Category Archives: Outta World interviews

Mike Mattison, a member of the Tedeschi Trucks Band & the Derek Trucks Band for over 23 years, today releases Turn A Midnight Corner, his 3rd solo outing for Landslide Records. So, what is Turn A Midnight Corner? As is often the case with Mattison, there is a back story. He had an idea to write a novella about a country blues duo from the 1930s, ‘Ted ‘n’ Turk,’ who are ‘rediscovered’ in the early 1970s by a music critic. They’re brought together as aging men and are poised to re-record their old 78 rpm sides. However, the ‘rediscovery’ turns into a bit of a media circus when rockstars come sniffing around, money muddies the waters, race stuff encroaches, resentments emerge, and the whole thing falls to pieces. All the songs in this collection were written by Mattison (Thumbs Plus Music / ASCAP) and recorded in a couple of week-long sessions at Studio MG in Roswell, GA. The LP was co-produced by Mattison and mix engineer Jason Kingsland [Band of Horses, Bryan Ferry, Belle & Sebastian] and engineered by Spencer Garn and drummer Tyler “The Falcon” Greenwell. It features members of his current band, Trash Magic: guitarist Dave Yoke (Dr. John/Susan Tedeschi Band/Scrapomatic), guitarist Greg Spradlin (Los Lobos satellite member), bassist and keyboardist Wesley Flowers, and drummer Tyler Greenwell (Tedeschi Trucks Band.) A native Minnesotan and Harvard University graduate, Mattison penned some of Tedeschi Trucks Band’s signature tunes, e.g., “Midnight in Harlem.” With TTB & DTB, Mattison has won two GRAMMYs, eight Blues Music Awards, and four Canadian Maple Blues Awards. He’s toured the planet, played on five continents, and every state except Alaska.

I have had the chance to chat with Mike a few times over the years. Each time is a growing experience for me. Anyone who knows me knows just how much his group with Paul Olsen (and others of course), Scrapomatic is certainly a guilty please of mine. His voice is something that cause a feel that runs thru me and heads right to my soul. This time around we have a different project to dive into. We talk about the new album ‘Turn a Midnight Corner with his latest group, Trash Magic. We go see to flower on this new music and get to know the band a little bit more. Not a big surprise to me that the beGinning of this music stars with him working on a book. Mike clues us in to how he attempts to box out the other things he has ongoing to find time to make all this happen. Here we are on the day this album drops and a few tour dates with Trash Magic lined up. We take time also to dissect one of the tracks, often I am easily set astray when a tune comes on sounding like the rhythm of a train and there’s one of those right her eon this new record, so we take a walk through that one together as well. The music and Mike make me feel like for a little bit, I (and hopefully we) get to walk into some new stories and be a[part of it, or away from that, for just a little bit.

Photo: Alix Lamber

Thollem is a pianist, keyboardist, composer, improviser, singer-songwriter, activist, author & teacher. He has toured throughout North America & Europe as an itinerant artist for 2 decades, performing, teaching & collaborating in myriad situations across the idiomatic spectrum. Thollem’s known in concentric circles as an acoustic piano player in the free jazz & post-classical worlds, as the lead vocalist for the Italian agit-punk band Tsigoti, and as an electronic keyboardist through a multitude of projects. His lifelong interest has been to work with people from all walks of life, bringing artists & communities together in ways that may create something uniquely valuable to everyone involved. He is currently focused primarily on his multimedia collaboration with New Mexican visual artist ACVilla, his solo piano work Infinite-Sum Game, his new autobiographical songs project Godammit Tommy!, and workshops on the collaborative process. Since 2005, he has played over 3,000 concerts throughout N. America & Europe, releasing more than 100 albums on 27 different vanguard labels. A very brief cross section of his many collaborators include William Parker, Pauline Oliveros, Stefano Scodanibbio, Nels Cline, Sara Lund, Rob Mazurek, Michael Wimberly, Mike Watt, Susan Alcorn, & Carmina Escobar. Thollem is a published author about art, politics and his travels in NewMusic Box, The Anthology of Essays On Deep Listening, Full Moon Magazine (Prague) & First American Art Magazine. 2 years ago Other Minds Records released The Light Is Real with Terry Riley, Thollem, & Nels Cline. This latest album, ‘The Right Is Real’ features Mr. Terry Riley, and is a return to the original duo concept, starting from scratch. Tracks 1 – 4 are the recordings from the 1st session Terry & Thollem recorded on-line. The rest of the album are samples of these recordings played by Thollem through a Wavestate, in real-time. The impetus for this project together was a kind of epiphany he had when he walked into his Suegra’s bathtub room in northern New Mexico surrounded by her mural of a Redwood forest. Thollem was so captivated that he took a photo and simultaneously thought “the light is real” & “Terry Riley”. Mr. Riley and Thollem have been friends for many years and Thollem shared this epiphany with him. They decided to improvise with their voices while meditating on this photo & concept. Now, on the Winter solstice, ‘The Light Is Real (VOICES)’ has been let out into the world.

