Arts + Literature Laboratory Welcomes Larry & Joe

Larry & Joe is the duo of Joropo maestro Larry Bellorín (Monagas, Venezuela) & Grammy-nominated bluegrass & oldtime star Joe Troop (Winston-Salem, North Carolina). These two virtuosic multi-instrumentalists fuse their respective Venezuelan and Appalachian folk traditions on the harp, banjo, cuatro, fiddle, upright bass, guitar, and maracas to prove that music has no borders. Their engaging bilingual (esp / eng) program includes storytelling, humor, singalongs & dancing. Larry hails from Monagas, Venezuela and is a legend of Llanera music. Joe is from North Carolina and is a GRAMMY-nominated bluegrass and oldtime musician. Larry was forced into exile and is an asylum seeker in North Carolina. Joe, after a decade in South America, got stranded back in his stomping grounds in the pandemic. Larry worked construction to make ends meet. Joe’s acclaimed “latingrass” band Che Apalache was forced into hiatus, and he shifted into action working with asylum seeking migrants. Then Larry met Joe. Currently based in the Triangle of North Carolina, both men are versatile multi-instrumentalists and singer-songwriters on a mission to show that music has no borders. As a duo they perform a fusion of Venezuelan and Appalachian folk music on harp, banjo, cuatro, fiddle, maracas, guitar, upright bass, and whatever else they decide to throw in the van. The program they offer features a distinct blend of their musical inheritances and traditions as well as storytelling about the ways that music and social movements coalesce.

Time For A Two-Fer

I caught two events tonight that were able to keep a mind opening. First at the Kennedy Center, I witnesses the power of Maruja Limón. Maruja Limón is a female sextet from Barcelona known for their vibrant music that blends flamenco, pop, & Latin rhythms. Formed in 2014, they compose and arrange their own songs and have performed at festivals and venues across Europe, Morocco, and Spain, including Festival Cruilla and Pirineos Sur. They are presenting the EP Te como la cara, where they explore Catalan, flamenco, and Latin rumba fused with experimental electronic sounds, dembow, salsa, and pop, delivering explosive music with lyrics that balance sensitivity and irony. They gained recognition in Billboard’s On the Radar Latin section after their debut in the Latin Alternative Music Conference (LAMC, New York). They really energized the Kennedy Center’s Millennium Stage.

Second, I ear-grabbed and eye-popped Dex Daley & Jam-X Live at Snug Harbor presented by The Jazz Foundation of America. Dex Daley & Jam-X perform a unique blend of Reggae, Ska and Caribbean roots music incorporating the Steel Drum, that keeps excited audiences worldwide moving, grooving and downright feeling real good.
The band features:

DEX DALEY
Steel Pan, Keytar, Lead Vocals
SEBASTIAN WESTON
Guitar
ETHAN SHORTER
Drums, Percussions, Vocals
STEVEN MENOLD
Bass
MICHELLE SHORTER
Sax

Vienna Teng – The Kennedy Center

Songwriter Vienna Teng reemerges this Fall with her mashup song pair We’ve Got You—her 1st new music in over a decade—but her fans have been here the whole time. They’ve packed concert venues even in years between releases, crowdfunded an ambitious music video in hours, and joined by the hundreds when she launched her “music x climate action” Patreon in 2022. That kind of devotion has poured forth since 2002’s Waking Hour, which landed her on NPR’s Weekend Edition, The Late Show with David Letterman, and the top of Amazon’s music charts. Across 4 more studio albums that followed—the chamber folk of Warm Strangers, the jazz-inflected Dreaming Through the Noise, the indie epic Inland Territory, the bright electro-pop in Aims—Teng has paid homage to her genre-bending heroes like Paul Simon & Tori Amos, while carving a path all her own. Together with her captivating live performances and thoughtful online presence, her work has built a loyal following across generations and continents. Teng’s new mini-EP We’ve Got You reflects the complexity of her life over the past decade: climate change work, community building, parenthood. 2 songs, each titled “We’ve Got You,” act like fraternal twins: one an indie-pop tribute to inspiring leaders, the other a chamber-folk paean to unsung caregivers. Played simultaneously, they reveal a new intricate whole: a mashup by design, and a love letter to social movements. Appropriately, Teng she also hosts climate action workshops on tour and online, which participants have described as “rocket fuel” and “the perfect antidote to despair.” It’s an exciting new chapter in the ever-evolving love story between an artist and her audience. She brought all these maGical aspects to the Millennium Stage at the Kennedy Center on January 11th and I can imagine everyone left this experience ready to keep their support of her, her music and advocacy on high alert.

G Snow Spot

The final part of this week’s proGram found a chilly hill.

