Split Decision

The first part of this week’s proGram always knows what side it is on.

Me Voy Pa La Playa- Victoria Cardona
Real Kind Mama- Todd Albright


Fool’s Paradise- Chris Thayer
Dennis Muren- Centro Threeo
Filibuster In E Minor- Centro Threeo


greenarrowradio promo- CD Woodbury
Politician- The CD Woodbury Trio
Over The Hill- Boogie Beasts Ft. Luther Dickinson
Snake Drive- Boogie Beasts Ft. Kenny Brown


Going Down- Freddie King (live, 1975)
Whole Lotta Lovin’- Freddie King (live, 1975)
Deep Elem Blues- Terry Callier (Live at The Earl of Old Town Club, Chicago 1967)


Luggin’ Hurt- Little Barrie
Hippies- Sick Gazelle
LEAN ON YOU- Cinema Stereo

All Moments Matter with Brother Wallace

Some artists spend their whole lives getting ready for the moment the world finally hears them. Brother Wallace is one of them. Today, the West Point, Georgia-bred singer, pianist, & soul revivalist announces his debut album, Electric Love, out May 8 via ATO Records. It’s a bold 1st chapter from a voice that feels less like a “new artist” and more like a force that’s been building quietly for years. Raised in a small rural town where the church was both community and classroom, Wallace began singing early and started formal piano training at six years old. By 14, he was directing a 100-member choir—leading not from ambition, but from instinct. Music wasn’t extracurricular; it was identity. Still, his path didn’t follow the typical industry arc. Wallace built a life at the intersection of art & service, becoming a K–12 music teacher and shaping young voices day after day, even as his own kept growing into something undeniable. Over time, that “teacher” story expanded into something bigger: including sharing the stage with gospel legend Kirk Franklin performing at Madison Square Garden. But it wasn’t until a chance meeting sparked a creative partnership—one that stretched across years and continents—that Brother Wallace’s vision began assembling into the album it was always meant to become. That partnership was with Dan Taylor (The Heavy), who became not just a collaborator but a catalyst. Recorded at Real World Studios (the legendary facility founded by Peter Gabriel) and produced/co-written by Taylor, Electric Love captures the breathless immediacy of Wallace’s performances—engineered and mixed by Bob Mackenzie (James Blake, The 1975, King Krule, SAULT) and Jim Abbiss (Adele, Arctic Monkeys). The result is soul music that feels alive in your hands: gritty, radiant, and built around the kind of vocal that turns rooms silent before it turns them inside out. Across its 13 songs, Electric Love is less a debut than a revelation—a body of work fueled by gospel roots and classic soul lineage (Sam Cooke, Little Richard, Southern soul greats) while refusing to live in nostalgia. Wallace writes in lived-in scenes and hard-earned feeling: heartbreak without defeat, joy without naïveté, vulnerability without apology. Brother Wallace will bring that world to the stage supporting St. Paul & The Broken Bones on his first-ever tour—an ideal match for a performer whose voice and presence were made for big rooms, shared air, and nights that feel like revival.

I had the chance to catch up with Brother Wallace ahead of the May 3rd show with St. Paul and the Broken Bones at the Sylvee. Not only did we get a chance to talk about what the people in attendance can expect from him and band, we learn who the players with him are, but the New alum Electric Love drops may 8th. We dive into the story behind the album from how it went down to the feeling of it about to be in the world in its entirety. We get the true story of how he got to be a [part of working with the Heavy – yep – he took a call at the mall and we do share a little educator banter about our ways as well. Before I let him go, I of course wanted to know if he had to air a track as part of building a set on the radio from the new record, which does he go with and why. This question is almost always interesting and often leads me to new artists…but his setlist included some classics.

Faces Firing

The final part of the proGram this week always brought is fiery glow.

