Givin’ You The LowDown Brass Band

LowDown Brass Band deftly synthesizes the gritty sounds of Chicago with the high energy street beat of the Crescent City. LDB brandishes a powerful brass frontline of trumpets, trombones, saxophones, with a funky backline of drums and sousaphone. Combining the poetic ferocity of Billa Camp with stellar vocal harmonies, adventurous improvisation, movement, and grooves, LDB creates an infectious and diverse sound that has something for every listener. Fresh off their headlining set at The 2018 Montreal Jazz Festival, LowDown maintains a constant performing and touring schedule throughout North America. Recent performances include the Lagunitas Beer Circus, Chicago Jazz Fest, Friendly Gathering, Alaska’s Salmon Fest, Chicago’s Do-Division Fest, Wakarusa, Cotai Jazz Fest, and a annual residency at Shoe Fest. Following an ambitious project titled LowDown Sounds, that included a critically acclaimed cameo by Roy Ayers on the track “Everybody Loves The Sunshine”, LowDown Brass Band is now touring their 2018 hip hop release titled LowDown Breaks featuring MC Billa Camp. This new record steps deeper into refining their unique sound, combining hip hop breaks with live soul samples and deep cut grooves.

I had the chance to catch up with Shane Jonas, singer/trumpeter and one of the songwriters of LowDown Brass Band ahead of their end of July and early August run in Wisconsin, starting with the July 31st show at The Shitty Barn Sessions. Shane and I go through the who’s and what’s of the group gearing people who might not know them up for checking them out. We talk about the differences of process from when the band first started to the very new single that just dropped in June. The growth is obvious to those who have known about them for a bit. Shane also builds a set-list starting off with that brand new single “We Dem Boys” and the results are gonna make the fun in your funk jump for joy.

Alma Afrobeat Ensemble to Close out Atwoodfest

Alma Afrobeat Ensemble was founded in Chicago in 2003 by guitarist Aaron Feder. In 2006 Aaron made a move to Barcelona in search of a different sound for the band. He quickly found a group of international members, from all continents of the globe. In a short time the band was reformed and headlined the Fiestizaje music and arts festival in 2008. The band then set about recording their first studio album, Toubab Soul which was released in 2010. Shortly afterwards, they released the remix album, Toubab Resouled, and opened the world music festival Cruilla de Cultures with Konono No 1. The story has many twists and turns along the way, but now in 2019, they have a brand new self released album, “Monkey See, Monkey Do” out and the growth from those beginning is continuing to expand their sounds and styles. Which brings us to the Summer of 2019.

I had the chance to chat with Aaron ahead of Alma Afrobeat Ensemble’s set closing out this year’s Atwoodfest in Madison, Wisconsin on Sunday, July 28th. We get into what people can expect from this band now based in Barcelona, and how lucky Madison is to have them finally get here. Aaron has been trying for years and fortunately, Atwoodfest was able to get the stars to aliGn. We go seed to flower on the new release, “Monkey See, Money Do”, and while not a completely politically charged album, it does speak in a socially aware tongue and groove. I wanted to let people get a feel for the type of person Aaron is so we find out what had been floating his personal boat these days, as well as the set-list he would program, starting with which one off their new album he’d go with, for the listeners if given 45 minutes or so of the show.

Kaleta & Super Yamba Band

Afro-funksters Kaleta & Super Yamba Band are known for their explosive live shows teeming with danceable rhythms and a vivacious energy that brings out the boogie in audiences from all walks of life. Fronted by legendary Afrobeat veteran Leon Ligan-Majek—a.k.a. Kaleta, the Brooklyn, N.Y. based group weaves together lively, multi-faceted rhythms and groovy basslines beneath bright horns, swirling synthesizers and Kaleta’s smoky vocals. Song lyrics seamlessly glide between languages native to West Africa along with French and Pidgin English, “the official language of Afrobeat” according to the band. Vocalist, guitarist, percussionist and producer Kaleta was born in the West African country of Benin Republic and lived his adolescent life in Lagos, Nigeria—the birthplace of Afrobeat. He got his start in the late 1970s performing in church and after capturing the attention of world music pioneer King Sunny Ade, was given the opportunity to go on a global tour with the iconic Nigerian musician and later with Fela Kuti though the 1980s and into the 1990s. After moving to New York City, Kaleta was overjoyed to find Super Yamba Band and hear their fresh take on the vintage sounds of his native Benin, taking its cues from artists like Orchestre Poly-Rythmo, El Rego and Gnonnas Pedro. Today, the band’s infectious sound and energy has earned them a devoted following and a skyrocketing reputation. The group has erupted onto the music scene with performances at the World Music Institute’s Masters Of African Music Series in New York, Felabration NYC, Millpond.Live Festival in Massachusetts, Paste Magazine’s Emerging Music Festival in New York City and the historic Apollo Theatre. In a review of their performance at the Emerging Music Festival, online tastemaker Afropop Worldwide said “their ace-up-the-sleeve: the singer Kaleta, whose James Brown grunts have got to be some of the best in the business.” With their latest single “Mr. Diva” (2018), Kaleta & Super Yamba continue to treat listeners to an unforgettable experience of world-class Afro-Funk dance music. A new album on Ubiquity Records is due out this Autumn.

