Ruf) aptly titled ‘Luther’s Blues’ and how playing his dad’s songs, some with a recreated sprit, serves to keep a legacy alive from the past, into the present and through the future. The entire conversation seems to revolve around not only the music, but family, community and the recognition and acknowledgements of forward progress from the places and people that have touched/taught him as a person AND as an artist. I mean this cat was shown certain things from Johnny Winter & Stevie Ray Vaughn (we touch on some of this as well – how could we not?). I will Guarentee that if you are open to having a good time, Bernard Allison and his band will give you more than you can handle.

Atwoodfest welcomes Parker Barrow

Taking their name from the infamous outlaw duo of Bonnie Parker and Clyde Barrow, Parker Barrow is a powerhouse, blues-infused Southern rock ‘n’ roll band led by vocalist Megan Kane & her husband/drummer Dylan Turner. When a chance meeting brought them together in 2019, the pair immediately hit it off and within the span of 2 weeks formed an acoustic duo and hit the road full time – where they have lived ever since. In 2023 Parker Barrow expanded into a full band with many a friend rotating in & out. The band’s vintage sound contains elements of rock, blues, soul, & country music, but Parker Barrow’s brand of music is unmistakably and distinctively their own. Kane was raised on old-school country including Johnny Cash & Dolly Parton, while Dylan grew up listening to classic rock bands like the Allman Brothers & The Stones alongside more contemporary blues-rockers like the Black Crowes & Tedeschi-Trucks Band. The 2 wrote Parker Barrow’s debut album “Jukebox Gypsies” and released in August 2023. The record is a collection of songs that tells the couple’s story over the last 4 years; from their 1st encounter to living out of an RV while touring and everything in between. The record touches on the highs & lows of life on the road, with each song reflecting their feelings and emotions during these times and how they managed to discover a harmonious balance amid the chaos. Parker Barrow have become well known for their electrifying full-throttle live show. Their performances feature high energy jams infused with rock ‘n’ roll, blues, soul and even a dash of classic country. The band is powered by the immense groove of Turner’s drumming at the foundation and Kane’s soulful & electrifying vocals soaring up over the top. They will be bringing a 9 piece band to Madison to close out Atwoodfest in rockin’ style.

I had the chance to catchup with Megan and Dylan just ahead of the upcoming (first time in Wisconsin) event to close out the festivities in Madison at Atwoodfest, Sunday, July 28th. Right from the get go I could tell that the fun and energy I have heard about with their live shows, seemed to flow off the two of them naturally. I wanted to make sure our new friends felt at home before they get out of the van, so we get to know a little bit about exactly how this fun and energy translates live into a rockin’ good time. Just how much a festival crowd can get this band even more revved up then they already plan to be and it is exciting to hear that songs are going to ebb & flow depending on the moments Madison will be providing. We usually do not disappoint!! And if you listen carefully, you’ll hear I was given the green liGht for a chainsaw solo. We get a little back story on the debut album ‘Jukebox Gypsies’ and I think I can hear a tinge of wanting to talk about some new songs?! Maybe we will get something brand spankin’ while they are in town?! Before we call it a day, it was time for a setlist and within that, maybe a new band for us to check out, Them Dirty Roses.

Photo: Jaime Silas

What’s New With FlowPoetry

FlowPoetry (aka Adam Gregory Pergament of Madison, WI) to release a book of poetry titled: “Hopped Up Cranked Flip Top Chrome Plated Hot Rockin’ Cherry Chariot” as part of a music show at Gamma Ray Bar in Madison, WI on Wednesday July 24, 2024 presented by Gamma Ray Bar. In addition to the book release, there will be a FlowPoetry performance featuring New York based percussionist Noah Lehrman who has gigged with international legends including Nile Rodgers, the late Babatunde Olatunji, & Charles Neville. Supporting musical acts include Def Sonic(WI), an ambient folk & electronica artist, and Lukie P. (WI)., an acoustic singer/songwriter. “Hopped Up Cranked Flip Top Chrome Plated Hot Rockin’ Cherry Chariot” is FlowPoetry’s 4th published work in-print and explores a performative lyrical jam based style of poetry. “Beautifully crafted poetry…brilliant!”, raves Sensible Reason (Brooklyn, NY). “Few people in his scene are as creative as Pergament, who turns music into art.”, states Isthmus Newspaper (Madison, WI). Deeply beautiful.”, declares Relix Magazine. With over 1500 shows in the USA with bands and as a solo poet, FlowPoetry was voted by the city as one of Madison (Wisconsin) Magazine’s Best Spoken Word/Poetry Performers in 2014, ’15, and ’16. He is a three-time finalist for Best Artist in the Annual Madison WI Area Music Awards and the winner of two Dane County Artist Grants. He has appeared at over 80 Midwest and East Coast Music and Arts festivals. “A lyrical rollercoaster!”, writes Grateful Web Music Blog. “Legendary spoken word artist”, raves Madison.com. “FlowPoetry is one of the most unique and riveting performers on the Midwestern musical and artistic landscape. On the cutting edge of the nationwide expansion of new forms of spoken word…. unique, theatrical and musical.”, DeKalb Chronicle (DeKalb, IL)

I had the chance to get back into the mind quickly with Adam about the new book and the upcoming event/tour. We dive riGht into the new book of poetry to uncover where that title comes from, the book’s journey to completion and we get into one of the poems that grabbed my attention immediately. We get into the upcoming event, (the who’s who and what’s what of the artists) and the new venue space, Gamma Ray. We have had Adam on a few different times now over the years, as his tales told, and the presentation of such tales in a ‘jamular’ flow, always have spoken to me, and I am sure they will, wherever and whenever. Ride that Chariot where it takes us.

JFA Presents: Ra Kalam Bob Moses and the Heart Breath Ensemble

A mainstay in creative music, drummer Ra Kalam Bob Moses took early inspiration from growing up in the same NYC building as Max Roach, Art Blakey and Elvin Jones, propelling him through a prolific career that has found him in collaboration with Rahsaan Roland Kirk, Charles Mingus, Gary Burton, Dave Liebman, Keith Jarrett, Jaco Pastorius, Paul Bley, Billy Hart, Sheila Jordan, Tisziji Munoz, and Jim Pepper among countless others. This concert features longtime collaborates Darius Jones, Don Pate & Billy Martin. This project is supported in part by an award from the National Endowment for the Arts, the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature and by public funds from the New York City Department of Cultural Affairs in partnership with the City Council and by the Howard Gilman Foundation. Another mind opening experience presented by the Jazz Foundation of America and LIVE FROM HARLEM.