I had the chance to get back together with family to the proGram, Thollem to discuss this recent offering into the sonic landscape. We get into the original ideas, hearing them back now since it has been ‘released’ and the work that went into it once the thoughts were shared. In the early Spring, Post Consumer Records will be doing a physical release of this album for people to get a chance to hold it in their hands. Thollem assures us (there is no doubt) that the art that will accompany will be yet another part to this gift. He reminds us of the music he is creating for his forst autobiographical project, Godammit Tommy!, from which I have shared a few tracks, and this is a completely different beast than this work with Mr. Riley. COMPLEETELY! There is no reason to not be reminded about the work he and Angela have done with the documentary series Artists Engaged, as we talk about how we both find new people to become immersed into because of each other. This space is a place where open minded deep listeners can go to be introduced to ‘off the beaten path’ artists to feel.

Grammy Winner, Doris Duke Artist & Guggenheim and MacArthur Fellow Miguel Zenón represents a select group of musicians who have masterfully balanced & blended the often-contradictory poles of innovation & tradition. Widely considered one of the most groundbreaking & influential saxophonists/composers of his generation, he has also developed a unique voice as a conceptualist, concentrating his efforts on perfecting a fine mix between jazz and his many musical influences. Born and raised in San Juan, Puerto Rico, Zenón has released 18 recordings as a leader, including his latest, Vanguardia Subterránea: Live at The Village Vanguard (2025), the Grammy-nominated Golden City (2024), & the Grammy-winning album El Arte Del Bolero Vol. 2 (2023). He has worked with luminaries such as The SFJAZZ Collective, Charlie Haden, Fred Hersch, Kenny Werner, David Sánchez, Danilo Perez, The Village Vanguard Orchestra, Kurt Elling, Joey Calderazzo, Steve Coleman, Ray Barreto, Andy Montañez, The Mingus Big Band & Bobby Hutcherson. In April 2008 he received a fellowship from the prestigious John Simon Guggenheim Foundation. Later that year he was one of 25 distinguished individuals chosen to receive the coveted MacArthur Fellowship, also known as the “Genius Grant.” In 2011 he founded Caravana Cultural, a program which presents free-of-charge Jazz concerts in rural areas of Puerto Rico. In 2022 he received an Honorary Doctorate from La Universidad del Sagrado Corazón in San Juan, Puerto Rico, the highest honor bestowed by the institution. In 2024 he received a Doris Duke Artist Award from the Doris Duke Foundation. Zenón has been featured in publications such as The New York Times, The Wall Street Journal, The Los Angeles Times, The Boston Globe & The Chicago Tribune. In addition, he topped both the Jazz Artist of the Year & Alto Saxophonist of the Year categories in the 2014 JazzTimes Critics Poll and was selected as Alto Saxophonist of the Year by the Jazz Journalists Association in 2015, 2018, 2019 & 2020 (when he was also recognized as Arranger of the Year). In 2023 he was recognized by the same organization as the Composer of the Year. As a composer he has been commissioned by SFJAZZ, NYO Jazz, The New York State Council on the Arts, Chamber Music America, Logan Center for The Arts, The Hyde Park Jazz Festival, The John Simon Guggenheim Foundation, MIT, Spektral Quartet, Miller Theater, The Hewlett Foundation, Peak Performances, PRISM Quartet, Kinetic Ensemble and many of his peers. Zenón has given hundreds of lectures and master classes at institutions all over the world and is an Associate Professor in the Music & Theater Arts Department at MIT.

I had the honor to get some time catching up with Miguel ahead of the December 5th event in Madison at Arts Literature Laboratory with the great pianist, Mr. Luis Perdomo. We get into what people can expect this time around with their ‘El Arte Del Bolero’ concert that evening. We talk about what a new person to this scene might expect. Miguel also shares about them workshopping in some new music into these sets. That leads to a conversation around improv, live recordings versus studio work and we end up finding out what he has been listening to these days. The dive into making of his latest record and sharing the moments that have been captured in time and getting it to the point of wanting it to be documented and shared was such a highlight for me to wrap my mind around. Considering the people he has worked with and been inspired by, it was very insightful when we get talking about him being an instrument for someone else’s project.

