New Music From Charles WIGG Walker

Charles Walker was born in Nashville, Tennessee on 7/12/1940. Charles or “Wigg,” as he is known by his friends (his mother nicknamed him when he was born with a full head of hair), began singing at an early age in church & school. He cut his first record in 1959 for Ted Jarrett’s legendary Champion label. One cut, “Slave To Love,” was credited to Charles Walker and the Daffodils. In fact, there was no such group as the Daffodils. The backup singers on the record were label mates the Kinglets & Larry Birdsong. In 1960, Charles moved to New York City where studios & nightclub work were plentiful. 1962 found Charles recording with Chess Records out of Chicago, and soon he signed on as lead singer with the J.C. Davis Band. This band began touring the country opening for the greats of the era including James Brown, Jackie Wilson, Etta James, Wilson Pickett, Little Willie John, Otis Redding, & Sam Cooke. The J.C. Davis Band recorded some real barnstormers for Chess like “Sweet Sweet Love” & “The Chicken Scratch.” In 1964, Charles formed his own group, Little Charles and the Sidewinders. They became one of the most in demand soul bands in New York City’s nightclub scene, performing at the Apollo Theater, Small’s Paradise and venturing out to Las Vegas & Atlantic City. They subsequently recorded for Chess & Decca labels. The Sidewinders stayed together through the 60’s, and in 1969 he cut some sides for Botanic Records. The Sidewinders reformed in 1973 and worked as a show band in hotels, nightclubs, and casinos without the benefit of a recording contract. Early in the 80’s, he recorded in England and re-issued many of the Sidewinders classic sides. Realizing that there was a market for soul music in the U.K., he formed his own label P.R.G. and released the single “See Me” in Europe. He spent most of the 1980’s in England & Spain and worked steadily but recorded occasionally. In 1993, he moved back to Nashville to do some serious recording, since Nashville’s blues & R&B scene was really booming. His solo releases include “I’m Available,” “Leavin’ This Old Town,” “In the House” (live with Johnny Jones) & “Soul Stirring Thing.” He also released an album on the U.K. label Zane records called “Number By Heart” in 2003. Charles most recently was the featured singer for a band called “The Dynamites featuring Charles Walker”, and 3 records were released since June of 2007 on Outtasight Records. The band toured frequently in the U.S., Canada, Europe, & Australia. Charles is one of the few remaining original soul singers from back in the day when old school R&B/soul was brand new on the music scene. There has recently been a resurgence of this style of music, and it is finding a younger audience while rekindling memories for the old school crowd. Wigg is still delivering this style of music at a very high level, and his experience and maturity in the field of soul music gives him a perspective that is unmatched. Now in 2025, he comes out strong like never before even, with a new album ‘This Love Is Gonna Last’.

I had the chance to catch up quickly with Mr. Charles “Wigg” Walker’s shortly after ‘This Love Is Gonna Last‘, his first album in over a decade, officially dropped. We go seed to flower on the record, including dissecting two of the track a bit. The album is a dedication to his late wife and shifts seamlessly between definitive eras of soul, from Philly and Detroit to Memphis. We go back in time to learn a little about what he learned from James Brown, how he was the opening act for the Jackson 5 and the work he did fronting The Dynamites. I think this album will add to any music fans collection, but certainly, if that old feelin’ soul music is your thang – this has that and it feels fresh and new.

Smif-N-Wessun Got It Going

Currently celebrating 30 Years Since Their Groundbreaking Debut, Dah Shinin’, Brooklyn, NY-Iconic duo, Smif-N-Wessun is preparing to release their latest album Infinity, February 21st., 2025. Hailing from Bucktown, a borderless place where otherwise warring Brooklyn neighborhoods find peace, Smif-N-Wessun, aka Tek & General Steele, are recognized and respected worldwide for their lyrical control. The pair first appeared on Black Moon’s debut album Enta Da Stage in 1993. Adding relentless rhymes to tracks “U da Man” & “Black Smif N’ Wessun,” the pair paved the way for the Brooklyn Supergroup Boot Camp Clik. Smif-N-Wessun released their classic debut Dah Shinin’ January 10, 1995 on Nervous Records. The album was noted for its hardcore lyrical content & gritty production, handled by Da Beatminerz production crew and was selected as one of The Source’s 100 Best Rap Albums of all time. Always standing on business, the Brooklyn duo has always stayed true to their roots. Never faltering or curving to conformity Infinity is a testament to their staying power and a gift to their loyal fans. The album will be released on Bucktown USA Entertainment/ Duck Down Music. The first single, “Infinity” was released on January 10th, followed by “Elephant In The Room” both produced by Khrysis, February 7th. A third single, “Medina” featuring Pharoahe Monch produced by SND*TRK, to be released simultaneously on February 21st. Fresh from the triumphant return of a successful domestic & international tour, Smif-N-Wessun’s new album is a cumulative reflection of their life experiences. Executive Produced by college professor & world renowned producer, 9th Wonder and the Soul Council, 9th explains the thought process with the album. “I wanted to make sure that it didn’t sound dated. It sounds like them (Smif-N-Wessun) but it’s also new. They are our generation’s version of Thelonious Monk, Charlie Parker, Donald Byrd.” Illustrious MCs featured on the album include, Buckshot, Pharoahe Monch, Conway the Machine, legendary artists Sean Price & Prodigy, multi-platinum RnB legend, Ralph Tresvant along with rising stars, Sweta and Jalisa. Infinity cements Smif-N-Wessun’s status as creators of nothing but classics. This is their eighth album and the 2nd collaboration with 9th Wonder and the Soul Council. Showcasing buttery beats from Council members, 9th Wonder himself, Khrysis, SND*TRK, Kash, Mu’aath & Nottz, the album delivers a sonic smash that will satisfy everyone from the rap purist to new school connoisseurs. This new album has cemented Smif-N-Wessun’s place in Hip-Hop history as stalwart artists and champions of Hip-Hop culture.

