Turning Over The Hourglass With Stephane Wrembel

Born in Paris and raised in Fontainebleau, the home of Impressionism and Django Reinhardt, Stephane Wrembel began playing guitar in his mid-teens. A Pink Floyd fan, he “spent hours learning David Gilmour’s style,” he said. “So I had a classical background in piano, a passion for rock music, and then I found out about Django. I fell in love with the very strong impressionist feel in his music.” His breakthrough came with his original composition “Bistro Fada,” a Django-influenced swinging waltz that was the theme song for Woody Allen’s 2011 Oscar®-winning film, “Midnight In Paris.” Since then, Wrembel has released five discs dedicated to Reinhardt (The Django Experiment Vol. I-IV & Live at Rochester) & recently produced the debut CD by Simba Baumgartner, Django’s great-grandson. His Django A Gogo festival, launched in 2004, has become one of the world’s most important and influential events, which includes an intensive music camp, celebrating and expanding Reinhardt’s music. In October of 2019, he released Django L’Impressionniste putting the spotlight on 17 little-known solo pieces Reinhardt recorded between 1937 & 1950. Stephane is the first and only interpreter who has performed all of these solo pieces and collected them in one definitive masterwork. It is available digitally and on double-vinyl with liner notes by Rolling Stone’s David Fricke. The Django Experiment V was released on Wrembel’s own Water Is Life Records on January 23, 2020, the 110th anniversary of the birth of Reinhardt. As with the previous “experiments,” The Django Experiment V was recorded with Wrembel and his world-class band performing live, with no headphones or tracking, in a setting conducive to improvisation with each musician pushing their own boundaries to evoke new interpretations of Reinhardt’s music as well as songs by other composers. In addition to Jensen, Cohen-Folman and Anderson, Wrembel was joined in the studio by special guests Nick Driscoll (saxophone, clarinet) and Daisy Castro (violin). Stephane has several more recordings planned for 2020. In the meantime, he and his band will continue to tour behind the release of The Django Experiment V as he prepares for Django A Gogo 2020, which will be held May 5-9 in Maplewood, N.J. & New York City.

I had the chance to catch back up with my friend, Stephane ahead of his 4/2 event in Madison at Cafe Coda. We dive into the event a little but focus a more on the album the band is touring behind, The Django Experiment V and the artists that helped make it happen. We talk people and process, plans for the later part of the year with more new music and as always, we tap into the person behind the artist to make sure Stephane is feeling the goodness of his art as an individual and how he is enjoying life, the complete version. Not only is the art of sound Stephane (and his mates) something that reaches inside of me, I feel like he is someone I’d like to spend time around the dinner table with, just hanging out.

Rev. Peyton’s Big Damn Band Back in Madison

Reverend Peyton’s Big Damn Band has built its reputation the long, slow, hard way. After 12 years of playing as many as 300 shows each year, Rev. Peyton, the world’s foremost country blues finger-style picker, along with the biggest little band in the country has pieced together one of the most dedicated followings out there. With all the power of a freight train, the Big Damn Band is known for its live shows. Rev. Peyton delivers guitar pyrotechnics the old fashioned way — ten fingers, a 6 string and an amp cranked at full tilt. In the country blues style, he plays the bass with his thumb, while picking the lead with his fingers at the same time. When he lifts the guitar behind his head to play there’s nothing but skill and 16 gauge nickel strings to make the sounds coming out of the speakers. Beside him on stage are just two other people. His wife, “Washboard” Breezy Peyton playing with all the nuance and percussive power of a New Orleans drum line, and keeping the train moving is Max Senteney on a lean drum kit including a 5 gallon maple syrup bucket. Together they play Peyton’s wildman country blues that’s as much ZZ Top as it is Bukka White. This is real, from the heart, handmade music made by people, for people who don’t have time for any bullshit.

I had the chance to catch up with Rev. Peyton ahead of the March 20th event in Madison at the High Noon Saloon. We get deep into what a live show is like and why is is an all hands on deck type approach and mentality for each and every show. We talk about how the latest album “Poor Until Pay Day” translates that live scene into a record situation. If you have not run into this band and their music or their live scene, you’ll be really amazed how the sound of the road, and taking every chance you can turns into some fierce and fun music that is relate-able for anyone who works hard for a living.

