Light On

The middle part of the proGram just needs a little more shine to get it up!

Doctrine of Love- Jalen Ngonda
Emeralds- Parlor Greens
Sharks in the Paddock- Jake Mason Trio
Green Pick- Jake Mason Trio


I Thank You- Michelle David & The True-Tones
Dilo- Cochemea
Bird Song- Club d’Elf


Johanna’s Dream (Alchemized)- BALTHVS
***pre-recorded conversation with Baltazar of Balthvs***
Inner Heights- BALTHVS


Lounga 85- Firkit Hany Shenoda
Africana- Banda Maje
Rockaway Dub- Hollie Cook
The Danger- Thriller U / King Jammy

Groan Grown

The first part of this week’s proGram was heard while it sprouted.

Goin’ Out Walkin’- Sam Bergquist
Black Mountain Rag- Asher Brinson Ft. David Grier


Self-Isolation Blues- Gwyn Ashton
I Got To Know- Seth James
Lonely Avenue- Seth James
Sad and Lonesome- Bob Wagner
Viper- JP Soars & Anne Harris
Blast Off!- Duke Robillard & His All Star Band


Don’t Give It Away- Omar Coleman & Igor Prado
Night Fishin’- Omar Coleman & Igor Prado
I Got This Thing- Teresa James & The Rhythm Tramps


Soulful Warrior- Dr. John (Live at Loreley, 1999)
Mama Roux- Dr. John (Live at Loreley, 1999)

—-
The Journey Of Earthly Desires- BUDDHADATTA
Way It Goes- Heather The Jerk
Attention Span- The Dollyrots

Transmutations With Balthvs

Friends of the proGram BALTHVS, the Colombian psych-funk trio, has wrapped up their massive world tour and impressively stayed true to a commitment they made to themselves and their fans: to deliver a unique setlist at every show. As they traveled across Europe, the U.S., & Latin America, with dates opening for My Morning Jacket & major festivals, the band saw firsthand what happens to a song when it is given a year, crowds & open stages to evolve. Their newest album is the product of that time on the road. Aptly titled Transmutations, it defies easy categorization. It is not a live album, nor a conventional studio release, but something rarer: a document of transformation. It was captured live during their late 2025 European concerts and the Flesh & Soul tour, by Zev Russ, with additional studio recordings taking place in San Diego, CA, & Bogota, Colombia, recorded & produced by bandleader Balthazar Aguirre. The album also marks a transitional moment in the band’s story. It serves as both farewell & welcome: a bittersweet send-off for fill-in bassist Vanessa Muñoz, whose ferocious energy redefined the sound of these songs in concert, and a joyful homecoming for Johanna Mercuriana. Both appear on the record, as the band is unwilling to erase either chapter, making Transmutations a living record of the people who shaped it. On the new album, longtime fans will recognize the band’s signature warmth in Johanna’s Dream and their reverence for improvisation in Inner Heights. All is One, their psychedelic centerpiece, grew a full offspring in Outer Reaches, a tribal drum-driven journey that spotlights the percussive brilliance of Santiago. Ojos Verdes similarly gave birth to LSD in Bahia, a hypnotic fusion of Brazilian & Hungarian rhythms filtered through the unmistakable BALTHVS lens. Those newer to BALTHVS will find an entry point in Mood Swing, a dance-floor-ready arrangement born from a remix by collaborator Sinego, & Shakedown Street, the band’s love letter to the Grateful Dead, a group that is foundational to their entire musical pursuit. With Transmutations, BALTHVS celebrates their 1st fully independent release, arriving under their own Cubensis Records imprint. It is a milestone that reflects 5 years of growth not just as musicians but as artists who have full command of their creative & business lives. It is a record that could only exist today, as it is shaped by everything they have lived & learned, by the people who came and went, and by the audiences who helped them discover what their music could become. In just 5 years, BALTHVS has become one of indie music’s most vital & globally resonant voices. Hailing from Colombia, BALTHVS is a three-piece psychedelic funk rock band creating groove-driven, atmospheric music that draws from global influences. Their sound fuses the spirit of 70s psychedelia with funk, Latin rhythms, & ambient texture. Inspired by artists like Santana, Khruangbin, Thievery Corporation, & The Grateful Dead, BALTHVS create music that feels both nostalgic & forward-thinking, a guitar-driven psychedelic funk rock experience that is unmistakably their own. At the heart of the group is Balthazar Aguirre, a self-taught guitarist who started down his musical path after a near death rock climbing accident. The incident opened his eyes to his true passion, music, driving him to leave behind his life as a lawyer and form BATHVS. He is joined by fellow musicians and funk enthusiasts Johanna Mercuriana, the bassist, & Santiago Lizcano, the drummer.

