Jackson Plays Dylan

On the heels of his acclaimed two-album collaboration with the late poet and activist Nikki Giovanni, tenor saxophonist Javon Jackson embarks on a new project paying tribute to one of America’s most revered songwriters, whose own work has been hailed for its intricate poetry and outspoken politics. With Jackson Plays Dylan, scheduled for release on April 10, 2026 via his own Solid Jackson Records imprint in a collaboration with Palmetto Records, the saxophonist explores the music of the iconic singer-songwriter, Rock and Roll Hall of Famer, and Nobel and Pulitzer Prize winner Bob Dylan. Jackson Plays Dylan finds the saxophonist delving into songs spanning more than 3 decades of the legendary songwriter’s career, from still-poignant folk anthems to incisive & timeless love songs. Jackson is joined on the album by pianist & keyboardist Jeremy Manasia, bassist Isaac Levine, drummer Ryan Sands, and Grammy-winning guest vocalists Lisa Fischer & Nicole Zuraitis. The jazz-focused saxophonist had grown up with almost no awareness of rock music, unfamiliar with even a cultural icon on the level of Bob Dylan. That didn’t change until he was in his 20s and joined the ranks of the final incarnation of the Jazz Messengers. Mr. Blakey’s attorney was a Dylan fan and introduced Javon to the music and the film Hurricane came out in 1999. That drama starred Denzel Washington as Rubin “Hurricane” Carter, a black middleweight boxer who spent more than 18 years in prison for a murder that he didn’t commit. The film brought renewed attention to Dylan’s 1976 song “Hurricane,” which strongly denounces the criminal justice system and its use of racial profiling to falsely convict Carter. The song provided Jackson with a renewed insight into the bold strain of social justice that has illuminated so much of Dylan’s work. In that sense, Dylan’s work parallels that of Nikki Giovanni, with whom Jackson formed a strong bond over the course of their 2 critically acclaimed collaborations: The Gospel According to Nikki Giovanni (2022) & Javon and Nikki Go to the Movies (2024). Though the idea of a Dylan tribute had been in the back of Jackson’s mind since he discovered “Hurricane,” the present project was conceived with Giovanni’s participation in mind, but sadly, those plans came to an unfortunate end on December 9, 2024, when Giovanni passed away from complications of lung cancer. Jackson Plays Dylan thus became a dual tribute – a celebration of Bob Dylan’s music and a posthumous continuation of the work that Jackson & Giovanni had embarked upon together.

About Javon:
Missouri-born tenor saxophonist Javon Jackson left his studies at Berklee College of Music in 1986 to join Art Blakey’s Jazz Messengers, where he remained a fixture until Blakey’s passing in 1990. In 1991, Jackson made his recording debut with Me and Mr. Jones, featuring James Williams, Christian McBride, & master drummer Elvin Jones. He joined Jones’ group in 1992, appearing on the great drummer’s albums Youngblood & Going Home. Jackson’s 1994 Blue Note debut, When the Time Is Right, was a straight-ahead affair produced by iconic jazz vocalist & bandleader Betty Carter. His subsequent 4 Blue Note recordings featured wildly eclectic programs ranging from Caetano Veloso, Frank Zappa & Santana to Muddy Waters, Al Green & Serge Gainsbourg. For the Palmetto label he explored a blend of funk, jazz & soul with such stellar sidemen as organist Dr. Lonnie Smith, guitarists Mark Whitfield & David Gilmore, trombonist Fred Wesley & drummer Lenny White. In 2012, he launched his own Solid Jackson Records with Celebrating John Coltrane.