Line Unbroken- Rosa Brunello
Kena- Rossano Snel Ft. Marcelo Chacur Politano & Francesco Russo
Maraviglia- Gabriele Poso


Puddles (The Movement Tribe Dub)- UNA
I Want To Know (12″ Mix)- Eek-A-Mouse + Sly & Robbie
It’s Magic (Soundsystem Mix)- Dennis Brown & King Jammy
We Shall Overcome- The Appetizers
Gondi- Cheikh Ibra Fam


We Overcome- Irreversible Entanglements Ft. Helado Negro
Juntos Vencemos- Irreversible Entanglements Ft. Helado Negro
Forever Young- Javon Jackson & Nicole Zuraitis


Cluster B- Nolatet
The Brink Is Home- Janel Leppin
Deerhoof Is God- Janel Leppin Ensemble Volcanic Ash
Hope Marathon- Janel Leppin Ensemble Volcanic Ash

Hearty Row

The middle part of the proGram lines up from the heart start.

I Got That Dog In Me- Billy Price
A.D.D. Through the Roof- Thundercat
Red Dog- Parlor Greens


All Is One (Alchemized)- BALTHVS
On Something- Kumail
Vultures- Kumail & Nickson Dufala
Memory- Bread & Butter
Lake In The Forest- GAM
Burning Of The Midnight Lamp- Web Web


Music- BCUC
Name- JNBO
Funky Intro- Bellaire
Jazzed Up- Bellaire
Everybody Get Down- Bellaire & Nic Hanson
Costa Sud- Banda Maje

Blursting

The first part of the proGram this week had the color glow blast.

Kid- Matthew Payne
When First Unto This Country- The Sam Grisman Project w/Tim O’Brien
Shake Sugaree- Nicholas Edward Williams
Smoke and Spice- Sky Smeed (Live)


No Springtime- Allison Russell, Joy Oladokun & Julie Williams

Other Side Of Town- Tom Davies & The Bluebirds
Sweet Southern Sounds- Samantha Fish (Live)
Fastlane- Amani Burnham


**pre-recorded conversation with Bruce Katz**
In Memory of Elizabeth Reed- Bruce Katz Band (Live)

Rooftops- Mamas Gun
Touch You Back- The Claudettes
Peace Makers- Tiwayo
Love Me, Leave Me- The Valdons
I Ain’t Worried- The Ruffcats & Doug Shorts
Any Old Fool- Thee Sacred Souls

Jump off The Cliff With Bruce Katz

Bruce Katz is a legendary keyboardist (Hammond B3 & Piano) who has released 12 albums as a leader & has appeared on over 75 other album. He has also had a strong musical connection with the Allman Brothers Band, and was a member of Gregg Allman’s band for 6 years, Jamoe’s Jasssz Band, Butch Trucks’ Freight Train Band & Les Brers. Bruce also occasionally toured with the Allman Brothers as well. Bruce is a 7-time Nominee for the Blues Music Award (W.C. Handy Award) for “Pinetop Perkins Piano Player of the Year”, selected by the Blues Foundation of Memphis, TN. He won the BMA for Acoustic Blues Album of the Year in 2019 for his collaboration with Joe Louis Walker & Giles Robson for Journeys to the Heart of the Blues and was nominated again in 2020 for the same award for his acoustic piano album Solo Ride. He was also nominated for “Outstanding Musician (Keyboards)” by Living Blues Magazine in 2015 & 2019. He is a unique player & composer who combines Blues & American Roots music with elements of jazz & improvisational rock music that creates a signature sound that is all is own. Bruce was an Associate Professor at the Berklee College of Music for 14 years (1996-2010), teaching Harmony, Hammond organ labs, Blues History & Private Piano Instruction. Bruce began playing piano at age 5 and has a lengthy background in classical piano. After hearing a Bessie Smith record when he was 10 years old, he started teaching himself blues and early jazz on the piano. He then heard boogie-woogie and swing music and continued his musical journey into more aspects of jazz and American roots music. Bruce attended Berklee College of Music in the mid-1970s, studying Composition & Performance. For the next 15 years, he performed with many of the leading musicians in New England, and played “on the road” for long stretches of time. In the early 1980s, Bruce played with Big Mama Thornton on her East Coast tours and this experience revived his desire to play Blues Music as a primary focus. In 1992, he met Ronnie Earl, who soon invited him to join his band, The Broadcasters. During his nearly five-year stint with Earl, Katz toured the world and performed on 6 albums, writing and co- writing many of the tunes, such as “The Colour of Love,” “Ice Cream Man,” & “Hippology.” The album “Grateful Heart” (Bullseye) won the Downbeat Critics Poll for Best Blues Album of 1996. In 1992 as well, Katz debuted his first solo album, “Crescent Crawl”, on the AudioQuest label. He released “Transformation” the following year. Just before the release of “Mississippi Moan” in 1997, his 3rd solo album, Katz left the Broadcasters to concentrate on a solo career. At that point, the Bruce Katz Band began touring the U.S. and Europe, and has been his ongoing focus, in addition to his many other projects. In these years, Bruce played with Duke Robillard, John Hammond, Gregg Allman, Delbert McClinton and many other high profile roots, blues, & rock performers, while continuing to tour and record with his own band. This cat is the real deal and if you get a chance to catch the Bruce Katz Band live, you surely should find the time.