I had the chance to get toGether once again with Balthazar to dive ear first into Transmutations. While this is an adventure of the ears, this band delivers everything they do with a lot of heart as well and that is not missed by me. I feel the family affair going on as an outsider with this group. This music, that energy is what runs in their veins and is spilled out onto the stage (or even in the studio) daily/nightly. We talk about why this album right now and Balthazar doesn’t mince words when he says how this is a complete representation of who/what you get when you attend one of their events – the illusive recreation of a live show on a record. We talk about a challenge they took seriously when touring with My Morning Jacket. We talk about the bassist swamp and adding a new family member to the scene. I would have been remiss if I did not talk a little bit as well about their own label that is releasing the album, Cubensis Records. Of course, as we spoke about before, the influence of the Dead is discussed and how Shakedown Street found its place on the record. Live, they have their own ‘Drums->Space type a spot in their set – of course – more groove than experimental. I found our conversation surrounding Jam Bands in the U.S as a phenomena to be very interesting. While they may be growing up in both numbers and experience, it is those past experiences that still help paint the scene of just who this band is, and the sounds they seek. If you have not yet, it feels like now is the time to get yourself a part of this journey.

Colossus Brass Band at Snug Harbor

Colossus Brass Band is a high-energy New Orleans ensemble led by award-winning trumpeter Mark Braud that brings a bold, contemporary edge to the city’s storied brass band tradition. Blending second line rhythms, funk grooves, hip-hop influences, and modern jazz sensibilities, Colossus delivers powerful horn arrangements and driving percussion that ignite festival stages, clubs, and street parades alike. Rooted in the cultural heartbeat of New Orleans, the band honors the legacy of classic brass while pushing the sound forward with fresh originals and inventive takes on crowd favorites. Known for their tight musicianship and electrifying live shows, Colossus Brass Band continues to make its mark as a dynamic force in the evolving brass band scene.

This afternoon is the ONLY change to catch a Nickel-A-Dance this Spring 2026 Season held on March 15th at Snug Harbor. The Nickel-A-Dance is a free, family-friendly jazz concert series in New Orleans, celebrating the city’s rich musical heritage. Founded in 1994, it features top local jazz musicians performing classic jazz, blues, and swing. Originally held at Café Brasil on Frenchmen Street, the series now takes place at Snug Harbor Jazz Bistro on Sundays from 3:00–6:00 PM. The event is open to all ages and aims to make live jazz accessible to everyone.

This engagement’s performers included:

Trumpets: Mark Braud, Kevin Louis, Wendell Brunious, Gregg Stafford
Reeds: Bruce Brackman, Roderick Paulin
Trombones: Craig Klein, Freddie Lonzo
Tuba: Kirk Joseph
Drums – Gerald French

Flowers Before The Storm

The final part of the proGram this week gave some beautiful teases before the blanket of snow.