Wave From The WOOniverse with Evan Taylor

Evan Taylor is a Hollywood-based producer, songwriter, & multi-instrumentalist. Taylor is also the owner & operator of boutique record label, Loantaka Records, and sister studio Loantaka Sound. He is also the former Bernie Worrell Orchestra bandleader Evan Taylor who’s latest production is the posthumous release, Bernie Worrell: Wave From The WOOniverse. It’s a double album concocted in 14 cities, issued on 12” LP vinyl a day after Bernie’s birthday, (April 19) on Record Store Day 2024 by Org Music in conjunction with Loantaka Records as a Record Store Day “exclusive.” As of today, it’s available via streaming platforms. A co-release from Loantaka Records & Org Music is available on CD August 16th, 2024. Taylor has remained behind the scenes for most of his career. He worked in various capacities with Bernie, mike watt, Money Mark, Theresa Wayman (Warpaint), King Tuff, The Chapin Sisters, and Jimmy Destri of Blondie. He has participated in eclectic recording projects and performed with practically every member of Talking Heads. Evan’s also released a string of critically acclaimed singles as part of the Art-Rock duo Purple Witch of Culver. Evan has never identified with the archetype of “cosmic Funkateer.” He grew up with diverse tastes that ran from The Beach Boys to Prince. As a producer his brand has been “staying off-brand.” In 2022, Taylor was presented with a unique opportunity he felt he had been preparing for his entire career. Bernie Worrell: Wave From The WOOniverse addresses the abundance of unfinished work Bernie Worrell, a prolific writer & visionary, left behind when he passed away in 2016. These compositions remained untouched for a period of decades, collecting dust on reels of two-inch analog tape. Eventually, the tapes were re-examined to analyze Bernie’s nuanced & creative method. After a period of deep reflection, the Bernie Worrell estate decided it was time to complete his vision. The list of innovators who wanted to participate and make sure this initiative was completed with dedication to preserving the integrity of the magic which makes Bernie a beloved extraordinary soul. Also included on the album is a previously unreleased Funkadelic track, “Contusion,” which showcases Bernie’s masterful work with the legendary, pathfinding group.

Tracklisting:

1. Intro (Reflections on a Bird) – Feat. Nick Montoya
2. Distant Star – Feat. Jerry Harrison with Paul Dooley, Alecia Chakour & Invisible Familiars
3. What Have they Done to My Funk – Feat. Bootsy Collins, Michael Moon Reuben, Ouiwey Collins, & Buckethead
4. Heapin’ Bowl of Gumbo – Feat. Leo Nocentelli, Fred Wesley, Stanton Moore with Lonnie Marshall
5. Re-Enter Black Light (Phase II) – Feat. Sean Lennon
6. The Big WOO – Feat. Fred Schneider with Binky Griptight, Marco Benevento, Kyp Malone, Jaleel Bunton, & Steve Scales
7. Greenpoint – Feat. Steven Bernstein with Smokey Hormel, Mauro Refosco, Scott Hogan, & Michael Jerome
8. Soldiers of the Stars Feat. Daru Jones & Eric McFadden
9. When The Rain Subsides – Feat. Will Calhoun
10. Pedro WOO – Feat. Mike Watt
11. Contusion (Funkadelic)
12. Transcendence – Feat. Marc Ribot & Norwood Fisher
13. Wave From the WOOniverse – feat. Miho Hatori with Sarah La Puerta, Steve Scales & Invisible Familiars

I had the chance to catch with with Evan to get some insider views into the sounds. We get deep into this posthumous record from friend of the proGram, Dr. Bernie Worrell, from the invitation to get involved to the creation of and the invites to the many artists who contributed. We specifically get into a few of the folks, and it was as if Evan was reading my mind on the people he picked to talk about. We talked a bit about process and the choosing of who will work with who. What a cool time. We talked about the relationships formed between the two, and how getting back into some of this music was not a jump into the fire moment for Evan, he had to make sure he could get through emotions attached. We also talk about his label, Loantaka Records and one of his strangest projects.

The Joy Of The Campbell Brothers

At countless performances over the past 3 decades, the Campbell Brothers have taken far-reaching, genre-spanning audiences to church — namely the Pentecostal House of God, where their transcendent “sacred steel” tradition of guitar-focused gospel music flourished. But with INNOVA, out August 2 on Ropeadope, the Campbells deliver their most profound testament yet to the faith that has inspired their work and, in recent years, guided them through tragedy. These 9 tracks comprise the Campbells’ first studio album since 2013’s ‘Beyond the 4 Walls’, and their 1st studio LP since the shocking passing of lap-steel guitarist Darick Campbell, who died in 2020 at age 53, of complications related to heart surgery. After this devastating loss, and in the midst of the Covid pandemic, guitarist Phillip & pedal-steel player Chuck were faced with a daunting hurdle – how do they continuing doing what it is they’ve been doing? The answer is that you can’t. So with INNOVA, the Campbells have reimagined their group while continuing to honor their integrity & heritage. An essential part of this renewal can be found in Phillip’s songs, which burst forth with locomotive grooves, unbridled guitar wizardry and powerful messages of perseverance and healing. Alongside Phillip & Chuck on this outing are official band members including drummer & vocalist Carlton Campbell, bassist Daric Bennett and lead vocalist Denise Brown, as well as special guests who uphold the Brothers’ ideal of church-rooted strength: the singer Ron Staples, heir to Joe Ligon’s throne in the Mighty Clouds of Joy; Serena Young, a worship leader from the Campbells’ hometown of Rochester, N.Y., and an alumnus of the Kirk Franklin-hosted BET show Sunday Best; and Rochester organ great Rufus McGee. The Campbells developed in Rochester under the tough-love tutelage of their father, a bishop in the House of God Church, who delivered to his musician-sons a paradoxical demand: resist the temptations of secular music, but push yourself to meet the standards of blues, jazz and country music heroes: B.B. King, George Benson, Roy Clark, Jimmy Day, Buddy Emmons. A sense of fierce but healthy competition created an extrasensory rapport among the boys, a kind of musical mind-reading that perfectly suited the heavenward, snowballing passion of gospel. After the Campbell Brothers released their debut album in 1997 on the storied Arhoolie label, they began to stir interest among a vast and diverse swath of dedicated music fans: blues aficionados who heard them as a living conduit to a rich if unsung strain of Black roots music; jam-band kids who appreciated their funky, exhilarating spirituality; devotees of R&B and contemporary gospel who grew up in the church themselves. They worked constantly in the ensuing years, and became highly decorated keepers of a uniquely American tradition. The Campbells were named NEA National Heritage Fellows, received a commission to arrange John Coltrane’s A Love Supreme for its 50th anniversary, and collaborated with B.B. King, Mavis Staples, Medeski Martin & Wood, the Allman Brothers Band, the Blind Boys of Alabama and many others. Their music was even featured in The Sopranos.

I had the honor of catching up with Mr. Phillip Campbell ahead of the Campbell Brothers heading back to Madison to play La Fête De Marquette on July 13th. We get into the forthcoming uniqueness of this event: ‘Praise Break w/ Campbell Brothers, Fountain of Life Church and more’, and how something like this is the exact reason that the Campbell Brothers continue to spread the happiness and joy wherever they go. We talk about what a set of theirs usually consists of, stylistically, sonically (tunings) and oh yes, spiritually. While that image of what will go on at this festival, and anywhere you can catch them brightening your day, is something I cannot wait to become a present moment reality, it is the new album that I am also excited to be able to chat about. We get deep into the new record of tunes, ‘Innova’. We go seed to flower, but there is so much flower on this record, the sun and water must have nurtured it just riGht as it was growing. We talk about the feelings of this music (and you’ll feel it too) and the remembrance of before and the steps into tomorrow. We talk Sacred Steel and collaborators so I can wrap my head around just how this music seems to fit in everywhere, at any time. It all did circle back to that anthem of Happiness and Joy. I am ok with that!