I had the honor of chatting with Tek & Steele like we was hanging out on the front stoop together talking music. We got into the 30th anniversary of Das Shinin’ and how that album got it’s story built, and the fellas of course, mention those who came before and helped them through. We also got into the upcoming event at the Union Theater’s Play Circle in Madison on February 13th and what showgoers can think to expect, especially with this new record, ‘Infinity’ set to drop a little over a week later. We gonna get some teasers! That of course got us into the new album and how these joints came to life, and they got me a couple of tunes ahead of time to share with listeners. From the classic to the this moment music, Smif-n-Wessun are always poised to share their stories in a way that are relatable, image in the mind worthy and got a soul of their own riding on beats to move to.

JLCO with Wynton Marsalis In Madison

In 1988 the Orchestra was formed as an outgrowth of its concert series, Classical Jazz, with David Berger conducting. When Wynton Marsalis became artistic director in 1991, he emphasized the history of jazz, particularly Duke Ellington. The first album was Portraits by Ellington (1992), and seven years later the Ellington centennial was honored with the album Live in Swing City: Swingin’ with the Duke (1999). Under the leadership of Marsalis, the band performs at its home The House of Swing, tours throughout the U.S. and abroad, visits schools, appears on television, and performs with symphony orchestras. The Orchestra backed Wynton Marsalis on his album Blood on the Fields, which won the Pulitzer Prize in 1997. Since 2015, the Orchestra’s albums have been issued on its own label, Blue Engine Records. The first release from Blue Engine Records, Live in Cuba, was recorded on a historic 2010 trip to Havana by the JLCO and released in October 2015. The label issued Big Band Holidays in December 2015, The Abyssinian Mass in March 2016, The Music of John Lewis in March 2017, and the JLCO’s Handful of Keys in September 2017. Blue Engine’s United We Swing: Best of the Jazz at Lincoln Center Galas features the Wynton Marsalis Septet and an array of special guests, with all proceeds going toward Jazz at Lincoln Center’s ever important education initiatives. One of Blue Engine’s most recent album releases (2023) include Wynton Marsalis Plays Louis Armstrong’s Hot Fives and Sevens and The Jungle, a recording of Marsalis’ fourth symphony featuring the JLCO and the Melbourne Symphony Orchestra, and they dropped another at the end of 2024, ‘The Shanghai Suite’. Always swinGin’!

Wynton Marsalis is an internationally acclaimed musician, composer, bandleader, educator and a leading advocate of American culture. He is the world’s first jazz artist to perform and compose across the full jazz spectrum from its New Orleans roots to bebop to modern jazz. By creating and performing an expansive range of brilliant new music for quartets to big bands, chamber music ensembles to symphony orchestras, tap dance to ballet, Wynton has expanded the vocabulary for jazz and created a vital body of work that places him among the world’s finest musicians and composers. Here in Madison on January 29th, at the Overture Center, we will get to experience the world’s premier big band, Jazz at Lincoln Center Orchestra directed by Wynton Marsalis. Marsalis, has been hailed as the “Pied Piper” & “Doctor of Swing”. The group performs a vast repertoire of music, from historic and rare compositions, including works by Duke Ellington, Count Basie, Thelonious Monk, Mary Lou Williams & Charles Mingus, to new music from the group’s unrivalled collection of world-renowned composers and arrangers. I had the honor of catching up with Maestro Marsalis ahead of the event in Madison and we get going by talking about what a youngster joining the experience for the first time may want to check out and try to focus on. Us young at heart can follow along with this advice as well. We dive into the latest release on Blue Engine Records, ‘The Shanghai Suite’, and how it grew it’s wings. I was personally interested in a couple of other things. Just how did his time with Art Blakey and the Jazz Messengers show him how to become himself and what is a day off like for Wynton Marsalis, someone who’s list of deeply cool and important accolades is so long and impressive, I just wonder how he chills out. You probably won’t be surprised by his answer. This time with Maestro Marsalis felt good to be a part of, he was welcoming and open….HUMAN…like the music.

Linear Labs: São Paulo & Adrian Younge

Adrian Younge is a self-taught multi-instrumentalist, composer, & orchestrator who has produced for entertainment greats such as Snoop Dogg, Kendrick Lamar & Wu Tang Clan. In 2007, Younge relinquished his position as a professor of law to find himself at the center of the Black Dynamite phenomenon. He served as the film’s editor/composer. Hailed as a modern blaxploitation masterpiece, the soundtrack was listed in the top 10 best soundtracks of the year by the LA Times. In 2011, Younge created the album, ‘Something About April’, showcasing a dark mix of psychedelic soul & cinematic instrumentals. In 2013, the project was sampled twice by Timbaland for Jay-Z’s Magna Carta… Holy Grail, solidifying Younge as a new sound in hip hop. His work has also been sampled by various artists including No I.D., DJ Premier, Schoolboy Q, and more. Younge owns/operates Linear Labs, a recording studio/label which reflects his dedication to the art of analog recording, utilizing analog tape & live instrumentation exclusively. Under the label, he’s produced projects for artists such as Ghostface Killah, Souls of Mischief, & The Delfonics. In 2017, Younge & Ali Shaheed Muhammad (A Tribe Called Quest) formed the band, The Midnight Hour. In addition to musical releases & touring, they’ve teamed to score a myriad of television/film projects: Marvel’s Luke Cage (Netflix), Raising Kanan (Starz), The Equalizer (CBS), Reasonable Doubt (Hulu), Run This Town (2019), Washington Black (2023), Boogie (2021), and Bitchin’, The Sound and Fury of Rick James (2021). Younge has also scored Black Dynamite (2009), Black Dynamite animated series (2012), California King (2023), The Big Payback (2023), Queens (ABC), All Rise (OWN), & Human Footprint (PBS). In 2019, Younge, Muhammad, Andrew Lojero & Adam Block created Jazz Is Dead (JID): a multimedia company specializing in the production of live concerts, studio albums, television & film. JID concerts have earned an ever-growing fanbase through national/international tours. Under the label, Younge & Muhammad have produced albums w/their musical heroes including luminaires such as Roy Ayers, Lonnie Liston Smith, Gary Bartz, Jean Carne, Marcos Valle & Tony Allen. In February 2021, Younge released the seminal album, ‘The American Negro’, his most important work to date. This project, in tandem with his Amazon original podcast, ‘Invisible Blackness’ and short film ‘TAN’, provides an unapologetic critique on the evolution of racism in America. The podcast features conversations with guests such as Chuck D, Roy Choi, Dr. Melina Abdullah, Wayne Brady & Mahershala Ali. For Adrian, the message is more important than the music. The many projects continue today as he is working on JID30’s and we are just searing up JID20’s. In between, there is more going on over at Linear Labs: São Paulo. São Paulo sparks a new golden era of musical genius defined by the maestro Adrian Younge, encapsulating what he’s learned in building the first era of Linear Labs and its successor label Jazz Is Dead. Linear Labs: São Paulo marks the evolution of this journey. Step into an extraordinary psychedelic and soulful experience with Adrian Younge presents Linear Labs: São Paulo: a compilation of new songs showcasing the musical brilliance of Adrian Younge with artists from around the world. Essentially, the album features one unreleased song from an array of forthcoming albums Younge has produced for Linear Labs, including Something About April III, the tertiary installment of Younge’s masterwork trilogy, and a new blaxploitation adventure from hip hop legend Snoop Dogg, entitled ‘Don’t Cry For the Devil’. Also included on this preview is Brazilian actress/ singer Samantha Schmütz, Middle-Eastern singer Liraz, London-based jazz vocalist ALA.NI, afro-futuristic soul singer Bilal and a bonus song with Stereolab’s Lætitia Sadier.