The Tip Jar Blues- Eyal Vilner Big Band
Shout, Sister, Shout!- Eyal Vilner Big Band
‘Mon Back- Ben Markley Big Band Ft. Steve Kovalcheck, Gabriel Mervine & Wil Swindler
Sugar Rush- Jon Irabagon
Paper Planes- Jon Irabagon Ft. Kokayi


Schmoon- Elan Mehler
Dizzy’s Dilemma- Pat Bianchi Ft. Troy Roberts & Colin Stranahan
Strasbourg / St. Denis- The Interplay Jazz Orchestra
Luminescence- Brian Lynch Quintet Ft. Charles McPherson


The Parisian- James Fernando
The Space Between- Stephen Emmer Ft. Beth Hirsch
The Beauty of Unevenness- Stephen Emmer

Well Well Well

The mid parts of the program were satisfied to just be toGether.

Running Into One- Daggerboard, The Skipper & Mike Clark
Changing Emphasis- Daggerboard, The Skipper & Mike Clark
Don’t Lose Your Head- Irreversible Entanglements Ft. Motherboard


Seminole- Javier Nero Jazz Orchestra
To Mr. Dolphy- Kirk Knuffke
In My Dreams- Bill Frisell (Live)
Isfahan- Bill Frisell (Live)


Big Nick- Kevin Hays
Visual Assault- Adrian Younge
Hiver- Björn Meyer


The Perplexity of Eternity- Willy Rodriguez Ft. Allan Harris
Firefly- John Pizzarelli

In Some Redness

The first part of this week’s proGram tried to set aside a certain mood.

Plus Inversee- Frédéric L’Epée
Shimmering Heart- Frédéric L’Epée
Lawns- Grant Gordy & Ben Garnett
Crab Nebula- NeBeLNeST


Under Circuitous Skies- b.mez Ft. Roger Clark Miller
Tangerine Skies- Astralasia
Garden of Liars- Razl
Be Flat- Razl


Knahk- Caroline Davis
***pre-recorded conversation with Caroline Davis***
Cloudburst- Caroline Davis


Space Time- Shabaka
Stand Firm- Shabaka

Caroline Davis FALLOWS

Saxophonist Caroline Davis holds a spirit in her music that calls in the ineffable; she invites it inward, transforming it from one realm to another, where the reality of time fades. In her debut solo release of saxophone and electronics, Caroline weaves shadowed beauty & subterranean boldness into 12 tracks that hold the listener tightly, navigating waters of the invisible. Caroline wrote and improvised the music on Fallows in Ucross, Wyoming during an artist residency that afforded ample time, remote space, and mindfully prepared food; aspects of life that many artists consider luxuries. It’s not an accident that the Ucross Foundation was created in 1981, the same year Caroline was born – it’s clear that the surrounding land impacted her process. Sites of buffalo / bison jumps from 500 years ago, where natives drove these massive animals into natural sinkholes as a hunting practice; and, sounds from Piney Creek, the body of water adorning Jesse’s One studio lead her to ask, “Did people hundreds of years ago jump from rock to rock to reach the other side, like I did? What animals drank from these waters, what did they sound like?” Ucross was been declared an important bird area, and listeners will hear curlews, grouses, western meadowlarks, mountain bluebirds on this recording. Davis has been building her use of electronics since 2006 in Chicago with instrumental rock band, Zing! and alongside artists who have expanded her path through her years of performing, such as Nicole Mitchell, Craig Taborn, Matt Mitchell, Rena Anakwe, Dani Mekonnen, and Joni Void. For this release, she utilizes Critter and Guitari’s Organelle, a processing and beat-making machine. “What I find compelling about the Organelle and its forums is the open-source generosity. I care deeply about community building, and I have found that in the network of people who design patches for this device.” The 12 tracks on Fallows stretch the sonic possibilities of the saxophone; the instrument is a vessel for her unfettered dreams. Reflecting upon the momentary space from which this music was made, Caroline wields the word Fallows, uncultivated land, not far from Oliver’s reminiscences of unobservable mysteries. Fallows is set for release on March 27, 2026 on Ropeadope.