Between the poetic observations of family to the proGram, Oliver and his brother, bassist & vocalist Chris Wood — with percussionist & multi-instrumentalist Jano Rix completing the trio — Puff of Smoke is an 11-song collection brimming with joy in the face of challenges, delivering lyrical wisdom with the winking subtlety of John Prine and the musical hive mind of a seasoned group with two decades of shared experiences. Fans who have hopped aboard at waypoints along the journey that began with their now classic 2006 debut Ways Not to Lose already know to expect a new drop from The Wood Brothers will bring inventive songwriting, a grounded lyrical wit, and an adventurous sweep of sonic avenues. Unpredictability is part of the listening experience. Jano and the brothers Wood will be bringing the tour supporting the latest release to Madison on November 14th at the Memorial Union‘s Shannon Hall. Also, a big event in Jano’s world is another new release, just dropped yesterday, with his father, veteran drummer Luther Rix, whose career includes work with Bob Dylan’s Rolling Thunder Revue, Leonard Cohen, and Bette Midler among numerous others, have joined forces on record for the first time. Simply calling themselves RIX, today the father/son duo have released their debut album, Legacy, Vol. 1, a collaboration more than 12 years in the making, via RPF Records/Royal Potato Family. Between them, Jano and Luther bring decades of musical experience. Luther’s career has taken him from work with rock ‘n’ roll legends such as Dylan, Cohen and Midler to symphonies, Broadway pits, and Schoolhouse Rock! sessions. Jano’s multi-instrumental work has been central to The Wood Brothers’ acclaimed Americana sound, while he has produced records for artists such as Seth Walker, Steve Poltz, Oliver Wood, Upstate, and Chris Kasper. Yet Legacy, Vol. 1 is their most personal statement, made not to chase trends or charts but to capture their shared love of music, document a unique family bond, and embrace the spirit of their shared groove.

I had the chance to get some time with Jano (like he has any extra to give) to talk about the upcoming event with The Wood Brothers from his perspective. He gets into the ins and outs of the shows, how he became the third member of the trio and the evolution of the Shuitar. Then we slide right into this new album with his father. The stories, the memories and the way it all went down over span of time that seemed long, but it might have been just right. This album does its thing with you as you listen in and it sure was interesting to hear Jano dive into it. It was certainly not just a chat about all the work he has been doing, we take time to hear with track of each of these new albums (Puff Of Smoke & Legacy Vol. 1) he would choose to build a set around and then he fills it in just like you’d come to expect here on the program. Magic will happen.

Bizhiki is almost wholly a made-in-Wisconsin project, a collaboration between Dylan ‘Bizhikiins’ Jennings, Joe Rainey and the multi-instrumentalist Sean Carey (S. Carey). Bezhikiins Jennings grew up singing within the powwow tradition, around the Lac Du Flambeau & Lac Courte Oreilles reservations in Central Wisconsin. He now makes his home in Northern Wisconsin, on the Bad River reservation on the shores of Lake Superior. He’s joined on the album by his adopted brother, Rainey, a Red Lake Ojibwe powwow singer from Minneapolis who now makes his home within his wife’s Oneida Nation on the shores of Lake Michigan. Bizhiki’s first album, Unbound, is a confluence of sounds bringing traditional and powwow music into an expanded musical palette. In 2015, Jennings got a call from Justin Vernon, the front man of the indie folk band Bon Iver. Vernon invited Jennings to participate in Eaux Claires, a music & arts festival he was launching that summer and they took him up on that offer. They are heading to Madison to be a part of a couple of noteworthy events. On Sunday, November 9, 7:30pm, Arts + Literature Laboratory welcomes Bizhiki, part of the programming associated with the Native Art Market, which takes place the day before, Saturday, November 8, from 10:00am to 6:00pm. Also, to celebrate Native November 2025, the six-piece band will be joined by Native dancers alongside classic Ojibwe storytelling, leaving audiences feeling intellectually, spiritually, and culturally nourished. The performance will be followed by a moderated question and answer with Jennings & Rainey. Special thanks to members of the Indigenous Student Center Coalition for making this month’s programming possible. More information here: An Evening With Bizhiki: A Musical Performance followed by Q&A Tuesday, November 18, 2025 at UW Madison’s Union Theater Shannon Hall.

I had the chance to catch up with Dylan Jennings ahead of these two special events. Dylan and I got into what each performance could shape up to be, the timeline of the group, just how they were able to find the time to get some creative work done in the studio to create the album ‘Unbound’ and get this show out on the road.

Photo by: Graham Tolbert

Get ready for an evening of sidesplitting laughter as the dynamic duo Colin Mochrie & Brad Sherwood from TV’s “Whose Line is it Anyway?,” take the stage in a one-night-only uproarious live show, ASKING FOR TROUBLE. Armed with their lightning-fast wits, Mochrie & Sherwood transform the audience’s suggestions into an unpredictable evening of non-stop comedy gold. No script? No problem! “Asking For Trouble” is a wild rollercoaster ride of hilarity, where 2 improv legends prove they are still the best in the business. Known by TV audiences for their work on Whose Line is it Anyway? Colin & Brad improvise new material every night from audience suggestions & participation. “Interactive” in every sense of the word, Colin & Brad will take the audience on a comedic high-wire act, just like a live version of Whose Line! Their amusing, PG-rated family show includes variations on many of the games showcased on Whose Line Is It Anyway?, including “Sound FX” & “One Word Expert.” As Mochrie & Sherwood take caution to point out at the beginning of each show, the scenes that make up the act are entirely unscripted. Throughout the evening, the show becomes truly interactive as audience members are called to the stage to participate in the fun. Mochrie & Sherwood both rose to prominence on the improv TV series as frequent players in its original incarnation on Britain’s Channel 4 and then as star performers on the American version of the TV show from 1998-2006.