I had the honor of discussing the upcoming Kaleta & Super Yamba Band event in Madison, Wisconsin at the High Noon Saloon on June 30th with the legend himself, Kaleta. We discuss what event-goers can expect from the groups first time in Madison. It was thrilling to here him talk about how he got started playing with two Icons in a music scene I love, King Sunny Adé and Fela Kuti. I also took the time to get some of the inside scoop on how the soon to be released album started coming together from a seed to it’s eventual big bloom in Autumn. I hiGhly recommend checking out this band in any capcaity, but for the real feel, find them live and hold on tight.

Talking Special Guest With Kris Jones

Special Guest App is a technology platform that helps make it extremely simple and affordable for anyone, anywhere to hire LIVE entertainment on demand via mobile and Web apps. Special Guest App removes friction from the LIVE entertainment booking process by seamlessly facilitating discovery, communication, scheduling, agreement, and payments. This people-centric tool helps venue owners and managers make more money by streamlining the entire process of booking live entertainment and their professional talent buying team operates to help leverage live entertainment to help them grow revenue and create incredible experiences. Special Guest is agent, manager and promoter friendly and actually serves all talent types, including musicians, comedians, magicians, kids entertainers, dancers, DJs, actors / actresses, rappers / hip hop artists, photographers, and much more! The company was cofounded by actor / comedian Damon Wayans, Jr and serial entrepreneur and best selling author, Kristopher Jones

I had the opportunity to discuss this innovative application with co-founder Kris Jones, who is (just to name a couple) a serial entrepreneur, angel investor and best selling author that comes with years of experience and an open mind that makes this application tick from a technology/business standpoint. We get into the who, what, where, why and when can you get started using Special Guest type questions. For me, the reason I wanted to help spread the word is that this platform helps even out the playing field for all types of talent, including those who don’t have the black-book filled with all the right connections. Special Guest can help all the hands in the jar come out with hand fulls!!

Mobile App can be grabbed up here for iOS.

*Soon to be released for Android.

Music & A Movement With Making Movies

Energy, mysticism, roots– it’s hard to describe the genre-breaking music of Making Movies, a band that Rolling Stone says is “breaking down walls in the United States,” with a mix of afro-latino rhythms and psychedelic rock’n’roll that makes the group’s sound something unique. The connection between the Chi brothers (hailing from Santiago, Panama)– together with their Mexican bandmates, the Chaurand brothers–results in an overwhelming musical presence that takes you through landscapes festive, furious, refreshing, and dark. At times the falsetto of Diego Chi takes you to the underworld, while the fuzz of Enrique Chi’s guitar anchors his spirited voice in the midst of the Chaurand brothers’ primal and folkloric percussion. An explosion of energy on the stage–does the soundtrack make the movie, or does the movie make for the soundtrack?
In 2017 Art As Mentorship was created by Enrique Chi, born out of six years of collaboration between Making Movies and local non-profits Base Academy of Music and the Mattie Rhodes Center. What began as a week-long music education camp for youth in an undeserved community has grown into a six-month songwriting and mentorship program called the Rebel Song Academy. Students get to record with and learn from industry professionals, like Grammy-winning producer Steve Berlin of Los Lobos who recorded the first class in 2018. The world turned their attention to Making Movies as Rubén Blades, Flor De Toloache, Asdru Sierra, David Hidalgo, Frankie Negrón & Las Cafeteras joined forces with the band on their new album, ameri’kana, which was released in May 2019. The first two singles, “No Te Calles” and “Cómo Perdonar”, were launched along with a movement that invites artists and fans to participate on the website NoTeCalles.World, by joining the chorus with Rubén Blades and Making Movies. The album includes “Delilah”, a song about immigration written during a week-long writing session between Blades and Lou Reed that had never before been recorded. Saying that “Rock’n’roll is Latin music” the band dedicates the album to the beautiful inhabitants of the ameri’kana continent.