The Veldt Back In Madison

Identical twins Daniel and Danny Chavis originally hail from Raleigh/ Chapel Hill, North Carolina programmer Hayato Nakao, originally from Japan, hooked up with the Chavis brothers while living in New York. Forming the main members of the Veldt. Lifting their band’s name from a Ray Bradbury science fiction story, their own life stories have also been quite fantastic. After signing to Capitol Records in 1989, The Veldt were soon in the studio with dream-gaze guru Robin Guthrie working on their initial recordings, playing American= concert halls with Cocteau Twins and The Jesus and Mary Chain, and recording ‘Marigolds’ with Lincoln Fong (Moose). Not long after, they would record their classic ‘Afrodisiac’ (1994), produced by Ray Shulman (The Sundays, Bjork, Sugarcubes) and released via Mercury Records. They have also collaborated with TV On The Radio, Mos Def and Lady Miss Kier (Deee-Lite), and shared the stage with The Pixies, Throwing Muses, Echo & The Bunnymen, Cocteau Twins, Manic Street Preachers, The Jesus and Mary Chain, Oasis, Chuck D, Living Colour, and Schooly D. Recent years continue to be been monumental, with highlights including sold-out tours with Phantogram and The Brian Jonestown Massacre, a European tour, two separate Canadian tours, appearance at some of North America’s and Europe’s hottest psych fests, a spotlight feature on Time Warner Cable TV and being named as east coast support for Modern English. They have been on tour with Chameleons as part of the Arctic Moon Tour for over a year now. Performing since they were children, the Chavis brothers’ musical roots lead back to the church and southern juke-joints, and listening to music that included gospel, Motown and Pink Floyd. The Veldt formed in the late 80’s in Raleigh amongst the royalty of the legendary North Carolina music scene, including bands such as Superchunk, Archers of Loaf, The Connells, Dillon Fence, The dBs, Squirrel Nut Zippers, and Ryan Adams. Pitchfork recently included their album ‘Afrodisiac’ in the top 50 shoegaze albums ever released and Stereogum included a single from that album, “Until You’re Forever” in their list of 31 essential shoegaze tracks. Their sound also inspired future generations of alternative artists, including TV On the Radio & Bloc Party.

New Music From Janel Leppin

I attended two very incredible listening parties this evening. Both albums dropping soon on Cuneiform Records.

Ensemble Volcanic Ash: Pluto In Aquarius

A composer and cellist who’s honed a singular synthesis of composition, orchestration and improvisation, while heavily involved for decades with Washington D.C.’s vibrant new music, jazz, rock and improvised music scenes, Janel Leppin releases the third album by her acclaimed Ensemble Volcanic Ash.

Throughout Pluto in Aquarius, the group’s language and interplay might seem leaner, meaner and grittier to veteran Ensemble Volcanic Ash fans. Leppin found a new pared-back feel for the ensemble — often less like a midsize chamber ensemble and more like a scrappy combo. “It’s a really raw sound and I love that,” Leppin says. “We had played some shows in this format and it was like, ‘Wow, this is a whole other thing now.’”

The five-piece group melds an illustrious array of D.C. talent into a glimmering expressive organism that surges, expands, ebbs and dances in multiple directions at once.
Janel Leppin – cello, CP-70
Larry Ferguson – drums
Anthony Pirog – guitar
Brian Settles – tenor saxophone
Luke Stewart – bass

Composed by Janel Leppin

Recorded at The Brink, Richmond, VA.
Engineered by Mike Reina & Curtis Fye
Produced by Mike Reina

AND

Slowly Melting:

Over the past two decades, the cellist and multi-instrumentalist Janel Leppin has worked steadily to become one of the most compelling composers and improvisers of her generation. With her beloved Washington, D.C. scene as her home base, she has earned renown among fans of new and experimental music worldwide.

Now at the peak of her powers as both a bandleader and a solo performer, she’s released Slowly Melting; a riveting solo program that puts Leppin’s fuzz-saturated cello at the fore. She also contributes her accompaniment, crafting expansive soundscapes through guitar, bass, piano and Prophet-5 synthesizer.

As a solo performer, especially onstage, she continues to marvel at how affecting the sound of her cello can be — how her centuries-old instrument, when thoughtfully filtered through technology, can bring a contemporary audience to tears.

Slowly Melting is a solo album of deep possibilities and deeper results.
Cello, Guitar, Bass, Prophet-Five, Piano, Art & Compositions by Janel Leppin

Recorded at The Brink, Richmond, VA.
“Kaffa House” recorded at Janel’s Room Studio.

Try Field

The middle part of the proGram took its grooves into a pack.

