Smif-N-Wessun Got It Going

Currently celebrating 30 Years Since Their Groundbreaking Debut, Dah Shinin’, Brooklyn, NY-Iconic duo, Smif-N-Wessun is preparing to release their latest album Infinity, February 21st., 2025. Hailing from Bucktown, a borderless place where otherwise warring Brooklyn neighborhoods find peace, Smif-N-Wessun, aka Tek & General Steele, are recognized and respected worldwide for their lyrical control. The pair first appeared on Black Moon’s debut album Enta Da Stage in 1993. Adding relentless rhymes to tracks “U da Man” & “Black Smif N’ Wessun,” the pair paved the way for the Brooklyn Supergroup Boot Camp Clik. Smif-N-Wessun released their classic debut Dah Shinin’ January 10, 1995 on Nervous Records. The album was noted for its hardcore lyrical content & gritty production, handled by Da Beatminerz production crew and was selected as one of The Source’s 100 Best Rap Albums of all time. Always standing on business, the Brooklyn duo has always stayed true to their roots. Never faltering or curving to conformity Infinity is a testament to their staying power and a gift to their loyal fans. The album will be released on Bucktown USA Entertainment/ Duck Down Music. The first single, “Infinity” was released on January 10th, followed by “Elephant In The Room” both produced by Khrysis, February 7th. A third single, “Medina” featuring Pharoahe Monch produced by SND*TRK, to be released simultaneously on February 21st. Fresh from the triumphant return of a successful domestic & international tour, Smif-N-Wessun’s new album is a cumulative reflection of their life experiences. Executive Produced by college professor & world renowned producer, 9th Wonder and the Soul Council, 9th explains the thought process with the album. “I wanted to make sure that it didn’t sound dated. It sounds like them (Smif-N-Wessun) but it’s also new. They are our generation’s version of Thelonious Monk, Charlie Parker, Donald Byrd.” Illustrious MCs featured on the album include, Buckshot, Pharoahe Monch, Conway the Machine, legendary artists Sean Price & Prodigy, multi-platinum RnB legend, Ralph Tresvant along with rising stars, Sweta and Jalisa. Infinity cements Smif-N-Wessun’s status as creators of nothing but classics. This is their eighth album and the 2nd collaboration with 9th Wonder and the Soul Council. Showcasing buttery beats from Council members, 9th Wonder himself, Khrysis, SND*TRK, Kash, Mu’aath & Nottz, the album delivers a sonic smash that will satisfy everyone from the rap purist to new school connoisseurs. This new album has cemented Smif-N-Wessun’s place in Hip-Hop history as stalwart artists and champions of Hip-Hop culture.

I had the honor of chatting with Tek & Steele like we was hanging out on the front stoop together talking music. We got into the 30th anniversary of Das Shinin’ and how that album got it’s story built, and the fellas of course, mention those who came before and helped them through. We also got into the upcoming event at the Union Theater’s Play Circle in Madison on February 13th and what showgoers can think to expect, especially with this new record, ‘Infinity’ set to drop a little over a week later. We gonna get some teasers! That of course got us into the new album and how these joints came to life, and they got me a couple of tunes ahead of time to share with listeners. From the classic to the this moment music, Smif-n-Wessun are always poised to share their stories in a way that are relatable, image in the mind worthy and got a soul of their own riding on beats to move to.

Seeing You

Final part of this week’s proGram had all eyes on you.

Come My Way- Azato Ft. Aisea Taimani & Riya Davis
Boukanack- Mariaa Siga with Oddy
Raj3een Tany- SSLH Collective
Why Am I a Rastaman Dub- Culture
Light Your Fire- Dennis Brown & The Aggrovators
Toukambela- Songhoy Blues


**pre-recorded conversation with our friend Ahmed**
I Have No Address- Ahmed Muin and Friends


Sant Joan feu-lo ben gran- Libérica
Golpe de Garza- Larry & Joe
Festival en Guararé- Larry & Joe
Luoddaearru – The Crossroads- Áššu


Soul Element- Rick Roe
The Trial- Enrico Rava Ft. Evita Polidoro/Matteo Paggi/Francesco Ponticelli/Francesco Diodati

Into Progressing

The middle part of the proGram thought to move forward, even.