Maude Caillat Quartet Come With Free Jazz

Maude Caillat is a prolific saxophonist leading four different projects all around the New Orleans area. The Maude Caillat Quartet is the most intimate version of her vast musical universe. Still recognized as an emerging new sound in the New Orleans jazz scene, the Quartet fuses in modern and traditional African & Arabic influences with a perfect amount of a Coltrane-esque thang. Sophistication, passionate improvisation, and heartfelt melodies are just a few words to describe the music of these inspired artists. Her quartet put out a release mid 2023, ‘Follow the Camel’, which is a completely free improvised sonic journey. The album features Maude Caillat on tenor sax & flute, Luke Palmer on keys & fingerboard, Sean Weber on bass and Moses Eder on drums and percussions. ‘Follow The Camel’ was recorded at Fountain Sound Studio in New Orleans by Biff Hitchins, mixed and mastered by Ratty Scurvics with original artwork by Dominic Sgro from Catahoula Tattoo. Produced and independantly released by the Maude Caillat Quartet.

I had the pleasure of getting to know Maude a little better in a recent call. Listening to her music, especially the quartet’s album ‘Follow The Camel’ has really set me off in a new, unknown direction. Seemed completely possible that a live event with her and a band would be an adventure of sonic discovery. We talked about her upcoming stop in Madison on July 6th at the North Street Cabaret and am definitely convinced that what is coming our way (and hopefully wherever you are, your way too) is going to be that of a new place/space creation. The way Maude describes how she got into the “Free Jazz scene’ in New Orleans and how it was just so much fun not following any set guidelines and truly letting the feeling…the music, guide. We find out the quartet coming our way is a little diffrent when it comes to who is playing, and how by the end of the tour, the aim is to create a new record based on the meetings/feelings/explorations of this tour. Listen in to find out how friend of the proGram Mike Dillon fits into Maude’s planning and I believe we learn just how freeing an improvised sharing for players and audience can be a place to build of a fresh new vision.

Spending Quality Time With Meklit

Meklit Hadero is an Ethiopian-American vocalist, songwriter, & composer, known for her electric stage presence, innovative sound & vibrant cultural activism. Her latest EP ‘Ethio Blue’ was released March 8, 2024. Meklit’s Ethio-Jazz performances have taken her to renowned stages across 4 continents. Her 2017 album ‘When the People Move, the Music Moves Too’ topped world music charts across the US + Europe, and was named amongst the best of the year by Bandcamp & The Sunday Times UK. Meklit has collaborated with renowned artists such as Kronos Quartet, Andrew Bird, Preservation Hall Jazz Band, and the late creator of funk music, Pee Wee Ellis. Meklit has always straddled her creative practice with her passion for cultural activism. She is the former Head of Creativity and Impact at Yerba Buena Center for the Arts in San Francisco, where she helped design & implement a slate of radical programs supporting social justice focused artists during the height of the pandemic. She is a sought after thought leader & speaker and has given talks on multiple TED Stages, at the UN, and at the National Geographic Storytellers Summit, as well as at companies, organizations & Universities around the globe. She is a National Geographic Explorer, a TED Senior Fellow, and a former Artist-in-Residence at Harvard University. She is the co-founder of the Nile Project, a featured voice in UN Women’s theme song and the winner of the 2021 globalFEST Artist Award. Meklit has been a guest DJ on KCRW’s Morning Becomes Eclectic, created new works via commissions from Lincoln Center, MAP Fund, Center for the Art of Performance at UCLA, Stanford Live, NYU Abu Dhabi and so many more. Her music has been featured by the New York Times, BBC, CNN, NPR, Washington Post, Vibe Magazine, San Francisco Chronicle, Boston Globe and many more. The list is long, but Meklit is also co-founder, co-producer & host of Movement, a new podcast, radio series & live show uplifting the stories/songs of immigrant musicians. The show airs monthly on PRX’s The World to an audience of around 2.5 million listeners.

I had the complete pleasure of chatting with Meklit about her latest project, her self-released ‘Ethio-Blue EP. We got into how it went from it’s beginning (a true birth-like moment) to its release into the world. We dissect a couple of tracks to get a little more inside the mind’s eye as we tend to look with our ears first. There’s family style props to all that worked on this project and you can sense it from the final product, that they people who put the puzzle toGether, cared for these songs. Before we hit record, I mentioned about wanting to talk about the National Geographic Explorer title she has as a part of her name because I had a little joke for it. Find out what grade my joke received and how you too could become an explorer. We also spend some time talking about the super cool transmedia storytelling initiative that lives at the intersection of migration and music, known as Movement. I really have had my phone to my ear learning and listening about people I am more interested in already after being introduced via this platform. This is just one of so many projects that Meklit is a part of, has been a part of as a bridge builder. We find out if she ever gets nervous or maybe perhaps a little gushy ever speaking to such cool and interesting artists/people. Before letting her go, and I think we could have just kept on talkin’ as the energy was so positive and felt like hanging out with a friend….we found out a little setlist stylin’ Meklit would put out for listeners if she took the DJ baton from me, she picks one from ‘Ethio Blue’ and then we get a some of her local flavors from the S.F. Bay area to get an education on.

Photo by Alexa Treviño.

Joe Marcinek Brings It on 1 River Street

The Joe Marcinek Band is a vibrant fusion of the Chicago Blues, Dat New Orleans Funk, Grateful Dead inspired jamming psychedelia and an array of intricate jazz fusion which creates a unique and eclectic musical journey. Attending a Joe Marcinek Band concert is an electrifying experience that takes listeners on a diverse musical journey. Each concert is unique, as the band is known for its improvisational skills, ensuring that no two performances are exactly alike. The band’s palpable energy and passion for music are infectious, making their concerts not just a listening experience, but a full-fledged musical adventure that resonates with fans of diverse musical tastes. Expect a night filled with skillful musicianship, unexpected musical turns, and a lively atmosphere that invites the audience to be part of the band’s ever-evolving musical narrative. For years now, Joe has also been curating a collection of albums with each showing that true range and ability he has with the music but also how he interacts with other artists to find their personal together landscape. It always feels fresh and evolving. His latest release, 1 River Street, was recorded in Massachusetts at Iron Wax Studios with Alan Evans producing and on drums, Nate Edgar on bass, Kris Yunker on keys, Brian Thomas on trombone and Alex Lee-Clark on trumpet and Jared Sims on sax & flute. It’s a tight collection of eight sharply-honed tunes that brinGs the funky and groove of life within each note.