I had the privilege of re-connecting with Enrique ahead of the groups return to Madison on June 23rd as part of the Sessions at McPike Park – Pursuit Of Happiness Sessions. After having a chance to hang with this great group of people when they were here last year, I definitely developed a fondness for them as people first and then the music. If you have seen then, you know what I mean. If you haven’t find a place to and go! Enrique and I get into what to expect if you are new to the Making Movies scene, we get into the creation of the new release, ameri’kana and how working with one of their heroes, Mr. Rubén Blades took their stories to a best seller book level. We get a little political, well, we can call it topical in our discussion about how music has opened our minds and eyes but we get back into the music when Enrique rattles off a list of artists/songs he’d spin for the greenarrowradio listeners if he was in the pilot’s seat. This is THE band people should be talking about.

Release The Tension With The Mystery Lights

In an era when the city kvetches that there are no good NYC bands, when half of the music scene has split for sunny California, The Mystery Lights are an anomaly. Not only did these bold young men reverse the direction – optimistically migrating east against the tide from the west coast, but they also landed in the wormy apple to immerse themselves in the action and diversity of New York City. They all share an apartment in Ridgewood, Queens – the basement of which they’ve converted into a makeshift rehearsal space. Betting against the odds to live the archetypical 20th century downtown musician lifestyle in 2016, though inevitably further east of the bridge, they also play with the kind of conviction, immediacy, and raw power of their mighty ancestors – from the Velvets to the Voidoids and beyond. The Mystery Lights are living proof that vital contemporary music, in this case real-deal rock’n’roll, can still be dreamed, constructed, and performed in the Empire City. Mike Brandon and L.A. Solano have been in many different versions of The Mystery Lights under assorted monikers since their teens. Organically unfolding over the nights months and years, the Lights’ sound has evolved into a fuzz-fueled hopped-up 21st Century take on 60s garage pebbles, and artful 70s punk, that is all their own. 2016 found these rock’n’roll knights embarking upon the next logical step – unleashing their own brand of kick out the jams on tour and in the studio. When Daptone Records launched their Wick Records rock imprint, they wasted no time approaching Mystery Lights as their inaugural act.

I had the chance to catch up with Mike Brandon ahead of The Mystery Lights heading to the High Noon Saloon in Madison on June 24th. We get into what to expect from a live show, the creation of the new album “Too Much Tension!” as well what Mike would air to the listeners of greenarrowradio if given the chance to fill in for me.

Scared Scriptless with Colin and Brad

Armed with only their wits, Whose Line is it Anyway? stars Colin Mochrie and Brad Sherwood are taking to the live stage and they’re…Scared Scriptless. Prepare to laugh yourself senseless as improv comedy masterminds Colin & Brad must make up original scenes, songs and more from whatever you, the fans, suggest! You just might also get to join in on the fun on stage. It’s a hilarious comedic high wire act… just like a live version of ‘Whose Line!’ How the heck do they do it? We don’t know either! Don’t miss the best duo in improv, Colin Mochrie and Brad Sherwood, in their wildly entertaining Scared Scriptless Tour.

I had a chance to catch up with long time friend of the proGram, Colin Mocherie ahead of he and Brad hitting Madison on June 14th at Overture Center For The Arts. We get into what to expect from the hilarious Scared Scriptless event, how this thing called improv stays fresh and Colin shares some wise words of advice about going for a yes, when one might lead with a no. And yes…it is all made up right there.

Neal Francis’ Midwest Soul at Waterfront Festival

There is a deep connection between Neal Francis’ childhood—his obsession with boogie woogie piano, his father’s gift of a dusty Dr. John LP, and the songs he’s created. The result is an astonishing collection of material without parallel in the contemporary funk and soul scene. The influences are unmistakable: the vocal stylings of Allen Toussaint and Leon Russell; the second line rhythms of The Meters and Dr. John; the barroom rock ‘n’ roll of The Rolling Stones; the gospel soul of Billy Preston; the roots music of The Band. He pays tribute to the masters but has his own story to tell. The piano prodigy found himself touring Europe by the age of 18 with Muddy Waters’ son and backing up other prominent blues artists coast-to-coast. In 2012, he joined popular instrumental funk band The Heard. With Francis at the creative helm, The Heard transformed into a national act, touring with boogaloo progenitors The New Mastersounds and chart toppers The Revivalists and appearing at Jazz Fest and Bear Creek. As The Heard’s star rose, however, Francis sunk deeper into addiction. Once a promising sideman, by 2015 he had been fired from his band, evicted from his apartment, and was perilously close to self-destruction. He worked hard to change all that. 2018 was a busy year. In February Francis finished recording basic tracks for the yet-to-be named debut album in Los Angeles and spent the following months doing overdubs in Chicago with engineer Mike Novak (who also recorded demos for the project). After playing his first show in November, Francis was signed by Paradigm Talent Agency. 2019 has already brought a North American tour supporting The Cat Empire and he continues to tour relentlessly to promote his own music.