Whatever It Is- Charles Wigg Walker
Warm- Carvalho
Trouble Man- Eugenie Jones
Sinnerman- Eugenie Jones


Slop Jar Boogie Oogie Oogie Blues- Burnt Sugar the Arkestra Chamber (live)
Hollering Hoodoo Ghosts Conduction #2- Burnt Sugar the Arkestra Chamber (live)


Hop Bico- Derya Yildirim & Grup Simsek
Las Olas- The Sure Fire Soul Ensemble
Ibiza- Butcher Brown
Birthday Song- J3PO


AIO (Bosq Remix)- BALTHVS
Visions- Dusty

SUMthin’ In ProGress

The first part of this week’s proGram kept on making improvements.

(open)- John Mailander’s Forecast
Road- John Mailander’s Forecast
Southeastern Stomp- A Thousand Horses
Good Time Girl- Paige Plaisance
Drive- Jason Boland & The Stragglers


Too Many Times Down That Road- Gerry Jack Macks
Keepin’ It Hot- Jim Kahr
greenarrowradio promo- TOMISLAV GOLUBAN
Standing On Shakey Ground- Greg Koch


Hopper’s On Top (Genius)- The Waterboys
Out Of My Head- Sorrows
Wax & String- Shannon & The Clams

Ghalia Volt On WWOZ

Ghalia Volt cut her chops busking in the streets of her native Belgium and fronting blues-rock bands. The personable singer, drummer, guitarist, & songwriter followed the blues trail to New Orleans, where she fronted the local band ‘Mama’s Boys’ – to Chicago and back down the river through Mississippi and finally back to the Crescent City, where she is now based. She’s charted on the Billboard Blues Chart with her 2019 album Mississippi Blend, which includes appearances by Cody Dickinson and Cedric Burnside, among others. Since then she’s stripped down her sound ahead of her One Woman Band project, which began with a month-long songwriting Amtrak trip and launched a solo tour. Her 2023 Shout Sister Shout! release brings her back with a full band and includes originals like “Po Boy John” as well as her rocking version of the blues standard title cut. Tuned in last Friday afternoon to catch a live set from Ghalia Volt at WWOZ.

Ice Nice

The final part of this week’s proGram showed us that something that’s one thing can be another.

Find Your Tribe- Lewis Daniel
Summer Of Synesthesia- Jimi Tenor w/Cold Diamond & Mink
Don’t Matter None- Errol Eats Everything
Still We Rise- MC ZULU


O Caçador de Estrelas- Hyldon & Adrian Younge
In the Pines- Laird Jackson
Blackbird- Pritesh Walia


Here, There and Everywhere- Joe Syrian Motor City Jazz Octet
People Make The World Go Round- Joe Syrian Motor City Jazz Octet Ft. Kenny Washington & Joe Locke
Some Doors Are Better Open- Kenny Wheeler Legacy w/Jazz Orchestras from Royal Academy of Music & Frost School Music Ft. Etienne Charles & Emma Rawicz
6983- Unionen


Frevo- Renee Rosnes
Amor Até O Fim- Renee Rosnes

Cold Lake View

The middle part of the proGram this week didn’t put the skates on just yet.

Asha (Travel Plans Remix)- BALTHVS
Johanna’s Dream (David Satori Remix)- BALTHVS
Disco Star- Alsarah & The Nubatones
Bye Bye- Alsarah & The Nubatones


Don’t Fight Me As I Fall- Izethakeli Band
Final Offer- Big Chip with Run Come Down & Cornerstore Horns
Lambs Bread Collie- Mista Savona w/Jordan Murray
Lo Que Me Das- Miramar
Vanguard- Souls Extolled


Arpa Banjo Merengue- Larry & Joe
***pre-recorded conversation with Joe Troop of Larry & Joe***
Runnin’ From The Weather- Larry & Joe


Banho De Mar- João Selva

Where It Leads

The first part of this week’s proGram was true direction unknown.