I had an opportunity to catchup with family to the proGram, Joe Marcinek to get into the new record 1 River Street. We talk about the evolution of both him as an artist and this new music. We get into the above mentioned players and friend of the program, Mr. Alan Evans’ studio and the desire for both to work with each other finally on a record like this. So this one is on Alan’s Vintage League Music label which is a conduit for many a funky great. Mostly, I really wanted to tell him how funky he is and that this record really shows off where the experiences of many years now has taken him. We find out what big shows Joe and his rotation of cool musical comrades played in the past year or so and highlight a couple of the bigger ones to look forward to this year. Joe is family, he is open to what & where the groove takes him, and I just really respect someone who can work with so many different people and the music still has it’s own unique smile to it, each time. If you are looking for a groove, it could very well live inside of 1 River Street.

The Legend John Primer

Mr. John Primer has undisputedly helped build the sound and style of Chicago blues as we all know it today. The echoes of tradition bellowing from the birthplaces he played such as: Maxwell Street, Theresa’s, Checkerboard & Rosa’s Lounges, pulse from every chord in his fingers still today. John Primer is a Chicago Blues Living Legend. Growing up on Mississippi sharecropper land in 1945, inspired by his family’s hard work & field songs daily, deep devotion to spirituals on Sundays, and blues on Saturdays. John dreamed of one day playing with the Legendary Muddy Waters! Moving to Chicago in 1963, he started on that path of becoming a great bluesman, getting his 1st steady gig at the legendary Maxwell Street in Chicago on Sundays and at the famous Theresa’s Lounge 7 nights a week for 7 years. John was taught by the founding fathers of the blues. Starting out with his own band the Maintainers with Pat Rushing on Maxwell Street, he then moved on to play with the legendary Sammy Lawhorn & Junior Wells at Theresa’s Lounge. He worked hard and impressed Willie Dixon enough to go on tour with him and his Chicago Blues All-Stars Band. At this point he was known and John’s dream finally came true in 1981 when he got to play with his idol, Muddy Waters. Muddy called for him to lead his band and changed his life forever. After Muddy’s untimely death, he joined up with Magic Slim & The Teardrops for the next 14 years, traveling all over the world. John paid his dues and in 1995 he began leading his own band, The Real Deal Blues Band. He has been recorded on more than 87 albums with 17 albums in his own name. He has written & produced more than 55 songs on more than six record labels including his own, Blues House Productions. Earning 2 Grammy Award nominations, given 2 Lifetime Achievement Awards, inducted into the Chicago Blues Hall of Fame, awarded the “Muddy Award” for being a traditional blues icon, winning a Blues Music Award, Blues Blast Awards and countless other awards, John Primer is a legendary Chicago Blues Icon!!!

I had the honor of getting to spend some time talking with Mr. John Primer ahead of his upcoming stops through Madison on June 22nd at the Red Rooster and then again on August 10th part of the Sessions At McPike Park. We got into what an audience can expect in the way of traditional blues that is flowing through this man’s veins and how is is doing all he can to keep that vibe alive. We spent time dissecting his recent award winning album “Teardrops For Magic Slim” and how the album (a live recording – was a tribute fitting for another legend to the scene). Mr. Primer was recently overseas for a festival so we talk anbout him prepping the band he inherited when he arrived and how they did such a bang up job. As you can imagine, we got into stories about the who and the what and the where and especially the how of major career paths in his life, a life worthy of any hall of fame and certainly his sound is in many of our individual sonic halls of fame. I invite you to take a listen to the past and learn a bit about where one of the originals to the Chicago Blues groove got his starts and stops, he come-uppins and his immense influence still to this day on generations of others, feeling this music. John Primer is a leGend.

Cash Box Kings Come Knockin’

The Cash Box Kings are co-led by real-deal Chicago blues vocalist & songwriter Oscar “Mr. 43rd Street” Wilson, and Madison, Wisconsin-based songwriter, harmonica giant & singer Joe Nosek, plays masterfully raw, unvarnished, old-school ensemble blues. Wilson’s huge, emotive vocals and Nosek’s blistering harmonica fuel their razor-sharp original songs and always incisive reinvention of obscure blues classics. On their new Alligator Records album, Oscar’s Motel (their 3rd for the label & 11th overall), The Cash Box Kings bring contemporary authority and old-school authenticity to each of the album’s 11 tracks. The band, featuring guitarist Billy Flynn, drummer Kenny “Beedy Eyes” Smith, bassist John W. Lauler, and keyboardist Lee Kanehira, opens a door into the intoxicating spirit and sounds of 1950s and 1960s Chicago-based blues, and then they bring it all right up to the minute with Wilson & Nosek’s original, instantly memorable songs. The history of The Cash Box Kings begins in Madison, Wisconsin where Nosek founded the band in 2001. Since 2007, his co-leader has been the charismatic, larger-than-life Chicago blues vocalist Oscar Wilson. Over 20 years apart in age and coming from vastly different backgrounds, the two form an unlikely pair, combining Wilson’s indisputably authentic South Side Chicago blues vocals and gritty, street-smart songwriting chops with Nosek’s storytelling vocals, dynamic harmonica and witty tunesmithing. In their first 6 years, The Cash Box Kings’ top-notch musicianship and deep blues feeling won the band a large and loyal audience across the Midwest. Wilson joined the group in 2007, bringing with him an instantly commanding stage presence and an authoritative vocal style that gives fire-breathing power to the music. A captivating singer, born in Chicago with the blues in his blood and with an encyclopedic knowledge of almost every blues song known to man, Wilson is a natural-born entertainer and a perfect foil for Nosek and the band. Born in 1953 on Chicago’s 43rd Street (aka “Muddy Waters Drive”), Wilson grew up in the company of many famous blues artists. Junior Wells, Elmore James, Big Smokey Smothers and close family friend David “Honeyboy” Edwards were all regulars at weekly Friday night fish fries/jam sessions at the Wilson home. Throughout his adulthood, Wilson held regular jobs but was always welcome sitting in with Chicago blues mainstays like Melvin Taylor & Johnny B. Moore. His vocal inspirations range from Muddy Waters, B.B. King and Albert King to Jimmy Reed, Jimmy Rogers and Little Walter, but he mostly sings like Oscar Wilson. A self-described blues fanatic, Nosek, born in Wisconsin in 1974 and raised the Chicago suburbs, spent his youth soaking up as much blues music as he could hear, both live and on record. In his teens, he began sneaking into blues clubs to watch Junior Wells, James Cotton, Otis Rush, Jimmy Rogers, Sunnyland Slim and others. He took up harmonica, quickly cultivating his own aggressive, fluid style. After moving to Madison in the early 1990s, he began sitting in with artists such as Clyde Stubblefield & Luther Allison. Finding like-minded musicians hell-bent on playing raw, rough-edged, hard-charging blues, Nosek formed The Cash Box Kings. They released their first album, Live! At The King Club, in 2003, instantly earning praise from critics and fans, and gaining a reputation as one of the hottest live bands on the circuit. With 10 previous releases to their credit and hundreds of live performances under their belts, The Cash Box Kings have won widespread acclaim throughout the blues world. Their Alligator Records debut, 2017’s Royal Mint, was named among the Top Ten Blues Albums of the Year by MOJOmagazine. 2019’s Hail To The Kings! continued the trend, with the band receiving three Blues Music Award nominations, praise from media including NPR, The Chicago Tribune, AllMusic.com, UK’s MOJO and Blues & Rhythm, and radio airplay around the world. The Cash Box Kings continue to play major festivals across the U.S. and Europe. They’ve blown away audiences at the Chicago Blues Festival, the Tampa Bay Blues Festival, the Doheny Blues Festival, the Mississippi Valley Blues Festival, the New Orleans Jazz and Heritage Festival, the Cincinnati Blues Festival, the Cambridge Folk Festival (UK), the Moulin Blues Festival (Netherlands), the Lucerne Blues Festival (Switzerland), the Baltic Blues Festival (Germany) and the Edmonton Blues Festival (Canada). They have also performed in Belgium, France, Spain & Uruguay, building their worldwide audience one jaw-dropping show at a time. No matter where The Cash Box Kings perform, they bring the music to fuel the party. Between Wilson’s natural blues vocal power and Nosek’s talent at wringing every last drop of emotion from his harmonica, The Cash Box Kings never fail to wow their longtime fans while earning new ones at every gig.