And that brings us to June 8th at the Marquette Waterfront Festival in Madison, where I will be able to catch a set of music I have been looking for. I had a chance to catch up with Neal ahead of the festival to help people get to know him a little better. We talk what people who don’t know about his sound/style can expect, we talk about new music and how his soon to be released album was born. We get into the way he was and where he’s at and I think many of us would like to know what songs & artists a cat like this would build a set around after I start it with one of his new tunes. Oh YEAH!!!

Talkin’ About The Bridge With pat mAcdonald

Steel Bridge Songfest is an annual, music festival held in beautiful Sturgeon Bay, Wisconsin co-founded in 2005 by musician and friend of the proGram, Pat MacDonald. The event began as part of a grass-roots campaign to restore a historic bridge. The festival features a week-long collaborative songwriting workshop (the Construction Zone) where participants write songs inspired by the bridge. The songs are recorded on-site at the Holiday Music Motel and released as compilation albums. The Michigan Street Bridge (Sturgeon Bay Bridge) is a multi-span Warren/Parker truss bridge built in 1929 and dedicated the following year. It connects Wisconsin State Highway 57 to the Third Avenue business district, carrying motor and foot traffic over the Sturgeon Bay Shipping Canal. The structure is a Door County landmark, and appears in the official logo of the city of Sturgeon Bay. Its rolling bascule lift spans are unique in the country, and in 2008 it was placed on the National Register of Historic Places. In 1995, continuous remote monitoring by Northwestern University’s Infrastructure Technology Institute detected new cracks in the track casting, later confirmed by the Wisconsin Department of Transportation. Though the cracks were repaired, a 1997 Programmatic Agreement amongst the Federal Highway Administration, Advisory Council on Historic Preservation, and Wisconsin State Historic Preservation Officer determined that the bridge did not warrant preservation and in 1999, the FHWA began considering plans to demolish and replace the bridge. It is during this time that Citizens For Our Bridge, a non-profit 501(c), was founded as “S.O.B.”s (“Save Our Bridge”). The group was formed by citizens opposed to the suggested destruction. Working together with ACHP and the National Trust for Historic Preservation, CFOB proposed a plan to rehabilitate the structure. To inform the community and raise funds to carry out the plan, Pat helped organize a small music festival. He enlisted the help of his longtime friend, singer/songwriter Jackson Browne, and Steel Bridge Songfest was born.

It’s been a few years, but I had the chance to catch up with our of bridge brother, Pat mAcdonald once again to help remind people of this unifying event. This year’s main events are taking place on June 14th and 15th at the Third Avenue Playhouse in Sturgeon Bay, Wisconsin. Pat and I get into the history of why there would be a need for a festival about and for a bridge. We travel through the years leading up to this year’s event(s), pulling out many important aspects of the why the need was there, and how it all have evolved from the then until the now. For all the pertinent details, please head over to the SBSF website and make like a bridge and CONNECT.

Lisa Maxwell’s Jazz Orchestra’s Shiny!

Lisa Maxwell has composed, arranged, orchestrated, produced, and conducted music for small combos, horn sections, strings, big band and full orchestra. Part of the Emmy Award-winning music team for Warner Bros., Lisa was an orchestrator on all 52 episodes of Histeria! animated series, and Animaniacs: Wakko’s Wish feature film. Her original music has been licensed for TV shows including: Sons of Anarchy, Person of Interest, Dexter, Burn Notice, Four Weddings, Gravity. Currently, Lisa is preparing to release her debut big band album, Shiny! Dedicated to legendary trumpeter Lew Soloff, it features Randy Brecker and an all-star band playing her charts. As a sax player, Lisa led the horn sections on the Guns ‘n’ Roses Use Your Illusion world tour and Spinal Tap tour. She has also performed with the Machito Big Band, Gil Evans Orchestra, Charlie Haden, Tony Scott, Hiram Bullock, Will Lee, Steven Tyler, Lenny Kravitz, Carole King, Bruce Willis Band, Chuck Berry, Smokey Hormel, Chester Whitmore, The Joni Mitchell Project and so many more. Lisa started playing piano at age 6. At 15, she switched briefly to 5-string banjo, and finally settled on the saxophone. At 17, she took a film scoring class at UCLA and realized she wanted to write music for lots of instruments. Trumpeter Ray Copeland taught her jazz arranging, and Charlie Haden let her sit in on his classes at Cal Arts. Lisa attended Manhattan School of Music to study saxophone with Joe Allard, and spent most nights in clubs, where she met her musical heroes. She returned to L.A. to study composing and arranging with Dick Grove in Studio City; and then won the Quincy Jones Arranging Scholarship to Berklee College of Music, where Herb Pomeroy taught her Duke Ellington’s nuanced line-writing techniques. A true star she is.