Hear My Call- Cristina Vane Ft. Molly Tuttle
Shake It Babe- Cristina Vane
Cry For Peace Child- Andrea De Luca
For The Love Of Ella- DB Cohen
Tears over Gaza- Guy Verlinde & Tom Eylenbosch
Pursuit of Happiness- Guy Verlinde & Tom Eylenbosch


Can’t Lose What You Never Had- Greg Koch Ft. Jimmy Hall & Memphis Horns
Can’t Be Satisfied- Greg Koch Ft. Larry McCray


Cheap High- Gyasi
A Person Isn’t Safe Anywhere These Days- The Chameleons (Live, The Camden Palace, London)


Funny Little Game- The Lucky Strokes, Eddie Roberts & Shelby Kemp
Your Light- The Altons
Chicken Scratching Dré Shows Saxtone The Way- Burnt Sugar the Arkestra Chamber (live)
Frankenstank- Burnt Sugar the Arkestra Chamber (live)

Arts + Literature Laboratory Welcomes Larry & Joe

Larry & Joe is the duo of Joropo maestro Larry Bellorín (Monagas, Venezuela) & Grammy-nominated bluegrass & oldtime star Joe Troop (Winston-Salem, North Carolina). These two virtuosic multi-instrumentalists fuse their respective Venezuelan and Appalachian folk traditions on the harp, banjo, cuatro, fiddle, upright bass, guitar, and maracas to prove that music has no borders. Their engaging bilingual (esp / eng) program includes storytelling, humor, singalongs & dancing. Larry hails from Monagas, Venezuela and is a legend of Llanera music. Joe is from North Carolina and is a GRAMMY-nominated bluegrass and oldtime musician. Larry was forced into exile and is an asylum seeker in North Carolina. Joe, after a decade in South America, got stranded back in his stomping grounds in the pandemic. Larry worked construction to make ends meet. Joe’s acclaimed “latingrass” band Che Apalache was forced into hiatus, and he shifted into action working with asylum seeking migrants. Then Larry met Joe. Currently based in the Triangle of North Carolina, both men are versatile multi-instrumentalists and singer-songwriters on a mission to show that music has no borders. As a duo they perform a fusion of Venezuelan and Appalachian folk music on harp, banjo, cuatro, fiddle, maracas, guitar, upright bass, and whatever else they decide to throw in the van. The program they offer features a distinct blend of their musical inheritances and traditions as well as storytelling about the ways that music and social movements coalesce.

I had the chance to catch up with Joe Troop ahead of Larry & Joe heading into Madison on February 5th at Arts & Literature Laboratory. Joe and I spend some time defining what a Larry & Joe event will be like, from the history of the music to the even futuristic sounds of this unique duo. Joe and I discuss the creation of their brand new album ‘Manos Panamericanos‘ and how it went from idea to final product, but moreover, we talk about what goes into it and how it will translate into their live events. The very interesting part of this duo besides the sounds they create toGether, is how the two met and began their relationship, as artists but more importantly, as people. Finally, Joe gets a chance to build a setlist around one (or two) of their tunes and we do learn about some of the Wisconsin type experiences, including walleye, Supper clubs and of course, cheese they look forward to partaking in.

Our Friend Ahmed

I was led to our friend, Ahmed Abuamsha (he also goes by the stage name Ahmed Muin), by a trusted source and family to the proGram (and an important arm to my Burnt Sugar family), Amy. Ahmed is a music teacher at the American School of Gaza and an instructor in guitar playing at Edward Saeed Institute for Music in Gaza. Before the war of 2023 on the Gaza Strip, he used to have a sound recording & producing studio where he used to compose, write lyrics & engineer sound on songs for children, commercials, advertisements for love & popular wedding songs. His studio was designed according to professional specifications and was on the ground floor of his house in the Southern part of Beit Harroun, Northern Gaza. The studio had:
a) Recording room.
b) Control Room.
c) a small salon.