Jackpot- David Hillyard & The Rocksteady Seven
Tenha Fe- David Hillyard & The Rocksteady Seven Ft. Felipe Machado & BNegão
Labba Mouth- Linval Thompson & Sly & Robbie
Give Thanks & Praise (Version)- Sly & Robbie & Little John


Take Care Of Business (Solomun Mix)- Nina Simone
Just Friends- Honey Dijon Ft. Adi Oasis, Danielle Ponder & Suni MF
All Night- Lehto & Renegades of Jazz


APAGON- Ana Tijoux & DJ Dacel
SUAVE DA NAVE- Ana Tijoux & DJ Dacel
Another Country- Brother Ali


Witching Hour- Rosa Brunello
Eyes Lowered- Shabaka
Sonny The Squirrel- Michael Jackson’s Head Heart & Tails
Wolfgang- Michael Jackson’s Head Heart & Tails

Light On

The middle part of the proGram just needs a little more shine to get it up!

Doctrine of Love- Jalen Ngonda
Emeralds- Parlor Greens
Sharks in the Paddock- Jake Mason Trio
Green Pick- Jake Mason Trio


I Thank You- Michelle David & The True-Tones
Dilo- Cochemea
Bird Song- Club d’Elf


Johanna’s Dream (Alchemized)- BALTHVS
***pre-recorded conversation with Baltazar of Balthvs***
Inner Heights- BALTHVS


Lounga 85- Firkit Hany Shenoda
Africana- Banda Maje
Rockaway Dub- Hollie Cook
The Danger- Thriller U / King Jammy

Groan Grown

The first part of this week’s proGram was heard while it sprouted.

Goin’ Out Walkin’- Sam Bergquist
Black Mountain Rag- Asher Brinson Ft. David Grier


Self-Isolation Blues- Gwyn Ashton
I Got To Know- Seth James
Lonely Avenue- Seth James
Sad and Lonesome- Bob Wagner
Viper- JP Soars & Anne Harris
Blast Off!- Duke Robillard & His All Star Band


Don’t Give It Away- Omar Coleman & Igor Prado
Night Fishin’- Omar Coleman & Igor Prado
I Got This Thing- Teresa James & The Rhythm Tramps


Soulful Warrior- Dr. John (Live at Loreley, 1999)
Mama Roux- Dr. John (Live at Loreley, 1999)

—-
The Journey Of Earthly Desires- BUDDHADATTA
Way It Goes- Heather The Jerk
Attention Span- The Dollyrots

Transmutations With Balthvs

Friends of the proGram BALTHVS, the Colombian psych-funk trio, has wrapped up their massive world tour and impressively stayed true to a commitment they made to themselves and their fans: to deliver a unique setlist at every show. As they traveled across Europe, the U.S., & Latin America, with dates opening for My Morning Jacket & major festivals, the band saw firsthand what happens to a song when it is given a year, crowds & open stages to evolve. Their newest album is the product of that time on the road. Aptly titled Transmutations, it defies easy categorization. It is not a live album, nor a conventional studio release, but something rarer: a document of transformation. It was captured live during their late 2025 European concerts and the Flesh & Soul tour, by Zev Russ, with additional studio recordings taking place in San Diego, CA, & Bogota, Colombia, recorded & produced by bandleader Balthazar Aguirre. The album also marks a transitional moment in the band’s story. It serves as both farewell & welcome: a bittersweet send-off for fill-in bassist Vanessa Muñoz, whose ferocious energy redefined the sound of these songs in concert, and a joyful homecoming for Johanna Mercuriana. Both appear on the record, as the band is unwilling to erase either chapter, making Transmutations a living record of the people who shaped it. On the new album, longtime fans will recognize the band’s signature warmth in Johanna’s Dream and their reverence for improvisation in Inner Heights. All is One, their psychedelic centerpiece, grew a full offspring in Outer Reaches, a tribal drum-driven journey that spotlights the percussive brilliance of Santiago. Ojos Verdes similarly gave birth to LSD in Bahia, a hypnotic fusion of Brazilian & Hungarian rhythms filtered through the unmistakable BALTHVS lens. Those newer to BALTHVS will find an entry point in Mood Swing, a dance-floor-ready arrangement born from a remix by collaborator Sinego, & Shakedown Street, the band’s love letter to the Grateful Dead, a group that is foundational to their entire musical pursuit. With Transmutations, BALTHVS celebrates their 1st fully independent release, arriving under their own Cubensis Records imprint. It is a milestone that reflects 5 years of growth not just as musicians but as artists who have full command of their creative & business lives. It is a record that could only exist today, as it is shaped by everything they have lived & learned, by the people who came and went, and by the audiences who helped them discover what their music could become. In just 5 years, BALTHVS has become one of indie music’s most vital & globally resonant voices. Hailing from Colombia, BALTHVS is a three-piece psychedelic funk rock band creating groove-driven, atmospheric music that draws from global influences. Their sound fuses the spirit of 70s psychedelia with funk, Latin rhythms, & ambient texture. Inspired by artists like Santana, Khruangbin, Thievery Corporation, & The Grateful Dead, BALTHVS create music that feels both nostalgic & forward-thinking, a guitar-driven psychedelic funk rock experience that is unmistakably their own. At the heart of the group is Balthazar Aguirre, a self-taught guitarist who started down his musical path after a near death rock climbing accident. The incident opened his eyes to his true passion, music, driving him to leave behind his life as a lawyer and form BATHVS. He is joined by fellow musicians and funk enthusiasts Johanna Mercuriana, the bassist, & Santiago Lizcano, the drummer.