I had the pleasure of catching up with friend of the proGram, Mr. Adrian Younge shortly after ‘Adrian Younge presents Linear Labs: São Paulo‘ dropped and even before we got into how that all took shape, and color, we just did a routine check in with each other since last we spoke. It is always one of my objectives to try and get listeners to ‘feel’ the way the artists, these PEOPLE, feel as they go through the artistic explorations and expressions. The global reach of many of his projects is always something that catches my ear – but on this compilation, this peek into the future, I really took off in flight with it. We talk about how then then gets mixed with the now and sometimes the future gets created, on analog even. I feel a connection with this cat, so the support is brotherly for me and I truly believe he will continue to unlock and open new doorways into sonic adventures that seem familiar yet, there’s a welcoming newness to that rare groove…and it may just be Adrian Younge.

Luke Of lespecial with a lehanG

lespecial is redefining the term “power trio”. They sound & feel more like a heavy Prog-tronic Power Trio. The multi-instrumentalists from Connecticut continue to push the boundaries of what a three-piece band is capable of both live and in the studio with their their latest full-length album that dropped Autumn 2023, “Odd Times”. The band’s signature blend of “heavy future groove” combines headbanging metal riffage & surgical rhythmic precision with bone shaking 808s, sub synths and ethereal vocal stylings for a dance floor that welcomes moshing, dancing and hip swaying alike. Listeners are taken on a journey to the musical netherworld through esoteric soundscapes punctuated by raw, primal power. Odd Times, lespecial’s darkest and heaviest record to date, is an enigmatic and compelling musical project that explores the ever-changing nature of time amidst isolation. With heavy riffs, tribal drumming, and hints of levity, it’s a captivating journey crafted in collaboration with Havok‘s David Sanchez. An intriguing blend of old-school metal and modern djent-inspired riffage awaits in this haunting sonic experience.

Band Members:

Luke Bemand – Bass, Synth, Percussion, Vocals
Jonathan Grusauskas – Guitar, Synth, Sampler, Percussion, Vocals
Rory Dolan – Drums, Sampler, Percussion, Vocals

I had the chance to hanG out with Luke before this party rolls into Madison on November 8th at the Majestic. We got into what this tour and this event with Doom Flamingo is shaping up to be, including some of the special treats for not only your ears from lespecial, but prepare your eyes for some serios effects/lights. We go deep into their latest full-length mentioned above ‘Odd Times’ and how for me as a listeners, the heaviness of it came at a time when that rawness was needed, so we got into how if felt to create it, working with David and it felt like they too really got to enjoy being back together in the same space working as this is a band meant to be in a live setting creating the moods and supporting the grooves. We also talk a little bit about the conclusion of legetaway V, what this festival errr retreat err hang out, yes all of this, is all about. Sounds like a place to be a part of for the cool kids for sure. I have listened to this band for a few years and I just really enjoy the space within their music to invite others in and we get into one of those artists, the incomparable and friend of this program, Mike Dillion. We get into what kind of energy he brings, a project they created together and the coolness of playing with some like Mike that he grew up listening to and learning from since kidhood.

Biscuit & Buddy from James BISCUIT Rouse

James “Biscuit” Rouse, a native of Philadelphia, is a highly sought-after drummer with a remarkable track record. Not only has he showcased his drumming prowess, but he has also served as the musical director for renowned artists such as Miss Lauryn Hill, Vivian Green, & Syleena Johnson. Biscuit’s musical journey has encompassed a diverse range of genres, from collaborating on House music projects with producer Kenny “Dope” Gonzales to touring alongside notable figures such as Living Colour, Ashanti, Kelis, Nile Rodgers, Vernon Reid, & the Screaming Headless Torsos. Biscuit has also proven himself as a skilled producer & songwriter, collaborating with a multitude of exceptional artists. Noteworthy among these collaborations is his work with the award-winning Haitian producer and film scorer Jerry Wonda (of Fugees fame). Biscuit’s collaboration with the rising artist “The Violin Diva” resulted in the production of the enchanting track “Bethlehem,” featured in the 2022 film “Miracle Before Christmas.” Biscuit is now preparing to release his debut album “Buddy and Biscuit”, which celebrated its worldwide release in the Autumn-time of 2024 on German funk/jazz label Leopard Records, part of Broken Silence Distribution. For this release, Rouse has taken the repertoire from Buddy Miles, re-imagined it in his own style and created the first ever Buddy Miles Tribute Album. It features songs that are Buddy’s classics such as “Life is What You Make It” and the Neil Young penned song “Down by the River”, which Buddy made popular. Biscuit chose to make this project because George ‘Buddy’ Miles has inspired him as a musician. ‘Buddy’ is the blueprint for what Biscuit is as a musician & musical director. The Tribute album is very timely, as the underrated soul funk legend is finally being recognized and was inducted into the R&B Hall of Fame on Sunday, October 6th at a ceremony where Biscuit will accept the award on the family’s behalf with an acceptance speech.