I had the honor of speaking with Lisa about the latest project, Shiny!. This is her debut album as a composer and arranger,featuring an all-star jazz orchestra of New York’s top players, including: Randy Brecker, Will Lee, Paul Shaffer, Mike Stern and so many more powerhouses. We get into the creation of the album. The tribute aspect of this music for her (and all the artists on the album), Lew Soloff, and how he always supported her getting her music out there. We talk about how this album of so many translates into a live setting, as it will for the 5/27 album release show at the Cutting Room in NYC. On the album, there is one track that get’s a little remix, another new aspect for Lisa, her friend and one of my favorite “remakers”, Mocean Worker puts his signature on a version of the title track that allows for ears of another kind to check this music out. The album has groove, style and will breath fresh life into any day.

Double Duty With Victor Krummenacher at Ruby

Victor Krummenacher is a busy man. Possibly known mostly as a co-founding member of Camper Van Beethoven, he is also a co-founder of CVB offshoot Monks of Doom. In the spring of 2017, he appeared on Monks of Doom’s first album of new compositions in 25 years, entitled The Brönte Pin. As a recording artist, Krummenacher has been active for more than thirty years and has appeared with numerous projects including Cracker, Fifth Business, A Great Laugh, and McCabe and Mrs. Miller, a duo formed in 2008 with Alison Faith Levy of The Loud Family. He has pursued a solo career as a singer-songwriter since 1994. His ninth solo album, Hard To See Trouble Coming, was released in January 2015. As of 2017, he remains active as a live artist in Northern California, and is preparing a studio recording for 2018. The new release entitled Blue Pacific was built from a deep space within his life and it is certainly an album that has its moods. In addition to his musical career, he was previously art director of the San Francisco Bay Guardian, and also a managing art director for Wired.

This guy never stops. I had the chance to catch up with Victor ahead of the May 2nd show at Ruby in Madison. He will open the show as Victor Krummenacher & His Flying Circus and then rejoin that stage with Monks of Doom. While the people on stage mostly will be the same, the sounds will have clear lines of differences drawn in the sand. We talk about what to expect from each show at Ruby as well as dissect a little bit of new albums from each. We make time to give a shout out to a cool and people-friendly festival their community of artists are a part of called: Cracker/Camper Van Beethoven Cookout. Take a listen and I have a feeling you’ll want to try and be apart of either one of these latest albums, a live event and/or this cookout. This will be the fifteenth cookout, and the last. Yes, I’ll have cheese on mine.

Gettin’ Down & Dirty with Paul Nelson

Paul Nelson is recognized as one of today’s top guitarists/songwriters and producers not only having the distinction of being the hand picked fellow guitarist to the legendary rock/blues icon Johnny Winter but he has toured the world over performing and or recorded along side an endless who’s who list of top artists from Eric Clapton and Buddy Guy to Slash, Billy Gibbons, Ben Harper, Robben Ford, Vince Gill, Warren Haynes, Derek Trucks, James Cotton, Joe Perry, Susan Tedeschi, Kenny Wayne Shepherd, John Popper, Dr. John, Larry Carlton, Leslie West, Joe Bonamassa, Sonny Landreth, Dickey Betts to Joe Walsh and countless more talented artists. Nelson received a Grammy award for his work performing on and producing Winter’s “Step Back” release on Megaforce/Sony winning “Best Blues Album of the Year” highlighting his already long list of Grammy Nominations. As well as the BMA “Blues Music Award” for “Best Blues/Rock Album” reaching #16 on the Billboard Top 200 and staying at #1 on the Billboard Blues Charts for weeks. He is also a recipient of the Blues Foundation’s KBA “Keeping The Blues Alive Award”. His music has reached millions with appearances on Late Night with David Letterman and Jimmy Kimmel Live, and on award winning documentaries: “Down and Dirty” The Johnny Winter Story and “Sideman: Long Road to Glory” ft. Bonnie Rait, Gregg Allman, Hubert Sumlin, as well as music written/performed and broadcast nationally on NBC and on multiple major album releases, books, instructional guitar columns, live Concert DVD’s, and guest performances on countless recordings.

I had the chance to catch up with Paul as he just finished up a tour with his band, The Paul Nelson Band. We got into his newest album, “Badass Generation” and what went into putting that one together. We get into his work with Johnny Winter, and how it was more than the music that made their relationship thrive. The documentary, “”Down & Dirty” details a lot of that relationship and Paul was the Executive Producer on that project, so we got into what it was like to have that portion of your days relived through video. Paul even shares a couple of head-shaking, and smile raising stories from days gone by.