I had the chance to get toGether once again with Balthazar to dive ear first into Transmutations. While this is an adventure of the ears, this band delivers everything they do with a lot of heart as well and that is not missed by me. I feel the family affair going on as an outsider with this group. This music, that energy is what runs in their veins and is spilled out onto the stage (or even in the studio) daily/nightly. We talk about why this album right now and Balthazar doesn’t mince words when he says how this is a complete representation of who/what you get when you attend one of their events – the illusive recreation of a live show on a record. We talk about a challenge they took seriously when touring with My Morning Jacket. We talk about the bassist swamp and adding a new family member to the scene. I would have been remiss if I did not talk a little bit as well about their own label that is releasing the album, Cubensis Records. Of course, as we spoke about before, the influence of the Dead is discussed and how Shakedown Street found its place on the record. Live, they have their own ‘Drums->Space type a spot in their set – of course – more groove than experimental. I found our conversation surrounding Jam Bands in the U.S as a phenomena to be very interesting. While they may be growing up in both numbers and experience, it is those past experiences that still help paint the scene of just who this band is, and the sounds they seek. If you have not yet, it feels like now is the time to get yourself a part of this journey.

Colossus Brass Band at Snug Harbor

Colossus Brass Band is a high-energy New Orleans ensemble led by award-winning trumpeter Mark Braud that brings a bold, contemporary edge to the city’s storied brass band tradition. Blending second line rhythms, funk grooves, hip-hop influences, and modern jazz sensibilities, Colossus delivers powerful horn arrangements and driving percussion that ignite festival stages, clubs, and street parades alike. Rooted in the cultural heartbeat of New Orleans, the band honors the legacy of classic brass while pushing the sound forward with fresh originals and inventive takes on crowd favorites. Known for their tight musicianship and electrifying live shows, Colossus Brass Band continues to make its mark as a dynamic force in the evolving brass band scene.

This afternoon is the ONLY change to catch a Nickel-A-Dance this Spring 2026 Season held on March 15th at Snug Harbor. The Nickel-A-Dance is a free, family-friendly jazz concert series in New Orleans, celebrating the city’s rich musical heritage. Founded in 1994, it features top local jazz musicians performing classic jazz, blues, and swing. Originally held at Café Brasil on Frenchmen Street, the series now takes place at Snug Harbor Jazz Bistro on Sundays from 3:00–6:00 PM. The event is open to all ages and aims to make live jazz accessible to everyone.

This engagement’s performers included:

Trumpets: Mark Braud, Kevin Louis, Wendell Brunious, Gregg Stafford
Reeds: Bruce Brackman, Roderick Paulin
Trombones: Craig Klein, Freddie Lonzo
Tuba: Kirk Joseph
Drums – Gerald French

Flowers Before The Storm

The final part of the proGram this week gave some beautiful teases before the blanket of snow.

The Tip Jar Blues- Eyal Vilner Big Band
Shout, Sister, Shout!- Eyal Vilner Big Band
‘Mon Back- Ben Markley Big Band Ft. Steve Kovalcheck, Gabriel Mervine & Wil Swindler
Sugar Rush- Jon Irabagon
Paper Planes- Jon Irabagon Ft. Kokayi


Schmoon- Elan Mehler
Dizzy’s Dilemma- Pat Bianchi Ft. Troy Roberts & Colin Stranahan
Strasbourg / St. Denis- The Interplay Jazz Orchestra
Luminescence- Brian Lynch Quintet Ft. Charles McPherson


The Parisian- James Fernando
The Space Between- Stephen Emmer Ft. Beth Hirsch
The Beauty of Unevenness- Stephen Emmer

Well Well Well

The mid parts of the program were satisfied to just be toGether.