I had the honor of chatting it up with Biscuit to get a little deeper into the way this album came toGether. I had no idea that we’d get into talking about family to the program, Mr. Greg Tate of our Burnt Sugar the Arkestra Chamber family, and how his words are part of this journey. We dive into a couple of the tracks that it turns out where the first to be worked through, “Down By The River” and “Them Changes”, both of which show off a foundation that is recognized but a new groove to enhance that feeling of nostalgia. Vernon Reid‘s part in this is a fun story that sounds like the way it would go and just what was one of the best things Biscuit picked up by working and creating with friend of the program David FUZE Fiuczynski. It was words that I think we all need to hear at some time in our lives. Frankly speaking, I do believe THIS is one of the hottest album of 2024 and I sure hope all the right ears get to it to recognize it.

The Arab Blues Present Saba

The Arab Blues traces a trajectory between tradition and innovation, embodying the call of tradition and the response of the diaspora. The synthesis Rami & Karim create is an auditory expression of not only the power & persistence of tradition but equally the validity of its transformation under the unique cultural conditions they inhabit. The basis of their work is the Turath, the canon of classical Arab compositions & improvisational techniques. This rich heritage consists of melodic & rhythmic exposition and instrumental interaction at countless levels of depth. They interpret these forms in the context of the sounds of the contemporary North American metropole. In this project, the equally lush traditions of Blues & Jazz in Chicago provide the context of how the two approach and assimilate the Turath. This marriage of forms is fruitful because of the emotional range of the Blues and the improvisational flexibility and ingenuity of Jazz. The Arab Blues was developed by Lebanese-Egyptian oud & guitar player Rami Gabriel through a research fellowship at the Center for Black Music Research, 2 Illinois Artist grants, and a decade of experience as a jazz and blues musician in Chicago. Native Egyptian percussionist Karim Nagi, a 2-time beneficiary of the Doris Duke Building Bridges grant for Muslim Artists, a TEDx speaker, and accomplished teacher completes this duo with his energetic & lyrical rhythms on Riqq, Tublah and alternatively assembled drum-set. Chicago inspires this duo to amplify & expand the sound of their Arab folk traditions – discovering the trajectory of their community’s music; the future of their past sound. They are participating in this city’s musical possibilities by celebrating and embodying the potential of the immigrant experience. On their debut full-length album, Saba, The Arab Blues growl & romp their way through original Arabic themes & arrangements in the blues traditions of Chicago, Mississippi, & Mali. Drawing from their acoustic & electric repertoire, the album reflects the anger, protest, and dislocation of our cultural moment. In the hands of The Arab Blues, traditional forms such as the Sama’i (‘Sama’i Kurd guitari’) and Levantine folk music (‘Golan’) are transformed into electrifying journeys. On Saba, an Egyptian and a Lebanese musician make a definitive statement of their sound crafted in Chicago. Forged in the diaspora, this sound bellows freedom, longing, & defiance.

I was very excited to get to spend a little time with Karim & Rami ahead of The Arab Blues October 17th album release event in Madison at the North Street Cabaret. We dive deep into the new album, dissecting a few tracks and not only how they came toGether to form the songs, but the true, human feelings within these tracks that at times smack you right in the face. We talk about humanity, trying to get a solid footing as a group steeped in a traditional music whose people have been vilified in the U.S.. So much of this music and these feeling resonated with me form the moment I hit play, I could FEEL this music and the emotions that clearly went into creating it. There is talk about the influences of both Black Sabbath & Led Zeppelin, where they recently found themselves rocking the same stage the mighty Zep first played. They are in the middle of the Venn Diagram where tradition holds hands with the possibilities of the future and some heavy grooves to help wake people up and open their senses. This show..This album..These people!

OVK Bach Melharmony Festival 2024

The two day Twin Composer Festival in Madison on October 19 & 20 will showcase the works of two trailblazing composers Oottukkadu Venkata Kavi (OVK) from India, who lived from 1700-1765 and his no less illustrious Western contemporary Johann Sebastian Bach (1685-1750). This Entertainment Extravaganza seeks to not only raise appreciation for the contributions of these two great composers, but also aims to raise funds for Planet Symphony for Environment’s Collective Micro Climate Action Movement (CMCAM) initiatives such as Roof and Land Greening and Rainwater Management across the world. The festival will feature concerts by icons of Western & Eastern cultures, dance and theater performances, as well as Emerging Artists’ programming. The rare jewel in the crown will be the Melody, Harmony & Melharmony concert on Oct 20th at 4PM in the Oakwood Auditorium featuring ace Carnatic Violinist V V Subrahmanyam and his son V V S Murari, Chitravina N Ravikiran, the inventor of Melharmony, Apollo Chamber Players (a popular String Quintet from Houston), the iconic Mrdangam player Prof Trichy Sankaran and renowned percussionists Patri Sathish Kumar & K V Gopalakrishnan. Band students of Memorial High School will also present a composition of Maestro Ravikiran arranged by Ben Jaeger, Band Director of Memorial High School. The festival will felicitate Maestros Trichy Sankaran and VV Subrahmanyam with Lifetime Achievement Awards and honor Apollo Chamber Players for their many distinguished contributions. Art Patrons Dr. C M Venkatachalam and Shekar Viswanathan get special awards for supporting and promoting music, dance and culture in North America. Talent promotion: An important highlight of the event is morning to night concerts on the opening day by emerging talents from all over the United States, as well as from India, with eminent artistes such as Bhargavi Balasubramanian, Krithika Natarajan and Rajeev Mukundan. The second day starts off with a musical on the “Life of Oottukkadu Venkata Kavi” by a Chicago based team led by C Ranganathan followed by short recitals by various students of Meenakshi Ganesan’s Kalaanjali Dance Company. The festival will culminate in a choral rendition of select compositions of OVK by artists of North American Melodic Ensemble.