I had the chance to catch up with friend of the program, Caroline Davis about this special album. We got into the process that helped her find moments of rest to soak in all that was around her, and really listen and feel it. This is a story where the where you are is so key to the sonic landscape finding its way out into the world, with mother nature as almost a guide. We talk about this being her first solo record and her influences (such as Geri Allen) that she carries with her constantly as well as well as her finding her own space being an artists using her instrument with electronics to be a one person storyteller. I also get to learn a little more about the track that really soaked into my soul after a first listen. Knowing Caroline’s zest for fairness & equality (something we have in common), I wanted to get a sense of how it feels to be working with the folks at Ropeadope. They are also not just believers in the art, but the artists themselves as people and are on that same path seeking fairness, equality and justice. Click on the link above and have this music set aside for when you need it most. It will end up feeling you as much as you feel it.

Photo: Adi Meyerson

Pinky Bling

The final part of this week’s proGram showed some things off.

Cosmic Trip- Sam Morrison Ft. Bill Laswell
Pace- Manu Delago & Max ZT
Rally- Manu Delago & Max ZT
Lay It Back- MF Robots


Orange Crush- Bumpin Uglies
Heavy Metal (Don Felder x Pink Floyd x Lance Herbstrong)- Lance Herbstrong
Cumbia Fantasia- Meridian Brothers and Mexican Institute of Sound
Funkaduck- Sam Morrison Ft. Bill Laswell


Dreamachine Part 1- Brion Gysin

My Very Own Ride- Kurt Elling & The WDR Big Band
Land Of Green- Todd Mosby
Balkanic Dance- Django Festival Allstars
Swing and Ready- Django Festival Allstars

Golden Mark

The middle part of the proGram was the real deal.

That Would Be Something- Paul McCartney
I Have Always Been Some Human- Human Potential
Art Beat- Human Potential
I’m On My Way- Heather The Jerk
Get Off My Lawn- Heather The Jerk
So Gone- Amy Beth and Thee Creeps


Gone With The Wind- Brother Wallace
You Went Away Too Long- The Womack Sisters
Driftin’- Joey Quiñones
What/Who Else Is Here- Bruce Mack
Boogaloo Popcorn- Jake Mason Trio


Jasper’s World- LaMP (live)
***pre-recorded conversation w/Russ Lawton of LaMP***
Clipse-O- LaMP (live)


Shakedown Street- BALTHVS

Blues Tree Blue

The first part of today’s proGram was moods wrapped inside a shell game.

Rainbow Sleeves- Matthew Ryan
Sitting on Top of the World- Luther Dickinson Ft. Datrian Johnson, Grahame Lesh & New Memphis Colorways


My Crown (live)- Samantha Martin & Delta Sugar
Shake ’Em On Down- Boogie Beasts Ft. G. Love
No Panties on the Bus-Hubert Sumlin
Brown Nosin’ Man- Omar Coleman & Igor Prado
I Wanna Do The Do- Omar Coleman & Igor Prado


Turn On Your Lovelight- Alexis P. Suter Band Ft. Garth Hudson (live)
Close Down The Blues Bar- Teresa James and the Rhythm Tramps
Anytime Is Alright- Teresa James and the Rhythm Tramps
Honey Bee- Crystal Shawanda
Old Blue- Billy Thompson
Look A There Look A There- Duke Robillard
Galactic Grease- Duke Robillard