I had the chance to catch up with Joe Nosek ahead of a busy week in and around Madison. On Tuesday the 18th they will be rockin’ the Harry Whitehorse Sculpture Festival, and on the 21st, the Cash Box Kings will be part of a Make Music Madison event at 4pm and then aGain that evening at the North Street Cabaret. We start by filling in any newcomers to the scene on what to expect from a CBK’s show, traditional blues with a modern feel striving to provide a mosaic of feelings and get down rhythms. We go into their latest release on Alligator Records, ‘Oscar’s Motel’ and get deeper into the how’s and why’s of what they did and do for this record. We talk about speaking up and being the voice of the times as well as living the dream of working & hanging with friend of the program, Mr. Buddy Guy. Also, this chat would not be complete without hearing what track off the new album Joe would pick to share in a set, and what other artists would get in that list.

A Rising Star In Sierra Green

Sierra Green was born and raised in New Orleans 7th ward where she began singing in the church choir at the age of 8. The 7th ward is a mecca for talent, spawning legends including Jelly Roll Morton, Allen Toussaint, & Frank Ocean, rappers Mannie Fresh & Mia X, and film stars Tyler Perry & Sidney Bechet. Hope rings throughout the community. Families are close; music is relevant; and everyone knows someone who made it out and became famous. Music, Art, & Talent remain fresh and abundant in the 7th ward, and Sierra Green and the Giants are the latest breakout. As a teen Sierra began busking on Frenchmen Street, one of the musical centers of the Crescent City, which taught her quickly how to keep an audience. Before long Sierra graduated to clubs, establishing the best residency in town playing a couple of nights a week to a packed Frenchmen Street house. In New Orleans when you have the best gig in town the best players gravitate toward you, and you eventually end up with the best players in town. These are Sierra Green’s Giants. Sierra’s summer was filled with excitement as she and her Giants, featuring William West on drums, Mike Perez on bass, Paul Provosty on guitar, Brandon Nater on trumpet, Maurice Cade on trombone, and David Ludman on saxophone, worked with New Orleans’ legendary producer David Torkanowsky on a blazing new EP called The Torch Sessions. The band recorded five tracks, including an impressive and passionate version of The Meter’s “Break in the Road” and the chance to project her own style into “Promised Land,” a song by the Revivalists’ David Shaw. On the crawling “One Thing” Sierra takes her gloves off with a powerful performance channeling the depth of her passion and range. Sierraowns Nina Simone’s anthem for liberation “Feeling Good.” You can feel the euphoria that comes from being liberated from oppression, something that is common in New Orleans’s 7th ward. “He Called Me Baby” is a perfect track to express the direction and soulful sound that you can expect Sierra to deliver throughout her career. Powerful horns to accent the groovy bass and piano lines and a vocal you can compare to any of the legends of 1960’s Motown. One common thread which runs through all these tracks is Sierra’s hunger and passion to change her own life while changing others with the power of her voice and her music.

I had the pleasure of hanging out with Sierra Green shortly before she and the Giants headlining the Marquette Waterfront Festival here in Madison, Wisconsin on Sunday June 9th at 6:30pm. We get into what the people getting down at the festival can expect to get when Sierra & the Giants hit the stage. There is going to be moments to move, groove and dance your faces off. She may or may not have endorsed hopping up on stage to shake it in front of all. This sound has both the love of STAX Records and the New Orleans flavor seem to fit into any place that is ready for a party. We get into the new album to drop this fall, we went seed to flower on how that turned from sessions to ready to spin. Find out what Sierra’s grandma and I have in common, it has everything to do with how her voice can change the mood and we talk about what would be a setlist if I left the studio and Sierra hopped in. Get Ready To PARTY!


Orrin Evans At Madison Jazz Fest

During his kaleidoscopic quarter-century as a professional jazz musician, pianist Orrin Evans has become the model of a fiercely independent artist who pushes the envelope in all directions. Evans upholds that reputation on his 20th album, Magic of Now (Smoke Sessions), on which he helms a multi-generational A-list quartet through an eight-piece program that exemplifies state-of-the-art modern jazz. From first note to last, the members, convening as a unit for the first time, display the cohesion and creative confidence of old friends, mirroring the leader’s predisposition for finding beauty in the heat of the moment. Although he’s never had the support of a major label, Evans has ascended to top-of-the-pyramid stature on his instrument, as affirmed by a #1-ranking as “Rising Star Pianist” in the 2018 DownBeat Critics Poll. Grammy nominations for the Smoke Sessions albums The Intangible Between and Presence, by Evans’ raucous, risk-friendly Captain Black Big Band, cement his bona fides as a bandleader & composer. Mr. Evans bedrocks his speculative sensibility with virtuoso command of the piano and deep assimilation of the fundamentals. A deft tune deconstructor, he commands vocabulary across a broad timeline of swinging, blues-infused hardcore jazz and spiritual jazz/avant garde jazz dialects, as well as the Euro-canon, and conveys his stories with the intuitive spontaneity of an ear player. He projects an instantly recognizable sound, sometimes creating flowing rubato tone poems, sometimes embodying the notion that the piano comprises 88 tuned drums. His stylistically polyglot compositions – influenced by the expansive, individuality-first Black Music culture of his native Philadelphia and by a decade playing Charles Mingus’ beyond-category music in the Mingus Big Band – similarly postulate an environment of “structured freedom” that instigates the personnel to push the envelope in all his multifarious leader and collaborative projects. These include the Eubanks Evans Experience (a recent venture w/eminent guitarist Kevin Eubanks); the recently-formed Brazilian unit Terreno Comum; Evans’ working trio with bassist Luques Curtis & drummer Mark Whitfield; Jr.; & Tar Baby (a collective trio of 20 years standing with bassist Eric Revis & drummer Nasheet Waits). One of Tar Baby’s two 2022 releases will be released on Evans’ imprint, Imani Records, which he founded in 2001 and relaunched in 2018. An influential educator, Evans is devoted to passing the torch to new generations. His students include the outstanding young alto saxophonist & Blue Note artist Immanuel Wilkins, and the prodigious, Grammy-nominated teenage pianist Brandon Goldberg.