More New Music From Jake Shimabukuro

It was nearly 15 years ago that the world first caught notice of the stunning musical artistry of Jake Shimabukuro. The young ukulele player’s gorgeous rendition of George Harrison’s classic rock ballad “While My Guitar Gently Weeps” became one of the most-watched clips on the then newly launched YouTube platform. A lavish, exhilarating feast of a performance, it signaled the emergence of a prodigiously gifted virtuoso who was redefining how the ukulele was played and heard. Few artists arrive so clearly – and singularly – talented as Jake did. Guitar Player magazine called him “the Jimi Hendrix of the ukulele.” And no less than Pearl Jam’s Eddie Vedder, himself a four-string enthusiast, weighed in with this glowing assessment: “Jake is taking the instrument to a place that I can’t see anybody else catching up with him.” That’s because the Hawaii native was burning up the ground behind him. Since the release of his 2006 album, Gently Weeps, Jake has been riding a wave of breakthroughs and triumphs rare for any musician, let alone one who plays a ukulele. A tireless live performer, he’s floored audiences across the globe, appearing at music festivals as varied as Bonnaroo and the Fuji Rock Festival. He’s played with world-renowned orchestras at prestigious venues from the Hollywood Bowl to the Sydney Opera House. He even performed for that rarest of audiences: Her Majesty Queen Elizabeth II. And all the while, he’s issued a string of chart-topping and award-winning albums that have challenged all notions of what is possible with a ukulele. Music fans will no doubt hail his latest effort, Trio as an highwater mark for Jake, and he regards it as a personal best. “Beyond playing the ukulele, I’ve really tried to grow as a writer,” he says. “Spending time in Nashville and being around great songwriters has inspired and influenced me, and of course, working with Nolan and Dave has brought me to musical places I never thought possible…”

Another year and another chance to catch up with what Jake is up to. We get into the creation of the new Trio album, including the artists that appear on it, the versions of a couple of classic rock covers and a very meaningful (and beautiful) traditional favorite. We talk about releasing this one on Mascot Label Group. Our conversation weaves us into deeper territory with some words on how music takes shape and changes depending on when you’re listening to it, and how maintaining balance is a key reminder. Trio is in fact, one of those albums where I can sense the growth as a person, an artist and an interpreter of sound that keeps some of then and branches off into the now while leaving room for the then. Aloha.

Solid Gold Sounds With Kendell Marvel

Kendell Marvel wrote and recorded his new album, “Solid Gold Sounds”, in a matter of days, but it took a lifetime in Country music to get there. Mr. Marvel and The Black Keys’ Dan Auerbach co-wrote nine of the album’s 10 songs, drawing on the country sounds of the ‘70s as well as Marvel’s own experiences. Their songwriting collaborators include country legend John Anderson on the album’s first track, “Hard Time With the Truth.” A native of Southern Illinois, Marvel moved to Nashville at 28, shifting his goal of being an artist to raising his family while working as a songwriter. Marvel’s writing credits include Gary Allan’s “Right Where I Need to Be” and Chris Stapleton’s Grammy-winning single, “Either Way.” Brothers Osborne, Jamey Johnson, Jake Owen, Blake Shelton, George Strait, and Lee Ann Womack have also cut his songs.

I had the opportunity to catch up with Kendell ahead of his February 19th show in Madison at the High Noon Saloon. We talk about coming out on tour with these songs and the many he had written over the years for others and how they piece toGether to form a lively show for the concert-goers. We dissect a couple of the tunes off the newest release and how they come to fruition. We even find out, which beer is his choice when heading back to Madison, so let’s make sure his glass stays full. If you have not heard his name before….you’ll be surprised to learn just how many of his songs (that others have put their names on) that you may already know and enjoy, that he has been a part of.

Sharing That Juice With G Love

G. Love & Special Sauce is a three member alternative, blues, hip hop band originally from Philadelphia. G. Love proudly describes himself as a road dog who “will be touring until I fall off the earth” and plans to keep on pushing with Special Sauce from stage to stage. Whether Love Saves The Day makes one dollar or a million isn’t a big concern to him. It stands as a huge success because he made the gritty, honest album that he intended by “keeping it raw, keeping it immediate, keeping it real.” It’s an approach that he has honed over the years: “be original and be true to what you do.”

A longtime friend of the proGram, Garrett A.K.A. G. Love will be heading back to Madison on January 9th at the Majestic Theater with Shamarr Allen. Over the years, Garrett and I have talked many times, about many albums and upcoming shows (and defintely some hoops). This time we get into his soon to be released album “The Juice” produced by Keb’ Mo’ and put out there by his very own “Philadelphonic Records” imprint. We dive into that relationship and how the tweaks of working differently on a new project can take off in n upward direction. It was exciting to hear (and sounded exciting for Garrett to say) how this project changed him as a songwriter and after a few listens, I can easily hear that extra “juice” on these new tracks. We talk about collaborating and collaborators, recent nuptials and no plans on retiring now. Find out what three tracks off the new release Garrett would pack into a set-list for you and just what is “The Juice” anyways……here’s a hint….we all have it.