I had the chance to catch up with Colin Mochrie once aGain before the October 23rd show in Wausau at the Grand Theater and October 24th, right here in Madison at the Overture Center. Colin and I discuss the live show, exactly like what is stated above plus he shares a little extra info about one thing they definitely do from city to city. We talk about his work in the movie, Magnetosphere and if I were to bump into him somewhere out in the world, where might that be. A little regular guy Colin kinda talk. We end by talking about the greatest backstage gift he has ever received and just who was the giver of such a thing.

James Carter was born in Detroit, Michigan, and learned to play under the tutelage of Donald Washington, becoming a member of his youth jazz ensemble Bird-Trane-Sco-NOW!! As a young man, he attended Blue Lake Fine Arts Camp, becoming the youngest faculty member at the camp. He first toured Scandinavia with the International Jazz Band in 1985 at the age of 16. On May 31, 1988, at the Detroit Institute of Arts (DIA), Carter was a last-minute addition for guest artist Lester Bowie, which turned into an invitation to play with his new quintet (forerunner of his New York Organ Ensemble) in New York City that following November at the now defunct Carlos 1 jazz club. This was pivotal in his career, putting him in musical contact with the world, and he moved to New York 2 years later. He has been prominent as a performer & recording artist on the jazz scene since the late 1980s, focusing on saxophones, flute & clarinets. In 1996, he took part in Robert Altman’s film Kansas City, where he played Ben Webster alongside several other contemporary jazz musicians playing the roles of players from the 1930s, including Joshua Redman as Lester Young, Craig Handy as Coleman Hawkins & Geri Allen as Mary Lou Williams. “Seldom Seen” ‘s fictional “Hey Hey Club” set the stage for several jam sessions caught on film in real time and included on a soundtrack produced by Hal Willner & trumpeter Steven Bernstein. Mr. Carter embraces all elements of jazz history, from Dixieland to fusion to free jazz, and was one of the few prominent players of his generation to do so, participating in a number of projects in all these styles, and incorporating these different influences in the compositions and soloing on his own albums. On his album Chasin’ the Gypsy (2000), he recorded with his cousin Regina Carter. He has won DownBeat magazine’s Critics & Readers Choice award for baritone saxophone several years in a row. He has performed, toured & played on albums with Lester Bowie, Julius Hemphill, Frank Lowe & the Saxemble, Kathleen Battle, the World Saxophone Quartet, Cyrus Chestnut, Wynton Marsalis, Dee Dee Bridgewater and the Mingus Big Band. His sound blends the soul of Billie Holiday, the swing of Count Basie, and the edge of Hendrix, all delivered with jaw-dropping technical command. Whether tearing through Coltrane tempos or whispering ballads, Carter’s mastery of saxophones, flute, and clarinet is unparallel.

S I had a chance to catch up with Mr. James Carter before he heads to Madison to play two sets at Cafe Coda on October 25. This saxophone powerhouse will be bringing the fire, finesse, and fearless improvisation we have grown to love here. We talk about what this event will feel like and who else is with him making this groove come alive. We listen in as he discusses how much of this music will be made up on the spot and how much is the natural flow of songs they know. We get into how he found his groove, from growing up in a musical family that got him itching from the sting o the music bug to growing that feeling with the array of artists he has worked with. For someone who dancing often in that moment of the music, we chat about how that translates when trying to lay something down on a record which dovetailed nicely into a mention of a new project or two that are in the works.