It was real nice to get to have a musical conversation once aGain with Bruce as the band is heading back to Madison on April 30 at High Noon Saloon. We get into the basics of what is gonna go down that night or any night you might catch this band. The thing about jumping off the cliff into a world of improvisation is what always thrills me with any kind of music, especially the sweet bluesy soul Bruce Katz Band will be laying out. Being as he was working with so many great artists as he came up, I was curious as to how the moment happened when he knew it was time to go out on his own. Of course, we recently lost when of his friends, Mr. John Hammond, who is also a friend of greenarrowradio. We talk a bit about the man Mr. Hammond was and to hear Bruce speak, you can just feel that soul. Maybe going to see this band will bring back any of your soul that might have been hiding during the times we’re in?!

Breakthru

The final part of the Record Store Day vinylthon proGram saw to the other side.

Time Loves a Hero- Little Feat (Live)
Day or Night- Little Feat (Live)
Every Hungry Woman- Allman Brothers Band
Dreams I’ll Never See- Allman Brothers Band
Shattered- The Rolling Stones (live)
The Purple Lagoon- Frank Zappa (live)
Astronomy Domine- Pink Floyd (Live)
Careful with That Axe, Eugene- Pink Floyd (Live)

Skin I’m In- Sly & The Family Stone
I Don’t Know (Satisfaction)- Sly & The Family Stone
One Nation Under a Groove- Funkadelic

Long Legs Of The Deck

The middle parts of the Record Store Day Vinylthon proGram stood tall and long.

All the Madmen- David Bowie
Many a Mile to Freedom- Traffic
By Hook or by Crook- Dan Hicks & The Hot Licks (Live 1971)
Reelin’ Down- Dan Hicks & The Hot Licks (Live 1971)
Lazy Lighnin- Kingfish
->Supplication- Kingfish
Temporary Like Achilles- Bob Dylan
Absolutely Sweet Marie- Bob Dylan
E Z Rider- Taj Mahal
Home On the Strange- Big Brother & The Holding Company

Faces All

The first part of the 2026 Record Store day Vinylthon proGram knew all faces are welcome.

Weather Report Suite- Grateful Dead
Terrapin Station Medley- Grateful Dead
Voodoo Chile- The Jimi Hendrix Experience
I Thank You- ZZ Top
Backdoor Medley: Backdoor Love Affair / Mellow Down Easy / Backdoor Love Affair, No. 2 / Long Distance Boogie- ZZ Top (Live)
Telegram Sam- T. Rex
Rabbit Fighter- T. Rex

Wanting To

The final part of the program was so ready to be ready.

Afropsychedelic- BCUC
Sebenzela- BCUC
All- JNBO
Around- JNBO


Nel Villaggio (Nicola Conte & Nico Lahs Afro Club Mix)- Piero Umiliani
Wolf Dub- Hollie Cook


Home Is Where The Hatred Is- Brian Jackson & Masters At Work Ft. Lisa Fischer
Muévete Con Las Fuerzas Del Corazón (DJ Koco Edit)- FA-5
WHODIS- corto.alto & Mick Jenkins


Respond to Sound- Adrian Younge
Rala-Bucho- Antônio Carlos & Jocafi w/Adrian Younge & Ali Shaheed Muhammad
Politics And Poker- Oscar Peterson Trio (Live)
Swamp Fire- Oscar Peterson Trio (Live)


Zonk- Janel Leppin
The Number Of The Beast Is 666- Simon Hanes

Push On

The middle part of the proGram is easily trying its hardest to be out.