As Truth Rises Above Power- Dayna Stephens
Hard-Boiled Wonderland- Dayna Stephens
Tenor Madness- Ryan Middagh Jazz Orchestra Ft. Joel Frahm & Jeff Coffin
Wiley Roots- Ryan Middagh Jazz Orchestra Ft. Don Aliquo & Jeff Coffin


Swinging On The Bund- Jazz at Lincoln Center Orchestra with Wynton Marsalis
***pre-recorded conversation with Maestro Wynton Marsalis***
The Monkey’s King March- Jazz at Lincoln Center Orchestra with Wynton Marsalis


Golden Earrings- Keith Jarrett w/Gary Peacock & Paul Motian (Live Deer Head Inn 9/26/1992)
The Island Of Nowhere- Roberto Magris

Who Have We Hare

The middle part of the proGram had some expectant guests.

Modern Village- Puman
Wula- Sousou & Maher Cissoko


Fierce- Allison Miller With The One O’Clock Lab Band
Nugget- Skerik Ft. Brian Haas, James Singleton & Simon Lott
Oral Past- Skerik Ft. Brian Haas, James Singleton & Simon Lott
Devourer- Skerik Ft. Brian Haas, James Singleton & Simon Lott


Mr. Pea- Rick Roe
Ducks Night Out- Rick Roe
Around And Around- Bill O’Connell Ft. Santi DeBriano & Billy Hart
Dreamhorse- Arild Andersen (Live)
Mira- Arild Andersen (Live)

Paw Print Follow

The first part of this week’s proGram tried to match it step for step.

She Says She Can Do Better- Walk That Walk
Watch Your Step- Mick Clarke
Lady Day & John Coltrane- Pat Fulgoni Blues Experience
Stickin’ The Knife In Blues- Pat Fulgoni Blues Experience


October- Okonski
Abgad Hawaz- Ammar El Sherei
Enta Enta- Ammar El Sherei


Chamber Black Cow- Burnt Sugar the Arkestra Chamber (live)
Detroit Blisluh Blues Conduction- Burnt Sugar the Arkestra Chamber(live)


POP POP POP- IDLES Ft. Danny Brown

Triumphant Monsters- Souls Extolled
A Star Is Born- Souls Extolled

JLCO with Wynton Marsalis In Madison

In 1988 the Orchestra was formed as an outgrowth of its concert series, Classical Jazz, with David Berger conducting. When Wynton Marsalis became artistic director in 1991, he emphasized the history of jazz, particularly Duke Ellington. The first album was Portraits by Ellington (1992), and seven years later the Ellington centennial was honored with the album Live in Swing City: Swingin’ with the Duke (1999). Under the leadership of Marsalis, the band performs at its home The House of Swing, tours throughout the U.S. and abroad, visits schools, appears on television, and performs with symphony orchestras. The Orchestra backed Wynton Marsalis on his album Blood on the Fields, which won the Pulitzer Prize in 1997. Since 2015, the Orchestra’s albums have been issued on its own label, Blue Engine Records. The first release from Blue Engine Records, Live in Cuba, was recorded on a historic 2010 trip to Havana by the JLCO and released in October 2015. The label issued Big Band Holidays in December 2015, The Abyssinian Mass in March 2016, The Music of John Lewis in March 2017, and the JLCO’s Handful of Keys in September 2017. Blue Engine’s United We Swing: Best of the Jazz at Lincoln Center Galas features the Wynton Marsalis Septet and an array of special guests, with all proceeds going toward Jazz at Lincoln Center’s ever important education initiatives. One of Blue Engine’s most recent album releases (2023) include Wynton Marsalis Plays Louis Armstrong’s Hot Fives and Sevens and The Jungle, a recording of Marsalis’ fourth symphony featuring the JLCO and the Melbourne Symphony Orchestra, and they dropped another at the end of 2024, ‘The Shanghai Suite’. Always swinGin’!