I had the honor of spending some time with Mr. Orrin Evans ahead of his headlining set on June 15th at the University of Wisconsin Terrace as part of the 2024 Madison Jazz Festival. We first took care of business and got to know each of his bandmates for the event and how he looks forward to being able to create music with these folks in a spot he has hear a lot about as a beautiful place to play. Who could argue? Mr. Evans goes back in time and reflects on how some form of the arts was going to be a part of him always, he was never discouraged from doing things he enjoyed and wanted to try, which has seemed to translate into the way he goes about creating/leading/teaching within the arts. The question ‘What are you listening to?’ leads to some interesting words and it seems on a good day, we and many may have a certain sound in common. We talk about how his 2023 album, ‘The Red Door’ came together and how he got to work with so many folks he always wanted to on that record and why not build a setlist? Man, after that I wanna go over and hang with him and have a listening party.

Peter Dominguez Talks String Theory

Peter Dominguez grew up in Milwaukee, Wisconsin and began performing with the Music for Youth Orchestras and his father; pianist and vocalist Frank DeMiles. Peter went on to study with Roger Ruggeri and Richard Davis at the University of Wisconsin, Madison, and with Dr Lucas Drew at the University of Miami. Peter served as Professor of Double Bass and Jazz Studies at Michigan State University from 1984-96, and continued studies with Robert Gladstone while substituting with the Detroit Symphony. The former Principal Bass with the Lansing Symphony Orchestra and the American Sinfonietta, Peter was Professor of Jazz Studies and Double Bass 1990-2020 at Oberlin Conservatory of Music. He is currently Professor of Double Bass and Jazz Studies at the University of Wisconsin-Madison. He continues to perform with an impressive array of Classical, Jazz, and Latin artists throughout the Americas and Europe. His teaching includes national and international classes, adjudication of international competitions, artistic direction of the Richard Davis Foundation for Young Bassist Inc annual conference in Madison Wisconsin, and the director of the Milt Hinton Institute for Studio Bass. Peter’s recordings include ‘How About This’ (2010) & ‘Groove Dreams’ (2017) performed on Milt Hinton’s famous 1790 bass. Another solo recording entitled ‘Bass Salute’ (2023) featuring Richard Davis’s 1855 Lion Head double bass.

I had the chance to catch up with Peter about the upcoming event as part of the 2024 Madison Jazz Festival. On June 13th from 7-9pm at Madison Museum of Contemporary Art, Peter, who is the producer of the new documentary: String Theory: The Richard Davis Method, will be screening & participating in a Q&A (and perhaps he may let the Lion Roar?!) about the documentary and the life, career & legacy of a legend, Mr. Richard Davis. We go deep into the creation of this endeavor – including a great tale from an original screening in Milwaukee highlighting the maGic of The memories include the different ways Mr. Davis would inspire students to try and even that level of success into a double-bass equality with other more prominent instruments, it was not a ‘traditional’ teaching method many have said, but clearly it is all about the results, the people and the wholistic education art provides both student and society. Peter is also going to be playing with his long time friend Gerri DiMaggio on the Terrace, June 15th at 3pm, so we touch base on what is gonna go down when that goes down.

Lost & Found With Raul Midón

Singer, Songwriter, Guitarist & Engineer, Raul Midón established himself as a first-call session singer upon graduation from the prestigious Studio Jazz program at the University of Miami in 1991. He sang background vocals on more than 60 Latin recordings, many Grammy winning. In 1999 he was asked to join the touring band of Shakira. During that time, he was creating his own original music and was signed to a development deal with Warner Chappel. He left Shakira’s band to move to NYC to pursue his own career. Within a year he debuted at Carnegie Hall with the Movie Music of Spike Lee. Spike engaged him to write the end credit song for “She Hate Me.” At the same time Raul was signed by legendary producer Arif Mardin to his label under the Blue Note moniker, Manhattan Records. Raul has worked with countless legends in the industry including Bill Withers, Herbie Hancock, Sting, Terence Blanchard, & Dianne Reeves to name several. He received 2 Grammy nominations back-to-back in 2017 & 2018 for his albums “Bad Ass and Blind” & “If You Really Want” in the Best Jazz Vocal Category. Since moving to the DMV he established himself as an accomplished recording engineer, recording all the vocals for both of the aforementioned in his home studio. In 2019 he was invited to speak at his high school Alma Mater Santa Fe Prep and also was given the Distinguished Alumnus Award from the University of Miami. In 2021 he was awarded the Disability Rights Ambassador of the year award, presented to him in a virtual ceremony by his friend and colleague Jason Mraz. During the COVID lockdown, Raul continued to collaborate with colleagues and appears in a duet on the Grammy winning album “Mendo” by Alex Cuba. He chose to pursue a long-time dream of recording a guitar duets album with some of his favorite guitarists including Mike Stern, Dean Parks, Lionel Loueke, Julia Bailen, Stephane Wrembel, Alex Cuba and more. This album ‘Eclectic Adventurist’ was released on his own label, ReKondite ReKords on 11/11/ 2022, to acclaimed reviews. He continues to tour, write, record and is working on a novel, ‘Tembererana’, and he is also back in strong 2024 with a brand new album to share, ‘Lost & Found’.

I had the pleasure of re-connecting with Raul ahead of his June 8th event at Cafe Coda as part of the 2024 Madison Jazz Festival. We get into what that show should be like as he is heading here after just releasing a brand new record, Lost & Found. We get into how that album went from ideas to release, working in his own studio and which tunes off the album seem to be hitting just right with audiences. Some even to his surprise. We get a chance to learn a little more about the person Raul is as we chat in depth about his fascination and practicing of the HAM radio. His love and respect of this communication wizardry certainly reignited a spark within this G. We also talk about ding the National Anthem recently at an OKC Thunder playoff game and is approach to performing the anthem – check it here. well, you know me, it would not be a good talk if we didn’t get a moment to talk about a level of cool, like Raul being honored as the Disability Rights Ambassador a few years back.

Da Funk Up With Delvon Lamarr

Delvon Lamarr Organ Trio — or as it is sometimes referred to, DLO3—specializes in the lost art of “feel-good music.” The precise sequence of music chosen by Delvon is unique in itself, as he creates an experience for each show based on the vibe and feel of that audience. This includes the 1960s organ jazz stylings of Jimmy Smith and Baby Face Willette, a tweak of the snappy soul strut of Booker T. & The M.G.’s, and The Meters. It teases you with Motown, Stax Records, Blues, and many other styles that often will surprise you. It’s a concoction that goes straight to your heart and soul, leaving you emotionally connected on a whole new level. The band features organist Delvon Lamarr, a self-taught virtuosic musician with perfect pitch who taught himself jazz and has effortlessly been able to play many instruments. The trio is formed by collecting a unique blend of guitarists and drummers worldwide. They leave you with a feeling of wonder caused by seeing something surprisingly beautiful and unforgettable for their fans at every show.