Running Into One- Daggerboard, The Skipper & Mike Clark
Changing Emphasis- Daggerboard, The Skipper & Mike Clark
Don’t Lose Your Head- Irreversible Entanglements Ft. Motherboard


Seminole- Javier Nero Jazz Orchestra
To Mr. Dolphy- Kirk Knuffke
In My Dreams- Bill Frisell (Live)
Isfahan- Bill Frisell (Live)


Big Nick- Kevin Hays
Visual Assault- Adrian Younge
Hiver- Björn Meyer


The Perplexity of Eternity- Willy Rodriguez Ft. Allan Harris
Firefly- John Pizzarelli

In Some Redness

The first part of this week’s proGram tried to set aside a certain mood.

Plus Inversee- Frédéric L’Epée
Shimmering Heart- Frédéric L’Epée
Lawns- Grant Gordy & Ben Garnett
Crab Nebula- NeBeLNeST


Under Circuitous Skies- b.mez Ft. Roger Clark Miller
Tangerine Skies- Astralasia
Garden of Liars- Razl
Be Flat- Razl


Knahk- Caroline Davis
***pre-recorded conversation with Caroline Davis***
Cloudburst- Caroline Davis


Space Time- Shabaka
Stand Firm- Shabaka

Caroline Davis FALLOWS

Saxophonist Caroline Davis holds a spirit in her music that calls in the ineffable; she invites it inward, transforming it from one realm to another, where the reality of time fades. In her debut solo release of saxophone and electronics, Caroline weaves shadowed beauty & subterranean boldness into 12 tracks that hold the listener tightly, navigating waters of the invisible. Caroline wrote and improvised the music on Fallows in Ucross, Wyoming during an artist residency that afforded ample time, remote space, and mindfully prepared food; aspects of life that many artists consider luxuries. It’s not an accident that the Ucross Foundation was created in 1981, the same year Caroline was born – it’s clear that the surrounding land impacted her process. Sites of buffalo / bison jumps from 500 years ago, where natives drove these massive animals into natural sinkholes as a hunting practice; and, sounds from Piney Creek, the body of water adorning Jesse’s One studio lead her to ask, “Did people hundreds of years ago jump from rock to rock to reach the other side, like I did? What animals drank from these waters, what did they sound like?” Ucross was been declared an important bird area, and listeners will hear curlews, grouses, western meadowlarks, mountain bluebirds on this recording. Davis has been building her use of electronics since 2006 in Chicago with instrumental rock band, Zing! and alongside artists who have expanded her path through her years of performing, such as Nicole Mitchell, Craig Taborn, Matt Mitchell, Rena Anakwe, Dani Mekonnen, and Joni Void. For this release, she utilizes Critter and Guitari’s Organelle, a processing and beat-making machine. “What I find compelling about the Organelle and its forums is the open-source generosity. I care deeply about community building, and I have found that in the network of people who design patches for this device.” The 12 tracks on Fallows stretch the sonic possibilities of the saxophone; the instrument is a vessel for her unfettered dreams. Reflecting upon the momentary space from which this music was made, Caroline wields the word Fallows, uncultivated land, not far from Oliver’s reminiscences of unobservable mysteries. Fallows is set for release on March 27, 2026 on Ropeadope.

I had the chance to catch up with friend of the program, Caroline Davis about this special album. We got into the process that helped her find moments of rest to soak in all that was around her, and really listen and feel it. This is a story where the where you are is so key to the sonic landscape finding its way out into the world, with mother nature as almost a guide. We talk about this being her first solo record and her influences (such as Geri Allen) that she carries with her constantly as well as well as her finding her own space being an artists using her instrument with electronics to be a one person storyteller. I also get to learn a little more about the track that really soaked into my soul after a first listen. Knowing Caroline’s zest for fairness & equality (something we have in common), I wanted to get a sense of how it feels to be working with the folks at Ropeadope. They are also not just believers in the art, but the artists themselves as people and are on that same path seeking fairness, equality and justice. Click on the link above and have this music set aside for when you need it most. It will end up feeling you as much as you feel it.