Paul Nelson & Johnny Winter

Stories From The Living Room with Leftover Salmon

Few bands stick around for thirty years. Even fewer bands leave a legacy during that time that marks them as a truly special, once-in-lifetime type band. And no band has done all that and had as much fun as Leftover Salmon. Since their earliest days as a forward thinking, progressive bluegrass band who had the guts to add drums to the mix and who was unafraid to stir in any number of highly combustible styles into their ever evolving sound, to their role as a pioneer of the modern jamband scene, to their current status as elder-statesmen of the scene who cast a huge influential shadow over every festival they play, Leftover Salmon has been a crucial link in keeping alive the traditional music of the past while at the same time pushing that sound forward with their own weirdly, unique style.

I had the pleasure of catching up with friend of the proGram, Vince Herman ahead of the Friday, April 25th “An Evening with Leftover Salmon: Stories From The Living Room” event at the Stoughton Opera House. Vince and I get into what separates this event from the festival shows this eclectic group is definitely known for. We get into the way their music comes together now versus a time ago when I first got a taste back in the mid to late 90’s. I would be remiss if we didn’t talk a bit about what it is was like to be chronicled in pictures form in the new book: “Leftover Salmon – Thirty Years Of Festival!” by Tim Newby, which has been available since February of 2019. If you don’t know…maybe it’s just time you go.

©2016 ShowLove Media || All rights reserved || Photo by John-Ryan Lockman

Swarm To Table With Brooklyn Bugs

Brooklyn Bugs is an edible insect ambassador. Their mission is to raise appreciation and awareness for edible insects through delicious, educational, and creative programming. Their interesting work has been featured on the Smithsonian Channel, New York Times, NPR, Food and Wine, Live with Kelly and Ryan, Forbes, and Gizmodo, as they help explain why the United Nations endorses edible insects to address the issues of food scarcity and sustainability. They work hard while striving to introduce edible insects and normalize them in America as a sustainable source of protein that can be found in your pantry, eaten as a snack, and beautifully plated by chefs. They are currently on their Spring College Tour, which this year is bringing them to the University of Wisconsin (Madison). Joseph Yoon is an entrepreneur who is the chef/owner of Yummy Eats (est 2011) and Dinner Echo, and the Executive Director of Brooklyn Bugs. Joseph views his participation in this global food movement as an extension of his commitment to his community, and volunteers his time and resources with both Brooklyn Bugs and Yummy Eats. Our kinda guy.

I had the pleasure of catching up with Joseph ahead of his upcoming time in Madison for the Edible Insects Event: “Swarm To Table” Series from April 25th – April 27th. We first discuss what the mission and importance of Brooklyn Bugs and why edible insects is a topic we are proud to be discussing here at the UW. We dive into what this three-day event series will be all about with featured presentations by leading researchers in the field of insect agriculture and experts in insect cuisine, pairings of edible insects with Wisconsin craft beers, and culminates in a delicious multi-course insect banquet and art show. For this event series, Joseph will be delivering an informational lecture on the 25th from 1:00 – 3:30 PM at UW Engineering Hall – Room 122 Entitled: “New Frontiers In Insect Cuisine”. On the 26th, he will be doing a hands-on workshop: “Cooking With Insects” from 4:00 – 6:00 PM at the Food Apps Lab – Babcock Hall. The event winds down with the Swarm-To-Table Gourmet Insect Feast and Art Exhibit with a partnership with the fine folks from Slow Food UW & MIGHTi, While all the portions Joseph is participating in or leading are cool, there are a several other things happening as well. Click here for more.

Since I originally aired this conversation on Record Store Day, we talked about some of his most favorite artists to listen to on vinyl and man, there were some wildly symbiotic connection points going on during that part of the chat. Try it. You know you wanna.

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Black Ants, Scorpions Lobster: Image of Brooklyn Bugs

The Wooten Woods Experience Comes Alive

Born into a traveling military family, bassist Victor Wooten relied on music as a source of stability and familial connection. Wooten’s formal training began “as soon as [he] could sit up straight,” and by the age of six, he and his brothers’ soul band were opening for legends like Curtis Mayfield and The Temptations. After moving to Nashville a few decades later, Wooten met banjoist Béla Fleck and formed Béla Fleck and the Flecktones, whose revolutionary blend of funk, bluegrass and jazz catapulted Wooten into the spotlight. Despite his impressive musical resumé, which includes five Grammy Awards and a spot on Rolling Stone’s top ten bassists of all time, Wooten has remained humble and a champion for the arts by running “Wooten’s Woods”, a nonprofit camp for musical development. Wooten’s charitable philosophy is derived in part from his instrument of choice. “As I started getting older and really looking at the bass,” he explains to the Chicago Sun-Times, “I realized, ‘wow, the whole purpose of this instrument is to serve other people’ … I’ve grown to love it for that reason.”