It is always a pleasure to catch up with family to the proGram, Delvon Lamarr. This time around he is heading back to Madison to play an afternoon and an evening show at the Bur Oak on June 16th. We get into the new look trio and how he has gone about finding band members these days, which led into a very interesting crystal ball type observation. We also get into him talking about getting lost in writing a lot of new music and how when he is there, doing that, nothing else seems to be. You know me, I like the new stuff. The amount of party Madison will be feeling June 16th could be documented on video channels, you’ll get the idea, but nothing beats that organ trio feeling that letting it all vibrate into you. Before letting him go, we do get into him building a setlist with one of his tunes and then get a pen and paper to jot down his other choices. Soul on!

Nation Beat’s Archaic Humans & Scott Kettner

When band leader Scott Kettner looks at a map, he sees a direct line that connects the rivers of northeastern Brazil to the parishes of New Orleans & the streets of NYC. It’s a connection that came to him in 1999 amid the swirling dancers, ecstatic musicians, & powerful percussionists parading in the streets during Carnival in Recife, Brazil. He was there at the urging of his mentor, NEA Jazz Master Billy Hart, to study maracatu, the region’s complex, dance-inducing rhythm. He came home with a vision, a vision that achieves its highest, funkiest, & most expansive expression to date with the release of Nation Beat’s latest album, ‘Archaic Humans’, out end of May on Ropeadope Records. That day in Recife, Scott heard the thread that connects the musics of Brazil & New Orleans. A master percussionist, composer, educator, & the guiding force behind Nation Beat, he has been tracing the similarities between the music & culture of northeastern Brazil and the American South for 2 decades, through recordings & performances, as well as educational/community outreach programs. Back in 2017, Kettner expanded his conception of the Nation Beat sound to incorporate his background in jazz & hybrid drumming, and he began collaborating with tenor saxophonist/arranger extraordinaire Paul Carlon. With the release of ‘The Royal Chase’ in 2020, Nation Beat injected the high-octane improvisations of NYC bop into the thunderous grooves of northeastern Brazil and the swagger of parading New Orleans brass, moving hips & feet and setting brains on fire. The Royal Chase marked a new phase in the band’s cross-cultural explorations and the album charted on both World & Jazz radio charts and spent over a year on the Roots Report chart, peaking at #1. With the release of ‘Archaic Humans’, Nation Beat expands its cross-cultural explorations even further and leaves an original mark on the music. While maintaining the infectious, audacious rhythmic and brass energy of its Brazil & New Orleans roots, the band lights up the afterburners on its jazz chops and reaches into fresh new territory with new collaborators. GRAMMY-nominated progressive hip-hop artist Christylez Bacon from Washington, DC, & soulful South African singer/songwriter Melanie Scholtz braid radically new & uplifting strands into the Nation Beat thread on several tracks. As exciting/adventurous as their recordings are, the band’s live shows have taken on an almost mythological aura for their ability to lift the souls & move the feet of their ever-growing cross-cultural audience.

I had the pleasure of chattinG with Scott Kettner about this brand new album coming out end of May from Ropeadope Records. We talk about the journey it took to go from the new ideas into the final product that I am proud to be able to get into your thirsty ear-holes. This is music to feel as you enjoy with those ears. It hits so deeply. Not ever shy to work with others, we get into the hows/whys of both Christylez & Melanie as choices to be art of the project – clearly after a few (ok..ok..ok..MANY) listens this was a great choice, as they feel like the were just waiting along the way to be in the parade. I like ot find out what helps an artist call a label home, and we find out what Ropeadope is doing to help make this music progress. When not making music, where can you find Scott, find out his special place and what artist he would chooses to build a setlist and what song off the new album does he work in?

Stephane Wrembel Back In Madison

Stephane Wrembel is one of the finest guitar players in the world. The breadth & range of his playing & compositions are unmatched. This prolific musician, composer, educator, & musical director has released a steady stream of music since 2002 making his mark as one of the most original guitar voices in contemporary music. He has headlined Jazz at Lincoln Center, Carnegie Hall, The Town Hall in NYC & The Lyon Opera House in France. He has toured and/or shared stages with master violinist Mark O’Connor, Sam Bush, Stochelo Rosenberg, Esperanza Spalding, & Al Di Meola. He has dazzled audiences at Montreal Jazz Festival, Rochester International Jazz Festival, Django Reinhardt Festival in France, Ellnora Guitar Festival, Caramoor Jazz Festival & many others. Born in Paris and raised in Fontainebleau, the home of Impressionism & Django Reinhardt, Stephane 1st studied classical piano, at the age of 4. But in his mid-teens, he discovered that he had an affinity for guitar and then he found out about Django and fell in love w/the very strong impressionist feel in his music. Django, long regarded as one of the most influential musicians/composers of all time, was a Sinti, so Wrembel immersed himself in Sinti culture and started learning the atmosphere of what it really means to play Sinti-style guitar. He learned from the masters such as Angelo Debarre & Serge Krief. After graduating summa cum laude from Berklee College of Music in Boston in 2002, he released his debut album, Introducing Stephane Wrembel. He moved to NYC in 2003. Before long, word of this remarkable European transplant began spreading among fellow musicians in the robust New York music scene. Both Gypsy Rumble (2005), which includes mandolin legend David Grisman, and 2006’s Barbes-Brooklyn found favor with critics. Oscar-winning director Woody Allen used one of Gypsy Rumble’s tracks, “Big Brother,” in his 2008 film Vicky Cristina Barcelona. Hiss fourth album, Terre Des Hommes, was released the same year. In 2003, Wrembel created his own annual event, Django á Gogo Music Festival & Guitar Camp, bringing together some of the finest musicians in the world to celebrate the Sinti guitar style to perform in prestigious venues such as Carnegie Hall & The Town Hall. This weeklong event held in his hometown of Maplewood, N.J. & NYC is now being produced in Los Angeles, Canada & beyond. Wrembel’s breakthrough came with his original composition “Bistro Fada,” a Django-influenced swinging waltz on his 5th album Origins that became the theme song for Woody Allen’s 2011 Oscar®-winning film, Midnight In Paris. It was included on the Grammy®-winning soundtrack for the film. Wrembel performed the irresistibly catchy “Bistro Fada” live during the 2012 Academy Awards® ceremony with an all-star ensemble led by Hans Zimmer. In 2016, Wrembel released two masterfully recorded live albums: Live In India and Live In Rochester. From 2017-2021, Stephane released The Django Experiment I -The Django Experiment VI under the nom du plume The Django Experiment. These 6 volumes were recorded with long-time collaborators Thor Jensen on guitar, Ari Folman-Cohen on double bass, Nick Anderson on drums& Nick Driscoll on saxophone and clarinet, live in the studio, evoking new interpretations of Reinhardt’s music as well as songs by other jazz composers. In 2019, Wrembel produced Les Yeux Noirs, the debut CD by Simba Baumgartner, Django’s great-grandson. Baumgartner, who lives in the countryside in France, was one of the special guests at Django á Gogo 2019 & 2023. That same year, he released Django L’Impressionniste putting the spotlight on 17 little-known preludes for solo guitar Reinhardt recorded between 1937 and 1950. Wrembel is the first interpreter who has performed all of these pieces and collected them in one definitive masterwork. It took 4 years to meticulously transcribe the songs. He released a beautifully printed/bound book of sheet music in April of 2021. In November of 2021, he debuted his specialty group Django New Orleans, a 9-piece NYC-based band, with 8 sold-out shows at Jazz At Lincoln Center’s Dizzy’s Club. The following year his specialty program Shades of Django sold out two nights in The Rose Theater at Jazz at Lincoln Center. Now, in 2024, he is doing another something he has never done, recording a triptych album with a duet of guitar & piano with Jean-Michel Pilc. Following the success of these shows, Wrembel released Django New Orleans in May of 2023 in conjunction with the Django á Gogo festival. And while he is now considered one of the preeminent master guitarists in the world specialized in the Django Reinhardt style, this wonderful human keeps transcending & expanding. His music incorporates jazz, blues, classical, swing, flamenco and rock. All of these influences come together as a genre identifiable only as Stephane Wrembel.