A bold performer, soulful composer & passionate educator, Trumpeter Marques Carroll is dedicated to preserving the authentic culture of Jazz and spreading his holistic love of music around the world. He has been drawing national attention since 1996, having worked & shared the stage with today’s most celebrated artists & ensembles including Carmen Bradford, Dee Dee Bridgewater, Etienne Charles, Christian McBride, Jon Faddis, Meshell Ndegeocello, Randy Weston, Jimmy Heath, Jeff Hamilton, Randy Brecker, Nicholas Payton, Tom Harrell, Bob Brookmeyer, Bobby Watson, the Count Basie Orchestra, The Temptations, Chicago Jazz Ensemble, The O’Jays, The Four Tops, May Wilson & Aretha Franklin. Born into a musical family in St. Louis, Marques fell in love with the trumpet when he was only 8 years old. His grandfather worked with Jazz legend Clark Terry, who became an influence on him and his musical growth. Marques also developed a lifelong friendship with Wynton Marsalis who has become one of his greatest supporters. Marques studied at DePaul University where he earned his Bachelor’s & Master’s Degrees in Jazz Studies Performance. A storyteller at heart, he uses his experience and mastery of multi-genre vocabulary to break down barriers between genres writing evocative music that speaks directly to the soul. Rooted in the tradition of Black American Music (BAM), Marques is consciously challenging norms of genres such as Blues, Funk, Soul, Neo-Soul, & Hip-Hop, expanding and pushing into new places of expression & mastery. Marques Carroll captures and shares this journey with his audiences through his own compositions, The Ancestors’ Call and most recently released album, Foundations. The Ancestors’ Call, a GRAMMY© considered album for 2021’s Best Jazz Album, is a soulful exploration of culture & consciousness that reflects upon the African Diaspora through a balance and attention to detail encouraging its audience to feel, reflect, & celebrate. The sequel to the Ancestors’ Call, Foundations, is a tribute album that pays respect to his mentors & supporters from all walks of life including artists, teachers, family & friends. Marques is co-founder of JMarq Records and is the leader of his self-titled quintet featured in both of his albums, The Ancestor’s Call and Foundations released by JMarq Records.

I had the pleasure of spending a little time with Marques ahead of two dates upcoming in Madison. Friday, July 18th at North Street Cabaret and aGain on August 13th as part of Jazz At Five. We give props to the folks that’ll be playing with him as part of the Quinet for these events (including our pal, Pawan Benjamin), what type of scene this music, these people will attempt to create as a play to gather and be. We dive head first into the new live album(s) he is going to be dropping soon. He documents the notorious Jazz clubs in Chicago that helped form and develop the scene there, places he has adopted as a home and the people that helped make them grow and survive. It’s a thank you card to that scene. I had to give a shout out to a tune that really helps me turn any boxed in corners – check out which track and will it be on the new albums? We also talk about his friend, mentor and colleague, (friend of this program, Mr. Wynton Marsalis) and get some stories about the person he is and what things have rubbed off on Marques. It is always soothing to talk it up with someone who inspires you, and they just add to that feeling with their words and energy.

Isaiah Collier is a multi-instrumentalist, composer, arranger, model, curator, activist, motivational speaker and all around cool cat. He may be most known for his saxophone work. He has studied and learned from many of the masters such as Coltrane, Mitchell, Shorter and one can feel and hear his approach is drawn from these influences. As with so many of the great improvisers, he works without a net and crosses all sorts of boundaries that may be drawn. He has worked all over the globe with artists like Chance the Rapper, Waddada Leo Smith, Carl Allen, Paul Rogers, Bernie Maupin, Rudy Van Gelder and many more visionaries. He has played his music and shared his stories at many of the favorite festivals and clubs as he continues to grow and learn with and from. The sometimes untold tales, or hoped to be forgotten tales of the past collide with the now of today and the what if of tomorrow(s) seems to be where Isaiah lives. While he is best known perhaps for his work within Isaish Collier & The Chosen Few, it is very easy to tell how his singularity of voice is one to be listened to, reflected upon and fed to become complete.

I had the honor of reconnecting with Isiah once aGain as he prepare to being a new look Chosen Few to play the Terrace on June 14th for the 2025 Madison Jazz Festival. We talk about showing up at the event with yourself as a blank slate, without expectations and let the sound(s) and rhythms take away the every day all thats that we all get overcome by. I made sure to have him give roll call with a little flip to the backside of the baseball card on who is coming with him to Madison. So, I already feel closer to those who’ll be providing the colors for my easel. This is one powerhouse of an ensemble. We went seed to flower on his latest (Late 2024) release, ‘The World Is On Fire‘, which certainly allows for more meaning with each new listen. We talked about his ‘Story Of 400 Years‘ project which is a musical & multimedia production that explores the history of Black people in North America, starting with the Transatlantic slave trade and continuing through pivotal moments in Black American history. One of the more (and it all was) thrilling part of this conversation was time spent talking about what he gets to be a part of as a Steve Jobs Archive Fellow which led us into him exploring sounds in new ways and shapes while being able to listen to and learn from diverse talents. There so much goodness in this conversation, just as I know will happen in Madison on June 14th and anywhere else Mr. Isaiah Collier will be joining in.