Turn On To LaMP

On a magical night at Nectar’s in Burlington, Vermont in December of 2018, 3 musical masters—Russ Lawton, Scott Metzger & Ray Paczkowski—came together with alchemical synthesis, and created a fresh, so-tight-it’s-free sound, permeated with technical prowess and a deep-pocket punch. The packed house fortunate enough to be in attendance that night witnessed the birth of something very special. The following spring, the trio took the name LaMP by combining the first letters of each members’ surname, and reconvened back in Vermont at Sugarhouse Soundworks for an intense recording session with sound engineer Roger Stauss laying down tracks that would become their eponymous debut EP. Metzger, described by The Village Voice as “…an ace guitarist of a thousand styles,” and a full-time member of the beloved Joe Russo’s Almost Dead, tested the decades-strong synergy between Lawton & Paczkowski forged from their time playing with Trey Anastasio Band and their duo project Soule Monde. It resulted in seven tracks crackling with energy & soul. The melodic & harmonic interplay between Paczkowski’s swirling organ & clavinet dancing with Metzger’s acrobatic melodies on telecaster, driven by Lawton’s unflappable backbeat, produced a record that will stand the test of time. Ever since, as the 3 members busy schedules have allowed, LaMP has prioritized bringing the music to the people with shows across the East Coast. As word has spread and the crowds have grown with each subsequent tour, it’s become clear that LaMP will be a musical force to be reckoned with for the foreseeable future. Last year, LaMP returned with their 2nd studio collection, One Of Us, on Royal Potato Family and the trio distills singular, road-honed improv instincts into taut, instrumental epics. One Of Us, which consists of 10 tracks packed into 35-minutes of kaleidoscopic interplay & club-shifting grooves, is the band’s 1st studio outing since their self-titled debut, released during 2020, and follow’s last year’s double-dose Live At Nectar’s, which was sourced from 2 nights at the storied Burlington, VT institution where the band was born in 2018. While each of the players has extensive experience with other gigs, as well as collaborations with artists like Nels Cline, John Medeski & Anders Osborne, LaMP has hewed its own path. Following their Nectar’s set, the band was hungry to return to the studio to coax to life a fresh batch of tracks. To do so, they decamped to Ben Collette’s Tank Recording Studio in Burlington for a three-day session. At the beginning of 2026, a bandcamp release of a live recording of the album recorded at Tank, in Burlington, VT on 7.18.24 was dropped.

I had the chance to catch up with Russ Lawton ahead of the upcoming LaMP show in Madison at the High Noon Saloon on March 15th. We get into just how those at the event are going to be prepared to get their special kinda groove on. This power groove trio has been selling out shows and building a strong following due to this live experience. We line up how they find the time to combine the talents into this experience and the thrill of this scene and the happiness of the community getting out to share in the vibe. We talk about the latest release, One Of Us, and how it took shape from the building onto a Russ beat and how each member adds their them. Russ builds a setlist around one of these latest tracks and laments about the happiness of sharing a positive experience.

Mooning For

Final part this week was up all niGht long.

Portschute- Adrian Younge
Nevertheless- Joel Ross
Word for Word- Joel Ross


The GateKeeper- Sam Robinson
Nonagon Funkola- Steven Husted (Live)
Blues With Two Naturals- Martin Wind
Sunbath- Woody Shaw


MVT. II Gods & Devils- John Vanore
Cubism- Time Is A Blind Guide
Solar- Larry Willis
Storm, Whirlwind and Earthquake- Brian Molley Quartet

Whizz

The middle part of the proGram was quite a relief.

Upstairs- Honey Made (live)
Sunshine Lady- Tiwayo
Surfliner- Shane Sato & Braxton Cook
Hasheesh- The Breaks Ft. Stanton Moore, Robert Walter & Eddie Roberts


I Zimbra- Liv.e
Oluwasam- Owelu Dreamhouse
Stutter- Owelu Dreamhouse
hollyweird- aja monet Ft. Vic Mensa
Side 2 Side- Dopesickfly
Campfire On The Moon- ROBIN ROSS & THE MELODYNES


Make It Reggay- The Appetizers
King’s Knight- Blademasters
Walk the Talk- Galecstasy & Mike Watt Trio
Cosmic Trip- Sam Morrison Ft. Bill Laswell

Depends How U Look

The first part of this week’s proGram was a night ranger view in the morningside.