Sign of the Lion- Tony Joe White & Flying Mojito Bros
WOMAN- Tony Joe White & Flying Mojito Bros


Still Got It- Joe Marcinek Band (live in NYC)
***pre-recorded conversation with Joe Marcinek***
Come Together- Joe Marcinek Band (live in NYC)


Hard Way To Live- Pratt & Moody
Who Do You Love?- Brother Wallace
Buttah Notes- Gold Leader
Letter To Brother Ben- Parlor Greens
Francisco Smack- Parlor Greens


Mood Swing (Alchemized)- BALTHVS
Flesh and Soul (Alchemized)- BALTHVS
Paco- Atabasca

Begin

The first part of the proGram this week is starting to spring.

Lo-Fi Goodbye- Frank Viele
Gotta Try Harder- Dale Watson
What The Hell Happened To The Cadillac- Dale Watson


Countdown- The Swingin’ Blackjacks
Rollin’- The Fabulous TruTones (live)
Lovers Till They Die- Amani Burnham


Cheap Machine- Troy Mercy
Crumb Clean- The Corner Laughers
I Hope We’re Not Too Late- The Dambuilders
A Christmas Miracle- A Love Electric
Bare Wire- A Love Electric


Black Girl- The Veldt
Drips- Strange Fruit

JMB in NYC

Welcome to the genre-defying world of Joe Marcinek, where boundaries dissolve and spontaneity reigns. Joe Marcinek is a guitarist, composer & bandleader who creates an experience not just a show, every time he steps on stage. Based around the concept that anything can happen at any time, the Joe Marcinek Band (JMB) features an ever-rotating lineup of legendary musicians from across the musical spectrum. Every performance is a one-time-only collaboration, making each night a unique event that fans will never experience the same way twice. Joe’s journey began on October 1, 2000, when he bought his first guitar from childhood friend Jeff Cunningham. That moment sparked a fire. 2 years later, attending the inaugural Bonnaroo Festival in 2002, Joe witnessed a musical ethos that would define his career: impromptu collaborations, genre-bending energy, and the thrill of the unknown. Since then, Joe has carved out a space entirely his own, fusing elements of Chicago blues, New Orleans funk, jazz fusion, & psychedelic rock. Over the years he has had the rare honor of collaborating with some of music’s most revered figures. He performed a dozen shows with Bernie Worrell (Parliament Funkadelic), who also recorded on Joe’s album Slink. The track “Bernie,” dedicated to Worrell, was the final recording of Bernie’s storied career before his passing. Joe has been collaborating with Melvin Seals (Jerry Garcia Band) & George Porter Jr. (The Meters) since 2017, and both appear on his acclaimed album Dead Funk Summit, featuring all original compositions. Another unforgettable highlight includes working and recording with the late, great Shaun Martin, whom Joe considers one of his all-time favorite musical partners. In 2023, Joe played a landmark show at the Iridium Jazz Club in New York City with an all-star lineup including Dennis Chambers, Jesús Molina, Howard Levy, Jason Hann, Ola Timothy, & Reilly Comisar. That performance will be released as Joe’s first official live album, set to drop April 17 2026. Joe tours nationally year-round, from New York to Los Angeles and everywhere in between, bringing his singular approach to stages across the country. Each night is a new story, written in real time by some of the best players in the world.

As always, it is great to catch up with what Joe is up to. I am so excited that he has finally gotten a live recording out there to the world as this is the way JMB works all its maGic. We dive ear first into the new Joe Marcinek Band Live in New York City record including how it all came together, how he was able to line up these amazing artists and how the sound finds them once they lights go up. Joe is also going to be doing some things with family to the proGram, Mike Dillon at Jazzfest, right around the same time he does he yearly Dead Funk Summitt. We talk about how he and Mike have recently gotten to work together and how it led to this invite. We also find out that Joe will be heading back to Madison in the Summer for a little PHISH afterparty situation and no talk of ours goes by without remembering how we first me on the bridge of Mr. Bernie Worrell.

Do It

The final part of the proGram knows how to slide into it.