Photo: Kaelan Barowsky via G. Love

Southern Avenue Brings Many Shades of Blue

On their self-titled 2017 Stax Records debut album, the boundary-breaking Memphis group Southern Avenue sparked a one-band musical revolution, embodying an effortlessly organic soul/blues/R&B fusion that reflects the band members’ diverse roots as well as their deep commitment to their own style. On their second album Keep On, set for released inn May via Concord Records, the dynamic outfit expands its gritty musical vision to embrace new musical challenges and a more expansive creative vision and includes guest appearances by Stax legend William Bell and renowned bass player Marc Franklin, to help flesh things out.. Combining the talents of a set of young musicians who bring their individual backgrounds and skill sets to create music that carries the Southern soul legacy into the 21st century, Southern Avenue showcases the powerful chemistry and electrifying live show that they’ve honed through extensive stage and studio experience. Since the release of their debut, Southern Avenue has played in over a dozen countries and wowed audiences at such festivals as Bonnaroo, Firefly, Electric Forest and Lockn’.

I had an opportunity to speak with the bad’s guitarist Ori Naftaly ahead of their January 17th event at the Majestic Theater toGether with North Mississippi Allstars. Ori and I paint the picture of who will be giving what on that evening. We do a compare and contrast between the 2017 self titled album and the hot new release and how they both took shape and form. It is easy to talk about making unique music with many artists but I found it really interesting to hear how Ori finds the band’s sound influences the listeners around the globe versus when it is shared around the Mississippi River areas. Ori and the band are super excited to be out on the road officially with NMAS for a few dates and he opens the door to the information that they are working on a couple of new tracks with Luther and Cody. Stay tuned in!!!!

Photo by: David_McClister

In This Moment With Joe Marcinek

Joe Marcinek Band is an experience you will never forget. That is because each show features a different lineup of musicians creating a different set of music every night you see the band on the billing. The music is equal parts Chicago Blues, New Orleans Funk, Grateful Dead Psychedelia, and Jazz Fusion! Joe tours nationally from New York to LA and everywhere in between. Most of the lineups will only happen one time making every night a can’t miss show.

The group has featured many prominent special guests including Bernie Worrell (P-Funk, Talking Heads), Melvin Seals (Jerry Garcia Band), George Porter JR (The Meters), Ivan Neville (Dumpstaphunk), Alan Evans (Soulive), Kris Myers (Umphrey’s McGee), Tony Hall (Dumpstaphunk, Dave Mathews & Friends), Shaun Martin (Snarky Puppy, Kirk Franklin), Allen Aucoin (the Disco Biscuits), Marty Sammon (Buddy Guy), Jason Hann (String Cheese Incident / EOTO), Erik “Jesus” Coomes (Lettuce), Borahm Lee (Break Science), Jennifer Hartswick and Natalie Cressman (Trey Anastasio Band), Mike Greenfield (Lotus), Borham Lee (Break Science), Steve Molitz (Phil Lesh & Friends / Particle) Joey Porter (The Motet / Juno What), Fareed Haque, Scott Metzger, Nate Werth (Snarky Puppy) Garrett Sayers (The Motet) Allie Kral (Yonder Mountain String Band), Freekbass, Vinnie Amico and Jim Loughlin (moe.)

I had a chance to catch up with our brother Joe ahead of the 12/28 show here in Madison at The Harmony Bar & Grill. We get into what someone who has yet to see what he’s doing can expect from this show and the other shows he is a part of. We find out who will be in the rotating line-up here in Madison and we dive deep into the reasons for the limited time releasing of his live show at the Fox with 2 special guests and just why it is dubbed: “Dead Funk Summit”. Don’t miss out, earGrab Joe’s music and scene wherever/however and whenever.

It’s a LITTLE WORLD with STEEZ

Churning out their self-described Creepfunk, a high energy, danceable variety of funk — one uniquely laced with electronic and improvisational sensibilities – STEEZ has garnered a loyal following throughout the Midwest performing at music festivals and to capacity crowds at rapidly growing venues. STEEZ repeatedly receives acclaim for their live performances, which typically include a seamless weaving of thoughtfully composed originals and crowd pleasing covers spanning from Madonna to clever obscurities like Genialistid (Estonia). Well established in the Midwestern jamband community, what really sets STEEZ apart is the camaraderie and endearing sense of humor. The band’s humble beginnings include getting banned for life from a venue after their first ever live performance, maneuvering a moped accident involving a parked car, and cruising the Midwest in the inspired 35 foot band bus, “Big Brown.” (RIP) While it’s the original songs and taut musicianship that initially grab both fans’ and critics’ attention, the band’s personality keeps it. STEEZ continues their musical endeavors by balancing extensive touring with studio time. STEEZ continues to rage major festivals such as Summer Set Music & Camping Festival, Wakarusa, Summer Camp Music Festival, Camp Bisco, Electric Forest, 10KLF and Rootwire, while grinding it out on the road throughout the Midwest and beyond. The band’s 4th studio album, STEREOVISION, was released in 2013 and can be found on bandcamp.com. The band’s 5th album, Little World, will be released November 23, 2019.