photo by: Johanna Brinckman

Ropeadope presents Quantum Blues featuring Tisziji Muñoz, Paul Shaffer, Will Calhoun, & Jamaaladeen Tacuma AKA: The Quantum Blues Quartet. This serendipitous one of its kind meeting between 4 musicians with life-long accomplishments occurred in New York in 2024. The result is Quantum Blues, a work that takes the listener by the hand on a journey of true musical exploration. It is evident that the artists are dealing with & transmitting much more than just music, they are investigating their own emotion & understanding of the world and communicating the process directly to us. In a world of quickly digestible tracks, Quantum Blues stands like a complex novel of the human experience. I had the honor of catching up with Mr. Jamaaladeen Tacuma to discuss this project. Here’s a little about him to get your mind’s working. Artist, producer, musician & composer Jamaaladeen Tacuma spent his youth in Philadelphia where he received a world class music education from the many Jazz musicians living there and has since traveled the world as a renowned and supremely versatile master of the electric bass guitar. In the 1970’s, when he was just a teen, his creatively funky free approach caught the ear of saxophonist Ornette Coleman and he became a member of Coleman’s Prime Time Band. His work is heard on some of Coleman’s historic recordings: “Dancing In Your Head & “Of Human Feelings.” Tacuma has since lent his bona fides as a jazz force to the work of Grover Washington Jr, Archie Shepp, Gary Bartz, Max Roach, James Carter, David Murray… As band leader he has produced over 25 studio albums with 120 original compositions and has appeared on countless albums as a producer, band leader & soloist. As his career evolved, he found himself right at home in music no matter the genre. Whether it be R&B, Soul, World Music, Classical, Hip-hop, Pop, Country, Experimental or a cross cultural collaboration with a classical symphony, opera’s, Turkish music Ensembles, Alpine brass band, Korean Samul Nori drum ensemble & Moroccan Gnaoua groups. He has lent his one of kind bass flavor to projects with Wiilhelmenia Fernandez, Sheryl Crow, Bob Weir, Dave Mathews, Jason Isbell, The Roots, Marc Ribot, Brad Paisley, Jeff Beck, Derek Bailey, Carlos Santana, Burhan Ocal, DJ Logic, among others. He is a standing member of Super Soul Banned, a group assembled by Rolling Stone’s drummer Steve Jordan, rubbing shoulders with the glitterati at the annual Fox Gala (Michael J. Fox’s annual fundraiser for Parkinson’s research). He has even toured/collaborated with the legendary Australian kids music group The Wiggles. Jamaal believes that music has the profound ability to be a bridge across cultures that unites humanity and has recorded, performed & collaborated with musicians on nearly every continent. He works as a music ambassador elevating the art form and shining a light on Philadelphia as an epicenter of black music culture. In the past decade Tacuma has been recognized for his Artist Excellence with numerous awards & accolades including The Marcus Garvey Foundation 50th Anniversary Award, The Pew Arts & Heritage Fellowship, Philadelphia’s Benny Golson Award & Liberty Bell Medal, Jazz Journalist Association “Philadelphia Jazz Hero Award” & South Arts Creative Residency Grant, Mid Atlantic Arts International Artist. In 2024 he became culture Ambassador for The Third Way Cultural Alliance, and he continues to engage old and new fans on tour, produce and record and teach masterclass workshops worldwide from his current home base in Philadelphia.

During my conversation with Jamaal, we got into how the stars aligned to get these 4 talents together and how they each shaped a moment in time with a groove and kinship that should come with sunglasses. The music is a piece of each – not only them but it has parts of/for us as well. Jamaal is very generous with sharing his thoughts and feeling and has the resume to prove it (as seen above), he can fit in anywhere and always stands out with flash & pizazz. He recently went down south to get spend time with our family & Third Way Ambassador Todd Clouser brought together key musicians from Mexico and South America to express the vibrant music and arts scene emerging in Mexico City. This week long exploration of music & culture saw Jamaal appear with local musicians at Jazzatlan for two nights of music and panel discussions about the role of music in bridging cultures. Rehearsals and recording sessions will allow musicians time and space to open dialogues and create music together. You see what is meant by building bridges – these folks here. Before we said farewell, he did drop a little nugget mentioning that he is producing friend of the program, Mr. Marshall Allen‘s new album 101 an Audio Odyssey’. This was one of those dream come true conversations for me. Check it out so you can get some of that feeling too.

Ed Palermo is not a “business as usual” musician. After all, when most people think of “big bands,” they think “Oh No! Not Jazz!!” But go to see Ed Palermo’s Big Band, and you might hear Frank Zappa, Todd Rundgren, The Police, Pat Metheny, or one of Ed’s own compositions, loaded with lush turns and unexpected twists. Gil Evans wonderfully articulated Palermo’s unusual approach to traditional instrumentation: “I first heard Ed Palermo’s music in a small club in the SoHo section of Manhattan. He was using the instrumentation of a traditional big band, yet his arrangements and songs were anything but that. When I thought the music was going in a certain direction, it would suddenly turn a corner. Ed has the ability to keep that important balance between cohesiveness and unpredictability. Ed Palermo’s music is alive and represents now.” This is something that attracted me to Ed and his music from the first time I ingested it. Before forming his band, Ed toured and recorded with many different artists, including Aretha Franklin, Tito Puente, Eddie Palmieri, Celia Cruz, Lena Horne, Tony Bennett, Mel Torme, Lou Rawls, Melba Moore, Debbie Gibson, The Spinners, and countless others. He has written & arranged for the Tonight Show, Maurice Hines and Eddy Fischer. He also arranged the music for a James Brown concert at the Hollywood Bowl. Ed’s interpretations of the music of Frank Zappa, Paul Butterfield, Todd Rundgren, The Beatles, Jeff Beck, Procol Harum, Jethro Tull and others have consistently brought him and his band critical acclaim and rave reviews. The Ed Palermo Big Band’s latest CD, “Prog vs Fusion: A War of the Ages,” highlights some of Ed’s favorite progressive rock & jazz fusion compositions. It was released April 18th on Sky Cat Records.