Khettara- Atabasca
Hell Dorado- Atabasca
By Your Side- lovetempo
Menigheten- Kronstad 23


Four Women (DESIREE Remix)- Nina Simone
Move- Tank and the Bangas Ft. Lucky Daye
elsewhere- aja monet, Meshell Ndegeocello & Georgia Anne Muldrow
REQUIEM POUR CAPITAL- YASMiNNA


CRUISING TO SELF SOOTHE- Ecca Vandal

Souvenir Connector Program- KĒPA
Your Little Swing- Fanou Torracinta
Rose Rose I Love You- Gary Lucas, Feifei Yang, Jason Candler
Erghad Afewo- Tinariwen


Pluto in Aquarius- Janel Leppin Ft. Anthony Pirog, Brian Settles, Luke Stewart & Larry Ferguson

Ready?

The middle part of the proGram is so close……

Being Kind- Larry Keel’s Electric Larry Land
***pre-recorded conversation with Larry keel***
Showtime- Larry Keel’s Electric Larry Land


Watching The Moon- MEMORIALS
Apostrophe’- Frank Zappa, Captain Beefheart & The Mothers Of Invention (Live In Austin, TX – May 20, 1975)
Power Over Mind- A Love Electric
The Committee- Evolfo


I’m Going Home- Marc Broussard & Joe Bonamassa
Do The Get Together- Jeb Loy Nichols
Why You Wanna Trip On Me- Mama Digdown’s Brass Band
Snowballers- The Breaks, Robert Walter & Eddie Roberts Ft. Stanton Moore
Jolene- Parlor Greens


Pouf- Sababa 5
LSD In Bahia- BALTHVS
Ojos Verdes (Alchemized)- BALTHVS
Yallah!- Psyché Ft. MERVE

Duke Fuke

The first part of the proGram reminded me some things are good.

What’s the Difference?- Kenny Shore
I’ll Take Off My Hat- Kenny Shore
The Shape I’m In- Samantha Martin & Delta Sugar Ft. Steve Marriner [Live]
Queen Bee- Abby Jeanne & The Shadowband


Down To Houston- Duane Betts
Spoonful- Will Johns Ft. Tomiko Dixon
Jungle Fever- Guy Verlinde
greenarrowradio promo- Brother John
Roll Chattahoochee Roll- Mike Guldin


Dangling Wombats- Night Train
Low Bag- Night Train
Walk On Hot Coals- Joe Bonamassa (Live)


The Room- Aaron Penton
Learning Your Ways- Band of Heysek
Hard Nails And Bones- Band of Heysek


Swamp Rap- Tony Joe White & Flying Mojito Bros
Grounded- Tony Joe White & Flying Mojito Bros

Those Arts

Did an hour long or so fill in as a prelude to the proGram. Here’s the way it all wound up.

Mars- Caroline Davis
Saci- Paulo Almeida


Swingin’ at the Haven- Walter Smith III
Let Freedom Swing (Eleanor Roosevelt)- Jazz at Lincoln Center Orchestra & Wynton Marsalis {live}
The Times They Are A-Changin’- Javon Jackson


Probability- Entre Amigos Ft. Justin Copeland, Roy McGrath, Hana Fujisaki, Kitt Lyles & Gustavo Cortiñas
Earthly Elements- Outer Worlds Jazz Ensemble w/ Chip Wickham
Choctaw Alley- Jesse Davis Ft. Lewis Nash
Under Dark- Brian Landrus


Dancing at Dawn (x̣x̣l̓púleʔxʷ sq̓ʷimncút)- Lone Eagle & The Forest
Evolution: Fulfillment- Miroslav Vitous & Jack DeJohnette Ft. Bob Mintzer & CSMO Orchestra