I had the complete honor of speaking with Maestro Chitravina N Ravikiran ahead of this incredible event. We got into a little bit about what Melharmony is and how it will be showcased. Maestro Ravikiran did a wonderfully succinct job of filling us in on each performer and their impressive backgrounds. He was able to easily paint the picture of what the energy they each will provide during these unique performances. Each artist heading to Madison for this festival is/are a master(s) in their subject field, and together, they will work to open minds, history books and the possibilities to a successful path forward thinking about each other and the planet we all reside upon. Not only will the music be uplifting, spontaneous and downright a one of a kind offering, this type of scene would not be complete without the focus on our planet and the initiatives we as individuals can do for our small part to help cool the planet’s warming, ease Mother Nature’s aches and provide stability to a world spinning with daily turmoil, that we just cannot wait for other’s to act on. All the information you need on the festival is here including dates/time/location.

Think Forward With Brandon Seabrook

Brandon Seabrook is a guitarist/banjoist/composer living in New York City where he has established himself as one of the most forward-thinking & versatile guitarists of his generation. He has also made a name for himself as an influential banjo innovator, described by the New York Times as “a man apparently hellbent on earning the title of World’s Least Rustic Banjo Player.” His work focuses on the juxtaposition of hallucinatory soundscapes, angular composition, and a massive dynamic range that can change in a nanosecond. He has released several albums as a leader covering everything from pulverizing art-metal to chamber music bridging the realms of extreme rock & the classical avant-garde. Rolling Stone Magazine noted, “The fiercely dexterous musician has lunched a number of bands combining serious chops with manic intensity and a left- field compositional vision.” Seabrook honed his guitar skills at the New England Conservatory in Boston. He has since performed extensively in North and South America, Mexico and Europe, as a solo artist, bandleader, & collaborator. He has been called upon by titans such as Anthony Braxton, Nels Cline, Cecile McLorin Salvant, So Percussion, & Joey Arias for his idiosyncratic physical performance style , hyperreal technique & impeccable articulation . He has been profiled in the New York Times, The Wall Street Journal, Premiere Guitar, Downbeat Magazine, Rolling Stone, NPR, The Chicago Reader, and The Wire. Brandon is an accomplished solo artist, named Best Guitarist in New York City by the Village Voice 2012. In 2014, New Atlantis Records released his first solo album titled “Sylphid Vitalizers.” Noisey called the album a “dissonant guitar army…(with) mind-blowing prog-rock complexities – all at mind-numbing breakneck speed.” Brandon has presented his solo work at Pioneer Works, Sonic Transmissions Festival, Secret Project Robot, NK Berlin, Lima Jazz Festival, Dither Extravaganza, The Smell, Lawrence University, and the Ruidismos Festival in Lima, Peru.

I had the opportunity to catch up with Brandon ahead of his upcoming set on October 12 at the North Street Cabaret, performing along with Todd Clouser’s A Love Electric. We get into the possible outcomes of the sonic exploitations could be when he is doing his thang with guitar (and hopefully banjo). We get into his soon to be released (10/18) new album Object Of Unknown Function on Pyroclastic Records, and dissect one of my favorite tracks from the collection. I could not letr my momet with Brandon go without hearing form him how it felt to be a part of one of the most cool events I watch, the ‘Sculpting Sound with Bertoia’ event last December, and just how being/doing within that landscape opened new avenues.

Photo: DIE-TROMMEL-FATALE-BY-REUBEN-RADDING

All That Is The Chicago Immigrant Orchestra

The Chicago Immigrant Orchestra, originally founded in 1999 by the Chicago Department of Cultural Affairs & Special Events, emerged as a vibrant expression of the city’s rich musical diversity until the end of its initial run back in 2004. Helmed at the time by Willy Schwartz, the orchestra brought together musicians from Chicago’s immigrant communities, showcasing a global array of musical traditions. Though its initial run ended after five years, its influence lingered, leaving an indelible mark on the local music scene. Fast-forward to 2019, a new chapter unfolded when the Chicago Department of Cultural Affairs & Special Events enlisted guitarist Fareed Haque and oud player Wanees Zarour to revive the orchestra for the 2020 Chicago World Music Festival. Despite the challenges posed by the global COVID-19 pandemic, the orchestra persevered, delivering a lauded virtual concert in September 2020. Today, the rejuvenated Chicago Immigrant Orchestra comprises a 20-piece ensemble drawn from Chicago’s immigrant communities, representing an eclectic mix of musical heritages from across the globe. Under the artistic direction of Haque & Zarour, musicians hailing from the Far East to Western Europe, Africa, and the Americas collaboratively shape the orchestra’s musical narrative. Embracing a fresh perspective, the New Chicago Immigrant Orchestra delves into the interplay between diverse musical traditions, weaving a rich tapestry that celebrates both their shared connections and distinctive differences.

I had the complete pleasure of hanGing out with family to the program, Fareed Haque and Wanees Zarour ahead of their September 20th event in Madison at The Bur Oak. We get way deep into all the possibilities and ways this spontaneously diverse orchestra will create new textures and not only sound neighbors, but sound families (doing the creating at the exact same moment). There is mention of all the different styles, places people representing the music and how they piece together the colorfully shaped glass of each, into that together at-one-time mosaic. This is truly an amazing experience. The mission to provide a platform for musicians in the immigrant community to collectively explore, research, create and perform music encompassing all global musical traditions will spill out and touch each participant in the audience as well. The discussion around the differences, the blend of those and how it ends up creating almost a new weather pattern is simply amazing to try and understand. I did ask if even in the middle of ALL these differences, is there still something missing? I can’t feel it myself, but I imagined they had thought of a respectful newness, an addition perhaps that just finds it’s own way there. We also get into a little conversation about how this scene, this orchestra is or is not jazz music. I hope you’ll find your way on the 20th in Madison, but moreover, explore this group in any way that can help you take it all in, the oneness is contagious.