I had the opportunity to catch up with Guitarist, Steve Neary about the upcoming album release event on 11/23 at the High Noon Saloon. We got into the creation of the new album, “Little World” and how the sounds have changed, but also kept that same appeal that has been bringing the crowds out for years. We get an idea of how the term “Creepfunk” became a part of the STEEZ thang and we learn which song of the new album Steve has been digging the most (right now) and what other artists he would choose to build a set-list off of with that track being the starting point.

Reverend Horton Heat Is the Pulse of Rock-n-Roll

By day, Jim Heath is a mild-mannered musical historian well-versed in the birthing days of rock and roll. But when the sun goes down, he straps on his signature Gretsch 6120, steps up to the mike and is transformed into REVEREND HORTON HEAT, a hellfire-spewing, rock and roll dare-demon. Jim’s tome is iconic: From recording with Lemmy Kilmister, being revered by country music legends like Johnny Cash, Carl Perkins and Screamin’ Jay Hawkins, touring with Soundgarden, ZZ Top, The Cramps, Social Distortion, White Zombie and the Sex Pistols, to providing touring opps to upstarts Kyuss, Hank III, Marilyn Manson and countless others across decades on the road. “This tour started around 1986,” Heath chuckles dryly. REVEREND HORTON HEAT still performs nearly 200 shows annually, including their trademark Horton’s Hayride Festival in Southern California, which has expanded to an end-of-the-year jamboree under the name Horton’s Holiday Hayride. The band has also wowed sold-out crowds with their multi-city residencies across America, including performances at Coachella, Reading, Austin City Limits, Riot Fest. The Texas troubadours also took a unique approach to the term ‘Special Guests’ on recent tours. Recalling the time the band opened for Jerry Lee Lewis, Heath had a vision, “The idea of playing in Jerry’s backing band would have been pretty neat. So every once in a while we’ll have a load of fun putting that aspect in our live set. In the middle of our set, we’ll have a special guest come on stage for a mini-set where REVEREND HORTON HEAT is the backing band. The first time we did it was with Lemmy Kilmister. We stopped our set midway, the road crew dragged a Marshall amp on stage, wiped the Rickenbacker clean and out came Lem. He was adamant on playing deep cuts, but I fought tooth and nail with him to do ‘Ace Of Spades.’ I told him, ‘Lemmy, we must do this song, we have to give the people want they want.’ He took a drag of his smoke, looked me square in the eye, and said ‘Never give them what they want, give them what they need!’” With over 1 million albums sold and nearly 35 years in the game, Heath and company have been delivering blood-pressure inducing scriptures to millions of fans worldwide. Call it rock and roll, psychobilly or what have you, REVEREND HORTON HEAT is often considered an early architect of the latter genre (at least on this side of the Atlantic) and occupies a peculiar place in American musical terrain.

I had the privilege of talking with Jim ahead of the August 15th show at the High Noon Saloon in Madison. We get into the scene we should be seen at in Madison, the new comers in the band as well as the making of the groups latest record, “Whole New Life”, on Victory Records. It is a thrill to hear Jim talk about how the album got off the ground…..finally and how the making of the music for him never really changes, it’s what he does. Jim speaks on how fear motivates him. It was so cool to hear him talk about the vision for the sound of this release, and how he believes they are working every day and night to keep the rock and roll many of us knew once, moving forward with a strong pulse. I truly feel that the music Jim has made all these years is instrumental in many of the careers of the new kids on the rock and roll block, an they might not even know it yet.

Release The Tension With The Mystery Lights

In an era when the city kvetches that there are no good NYC bands, when half of the music scene has split for sunny California, The Mystery Lights are an anomaly. Not only did these bold young men reverse the direction – optimistically migrating east against the tide from the west coast, but they also landed in the wormy apple to immerse themselves in the action and diversity of New York City. They all share an apartment in Ridgewood, Queens – the basement of which they’ve converted into a makeshift rehearsal space. Betting against the odds to live the archetypical 20th century downtown musician lifestyle in 2016, though inevitably further east of the bridge, they also play with the kind of conviction, immediacy, and raw power of their mighty ancestors – from the Velvets to the Voidoids and beyond. The Mystery Lights are living proof that vital contemporary music, in this case real-deal rock’n’roll, can still be dreamed, constructed, and performed in the Empire City. Mike Brandon and L.A. Solano have been in many different versions of The Mystery Lights under assorted monikers since their teens. Organically unfolding over the nights months and years, the Lights’ sound has evolved into a fuzz-fueled hopped-up 21st Century take on 60s garage pebbles, and artful 70s punk, that is all their own. 2016 found these rock’n’roll knights embarking upon the next logical step – unleashing their own brand of kick out the jams on tour and in the studio. When Daptone Records launched their Wick Records rock imprint, they wasted no time approaching Mystery Lights as their inaugural act.