Larry Keel’s Electric Larry land

Larry Keel is an award-winning innovative flatpicking guitarist & singer/songwriter hailing from Appalachia and currently residing in historic Lexington, VA. Raised in a musical family steeped in the mountain culture of the region, Larry began from an early age to forge a distinctive sound, taking bluegrass & classic country music and infusing those styles with a rock edge and elements of improvisational jazz. With the acoustic guitar he has brought the flatpicking form to its highest level of sophistication and sonic power with his muscular yet refined style of playing. As a songwriter with a catalog of nearly 100 original compositions, Keel integrates raw honesty and charming grit to create music filled with reality, imagination, imagery & vibe. He has appeared on over 20 albums, 12 of which he produced, and has written songs that have been recorded and performed by distinguished artists including Grammy-award winners Del McCoury and The Infamous Stringdusters. He has performed at iconic venues including Tokyo Disney, Carnegie Hall, Town Hall NYC, Red Rocks Amphitheater, Hardly Strictly Bluegrass, LOCKN, High Sierra Music, Bonnaroo, Del Fest, Hulaween, and countless more. He has inspired and merged creative forces with some of the greatest artists in modern roots music such as Tyler Childers, Billy Strings, Greensky Bluegrass, Keller Williams & Sam Bush, to name a few. Larry Keel is revered by critics at Relix, JamBase, Bluegrass Today, No Depression, AXS, & Rolling Stone, who dub him “one of the finest flatpickers around” and describe his unparalleled live performance “taking songs up a notch with psychedelic hillbilly shredding.” While C-ville Weekly claims, “Keel is doing for bluegrass what Hendrix did for rock, what Miles did for jazz- exploring the unchartered possibilities, defying the limitations of a deeply established musical form.” The energetic & interstellar project, “Electric Larry Land” presents Keel’s simultaneously gritty and suave original music applied to an electric format, creating what he calls a “sonic groove-and-vibe machine”. With this unit, Keel gives rein to his innate drive to expand his songs and playing style with this high-powered, highly creative and highly accomplished 4-piece band comprised of electric guitar, acoustic guitar, bass and drums. It’s dynamic Acoustic Rock at its finest.

I had the pleasure of catching up with my friend Mr. Larry Keel ahead of the April 16 event at the Stoughton Opera House. Larry and I spend some time going over just who is in this new project and what the sound and style will be like in a live setting. Each member of this group (now minus the mighty Jenny Keel), seems to fit riGht on in to what he hears and envisions to make this music come alive. Speaking of the music, there is new music coming out with this group so we talk about how it is getting released and how listeners will get to spend time with this new music as well as new tunes he is writing alongside friends of this proGram, Del McCoury and Sam Bush. We chat about recent Keller & The Keel shows and shows of the future for them as the album Grass celebrates its 20th ear with a tour. You can easily tell just why I dig on the person that Larry is almost as much as the artist he is as we get our hands dirty talking about the upcoming garden [plans and what’s already getting started in the greenhouse. Great people = great art.

See Then Feel

The final part of the proGram this week knows there’s many ways to have felt something.

Birds Ascend- Ben Wendel Ft. Joel Ross, Simon Moullier, Patricia Brennan & Juan Diego Villalobos
El Vuelo de la Mosca- Edward Simon Ft. Jackeline Rago
Paroxysm- Brian Landrus


The Jaguar- Nineteen Thirteen
Many Home Many Places- Ingrid Jenson
Tribal Dance- Miroslav Vitous & Jack DeJohnette
Rhapsody: Fun & Games- Miroslav Vitous Ft. Esperanza Spalding, Gary Campbell, Gerald Cleaver, CSNO Orchestra
Woodstock- Steven Bernstein Ft. Scott Colley & Nasheet Waits


Hurricane- Javon Jackson
**pre-recorded conversation with Javon Jackson**
Gotta Serve Somebody- Javon Jackson & Lisa Fischer


Home on the Range- Bill Frisell (Live)
Bongos- Caroline Davis
Barbara Allen (for Geri)- Caroline Davis
Catalpa- Heisenberg Uncertainty Players

Saw Inside

The middle part of the proGram looked right down the middle and saw what was really there.

Tastes Like You- MT Jones
Hold On (Hourglass)- Devon Gilfillian
Emeralds- Parlor Greens
Parlor Change- Parlor Greens


United- Dirtwire, Vieux Farka Touré & SunRise Studios Collective
Satisfaction Skank- Fatboy Slim & The Rolling Stones


Now, Pause…- Alexander IV & Ursula Rucker
Up From Here- Moonchild, Robert Glasper & D Smoke
Trying To Get By- Terry And Deep South
The Harp of Boom- Lay-Far & Lay-Far Dance Orchestra
The Revolution Will Not Be Televised (Keep Your Eyes Open)- Gee & Tee


Erbium- Steven Bernstein & Scotty Hard
i-Clock- Miguel Kertsman
Let the Good Times Roll- Eyal Vilner Big Band