As with any professional studio, it had a lot of valuable equipment. The walls were covered with wavy sponge blaster, double-hard-glass windows, and it had all appropriate and expected jacks, cords & cables, high-quality microphone and iron stands for music notes & headphones. All the things artists anywhere would come to know they need to have in such a facility.

https://www.facebook.com/share/v/azP6aF4Wyy2vNS5N/?mibextid=oFDknk (Ahmed going live in his studio)
https://www.facebook.com/share/p/7DvQj3zKVVYo5RJ8/?mibextid=oFDknk (Ahmed at Edward Saeed Institute)

His story begins when people received messages on their cellphones ordering them to leave immediately or their lives would be in great danger. Frightened and confused he and his family left everything except the clothes they had on. In the middle of the night where there wasn’t any light but the glow of their cellphones, F-16 fighters bombarded the far side of the city of Beit Hanoun. They were pushing people to move to the south part of the city and the drones were surveying the area hovering over their heads with relentless noise. Constant flashing was blazing the dark horizons of the skies and there were deafening explosions. Ahmed and his family kept moving quickly until they reached the Jabalia Refugee Camp. They found shelter in an UNRWA school, where they slept on the ground, on stairs, wherever they could find a spot. He and his family were 51 people. The next day, their shelter was bombarded by an artillery bomb. Again they ran away, people were screaming with fear and panic as they continued to walk on foot until they arrived at Gaza (Gaza city). There was no place to stay or to find any shelter, so they decided to move to Khan Younis since the Army ordered the people to go beyond Wadi Gaza (South of Gaza Valley). They stayed for 51 days at another UNRWA school. Eventually they left Khan-Younis and were off to Rafah. As of now, however many days it has been, they stay in a plastic and wood tent, facing the ever new, strange and dreadful conditions. Remember, he had nothing with him, so he managed to borrow a Spanish guitar from a friend in Rafah and began playing music & singing with kids to change the mood for people. He started to tour the displaced war-refugee centers, creating an atmosphere of fun & happiness even though the kids are still under this major traumatic situation. Recently he applied for the implementation of a new initiative which he is set up with a group of artists, actors & activators to help kids who bear the psychological agony of war by traveling from camps to camps. Here is one example of his work since starting this endeavor. Please do the needful. When he sits with family & friends in the tent, they recall the happy moments and remember how decent life was. His business was flourishing, people leading normal lives, but now the people cannot help the overwhelming feeling of nothingness. But Ahmed still knows there always a tiny light at the far end of the dark tunnel. Hope always comes with the help of good-hearted people. He and his people have plans to survive and start again.

As we hope this cease fire will last, Ahmed had set up a fund to help rebuild his life back when that light at the end of the tunnel gets brighter and end up shining and warming the lives of his people.

To know more about Ahmed wherever you may be:

https://www.tiktok.com/@ahmedmuin?_t=8kCySYfrBPb&_r=1

https://www.facebook.com/ahmed.abuamsha?mibextid=ZbWKwL

https://youtu.be/PamAm4D3QxY?si=-kzR0TpxLiD8FYDc

https://www.facebook.com/share/v/tqGKJsCoMZ3FsJig/?mibextid=pAjZwd

To try to walk in the shoes of my friend, Ahmed I attempted to do an audio diary with him to make an effort to be with him as he goes through this. Ultimately he had a usual difficult time getting the internet to stay working, his time is limited as in order to survive and help people, the days get full trying to get places on foot. And as you’ll hear, that constant sound of the drones overhead is as invasive as I could imagine from where I am. All I feel like I could do is try and spread his honest and sincere world with others. My shoes can’t even come close to finding a way to walk with him from here. Take a listen below to what it sounds like when he could actually get online to share, the first part if from a little over a week ago and the final clip is from the day of the ceasefire.