I had the chance to catch up with Mike Brandon ahead of The Mystery Lights heading to the High Noon Saloon in Madison on June 24th. We get into what to expect from a live show, the creation of the new album “Too Much Tension!” as well what Mike would air to the listeners of greenarrowradio if given the chance to fill in for me.

Talkin’ About The Bridge With pat mAcdonald

Steel Bridge Songfest is an annual, music festival held in beautiful Sturgeon Bay, Wisconsin co-founded in 2005 by musician and friend of the proGram, Pat MacDonald. The event began as part of a grass-roots campaign to restore a historic bridge. The festival features a week-long collaborative songwriting workshop (the Construction Zone) where participants write songs inspired by the bridge. The songs are recorded on-site at the Holiday Music Motel and released as compilation albums. The Michigan Street Bridge (Sturgeon Bay Bridge) is a multi-span Warren/Parker truss bridge built in 1929 and dedicated the following year. It connects Wisconsin State Highway 57 to the Third Avenue business district, carrying motor and foot traffic over the Sturgeon Bay Shipping Canal. The structure is a Door County landmark, and appears in the official logo of the city of Sturgeon Bay. Its rolling bascule lift spans are unique in the country, and in 2008 it was placed on the National Register of Historic Places. In 1995, continuous remote monitoring by Northwestern University’s Infrastructure Technology Institute detected new cracks in the track casting, later confirmed by the Wisconsin Department of Transportation. Though the cracks were repaired, a 1997 Programmatic Agreement amongst the Federal Highway Administration, Advisory Council on Historic Preservation, and Wisconsin State Historic Preservation Officer determined that the bridge did not warrant preservation and in 1999, the FHWA began considering plans to demolish and replace the bridge. It is during this time that Citizens For Our Bridge, a non-profit 501(c), was founded as “S.O.B.”s (“Save Our Bridge”). The group was formed by citizens opposed to the suggested destruction. Working together with ACHP and the National Trust for Historic Preservation, CFOB proposed a plan to rehabilitate the structure. To inform the community and raise funds to carry out the plan, Pat helped organize a small music festival. He enlisted the help of his longtime friend, singer/songwriter Jackson Browne, and Steel Bridge Songfest was born.

It’s been a few years, but I had the chance to catch up with our of bridge brother, Pat mAcdonald once again to help remind people of this unifying event. This year’s main events are taking place on June 14th and 15th at the Third Avenue Playhouse in Sturgeon Bay, Wisconsin. Pat and I get into the history of why there would be a need for a festival about and for a bridge. We travel through the years leading up to this year’s event(s), pulling out many important aspects of the why the need was there, and how it all have evolved from the then until the now. For all the pertinent details, please head over to the SBSF website and make like a bridge and CONNECT.

Double Duty With Victor Krummenacher at Ruby

Victor Krummenacher is a busy man. Possibly known mostly as a co-founding member of Camper Van Beethoven, he is also a co-founder of CVB offshoot Monks of Doom. In the spring of 2017, he appeared on Monks of Doom’s first album of new compositions in 25 years, entitled The Brönte Pin. As a recording artist, Krummenacher has been active for more than thirty years and has appeared with numerous projects including Cracker, Fifth Business, A Great Laugh, and McCabe and Mrs. Miller, a duo formed in 2008 with Alison Faith Levy of The Loud Family. He has pursued a solo career as a singer-songwriter since 1994. His ninth solo album, Hard To See Trouble Coming, was released in January 2015. As of 2017, he remains active as a live artist in Northern California, and is preparing a studio recording for 2018. The new release entitled Blue Pacific was built from a deep space within his life and it is certainly an album that has its moods. In addition to his musical career, he was previously art director of the San Francisco Bay Guardian, and also a managing art director for Wired.

This guy never stops. I had the chance to catch up with Victor ahead of the May 2nd show at Ruby in Madison. He will open the show as Victor Krummenacher & His Flying Circus and then rejoin that stage with Monks of Doom. While the people on stage mostly will be the same, the sounds will have clear lines of differences drawn in the sand. We talk about what to expect from each show at Ruby as well as dissect a little bit of new albums from each. We make time to give a shout out to a cool and people-friendly festival their community of artists are a part of called: Cracker/Camper Van Beethoven Cookout. Take a listen and I have a feeling you’ll want to try and be apart of either one of these latest albums, a live event and/or this cookout. This will be the fifteenth cookout, and the last. Yes, I’ll have cheese on mine.