Photo: Adi Meyerson

Pinky Bling

The final part of this week’s proGram showed some things off.

Cosmic Trip- Sam Morrison Ft. Bill Laswell
Pace- Manu Delago & Max ZT
Rally- Manu Delago & Max ZT
Lay It Back- MF Robots


Orange Crush- Bumpin Uglies
Heavy Metal (Don Felder x Pink Floyd x Lance Herbstrong)- Lance Herbstrong
Cumbia Fantasia- Meridian Brothers and Mexican Institute of Sound
Funkaduck- Sam Morrison Ft. Bill Laswell


Dreamachine Part 1- Brion Gysin

My Very Own Ride- Kurt Elling & The WDR Big Band
Land Of Green- Todd Mosby
Balkanic Dance- Django Festival Allstars
Swing and Ready- Django Festival Allstars

Golden Mark

The middle part of the proGram was the real deal.

That Would Be Something- Paul McCartney
I Have Always Been Some Human- Human Potential
Art Beat- Human Potential
I’m On My Way- Heather The Jerk
Get Off My Lawn- Heather The Jerk
So Gone- Amy Beth and Thee Creeps


Gone With The Wind- Brother Wallace
You Went Away Too Long- The Womack Sisters
Driftin’- Joey Quiñones
What/Who Else Is Here- Bruce Mack
Boogaloo Popcorn- Jake Mason Trio


Jasper’s World- LaMP (live)
***pre-recorded conversation w/Russ Lawton of LaMP***
Clipse-O- LaMP (live)


Shakedown Street- BALTHVS

Blues Tree Blue

The first part of today’s proGram was moods wrapped inside a shell game.

Rainbow Sleeves- Matthew Ryan
Sitting on Top of the World- Luther Dickinson Ft. Datrian Johnson, Grahame Lesh & New Memphis Colorways


My Crown (live)- Samantha Martin & Delta Sugar
Shake ’Em On Down- Boogie Beasts Ft. G. Love
No Panties on the Bus-Hubert Sumlin
Brown Nosin’ Man- Omar Coleman & Igor Prado
I Wanna Do The Do- Omar Coleman & Igor Prado


Turn On Your Lovelight- Alexis P. Suter Band Ft. Garth Hudson (live)
Close Down The Blues Bar- Teresa James and the Rhythm Tramps
Anytime Is Alright- Teresa James and the Rhythm Tramps
Honey Bee- Crystal Shawanda
Old Blue- Billy Thompson
Look A There Look A There- Duke Robillard
Galactic Grease- Duke Robillard

Turn On To LaMP

On a magical night at Nectar’s in Burlington, Vermont in December of 2018, 3 musical masters—Russ Lawton, Scott Metzger & Ray Paczkowski—came together with alchemical synthesis, and created a fresh, so-tight-it’s-free sound, permeated with technical prowess and a deep-pocket punch. The packed house fortunate enough to be in attendance that night witnessed the birth of something very special. The following spring, the trio took the name LaMP by combining the first letters of each members’ surname, and reconvened back in Vermont at Sugarhouse Soundworks for an intense recording session with sound engineer Roger Stauss laying down tracks that would become their eponymous debut EP. Metzger, described by The Village Voice as “…an ace guitarist of a thousand styles,” and a full-time member of the beloved Joe Russo’s Almost Dead, tested the decades-strong synergy between Lawton & Paczkowski forged from their time playing with Trey Anastasio Band and their duo project Soule Monde. It resulted in seven tracks crackling with energy & soul. The melodic & harmonic interplay between Paczkowski’s swirling organ & clavinet dancing with Metzger’s acrobatic melodies on telecaster, driven by Lawton’s unflappable backbeat, produced a record that will stand the test of time. Ever since, as the 3 members busy schedules have allowed, LaMP has prioritized bringing the music to the people with shows across the East Coast. As word has spread and the crowds have grown with each subsequent tour, it’s become clear that LaMP will be a musical force to be reckoned with for the foreseeable future. Last year, LaMP returned with their 2nd studio collection, One Of Us, on Royal Potato Family and the trio distills singular, road-honed improv instincts into taut, instrumental epics. One Of Us, which consists of 10 tracks packed into 35-minutes of kaleidoscopic interplay & club-shifting grooves, is the band’s 1st studio outing since their self-titled debut, released during 2020, and follow’s last year’s double-dose Live At Nectar’s, which was sourced from 2 nights at the storied Burlington, VT institution where the band was born in 2018. While each of the players has extensive experience with other gigs, as well as collaborations with artists like Nels Cline, John Medeski & Anders Osborne, LaMP has hewed its own path. Following their Nectar’s set, the band was hungry to return to the studio to coax to life a fresh batch of tracks. To do so, they decamped to Ben Collette’s Tank Recording Studio in Burlington for a three-day session. At the beginning of 2026, a bandcamp release of a live recording of the album recorded at Tank, in Burlington, VT on 7.18.24 was dropped.