THE ED PALERMO BIG BAND:
ED PALERMO – arranger, bandleader
CLIFF LYONS – alto sax
PHIL CHESTER – alto sax, soprano sax
BILL STRAUB – tenor sax
BEN KONO – tenor sax
BARBARA CIFELLI – baritone sax
RONNIE BUTTACAVOLI – lead trumpet
JOHN BAILEY – trumpet
AUGIE HAAS – trumpet
BOBBY SPELLMAN – trumpet
CHARLEY GORDON – lead trombone
MIKE BOSCHEN – trombone
MATT INGMAN – bass trombone, tuba
BRUCE McDANIEL – arranger, vocals, guitar
KATIE JACOBY – violin
BOB QUARANTA – piano
TED KOOSHIAN – keyboard
PAUL ADAMY – bass
RAY MARCHICA – drums
and special guest
MIKE KENEALLY – guitar, backing vocals

I had the chance to reconnect with Ed recently to talk about his love for ‘Prog Rock and Jazz Fusion’ and how that journey has led him and now us to this battle royale. We get into the creation of the new record and we talk about getting ‘The Fish’ on there as its own entity. I imagine the homework on choosing the tunes was a whole lotta fun. We talk about where they big band gets to play these songs live, jammin’ in his basement and if he finds time to be able to get out a find new artists or music to enjoy. This is the type of album that will hopefully gain attention by music lovers of all sorts, as it’s openness to explore certainly makes proGramming it over the airwaves and seeing surprised faces as I share it in my own personal listening space, all part of the adventure. THIS is the type oif battles we should be discussing.

Legendary saxman Frank Catalano consistently headlines world-class festivals and sells-out venues throughout the USA, Europe, & Japan. Thanks to his signature sound & renowned reputation, Catalano averages 150 concerts a year with his jazz quartet. As a coveted guest artist, Frank often lends his sax stylings to high-profile rock groups. Recent highlights include playing a 7-minute improvised sax solo at The Hollywood Bowl with The Smashing Pumpkins, closing out the Chicago Blues Festival with Los Lobos, and performing with Les Claypool, Sean Lennon, and the Violent Femmes. He also teamed up on a unique version of the Jane’s Addiction hit “Jane Says” w/Perry Farrell, Billy Corgan, & Jimmy Chamberlin, Frank’s longtime friend & collaborator. A Belgian documentary about Frank entitled “Sugar Jazz” premiered at the Tokyo Liftoff Film Festival and has since screened worldwide. The film captures Frank’s musical essence and reveals his candid musings with the backdrop of iconic Chicago locations in the city where he was born. While just a teenager, Catalano signed to Delmark Records and released a string of critically acclaimed recordings with jazz greats including Randy Brecker, Ira Sullivan, Willie Pickens, Paul Wertico, and his mentor Von Freeman. His co-led album with Freeman, “You Talking To Me” remains a cult classic. Catalano is the only known saxophonist to perform with Miles Davis, Charles Earland, Elvin Jones, Junior Wells, Randy Brecker, Stan Getz, Betty Carter, Tito Puente, Tony Bennett, & Louie Bellson while still in high school. As a sideman, Frank has been heard by millions thanks to his collaborations with Jennifer Lopez, Beyoncé, Maurice Joshua, Destiny’s Child, John Legend, Tony Bennett, Seal, and countless others. Frank’s numerous accolades include an IMA award at Lincoln Center and induction into the Fox Valley Arts Hall of Fame. He has featured on 3 Grammy‐winning & 11 Grammy-nominated recordings and received a Tech Grammy Award for his numerous patents & developments. At 19 years old, Frank was the youngest sax player to be voted into the Downbeat Critics Poll. Head to his website to find pout more about all he does/did. Amazing cat!