Gettin’ Down & Dirty with Paul Nelson

Paul Nelson is recognized as one of today’s top guitarists/songwriters and producers not only having the distinction of being the hand picked fellow guitarist to the legendary rock/blues icon Johnny Winter but he has toured the world over performing and or recorded along side an endless who’s who list of top artists from Eric Clapton and Buddy Guy to Slash, Billy Gibbons, Ben Harper, Robben Ford, Vince Gill, Warren Haynes, Derek Trucks, James Cotton, Joe Perry, Susan Tedeschi, Kenny Wayne Shepherd, John Popper, Dr. John, Larry Carlton, Leslie West, Joe Bonamassa, Sonny Landreth, Dickey Betts to Joe Walsh and countless more talented artists. Nelson received a Grammy award for his work performing on and producing Winter’s “Step Back” release on Megaforce/Sony winning “Best Blues Album of the Year” highlighting his already long list of Grammy Nominations. As well as the BMA “Blues Music Award” for “Best Blues/Rock Album” reaching #16 on the Billboard Top 200 and staying at #1 on the Billboard Blues Charts for weeks. He is also a recipient of the Blues Foundation’s KBA “Keeping The Blues Alive Award”. His music has reached millions with appearances on Late Night with David Letterman and Jimmy Kimmel Live, and on award winning documentaries: “Down and Dirty” The Johnny Winter Story and “Sideman: Long Road to Glory” ft. Bonnie Rait, Gregg Allman, Hubert Sumlin, as well as music written/performed and broadcast nationally on NBC and on multiple major album releases, books, instructional guitar columns, live Concert DVD’s, and guest performances on countless recordings.

I had the chance to catch up with Paul as he just finished up a tour with his band, The Paul Nelson Band. We got into his newest album, “Badass Generation” and what went into putting that one together. We get into his work with Johnny Winter, and how it was more than the music that made their relationship thrive. The documentary, “”Down & Dirty” details a lot of that relationship and Paul was the Executive Producer on that project, so we got into what it was like to have that portion of your days relived through video. Paul even shares a couple of head-shaking, and smile raising stories from days gone by.

Paul Nelson & Johnny Winter

Stories From The Living Room with Leftover Salmon

Few bands stick around for thirty years. Even fewer bands leave a legacy during that time that marks them as a truly special, once-in-lifetime type band. And no band has done all that and had as much fun as Leftover Salmon. Since their earliest days as a forward thinking, progressive bluegrass band who had the guts to add drums to the mix and who was unafraid to stir in any number of highly combustible styles into their ever evolving sound, to their role as a pioneer of the modern jamband scene, to their current status as elder-statesmen of the scene who cast a huge influential shadow over every festival they play, Leftover Salmon has been a crucial link in keeping alive the traditional music of the past while at the same time pushing that sound forward with their own weirdly, unique style.

I had the pleasure of catching up with friend of the proGram, Vince Herman ahead of the Friday, April 25th “An Evening with Leftover Salmon: Stories From The Living Room” event at the Stoughton Opera House. Vince and I get into what separates this event from the festival shows this eclectic group is definitely known for. We get into the way their music comes together now versus a time ago when I first got a taste back in the mid to late 90’s. I would be remiss if we didn’t talk a bit about what it is was like to be chronicled in pictures form in the new book: “Leftover Salmon – Thirty Years Of Festival!” by Tim Newby, which has been available since February of 2019. If you don’t know…maybe it’s just time you go.

©2016 ShowLove Media || All rights reserved || Photo by John-Ryan Lockman

Tim O’Brien Band Back in Stoughton

Born in Wheeling, West Virginia on March 16, 1954, Grammy winning singer/songwriter and multi instrumentalist Tim O’Brien grew up singing in church and in school, and after seeing Doc Watson on TV, became a lifelong devotee of old time and bluegrass music. Tim first toured nationally in the 1980’s with Colorado bluegrass band Hot Rize. Kathy Mattea scored a country hit with his song “Walk The Way The Wind Blows” in 1986, and soon more artists like Nickel Creek and Garth Brooks covered his songs. Over the years, Tim has released 15 solo CD’s, as well as collaborations with his sister Mollie O’Brien, songwriter Darrell Scott, and noted old time musician Dirk Powell. He’s performed or recorded with Steve Earle, Mark Knopfler, friend of the program, Bill Frisell, and Steve Martin and produced records for Yonder Mountain String Band, David Bromberg, and Canada’s Old Man Luedecke.

I had the honor of chatting with Tim ahead of the March 28th show at the Stoughton Opera House ahead of the March 28th show featuring the Tim O’Brien Band. Tim and I get into what a newbie to the scene could expect from an evening with the Tim O’Brien Band. We dive deep into their brand new self-titled album, talking about the seed to flower growth of its songs and style. The album dropped today. It is always of interest to get into the music scene changes from artists that have been around the block a few times and Mr. O’Brien is no exception. We talk about some of the gifts and challenges of the scene today versus some odd years aGo, when he first got started. If you’ve ever wondered what he might share if given the opportunity to take over a radio show, Tim tells us what he would share if he had some time programming greenarrowradio one of these day.