The Pretender- Ashby Frank
The End of The Line- The Infamous Stringdusters
Looking For Something Good- The Infamous Stringdusters


Guess I’m Fallin In Love- Spoon (Live)
Twisted On A Train- King Tuff
Glass Eyes Cryin’- Parker Barrow
Patty Get Your Gun- Annabelle Chairlegs


The Golden Egg of Empathy- The Claypool Lennon Delirium Ft. WILLOW
Love Song- The Dandy Warhols
URN BURIAL- Thurston Moore & Bonner Kramer
Restless Seed- Evolfo


Fever- Marc Broussard Ft. Josh Smith
Makin’ Love Is Good For You- Flying Mojito Bros And Tony Joe White
Alligator Stomp- Flying Mojito Bros And Tony Joe White

Entering Here

The final part of this week’s proGram went in thru a slide way.

Sniffers- Frollen Music Library
First and Last Flight- Frollen Music Library
The Last Piece- Jake Mason Trio
Get in the Game- Kylie Auldist


Sarawati Puja- The Olympians
Tonnau Ar Tonnau- Carwyn Ellis & Rio 18 Ft. Miriam Isaac
Somethin’ To Relax With- Nolatet ft. Johnny Vidacovich/James Singleton/Mike Dillon/Brian Haas


Emmet’s Blues- Emmet Cohen
***pre-recorded conversation with Emmet Cohen***
Vibe Provider- Emmet Cohen

Oo Long- The Tomeka Reid Quartet
Scoobie Doo- Michael Jackson’s Head Heart & Tails
One For Junior #1- Michael Jackson’s Head Heart & Tails

Woodlines

The middle part of this week’s proGram carved its way into us.

Free High- JJ Grey & Mofro
Man In the Box- Baron Von FrankenPaul Ft. Steve Ferrone
Riders On The Storm- Baron Von FrankenPaul


Seven Buttons on a Nehru Jacket- Tobin Mueller Ft. Sal Giorgianni
Loon and Thrush- Club d’Elf
The Desperate Maze of a Loser- Razl


Born Under (More) Punches- Theo Croker Ft. Theophilus London
Seen And Not Seen- Bilal
Inhale- Manu Delago & Max ZT
The Arkansas Tattler- Brandon Seabrook


Imidiwan Takyadam- Tinariwen & José González
Zombie- Vital Disorders
Songbird- Mariachi El Bronx

A Blurry Class

The first part of this week’s proGram moved around like a swirl.

Rippin’ Richard- Magoo
Angel of Telluride- Magoo Ft. Sam Bush


Don’t Know Where I’m Going- Spencer Mackenzie
Overqualified- PD Martin
No Flippin’!- Mitch Dalton
Instant Karma- Donnie Vie
Uncontainable (Live)- Muddy What?


Put You First- Ed Alstrom
Inquiring Minds- Ed Alstrom
Honey I Got No Money- Charlie Barath
I Gets Around- Charlie Barath
Imperials Bad All By Myself- Lil’ Ed & The Blues Imperials
The Flirt In The Car Wash Skirt- Lil’ Ed & The Blues Imperials