Victa has been a long time friend of greenarrowradio and it was great caching up aGain ahead of the April 18th event, The Victor Wooten Band & The Wooten Woods Experience at Memorial Union’s Shannon Theater. This is another fantastic hang with a man who devotes as much energy to the creation of new music as he does to the give back to students of life. We get into the feelings he has of the 20th year of Music & Nature Camps, and how this tour is unlike anything else he’s done. He will not only be playing music. We talk about who will be playing with him as “the” band, but we will also be treated to current and former students, instructors, and counselors from the camps to share in the holistic view of the different ways of teaching/learning, using nature as a guide to use what we learn straight away. There will also be a couple of teachers from the camps other special guests. We highlight some other unique moments that will take place during this interactive experience, with someone from the audience invited to learn and share and the fact that at every show, a bass guitar will be given away to start someone else’s new journey. Since, this is right around Record Store Day, I make sure to find out what Victa thinks are some albums best suited for vinyl play and who was sitting right next to him as we were discussing all this. This conversation reminds me why I love Vic and his approach to going about it all. Please check it out and share, even if you are not in Madison for this particular event.

Durand Jones & The Indications Back In Madison

Durand Jones & the Indications aren’t looking backwards. Helmed by foil vocalists in Durand Jones and drummer Aaron Frazer, the Indications conjure the dynamism of Jackie Wilson, Curtis Mayfield, and the Impressions. This young band of twenty-somethings are students of soul, including guitarist Blake Rhein, who moonlights doing research for The Numero Group. Even with that background, and an aesthetic steeped in the golden, strings-infused dreaminess of early ‘70s soul, the Indications are planted firmly in the present, with the urgency of this moment in time.

I had the chance to catch up with Durand Jones and Aaron Frazer of Durand Jones and The Indications ahead of their April 10th show in Madison at the High Noon Saloon. We get into what the audience can expect from the band now as they have started to really come into their own as soul music’s latest “real deal”. We dive into the brand new release, “American Love Call” as it went from ideas into a piece of work I consider to be timeless and important. We compare the times of now to the times before and where the path has led them as friends, people and band-mates. Both Durand and Aaron let us know which song they would choose off the new release to share with the greenarrowradio audience if they were taking over the proGramming and what other artists/tunes they’d pair with that track. If they come to a town near you, please follow my soul advice and check it out. You will not be disappointed.

Photo by: Mark Jackson

Etienne Charles’ Carnival Project

Etienne Charles is the Assistant Professor of Jazz Trumpet at Michigan State University. Hailed by The New York Times as “an auteur” (Ben Ratliff), by Jazz Times as “A daring improviser who delivers with heart wrenching lyricism” (Bill Milkowski). According to Downbeat Magazine “Charles delivers his ebullient improvisations with the elegance of a world-class ballet dancer.” (John Murph). He has received critical acclaim for his exciting performances, thrilling compositions and knack for connecting with audiences worldwide. In June 2012, Etienne was written into the US Congressional Record for his musical contributions to Trinidad & Tobago and the World. Perhaps more than any other musician of his generation or Eastern Caribbean origin, Etienne brings a careful study of myriad rhythms from the French, Spanish, English and Dutch speaking Caribbean to the table. Crucially, as a soloist, he fully understands the New Orleans trumpet tradition; which is readily discernible in his trademark instrumental swagger, and what famed Crescent City Pianist, Jelly Roll Morton so succinctly captured in the now immortal phrase, ‘The Spanish Tinge’. He has performed and or recorded with Monty Alexander, Roberta Flack, Frank Foster, Ralph MacDonald, Johnny Mandel, Wynton Marsalis, Marcus Roberts, Maria Schneider, Count Basie Orchestra, Eric Reed, Lord Blakie, David Rudder and many others. He holds a Master’s degree from the Juilliard School and a Bachelor’s degree from Florida State University.

I had the honor of chatting with Etienne recently about his latest release, “Carnival: The Sound of a People”. We dissect a few of the tracks, from their beGinning stories through the history of a cultural experience that is as much celebration, as it is a spell. We talk about how the album went from it’s infancy to a place where listeners and music sharers alike can go to place that is tracked in certain storytellers tales, but is as culturally important to a people, as the food the grow and the children they raise.