The Smooth Power Of Roy Rogers & The Delta Rhythm Kings

For nearly 30 years, Roy Rogers and The Delta Rhythm Kings have continued to bring the blues (and beyond) to its legions of fans around the world. He was indeed named for the singing cowboy. A singer, himself, and also a master slide guitarist with a distinctive and instantly recognizable style, Rogers has recorded with Miles Davis, Taj Mahal, Norton Buffalo, and recorded two albums together in a band with former Doors keyboardist Ray Manzarek. As a producer he is perhaps best known for John Lee Hooker’s classic comeback album “The Healer” featuring Bonnie Raitt, Santana, Los Lobos and more which earned a Grammy Award. I have been such a fan of this man’s body of diverse works build around that distinct sound, enhancing many set-lists with the slide stories he weaves.

I had the pleasure of finally catching up with Roy ahead of his March 28th show at Shank Hall in Milwaukee and his March 29th show at the Stoughton Opera House, both with his power trio, The Delta Rhythm Kings. Roy and I get into what those who might be new to his sound can expect from a live event from the sound down to the important interacts between musicians and audience. We try to define what makes his distinct sound so distinct and the bottom line was drawn at: “You got to feel it”. Roy mentions a bit about his time working with John Lee Hooker and how he learned more about life than music from this master, and we spend a little time talking about what it was like working with friend of the proGram, Shana Morrison.

Buck Up In Madison With Carsie Blanton

Carsie Blanton is a singer-songwriter who grew up in rural Virginia and landed in Philadelphia in fall of 2006. Since then, her soulful, playful, intelligent music has earned her tons of national respect from fans and fellow artists. She has released five studio albums: Ain’t So Green (2005), Buoy (2009), Idiot Heart (2012), Not Old, Not New (2014), So Ferocious (2016)—and three EPs—Hush (2002), Beau (2010), Rude Remarks and Dirty Jokes (2013). Once she began working with manager Bill Eib (Amos Lee, Mutlu Onaral), she was quickly playing over one hundred live shows a year. In 2010, Blanton performed live on NPR’s nationally syndicated program, Mountain Stage, and opened for The Weepies and Shawn Colvin. In 2011, Blanton toured with Anais Mitchell’s Hadestown: A Folk Opera, playing the role of Head Fate. In 2014, Blanton performed on the nationally syndicated NPR program Song Travels with Michael Feinstein. She was also fortunate to have opened multiple shows on Paul Simon’s So Beautiful or So What tour. Carsie has also shared the stage with nationally hailed acts Amos Lee, Nellie McKay, John Oates and Leon Redbone, and has toured with Loudon Wainwright III, and with Blue Note recording artists and friends of the program, The Wood Brothers. And now, she has dropped a new album in February of 2019, Buck Up, that aims to provide a little relief from the now that is, happening now.

I had the chance to chat with Carsie ahead of her March 24th show in Madison at the High Noon Saloon. We dive into the moods and melodies that drove the new release from a seed to a flower and just how she can make anything sound catchy, sexy and fun. We spend time getting to know the person that is behind the music, if you check out her blog, you’ll see (and read) that she says it like she feels it, and she tells us what ideals/values got mixed up in a blender to create the her she is. It is always interesting to find out which song an artist would choose to air on the greenarrowradio proGram if given the opportunity and what they would surround it with in a set-list, Carsie’s choices are shared so we get a sense of what direction it might go.

Music Behind The Glass With Sonny Landreth

Innovative Southwest Louisiana-based guitarist, songwriter, and singer Sonny Landreth is one of those musician’s musician. His blues slide guitar playing is distinctive and unlike anything else you’ve ever heard. His unorthodox guitar style comes from the manner in which he simultaneously plays slide and makes fingering movements on the fretboard. Mr. Landreth, can play it all, like any good session musician. His distinctive guitar playing can be heard on recordings by John Hiatt, Leslie West and Mountain, and many other rock & rollers. Sonny Landreth brings together blues, jazz, Cajun, zydeco, and rock music, creating a style that’s increasingly appealing to a wide array of listeners. Each of Landreth’s two solo albums is woven from the various musical styles he picked up in southern Louisiana, his home since the age of two. His ability to meld these loosely associated deep South genres has earned him a broad following, and, with twenty years as a professional musician, his resume is packed with a who’s who of of a crucial musical legacy. I invite you to do some research on the importance of Mr. Landreth to the musical communities, many of them and find the spot where his sound, his style hits you just right he is still, in my opinion, an underrated star that we have been fortunate to share a sky with.

I had the honor of spending a little time with Sonny ahead of the February 28th show at the Stoughton Opera House billed as “Marcia Ball/Sonny Landreth: Two Great Bands One Great Night”. And that is should be!. We find out what the flow of an event like this should be like for any newcomers to the scene. We spend a perfect amount of time understand the way Sonny does what Sony does. So often, we as listeners get all caught up in the sounds we hear, but we don’t always know the things that go into it. Sonny shares a little insight on the “Music Behind The Glass” that is what he does. We get into what a a hometown crowd does for any musician, but the reasons behind his 2017 release “Recorded Live In Lafayette”, really solidifies what a good time home-cooking can make for the music and the recordings. I always want to be in the decision making process of how what tunes get captured on a live album, so we find out a little of that selection process as well. We talk abut our mutual friend, Mr. Derek Trucks and how the stylings of others and being able to learn with and from other innovative, genre busting artists adds to not only the sound, but the songwriting. This is another one of those talks that I find myself thinking back on and saying to myself, “it’s no wonder I really dig this dude”.