I had the pleasure of catching up with family to the proGram, Stephane Wrembel ahead of his May 21st event at the Bur Oak here in Madison, presented by the Midwest Gypsy Swing Fest. We get into the event here with the quartet and what types of things to expect. We will be in store from something off the new and amazing triptych album with Jean-Michel Pilc. We get deep into that new trilogy with meaning and how the two artist have taken that new energy and become close friends, not only for their musical creation. I would be remiss if we didn’t take a moment or two to let Stephane brag and boast a little it about the 2024 Django-A-Gogo and my my my, there’s a lot to be proud about once again. I am proud to call Stephane a friend as when we talk, and you’ll hear it aGain, there’s a rhythm and ebb & flow to us as well, and you’ll feel that personal connection I bet when you plug into the records and most definitely when you catch him in any of his projects live.

Photo by Jason Goodman

The Messthetics and James Brandon Lewis

The Messthetics is an instrumental trio formed by former Fugazi members bassist Joe Lally & drummer Brendan Canty with progressive jazz rock guitarist Anthony Pirog. Their music has been described as “jazz punk jam. The Messthetics and James Brandon Lewis is a collaborative studio album by American jazz fusion group the Messthetics & saxophonist James Brandon Lewis. How do we get to this moment: Joe Lally was onstage, playing at full throttle, when he realized that his band had found a true kindred spirit. It was the fall of 2021 and the Messthetics were at the Bell House in Brooklyn, just getting into their uptempo riff jam, “Serpent Tongue.” Joining them for the piece was a special guest, acclaimed jazz saxophonist James Brandon Lewis, making only his 2nd appearance with the group after a drop-in at another New York show back in 2019. That first meeting had been a success, but this time, Lewis’ presence definitely sparked something new. The feeling that there was more to explore within what began as an ad hoc union among the 4 musicians, lingered after the performance ended. Now, Lewis, Pirog, Lally & Canty are ready to unveil their first full-length album as a quartet. Recorded in just 2 days in December 2022 at Takoma Park, Maryland, studio Tonal Park, with engineer Don Godwin, The Messthetics and James Brandon Lewis features 9 tracks that capture the combustive chemistry Lally originally sensed onstage while expanding the collaboration in all directions. Across the album, which dropped on March 15th via the legendary Impulse! label, the quartet can be heard locking into a hard, swaggering funk groove on “That Thang,” cradling a wistful, jazz-like theme on “Asthenia” or rocketing into ecstatic art-punk overdrive on “Emergence.” There is plenty of expected evidence of spontaneity running throughout this record. Once the quartet established a rapport onstage, the Messthetics followed up with an invitation to team up for an album, which Lewis quickly accepted. The Messthetics spent a few months in the fall of 2022 assembling & arranging material as a trio before meeting w/Lewis for just 1 day of rehearsal prior to the recording in December. Even with minimal prep time, the material evolved considerably.

I had an opportunity to get hang out with Joe, Brendan, Anthony and Mr. James Brandon Lewis ahead of The Messthetics and James Brandon Lewis May 12th show here in Madison at the High Noon Saloon. On the heels of their new album released on Impulse!, we talk about the event and give people an idea of what’s instore and how the new record is what they will build off of as the conversations in real time begin. Anthony and James give the scoop on how they played together which led to an opportunity for a live a cameo or two, which, in turn led what is on the new record and what we will be involved in as they add to that foundation at the High Noon (or wherever you may be fortunate to catch them). A supportive environment, allow the former rhythm section of Fugazi to control the course of the ship, while Anthony’s guitar and JBL’s sax navigate the corners and exploring a dueling dialogue. For me this sound is something I want to surround myself with, sometimes alone or with a group but it has a quality of heavy and groove that can spin at a moment, just like the feeling in life. The guys shared what tracks they’d =choose to build a setlist with and some other artists and tunes, it was as eclectic as what they do. Go figure.

Photo by Shervin Lainez

Left Lane Cruiser Driving This Way

Specializing in a raw hillbilly punk-blues style that roars like a tweaking modal chain saw, Fort Wayne, Indiana’s Left Lane Cruiser is a band led by slide guitarist Frederick “Joe” Evans IV. and Brenn “Sausage Paw” Beck on drums/washboard/trash kit. Their music has the swampy feel of North Mississippi hill country blues à la Junior Kimbrough and R.L. Burnside, with a good dose of snarling garage punk tossed into the mix. While the band would sometimes expand into a trio, they record the bulk of their work as a two-piece, and the tough, funky roar of their music arrives fully formed on their 2006 self-released debut album, “Gettin’ Down on It”, on the group’s own Hillgrass Bluebilly Records, and the following year they signed to Alive Naturalsound Records, which is their current home. The new studio album by Indiana’s favorite blues duo, “Bayport BBQ Blues” blends Freddy’s commanding, gritty vocal rasp and positively nasty hoodoo slide guitar work with Sausage Paw’s rhythmic stomp to make for a heady firestarter for your house party, backyard barbecue or juke joint get-down. The album is dedicated to the memory of the late Chris Jonson, creator of the Deep Blues Festival.

I had the chance to catch up with Freddy J IV of Left Lane Cruiser ahead of their May 15th event in Madison at the High Noon Saloon. We talk about the event and being on tour supporting John Garcia and Telekinetic Yeti specifically citing bands like Kyuss as shaping their musical ear. What an event Madison! We dive ear first into the soon to be released record “Bayport BBQ Blues” (late Spring 2024) and we both share our stories that the new track “Turkey Vulture’ inspired and have in common. For those heading to any of their shows and dig their sound, they also do covers of tunes that work for their sound, so you may also hear something familiar differently. Let me tell you, if I was having a backyard BBQ kinda party, these two would be high on my list of being on the bill – they sure do bring a rockin’ raw fun that I feel inside from memories of times long aGo.