I had the chance to catch up with Russ Lawton ahead of the upcoming LaMP show in Madison at the High Noon Saloon on March 15th. We get into just how those at the event are going to be prepared to get their special kinda groove on. This power groove trio has been selling out shows and building a strong following due to this live experience. We line up how they find the time to combine the talents into this experience and the thrill of this scene and the happiness of the community getting out to share in the vibe. We talk about the latest release, One Of Us, and how it took shape from the building onto a Russ beat and how each member adds their them. Russ builds a setlist around one of these latest tracks and laments about the happiness of sharing a positive experience.

Mooning For

Final part this week was up all niGht long.

Portschute- Adrian Younge
Nevertheless- Joel Ross
Word for Word- Joel Ross


The GateKeeper- Sam Robinson
Nonagon Funkola- Steven Husted (Live)
Blues With Two Naturals- Martin Wind
Sunbath- Woody Shaw


MVT. II Gods & Devils- John Vanore
Cubism- Time Is A Blind Guide
Solar- Larry Willis
Storm, Whirlwind and Earthquake- Brian Molley Quartet

Whizz

The middle part of the proGram was quite a relief.

Upstairs- Honey Made (live)
Sunshine Lady- Tiwayo
Surfliner- Shane Sato & Braxton Cook
Hasheesh- The Breaks Ft. Stanton Moore, Robert Walter & Eddie Roberts


I Zimbra- Liv.e
Oluwasam- Owelu Dreamhouse
Stutter- Owelu Dreamhouse
hollyweird- aja monet Ft. Vic Mensa
Side 2 Side- Dopesickfly
Campfire On The Moon- ROBIN ROSS & THE MELODYNES


Make It Reggay- The Appetizers
King’s Knight- Blademasters
Walk the Talk- Galecstasy & Mike Watt Trio
Cosmic Trip- Sam Morrison Ft. Bill Laswell

Depends How U Look

The first part of this week’s proGram was a night ranger view in the morningside.

The Pretender- Ashby Frank
The End of The Line- The Infamous Stringdusters
Looking For Something Good- The Infamous Stringdusters


Guess I’m Fallin In Love- Spoon (Live)
Twisted On A Train- King Tuff
Glass Eyes Cryin’- Parker Barrow
Patty Get Your Gun- Annabelle Chairlegs


The Golden Egg of Empathy- The Claypool Lennon Delirium Ft. WILLOW
Love Song- The Dandy Warhols
URN BURIAL- Thurston Moore & Bonner Kramer
Restless Seed- Evolfo


Fever- Marc Broussard Ft. Josh Smith
Makin’ Love Is Good For You- Flying Mojito Bros And Tony Joe White
Alligator Stomp- Flying Mojito Bros And Tony Joe White

Entering Here

The final part of this week’s proGram went in thru a slide way.

Sniffers- Frollen Music Library
First and Last Flight- Frollen Music Library
The Last Piece- Jake Mason Trio
Get in the Game- Kylie Auldist


Sarawati Puja- The Olympians
Tonnau Ar Tonnau- Carwyn Ellis & Rio 18 Ft. Miriam Isaac
Somethin’ To Relax With- Nolatet ft. Johnny Vidacovich/James Singleton/Mike Dillon/Brian Haas


Emmet’s Blues- Emmet Cohen
***pre-recorded conversation with Emmet Cohen***
Vibe Provider- Emmet Cohen

Oo Long- The Tomeka Reid Quartet
Scoobie Doo- Michael Jackson’s Head Heart & Tails
One For Junior #1- Michael Jackson’s Head Heart & Tails