Tim O’Brien Band Back in Stoughton

Born in Wheeling, West Virginia on March 16, 1954, Grammy winning singer/songwriter and multi instrumentalist Tim O’Brien grew up singing in church and in school, and after seeing Doc Watson on TV, became a lifelong devotee of old time and bluegrass music. Tim first toured nationally in the 1980’s with Colorado bluegrass band Hot Rize. Kathy Mattea scored a country hit with his song “Walk The Way The Wind Blows” in 1986, and soon more artists like Nickel Creek and Garth Brooks covered his songs. Over the years, Tim has released 15 solo CD’s, as well as collaborations with his sister Mollie O’Brien, songwriter Darrell Scott, and noted old time musician Dirk Powell. He’s performed or recorded with Steve Earle, Mark Knopfler, friend of the program, Bill Frisell, and Steve Martin and produced records for Yonder Mountain String Band, David Bromberg, and Canada’s Old Man Luedecke.

I had the honor of chatting with Tim ahead of the March 28th show at the Stoughton Opera House ahead of the March 28th show featuring the Tim O’Brien Band. Tim and I get into what a newbie to the scene could expect from an evening with the Tim O’Brien Band. We dive deep into their brand new self-titled album, talking about the seed to flower growth of its songs and style. The album dropped today. It is always of interest to get into the music scene changes from artists that have been around the block a few times and Mr. O’Brien is no exception. We talk about some of the gifts and challenges of the scene today versus some odd years aGo, when he first got started. If you’ve ever wondered what he might share if given the opportunity to take over a radio show, Tim tells us what he would share if he had some time programming greenarrowradio one of these day.

The Smooth Power Of Roy Rogers & The Delta Rhythm Kings

For nearly 30 years, Roy Rogers and The Delta Rhythm Kings have continued to bring the blues (and beyond) to its legions of fans around the world. He was indeed named for the singing cowboy. A singer, himself, and also a master slide guitarist with a distinctive and instantly recognizable style, Rogers has recorded with Miles Davis, Taj Mahal, Norton Buffalo, and recorded two albums together in a band with former Doors keyboardist Ray Manzarek. As a producer he is perhaps best known for John Lee Hooker’s classic comeback album “The Healer” featuring Bonnie Raitt, Santana, Los Lobos and more which earned a Grammy Award. I have been such a fan of this man’s body of diverse works build around that distinct sound, enhancing many set-lists with the slide stories he weaves.

I had the pleasure of finally catching up with Roy ahead of his March 28th show at Shank Hall in Milwaukee and his March 29th show at the Stoughton Opera House, both with his power trio, The Delta Rhythm Kings. Roy and I get into what those who might be new to his sound can expect from a live event from the sound down to the important interacts between musicians and audience. We try to define what makes his distinct sound so distinct and the bottom line was drawn at: “You got to feel it”. Roy mentions a bit about his time working with John Lee Hooker and how he learned more about life than music from this master, and we spend a little time talking about what it was like working with friend of the proGram, Shana Morrison.

Buck Up In Madison With Carsie Blanton

Carsie Blanton is a singer-songwriter who grew up in rural Virginia and landed in Philadelphia in fall of 2006. Since then, her soulful, playful, intelligent music has earned her tons of national respect from fans and fellow artists. She has released five studio albums: Ain’t So Green (2005), Buoy (2009), Idiot Heart (2012), Not Old, Not New (2014), So Ferocious (2016)—and three EPs—Hush (2002), Beau (2010), Rude Remarks and Dirty Jokes (2013). Once she began working with manager Bill Eib (Amos Lee, Mutlu Onaral), she was quickly playing over one hundred live shows a year. In 2010, Blanton performed live on NPR’s nationally syndicated program, Mountain Stage, and opened for The Weepies and Shawn Colvin. In 2011, Blanton toured with Anais Mitchell’s Hadestown: A Folk Opera, playing the role of Head Fate. In 2014, Blanton performed on the nationally syndicated NPR program Song Travels with Michael Feinstein. She was also fortunate to have opened multiple shows on Paul Simon’s So Beautiful or So What tour. Carsie has also shared the stage with nationally hailed acts Amos Lee, Nellie McKay, John Oates and Leon Redbone, and has toured with Loudon Wainwright III, and with Blue Note recording artists and friends of the program, The Wood Brothers. And now, she has dropped a new album in February of 2019, Buck Up, that aims to provide a little relief from the now that is, happening now.

I had the chance to chat with Carsie ahead of her March 24th show in Madison at the High Noon Saloon. We dive into the moods and melodies that drove the new release from a seed to a flower and just how she can make anything sound catchy, sexy and fun. We spend time getting to know the person that is behind the music, if you check out her blog, you’ll see (and read) that she says it like she feels it, and she tells us what ideals/values got mixed up in a blender to create the her she is. It is always interesting to find out which song an artist would choose to air on the greenarrowradio proGram if given the opportunity and what they would surround it with in a set-list, Carsie’s choices are shared so we get a sense of what direction it might go.