Photo by: Brian Blauser

JD Simo Brings It To Madison And Beyond

On his new and first solo record, the soon to be released, “OFF AT 11”, recording artist and Chicago native now Nashvillian, JD SIMO wants you to know that above all things, what matters most to him is that music should be honest. The gifted artist more than offers this in a psychedelic, free-flowing, dynamic soundscape that exemplifies just that… Honesty. This album spreads out with acid rock, traditional blues, folk, soul, free form jazz, and the never-ceasing desire to improvise pulses from this collection in a mind bending, kaleidoscope of sound, energy and vibe. With influences as diverse as the Jimi Hendrix Experience, Captain Beefheart, Miles Davis and The Allman Brothers to blues guitarists such as Lightnin’ Hopkins and BB King, this young artist, is taking the listener on a musical journey using LOVE as the guideposts. The recording of this rocking, blues driven, electric tour de force, was recorded over a three day period in the summer of 2018. Recording during a brief break in touring including JD’s first shows as a newly cultivated member of Phil Lesh and Friends, JD and his band recorded these musically dense and inspiring tracks in a “groovy space” to lay down something authentic, filled with fun and NO edits, NO tricks.

I had the complete pleasure of talking with JD ahead of his February 6th show at the High Noon Saloon in Madison. We dive into the creation of his first solo album and how he feels he has grown and adapted as an artist in this wacky world. We talk about how the time spent with such real people, real artists as friends of the proGram, Mr. Tommy Emmanuel, Warren Haynes and of course his time working with Phil Lesh. We get into how the opportunity to work with Phil went down and maybe even lead you to the possibility of another collaboration with this infamous bass player of the legendary Grateful Dead. We really touch a special spot to both of us I think when we tap into how JD picture love as a benchmark in 2019. Cool Cat, great new album and a live event to back it all up. Check this chat out.

JD Simo at Daryl’s House – Photo by Rick Pauline

Rob McCoury Talks Grateful Ball And More

The McCoury brothers- Ronnie (mandolin) and Rob (banjo) – were born into the bluegrass tradition. Talk about a source abundant and pure: their father, friend of the proGram, Del McCoury, is among the most influential and successful musicians in the history of the genre. Years on the road in the Del McCoury Band honed their knife-edge chops, and encouraged the duo to imagine how traditional bluegrass could cut innovative pathways into 21st century music. With fiddler Jason Carter, bassist Alan Bartram, and latest recruit Cody Kilby on guitar, they assembled a group that could take what they had in their DNA, take what traditions they learned and heard, and push the music forward. In fact, the band became the only group to have each of its members recognized with an International Bluegrass Music Association Award for their instrument at least once. There were peers, too, that could see bluegrass as both historic and progressive. Rock and Roll Hall of Fame inductees The Allman Brothers Band, improv-rock kings Phish, and jamband contemporary Keller Williams were just a few that formed a mutual admiration society with the ensemble. Their concerts became can’t-miss events, whether headlining historic venues or as festival favorites, drawing the love and respect of a growing fanbase craving their eclectic repertoire. At the 2016 edition of DelFest, an annual gathering of the genre’s best aptly named for the McCoury patriarch, the band delivered the take-away highlight. So arrives the long-awaited, self-titled debut album from the quintet. A brilliantly executed set overflowing with inventive style, stellar musicianship, and, of course, plenty of burnin’ grass, the 14-song collection is a true culmination of their decades-long journey. From the headwaters of Bill Monroe and the waves of Jerry Garcia to a sound both rooted and revolutionary, soulful and transcending that belongs only to the Travelin’ McCourys.

I had the pleasure of catching up with Rob McCoury ahead of the Travlin’ McCoury‘s show on the 25th of January at the Barrymore Theater in Madison with the Jeff Austin Band. Together, they are calling this event, Grateful Ball. We spend a little time getting into what attendees can expect from that show. We talk about the creation process of the new album, shall I say the new Grammy nominated album….yes, I shall. We talk about how the Grateful Dead became a part of the lives of the McCoury brother’s lives including how the met and hung with Jerry Garcia after their father introduced them. The big take away for me was how the music of it all, the scenes they have been exposed to, the then and the now of Bluegrass music and the future path that they are at many times, in the front of the line leading the way. Rob lets us know if he was ever surprised by another band members song call out in the moment and what song he wouldn’t mind being stuck in a room with and why.