Wynton Marsalis is an internationally acclaimed musician, composer, bandleader, educator and a leading advocate of American culture. He is the world’s first jazz artist to perform and compose across the full jazz spectrum from its New Orleans roots to bebop to modern jazz. By creating and performing an expansive range of brilliant new music for quartets to big bands, chamber music ensembles to symphony orchestras, tap dance to ballet, Wynton has expanded the vocabulary for jazz and created a vital body of work that places him among the world’s finest musicians and composers. Here in Madison on January 29th, at the Overture Center, we will get to experience the world’s premier big band, Jazz at Lincoln Center Orchestra directed by Wynton Marsalis. Marsalis, has been hailed as the “Pied Piper” & “Doctor of Swing”. The group performs a vast repertoire of music, from historic and rare compositions, including works by Duke Ellington, Count Basie, Thelonious Monk, Mary Lou Williams & Charles Mingus, to new music from the group’s unrivalled collection of world-renowned composers and arrangers. I had the honor of catching up with Maestro Marsalis ahead of the event in Madison and we get going by talking about what a youngster joining the experience for the first time may want to check out and try to focus on. Us young at heart can follow along with this advice as well. We dive into the latest release on Blue Engine Records, ‘The Shanghai Suite’, and how it grew it’s wings. I was personally interested in a couple of other things. Just how did his time with Art Blakey and the Jazz Messengers show him how to become himself and what is a day off like for Wynton Marsalis, someone who’s list of deeply cool and important accolades is so long and impressive, I just wonder how he chills out. You probably won’t be surprised by his answer. This time with Maestro Marsalis felt good to be a part of, he was welcoming and open….HUMAN…like the music.

Zar Electrik At Millennium Stage

Zar Electrik pays homage to tribal cultures, particularly through the incorporation of the ancient Zar ritual originating from Ethiopia and Egypt. This ritual serves as a conduit for healing, achieved through trance & connection with the spirit world. Zar Electrik transports us into its unique universe, where the reigning forces are trance and dance. Its music resonates within our beings; the electronic layers resembling mantras; and the voices akin to invocations. The overall experience mirrors a tribal rite, guiding us towards an altered state of consciousness. The music of Zar Electrik is best encountered on the dance floor, facilitating a transformative and cathartic ritual trance. Zar Electrik’s music knows no codes or borders. This is the meeting of 3 friends from Marseilles. There’s Anass Zine, with his mesmerizing North African–influenced voice and a range of traditional instruments (gumbri, oud…); and Arthur Péneau, with his deep voice, adding hybrid African influences thanks to his kora, which he mystifies with electric effects. The connection with Miosine (Didier Simione) is a real highlight. He is the last member of the trio, adding his knowledge and mastery of machines, synthesizers, and electronic music codes. The result is simply spectacular. Their music is rich and vibrant, a transcending journey between the Maghreb, Sub-Saharan Africa, and the West. Watch it here.

Icy Situation

The final part of this week’s proGram was pretty slick if I do say so myself.

Balad El Mahbob- Ammar El Sherei
Hollering Hoodoo Ghosts Conduction #1- Burnt Sugar the Arkestra Chamber (live)
Inna Shelley Over Detroit- Burnt Sugar the Arkestra Chamber (live)
Track The Groove (Bombay Dub Orchestra Cigars and Brandy Remix)- Sonova


nagori no hai_nagori no hai( vestigial ash)- n’sawa-saraca
Prelude to the Divine Realm- Gao Hong and Zhao Xiaoxia
Jade Beads Tumbling Into The Green Lake- Gao Hong and Zhao Xiaoxia
Fuster- Allison Miller With The One O’Clock Lab Band


Don’t Wait Till Next Time- SingleMaltPlease
More Dancing- SingleMaltPlease
Untamed- Skerik Ft. Brian Haas, James Singleton & Simon Lott
Paul Stamets’ Mycologist- Skerik Ft. Brian Haas, James Singleton & Simon Lott

Cold Land Roam

The middle part of this week’s program walked within the paths of friGid into the warmth of an ear-home.

greenarrowradio promo- Ed Alstrom
The Truth- Ed Alstrom
Sick- Ed Alstrom
Put a Hump in Your Back- Walk That Walk
On the Road Again- Walk That Walk


Native Scat- Carly Harvey
Mean Old Woman- Carly Harvey Ft. Joe Louis Walker
Thicknessity- Travis Bowlin
Saint Bernardus Boogie- Travis Bowlin


The Walk- Benny Turner
Smoke My Peace Pipe (Smoke It Right)- Benny Turner


The Fixer- Soft Hearted Scientists
Desire Lines- The Sand Pebbles

Cold Table G

The first part of this week’s proGram was a guarantee to warm the surface up.

Hot Damn- Paul Cauthen
Lavender Jones- Paul Cauthen


A Different Position- Skylar Rogers
Donnie Downer- Randy McAllister
I Was Good To You Baby- Janiva Magness
Mississippi Blues- Greg Nagy Ft. Ray Goodman & Peter Madcat Ruth
Hip Hop Shake- TOMISLAV GOLUBAN & Crooked Eye Tommy
Hard Candy- TOMISLAV GOLUBAN & Crooked Eye Tommy


Blow Wind Blow- Giles Robson & John Primer
Dealing With The Devil- Giles Robson & John Primer
The Rolling Sea- Sarah Sokal
The Queen- Sarah Sokal