Help in you can.

Time For A Two-Fer

I caught two events tonight that were able to keep a mind opening. First at the Kennedy Center, I witnesses the power of Maruja Limón. Maruja Limón is a female sextet from Barcelona known for their vibrant music that blends flamenco, pop, & Latin rhythms. Formed in 2014, they compose and arrange their own songs and have performed at festivals and venues across Europe, Morocco, and Spain, including Festival Cruilla and Pirineos Sur. They are presenting the EP Te como la cara, where they explore Catalan, flamenco, and Latin rumba fused with experimental electronic sounds, dembow, salsa, and pop, delivering explosive music with lyrics that balance sensitivity and irony. They gained recognition in Billboard’s On the Radar Latin section after their debut in the Latin Alternative Music Conference (LAMC, New York). They really energized the Kennedy Center’s Millennium Stage.

Second, I ear-grabbed and eye-popped Dex Daley & Jam-X Live at Snug Harbor presented by The Jazz Foundation of America. Dex Daley & Jam-X perform a unique blend of Reggae, Ska and Caribbean roots music incorporating the Steel Drum, that keeps excited audiences worldwide moving, grooving and downright feeling real good.
The band features:

DEX DALEY
Steel Pan, Keytar, Lead Vocals
SEBASTIAN WESTON
Guitar
ETHAN SHORTER
Drums, Percussions, Vocals
STEVEN MENOLD
Bass
MICHELLE SHORTER
Sax

Vienna Teng – The Kennedy Center

Songwriter Vienna Teng reemerges this Fall with her mashup song pair We’ve Got You—her 1st new music in over a decade—but her fans have been here the whole time. They’ve packed concert venues even in years between releases, crowdfunded an ambitious music video in hours, and joined by the hundreds when she launched her “music x climate action” Patreon in 2022. That kind of devotion has poured forth since 2002’s Waking Hour, which landed her on NPR’s Weekend Edition, The Late Show with David Letterman, and the top of Amazon’s music charts. Across 4 more studio albums that followed—the chamber folk of Warm Strangers, the jazz-inflected Dreaming Through the Noise, the indie epic Inland Territory, the bright electro-pop in Aims—Teng has paid homage to her genre-bending heroes like Paul Simon & Tori Amos, while carving a path all her own. Together with her captivating live performances and thoughtful online presence, her work has built a loyal following across generations and continents. Teng’s new mini-EP We’ve Got You reflects the complexity of her life over the past decade: climate change work, community building, parenthood. 2 songs, each titled “We’ve Got You,” act like fraternal twins: one an indie-pop tribute to inspiring leaders, the other a chamber-folk paean to unsung caregivers. Played simultaneously, they reveal a new intricate whole: a mashup by design, and a love letter to social movements. Appropriately, Teng she also hosts climate action workshops on tour and online, which participants have described as “rocket fuel” and “the perfect antidote to despair.” It’s an exciting new chapter in the ever-evolving love story between an artist and her audience. She brought all these maGical aspects to the Millennium Stage at the Kennedy Center on January 11th and I can imagine everyone left this experience ready to keep their support of her, her music and advocacy on high alert.

G Snow Spot

The final part of this week’s proGram found a chilly hill.

As Truth Rises Above Power- Dayna Stephens
Hard-Boiled Wonderland- Dayna Stephens
Tenor Madness- Ryan Middagh Jazz Orchestra Ft. Joel Frahm & Jeff Coffin
Wiley Roots- Ryan Middagh Jazz Orchestra Ft. Don Aliquo & Jeff Coffin


Swinging On The Bund- Jazz at Lincoln Center Orchestra with Wynton Marsalis
***pre-recorded conversation with Maestro Wynton Marsalis***
The Monkey’s King March- Jazz at Lincoln Center Orchestra with Wynton Marsalis


Golden Earrings- Keith Jarrett w/Gary Peacock & Paul Motian (Live Deer Head Inn 9/26/1992)
The Island Of Nowhere- Roberto Magris

Who Have We Hare

The middle part of the proGram had some expectant guests.