Angry- Alex Lopez
The Thrill Is Gone- Joe Bonamassa, Chaka Khan & Eric Clapton

Emmet Cohen Celebrates Coltrane & Miles at 100

Emmet Cohen is a multifaceted American jazz pianist, composer, & bandleader. Widely recognized for his virtuosity, deep swing, & commitment to intergenerational continuity, he has emerged as a central figure in contemporary jazz—honoring its lineage while actively shaping its future. A recognized prodigy, Cohen began Suzuki-method piano instruction at age three and quickly developed a musical voice marked by clarity, elegance, & intensity. At the heart of Cohen’s work is the belief that jazz is fundamentally about communication and connection—between musicians, audiences, and the generations that carry the music forward. That philosophy found a defining expression during the 2020 lockdown, when Cohen created Live From Emmet’s Place, a weekly livestream series broadcast from his Harlem apartment. Evoking the spirit of historic rent parties while employing sophisticated modern production, the series quickly became a global gathering place for artists & listeners alike, setting a new standard for live internet jazz performance. Across platforms, Emmet’s Place has garnered over 100 million views. What began as an intimate weekly broadcast has since evolved into a far-reaching creative platform. Live From Emmet’s Place now continues from Power Station NYC, expanding its scope while maintaining the immediacy & communal spirit that defined its origins. A Mack Avenue recording artist, Cohen’s releases include Future Stride, Uptown in Orbit & Vibe Provider. These recordings trace a distinctive artistic arc—combining stride, swing, bebop, & modern jazz to create a unique & deeply personal aesthetic. Mr. Cohen has performed in over 40 countries and appeared at many of the world’s most respected venues & festivals, including the Village Vanguard, Birdland, Carnegie Hall, the Newport Jazz Festival & the Monterey Jazz Festival. For many years, he served as Hammond B-3 organist in-residence at Harlem’s SMOKE Jazz Club. He has also participated in International Jazz Day celebrations led by Herbie Hancock, a worldwide broadcast underscoring Cohen’s global presence within the art form. Beyond performance, Emmet plays an active role in shaping the broader jazz ecosystem. He serves as host of The Jazz Cruise and is a member of its programming team, and he has been chosen as Artistic Partner of the 2027 American Piano Awards—significant roles that reflect his ongoing investment in artistic leadership and the long-term vitality of the music. Cohen’s honors include winning the 2019 American Piano Awards and being named DownBeat Readers Poll Pianist of the Year (2025). In 2023, he was honored by the Jazz Journalists Association with 2 awards: Pianist of the Year & Livestream Producer of the Year. He holds a Master’s degree from the Manhattan School of Music and completed his undergraduate studies at the University of Miami’s Frost School of Music. Through Emmet’s Place, Mr. Cohen has collaborated with hundreds of musicians spanning generations & styles, including Christian McBride, Joshua Redman, Samara Joy, and many of the most important & genre-defining voices in jazz today. Central to the project is a commitment to fostering young talent and advancing the next generation of jazz artists—placing emerging musicians on the bandstand alongside masters and creating space for mentorship, discovery & artistic growth. His dedication to lineage is further embodied in his ongoing Masters Legacy Series, a landmark collection of recordings, live performances & interviews honoring legendary jazz musicians. Serving as both producer/pianist, he’s collaborated with icons including Jimmy Cobb, Ron Carter, Benny Golson, Tootie Heath, George Coleman & Houston Person. The series functions as a living dialogue across generations, preserving jazz’s oral tradition while actively extending it into the present.

I had the pleasure of spending a little time with Mr. Coehn ahead of the February 28 event in Madison at the Wisconsin Union Theater. We get into the event: Emmet Cohen: “Miles and Coltrane at 100” featuring Jeremy Pelt & Tivon Pennicott. Emmet has gained a reputation for connecting with audiences through his artistry and commitment to intergenerational exchange. With the Emmet Cohen Trio plus special guests Tivon Pennicott and Jeremy Pelt, he celebrates the centennial of perhaps the two greatest names in jazz history: Miles Davis and John Coltrane. The ensemble gives their slant on the legacy of the two jazz greats in a concert sure to be warmly familiar and also something entirely new. We also touch on the soon to be released Universal Truth, if he ever (or more like have you ever) felt like you are in a piece of history and he even builds a setlist around one of the upcoming new tracks. Mr. Cohen is an individual who is always adding more and more space onto the bridge that connects people of all kinds. He understand where he comes from, how to capture the moment while he attempts to find more shining starts for the future.

Queens Of The Stone Age at ACL

Rock titans Queens of the Stone Age take the ACL stage anew for Alive in the Catacombs, a project conceived in the ancient tombs beneath Paris. Josh Homme and company deliver a master class reimagining their iconic catalog in an immersive, innovative hour. It was both chilling and tempting as a listener to want to be riding the waves of each track – as if we were somehow in some of the music.