THE esperanza spalding

The Brazilian legend, Milton Nascimento & the ever-evolving, esperanza spalding have released their collaborative album, Milton + esperanza, recently. Recorded in Brazil throughout 2023 and produced/arranged by spalding, the record is a dream-come-true collaboration. It serves as a beautiful musical expression of a friendship that began nearly 15 years ago. Milton + esperanza features 16 tracks that celebrate and reimagine Nascimento’s beloved classics, new pieces written by spalding with Nascimento in mind, and interpretations of The Beatles’ “A Day in the Life” & Michael Jackson’s “Earth Song.” Guests include Dianne Reeves, Lianne La Havas, Maria Gadú, Tim Bernardes, Carolina Shorter, Elena Pinderhughes, Shabaka Hutchings, Guinga and more. The album features spalding’s core band of Matthew Stevens (guitar), Justin Tyson and Eric Doob (drums), Leo Genovese (piano), Corey D. King (vocals, synths), and several Brazilian musicians, including Orquestra Ouro Preto, percussionists Kainã Do Jêje and Ronaldinho Silva & Lula Galvão. Milton + esperanza sparkles with duets between these 2 voices, exquisite musicianship and what esperanza identifies as a central theme of the album: the importance of younger generations creating with, learning from, and building new worlds with elders. A guiding spirit for the project was Wayne Shorter, whose collaboration with Nascimento, Native Dancer, was released nearly 50 years ago. The genesis for this album goes back to the very first time spalding heard a Nascimento recording, at a dinner party when a friend put on Native Dancer. “I get chills even thinking about it,” she says.” “Ninety percent of things I write, I’m thinking of him. He’s a very present part of my creative imagination.” They would finally meet (thanks in part to an introduction made by Mr. Herbie Hancock) and began to collaborate, record & perform live together. In 2022, Nascimento, now 81, embarked on a farewell tour, and invited her to perform on a couple of shows. At dinner on the eve of her participation in Nascimento’s Boston performance, his son asked her to produce Nascimento’s next album. A dream had come true. She worked in Brazil throughout 2023 recording/producing the album. Milton + esperanza is esperanza’s first new album release since 2021’s Songwrights Apothecary Lab, which along with 2019’s 12 Little Spells, both won GRAMMY Awards (Best Jazz Vocal Album). Last year she released a protest song entitled “Não Ao Marco Temporal” that was recorded in Rio and addresses the Temporal Framework, an initiative in Brazil that threatens Indigenous Brazilians’ land rights and poses a major risk to the Amazon rainforest. A 5-time GRAMMY winner and 11-time nominee, esperanza spalding has previously released 8 full-length albums and in addition to working with her heroes including Nascimento and Wayne Shorter, she has collaborated with Prince, Herbie Hancock, Janelle Monae, Robert Glasper, Terri Lyne Carrington and so many others. As a composer, her credits include writing the libretto for the opera “…(Iphigenia)” with Wayne Shorter, which premiered in 2021. She is also a philanthropist and advocate, and currently co-directs a non-profit BIPOC artist sanctuary in her hometown of Portland, OR.

I had the complete honor and thrill of spending a little time with esperanza spalding before she brings the show on the road to this part of the world. She will be here with her incredible band on September 19 at the Wisconsin Union Theater. We go from A-Z on creative a mental mosaic of what is about to go down in Madison, the ins and outs and side to sides of the possibilities and get into some of the ‘who’ that will try and tame that evenings sounds. Here’s a little scoop – there will even be dancers! I could feel the happiness on my face when we started to get into the new album ‘Milton & esperanza’, a recently releases dream come true kind of album with her ‘on many levels’ mentor, the legend, Mr. Milton Nascimento. We go seed to flower on their relationship as well as the construction/development of the album. Can you imagine having an opportunity like this within the world you’re living in? Of all the songs on the album, find out which one was the only one he commented on as being a ‘has to be’ on there. A large amount of her experiences putting this album toGether have been captured almost like a part of the conversations by the ever-talented Reva Santo. I wanted to make sure folks are aware of this part of the art equation too, since eventually some of these moments will get to our eyes. Of course I volunteered my services to weed through each frame to find the goodies. Just like everyone else, esperanza too deserves time away from the things that try and get to us, so we find out a little bit about where she goes to unwind….to be. Towards the end of our time, I was almost part of a true pied piper moment as someone is playing a sax outside her window and for just a moment, I thought we might get treated to an improvised sharing. I heard it in my dreams I think. Pinch me.

Long Beach Dub Allstars Soon Come

After making their triumphant return in 2020 with their self-titled album, Long Beach Dub Allstars have taken it all the way back-to-basics on their latest album “Echo Mountain High”. The album will take listeners on a trip through a psychedelic mountain range of musical madness filled with reggae, rock, ska, hip hop, hard dub, & soul. Long Beach Dub Allstars have always taken chances and have never been afraid to chart into unknown musical territory. “Echo Mountain High” sees them experimenting with some heavy psychedelics and finds the band playing some hard classic dub anthems along with some wild experiments, showcasing the band’s free spirit & fearlessness to venture into the unknown. Joining the Dub Allstars on this mind-altering musical journey are Chris Dowd (Fishbone), who adds his trombone flavor to a track, some sweet vocals on another and some of his iconic keys on 2 others. Devin Morrison (Expanders/Man Like Devin) and Jesse Wagner (Aggrolites), lend some singing on a few tracks. Philieano (Doobie Raider) jumps on two tracks to rap and sing some harmonies, and local Long Beach ripper, Travis Goertz, plays a little slide guitar on one track. Today’s generation of reggae-rock fans may not fully understand how critical this group was to the reggae-rock genre, following Sublime’s conclusion in 1996. They played at a time when social media was non-existent. Live-videos of their early performances are mostly of grainy VHS quality, while most live-photos shot by fans were with those cheap throw-away cameras. There was no Youtube, Facebook, and this was before Myspace or even iTunes. They were the torch bearers of a genre that Sublime introduced and the original ‘Dub Allstars lineup included most of the players who were involved in cultivating that Reggae-Rock sound with Brad Nowell. 25 years later the band has found its resurgence with Opie Ortiz(vocals), Miguel Happoldt (guitar), Tim Wu (horns) joined by Roger Rivas (keys), Ed Kampwirth (bass) and Gil Sharone(drums).