Lurrie Bell is bonified blues royalty and was recently inducted into the Blue Hall of Fame in Memphis. He started playing with his father Carey Bell at age 7 and went on to play with Muddy Waters, Howlin’ Wolf, Willie Dixon, and many other blues giants. Bell’s career was on a path to stardom when his undiagnosed bipolar and schizophrenia go the better of him. Initially, he failed to receive the medical treatment he needed and unfortunately experienced periods of homelessness and other adversities. Thankfully in 2016, Lurrie’s album “Can’t Shake This Feeling” received a Grammy nomination and his career was again on an upward trajectory. It is clear that Mr. Bell has some soul in his blues and the music he and Frank present, shows that off from the first note.

I had thre chance to play catch-up with friend of the proGram, Frank Catalano ahead of the event with him and Lurrie Bell (bringing along the quintet as well) on May 24th at the North Street Cabaret. We get into what the creation of this project and new album has them doing since late last year. The Summer sounds super busy and as we spoke, he was playing the next day with Mr. Randy Brecker. Frank is one of my favs because of that versatility you’ll hear him mention during this call. Know so much as a jazz guy, not a single avenue would not be neglected by him, I think. The people that call him to be a part of things is wide and wild. We find out who is the band joining them here and Madison and we spent a good chunk of time getting to know the new Set Me Free record. All the things he did, from producing to playing, the soul of this album is felt throughout. Frank tells the tales of the album and some of the tunes – not be be missed, as the feelings are true and need to be heard. Frank also does the same while building a setlist around a track or two from the new record. Absolutely always a good chat (and concert) with Frank Catalano.

Arun Ramamurthy is a violinist, composer & educator based in Brooklyn, NY. Rooted in South Indian classical Carnatic music, Arun is a versatile musician, performing internationally in both traditional Carnatic & Hindustani settings, as well as blurring genres with his own innovative projects like the acclaimed Arun Ramamurthy Trio & Nakshatra duo with violinist Trina Basu. Arun studied under the celebrated violinist brothers, Sri Mysore Nagaraj & Dr. Mysore Manjunath, the distinguished violinist Sri. Ananthakrishnan as well as many early years with western classical violinist Jim Mate. He has shared the stage with luminaries like Dr. M. Balamuralikrishna, Sudha Ragunathan, Reggie Workman, Kenny Werner, Jamey Haddad, Amir ElSaffar, Hamid Drake, Martha Redbone, Yacouba Sissoko, Adam Rudolph, Lizz Wright, Subhankar Banerjee, Mashkoor Ali Khan, Awa Sangho, Roman Diaz, Melvis Santa and many more. Arun’s music has brought him stages like Carnegie Hall, Lincoln Center, Celebrate Brooklyn and many other celebrated venues. He leads the Arun Ramamurthy Trio, an ensemble that brings a fresh approach to Carnatic classical repertoire and features Arun’s original composition work. Praised by All About Jazz as “a beautiful, exotic, ear-opening listening experience” ART released their 2nd studio album ‘New Moon’ in September 2024 through Greenleaf Music. He also co-leads a violin duo project with wife & violinist Trina Basu, reimagining string chamber music through the lens of Carnatic, western chamber music and jazz. The duo released their debut studio album “Nakshatra” in January 2022. As a composer, Arun has created new works for his Trio (ART) & duo project with Trina Basu, scores for theatrical productions such as Tom Stoppard’s Indian Ink, for Indian classical dance, and for the pioneering musician’s collective Brooklyn Raga Massive. Arun received Chamber Music America’s New Jazz Works grant to compose his Trio’s upcoming release New Moon. He was also commissioned through New Music USA to compose original work for Malini Srinivasan’s ‘Appeasing Radhika’, an ambitious project investigating Devadasi lives in Indian Classical performing arts. Arun is a co-founder of Brooklyn Raga Massive, a genre-bending musicians’ nonprofit rooted-in and inspired-by the classical music of South Asia. In 2010, Arun created and produced Carnatic Sundays, a traditional and cross-genre concert series at the iconic West Village haunt, Cornelia Street Cafe. Throughout his career, Arun has curated and performed in hundreds of concerts bringing together music from all over the world. Arun also is a dedicated educator, teaching Carnatic music privately to children and adult students, professional string players and instrumentalists from various genres. He conducts workshops and has held teaching-artist residencies working with student ensembles at Oberlin Conservatory of Music, Brooklyn College’s Jazz & Big Band program, NYU, Yale University, Sarah Lawrence University, and many others.

I had the chance to catch up with Arun ahead of the trio landing in Madison on May 3rd along with woodwind sound designer Pawan Benjamin at the North Street Cabaret. We get right into what one in attendance should be ready for while Arun shares what makes the trio a sonic brotherhood with percussionist and friend of the proGram, Sameer Gupta, and electric bassist Damon Banks. Arun walks us thru the development of the latest album, ‘New Moon’ and I would be remiss if I did not give him a chance to shout out the all that Brooklyn Raga Massive really is (besides a something that has opened many more doors for me to explore into). This will go down as one of those shows I will recall for a lifetime.