Modern Village- Puman
Wula- Sousou & Maher Cissoko


Fierce- Allison Miller With The One O’Clock Lab Band
Nugget- Skerik Ft. Brian Haas, James Singleton & Simon Lott
Oral Past- Skerik Ft. Brian Haas, James Singleton & Simon Lott
Devourer- Skerik Ft. Brian Haas, James Singleton & Simon Lott


Mr. Pea- Rick Roe
Ducks Night Out- Rick Roe
Around And Around- Bill O’Connell Ft. Santi DeBriano & Billy Hart
Dreamhorse- Arild Andersen (Live)
Mira- Arild Andersen (Live)

Paw Print Follow

The first part of this week’s proGram tried to match it step for step.

She Says She Can Do Better- Walk That Walk
Watch Your Step- Mick Clarke
Lady Day & John Coltrane- Pat Fulgoni Blues Experience
Stickin’ The Knife In Blues- Pat Fulgoni Blues Experience


October- Okonski
Abgad Hawaz- Ammar El Sherei
Enta Enta- Ammar El Sherei


Chamber Black Cow- Burnt Sugar the Arkestra Chamber (live)
Detroit Blisluh Blues Conduction- Burnt Sugar the Arkestra Chamber(live)


POP POP POP- IDLES Ft. Danny Brown

Triumphant Monsters- Souls Extolled
A Star Is Born- Souls Extolled

JLCO with Wynton Marsalis In Madison

In 1988 the Orchestra was formed as an outgrowth of its concert series, Classical Jazz, with David Berger conducting. When Wynton Marsalis became artistic director in 1991, he emphasized the history of jazz, particularly Duke Ellington. The first album was Portraits by Ellington (1992), and seven years later the Ellington centennial was honored with the album Live in Swing City: Swingin’ with the Duke (1999). Under the leadership of Marsalis, the band performs at its home The House of Swing, tours throughout the U.S. and abroad, visits schools, appears on television, and performs with symphony orchestras. The Orchestra backed Wynton Marsalis on his album Blood on the Fields, which won the Pulitzer Prize in 1997. Since 2015, the Orchestra’s albums have been issued on its own label, Blue Engine Records. The first release from Blue Engine Records, Live in Cuba, was recorded on a historic 2010 trip to Havana by the JLCO and released in October 2015. The label issued Big Band Holidays in December 2015, The Abyssinian Mass in March 2016, The Music of John Lewis in March 2017, and the JLCO’s Handful of Keys in September 2017. Blue Engine’s United We Swing: Best of the Jazz at Lincoln Center Galas features the Wynton Marsalis Septet and an array of special guests, with all proceeds going toward Jazz at Lincoln Center’s ever important education initiatives. One of Blue Engine’s most recent album releases (2023) include Wynton Marsalis Plays Louis Armstrong’s Hot Fives and Sevens and The Jungle, a recording of Marsalis’ fourth symphony featuring the JLCO and the Melbourne Symphony Orchestra, and they dropped another at the end of 2024, ‘The Shanghai Suite’. Always swinGin’!