I have to say, when Sublime and Long Beach Dub Allstars first made their way to me I found both to be a something I never heard quite like that before. Maybe it was that West coast flavor that adds its own something to it, but I dug it. I was happy to see that LBDAS are heading to Madison on September 19th along with The Movement at the Majestic to give us some of that West coast good time. I had the chance to chat with Ed Kampwirth to go through what the event will godown like. I wanted to get more insight on the latest album, ‘Echo Mountain High’, so we dive in seed to flower, talk a little about a couple of the tracks and from what went from a session in the yard to this finely assembled group of interesting & diverse tunes. For me this is soul’s music. Taking risks and getting the rewards should be how this album plays out for this band. We do touch a little on how the 562 (Long Beach) plays into the way the music grooves and grows as well as the lineage of the band from the then to now and all points between. HR is definitely an important figure in many a life, our included so we chat briefly about a tune he is actually singing on on their 2020 self titled record. Of course, no time would be complete without building some kind of setlist and that is just what Ed did. Some kind.

Photo by: Matt Farrington @maxfarenhite

BALTHVS Has A Harvest

BALTHVS is a Colombian psychedelic funk trio formed in 2020. Best known for their eclectic style, which fuses elements of Middle Eastern Music, Disco, House, Funk, Psychedelia, Indie Rock, Surf & Cumbia into a cohesive whole. The band is notable for their energetic shows, live improvisation and prolific output. Since their formation, the band has released over 39 singles and 3 full length albums, accumulating over 15 million streams worldwide. The group has performed in the biggest rock music festival in Colombia, Rock al Parque, has toured extensively in the United States, gracing SXSW 3 times in row as well as 7 countries in Europe. They will perform at major festivals such as Outside Lands & Austin City Limits this year. Summer 2024 is proving to be the Season of ‘HARVEST’, with all eyes on BALTHVS. After selling out several shows on its N.A. & European tour, including its very first L.A. show at the tastemaker venue the Lodge Room in Highland Park, BALTHVS has quickly gained a passionate audience following. As the rise of psychedelic music popularity gains steam, BALTHVS is at the forefront. They just dropped a new album, their 4th, ‘Harvest’. In support of the new album release, BALTHVS will be embarking on a U.S. Tour this August. Released on Mixto Records, ‘Harvest’ was composed by all 3 band members, Balthazar Aguirre, Johanna Mercuriana & Santiago Lizcano. This album is a reflection of where the band is currently. The trio spent a month at a tropical summer house in La Mesa, Colombia to record. The tropical landscape served as more than just a backdrop, it was the wellspring of inspiration for BALTHVS. Unlike their previous albums, where Balthazar took the lead in recording, composing, producing & arranging, the music emerged as a collective effort. All 3 contributed equally to the creation of every song. Harvest features vocals that harmonize like instruments, weaving lyrical poetry into a tranquil groove. Most evident in songs like “Like Coconut Water,” an effervescent song that captures the essence of a tropical escape. “Anouk” is a gorgeous groove that is dedicated to the house cat at La Mesa, the sphynx-like guardian who set watch during the recording sessions. “Mango Season” a laid back, funky and soulful instrumental groove that is perfect for relaxing, skateboarding and looking at clouds. ‘Harvest’ is a sonic testament to the last 4 years of artistic & personal growth and building a musical family across borders.

I was so psyched to see that part of the Summer Harvest 2024 tour would brinG BALTHVS to us here in Madison. On August 24 at the Orton Park Festival, we will be able to hang out with this group of rising stars. I had the chance to catch up with Johana, Santi & Balthazar while they were in Colombia, to help get to know the people and the what’s’ possibly heading our way. We get into their sound merging many grooves with the spirit of the Grateful Dead and that feel your way into the music way. We get into the creation of and dropping of the new album ‘Harvest and how working with a label, Mixto Records and the combination of all three bandmates’ ideas made for what I would say is a aura-filled album for me. I truly feel their music. We talk about how Mother Nature was a close second to the honorary band member during the albunm’s creation and provided many an opportunity to expand during the process. They really made yet more exciting noise recently at their L.A. debut on the Jazz Is Dead stage and were introduced by the coolth that is friend of the proGram, Mr. Adrian Younge. Of course, we get a little time to build a little setlist – all of this time together left me even more ready to find a brand new groove and way with BALTHVS. Take some time and found yours.

What’s New With FlowPoetry

FlowPoetry (aka Adam Gregory Pergament of Madison, WI) to release a book of poetry titled: “Hopped Up Cranked Flip Top Chrome Plated Hot Rockin’ Cherry Chariot” as part of a music show at Gamma Ray Bar in Madison, WI on Wednesday July 24, 2024 presented by Gamma Ray Bar. In addition to the book release, there will be a FlowPoetry performance featuring New York based percussionist Noah Lehrman who has gigged with international legends including Nile Rodgers, the late Babatunde Olatunji, & Charles Neville. Supporting musical acts include Def Sonic(WI), an ambient folk & electronica artist, and Lukie P. (WI)., an acoustic singer/songwriter. “Hopped Up Cranked Flip Top Chrome Plated Hot Rockin’ Cherry Chariot” is FlowPoetry’s 4th published work in-print and explores a performative lyrical jam based style of poetry. “Beautifully crafted poetry…brilliant!”, raves Sensible Reason (Brooklyn, NY). “Few people in his scene are as creative as Pergament, who turns music into art.”, states Isthmus Newspaper (Madison, WI). Deeply beautiful.”, declares Relix Magazine. With over 1500 shows in the USA with bands and as a solo poet, FlowPoetry was voted by the city as one of Madison (Wisconsin) Magazine’s Best Spoken Word/Poetry Performers in 2014, ’15, and ’16. He is a three-time finalist for Best Artist in the Annual Madison WI Area Music Awards and the winner of two Dane County Artist Grants. He has appeared at over 80 Midwest and East Coast Music and Arts festivals. “A lyrical rollercoaster!”, writes Grateful Web Music Blog. “Legendary spoken word artist”, raves Madison.com. “FlowPoetry is one of the most unique and riveting performers on the Midwestern musical and artistic landscape. On the cutting edge of the nationwide expansion of new forms of spoken word…. unique, theatrical and musical.”, DeKalb Chronicle (DeKalb, IL)