Wynton Marsalis is an internationally acclaimed musician, composer, bandleader, educator and a leading advocate of American culture. He is the world’s first jazz artist to perform and compose across the full jazz spectrum from its New Orleans roots to bebop to modern jazz. By creating and performing an expansive range of brilliant new music for quartets to big bands, chamber music ensembles to symphony orchestras, tap dance to ballet, Wynton has expanded the vocabulary for jazz and created a vital body of work that places him among the world’s finest musicians and composers. Here in Madison on January 29th, at the Overture Center, we will get to experience the world’s premier big band, Jazz at Lincoln Center Orchestra directed by Wynton Marsalis. Marsalis, has been hailed as the “Pied Piper” & “Doctor of Swing”. The group performs a vast repertoire of music, from historic and rare compositions, including works by Duke Ellington, Count Basie, Thelonious Monk, Mary Lou Williams & Charles Mingus, to new music from the group’s unrivalled collection of world-renowned composers and arrangers. I had the honor of catching up with Maestro Marsalis ahead of the event in Madison and we get going by talking about what a youngster joining the experience for the first time may want to check out and try to focus on. Us young at heart can follow along with this advice as well. We dive into the latest release on Blue Engine Records, ‘The Shanghai Suite’, and how it grew it’s wings. I was personally interested in a couple of other things. Just how did his time with Art Blakey and the Jazz Messengers show him how to become himself and what is a day off like for Wynton Marsalis, someone who’s list of deeply cool and important accolades is so long and impressive, I just wonder how he chills out. You probably won’t be surprised by his answer. This time with Maestro Marsalis felt good to be a part of, he was welcoming and open….HUMAN…like the music.

Zar Electrik At Millennium Stage

Zar Electrik pays homage to tribal cultures, particularly through the incorporation of the ancient Zar ritual originating from Ethiopia and Egypt. This ritual serves as a conduit for healing, achieved through trance & connection with the spirit world. Zar Electrik transports us into its unique universe, where the reigning forces are trance and dance. Its music resonates within our beings; the electronic layers resembling mantras; and the voices akin to invocations. The overall experience mirrors a tribal rite, guiding us towards an altered state of consciousness. The music of Zar Electrik is best encountered on the dance floor, facilitating a transformative and cathartic ritual trance. Zar Electrik’s music knows no codes or borders. This is the meeting of 3 friends from Marseilles. There’s Anass Zine, with his mesmerizing North African–influenced voice and a range of traditional instruments (gumbri, oud…); and Arthur Péneau, with his deep voice, adding hybrid African influences thanks to his kora, which he mystifies with electric effects. The connection with Miosine (Didier Simione) is a real highlight. He is the last member of the trio, adding his knowledge and mastery of machines, synthesizers, and electronic music codes. The result is simply spectacular. Their music is rich and vibrant, a transcending journey between the Maghreb, Sub-Saharan Africa, and the West. Watch it here.

Icy Situation

The final part of this week’s proGram was pretty slick if I do say so myself.

Balad El Mahbob- Ammar El Sherei
Hollering Hoodoo Ghosts Conduction #1- Burnt Sugar the Arkestra Chamber (live)
Inna Shelley Over Detroit- Burnt Sugar the Arkestra Chamber (live)
Track The Groove (Bombay Dub Orchestra Cigars and Brandy Remix)- Sonova


nagori no hai_nagori no hai( vestigial ash)- n’sawa-saraca
Prelude to the Divine Realm- Gao Hong and Zhao Xiaoxia
Jade Beads Tumbling Into The Green Lake- Gao Hong and Zhao Xiaoxia
Fuster- Allison Miller With The One O’Clock Lab Band


Don’t Wait Till Next Time- SingleMaltPlease
More Dancing- SingleMaltPlease
Untamed- Skerik Ft. Brian Haas, James Singleton & Simon Lott
Paul Stamets’ Mycologist- Skerik Ft. Brian Haas, James Singleton & Simon Lott

Cold Land Roam

The middle part of this week’s program walked within the paths of friGid into the warmth of an ear-home.

greenarrowradio promo- Ed Alstrom
The Truth- Ed Alstrom
Sick- Ed Alstrom
Put a Hump in Your Back- Walk That Walk
On the Road Again- Walk That Walk


Native Scat- Carly Harvey
Mean Old Woman- Carly Harvey Ft. Joe Louis Walker
Thicknessity- Travis Bowlin
Saint Bernardus Boogie- Travis Bowlin


The Walk- Benny Turner
Smoke My Peace Pipe (Smoke It Right)- Benny Turner


The Fixer- Soft Hearted Scientists
Desire Lines- The Sand Pebbles