I had the chance to get back into the mind quickly with Adam about the new book and the upcoming event/tour. We dive riGht into the new book of poetry to uncover where that title comes from, the book’s journey to completion and we get into one of the poems that grabbed my attention immediately. We get into the upcoming event, (the who’s who and what’s what of the artists) and the new venue space, Gamma Ray. We have had Adam on a few different times now over the years, as his tales told, and the presentation of such tales in a ‘jamular’ flow, always have spoken to me, and I am sure they will, wherever and whenever. Ride that Chariot where it takes us.

Wave From The WOOniverse with Evan Taylor

Evan Taylor is a Hollywood-based producer, songwriter, & multi-instrumentalist. Taylor is also the owner & operator of boutique record label, Loantaka Records, and sister studio Loantaka Sound. He is also the former Bernie Worrell Orchestra bandleader Evan Taylor who’s latest production is the posthumous release, Bernie Worrell: Wave From The WOOniverse. It’s a double album concocted in 14 cities, issued on 12” LP vinyl a day after Bernie’s birthday, (April 19) on Record Store Day 2024 by Org Music in conjunction with Loantaka Records as a Record Store Day “exclusive.” As of today, it’s available via streaming platforms. A co-release from Loantaka Records & Org Music is available on CD August 16th, 2024. Taylor has remained behind the scenes for most of his career. He worked in various capacities with Bernie, mike watt, Money Mark, Theresa Wayman (Warpaint), King Tuff, The Chapin Sisters, and Jimmy Destri of Blondie. He has participated in eclectic recording projects and performed with practically every member of Talking Heads. Evan’s also released a string of critically acclaimed singles as part of the Art-Rock duo Purple Witch of Culver. Evan has never identified with the archetype of “cosmic Funkateer.” He grew up with diverse tastes that ran from The Beach Boys to Prince. As a producer his brand has been “staying off-brand.” In 2022, Taylor was presented with a unique opportunity he felt he had been preparing for his entire career. Bernie Worrell: Wave From The WOOniverse addresses the abundance of unfinished work Bernie Worrell, a prolific writer & visionary, left behind when he passed away in 2016. These compositions remained untouched for a period of decades, collecting dust on reels of two-inch analog tape. Eventually, the tapes were re-examined to analyze Bernie’s nuanced & creative method. After a period of deep reflection, the Bernie Worrell estate decided it was time to complete his vision. The list of innovators who wanted to participate and make sure this initiative was completed with dedication to preserving the integrity of the magic which makes Bernie a beloved extraordinary soul. Also included on the album is a previously unreleased Funkadelic track, “Contusion,” which showcases Bernie’s masterful work with the legendary, pathfinding group.

Tracklisting:

1. Intro (Reflections on a Bird) – Feat. Nick Montoya
2. Distant Star – Feat. Jerry Harrison with Paul Dooley, Alecia Chakour & Invisible Familiars
3. What Have they Done to My Funk – Feat. Bootsy Collins, Michael Moon Reuben, Ouiwey Collins, & Buckethead
4. Heapin’ Bowl of Gumbo – Feat. Leo Nocentelli, Fred Wesley, Stanton Moore with Lonnie Marshall
5. Re-Enter Black Light (Phase II) – Feat. Sean Lennon
6. The Big WOO – Feat. Fred Schneider with Binky Griptight, Marco Benevento, Kyp Malone, Jaleel Bunton, & Steve Scales
7. Greenpoint – Feat. Steven Bernstein with Smokey Hormel, Mauro Refosco, Scott Hogan, & Michael Jerome
8. Soldiers of the Stars Feat. Daru Jones & Eric McFadden
9. When The Rain Subsides – Feat. Will Calhoun
10. Pedro WOO – Feat. Mike Watt
11. Contusion (Funkadelic)
12. Transcendence – Feat. Marc Ribot & Norwood Fisher
13. Wave From the WOOniverse – feat. Miho Hatori with Sarah La Puerta, Steve Scales & Invisible Familiars

I had the chance to catch with with Evan to get some insider views into the sounds. We get deep into this posthumous record from friend of the proGram, Dr. Bernie Worrell, from the invitation to get involved to the creation of and the invites to the many artists who contributed. We specifically get into a few of the folks, and it was as if Evan was reading my mind on the people he picked to talk about. We talked a bit about process and the choosing of who will work with who. What a cool time. We talked about the relationships formed between the two, and how getting back into some of this music was not a jump into the fire moment for Evan, he had to make sure he could get through emotions attached. We also talk about his label, Loantaka Records and one of his strangest projects.

The Joy Of The Campbell Brothers

At countless performances over the past 3 decades, the Campbell Brothers have taken far-reaching, genre-spanning audiences to church — namely the Pentecostal House of God, where their transcendent “sacred steel” tradition of guitar-focused gospel music flourished. But with INNOVA, out August 2 on Ropeadope, the Campbells deliver their most profound testament yet to the faith that has inspired their work and, in recent years, guided them through tragedy. These 9 tracks comprise the Campbells’ first studio album since 2013’s ‘Beyond the 4 Walls’, and their 1st studio LP since the shocking passing of lap-steel guitarist Darick Campbell, who died in 2020 at age 53, of complications related to heart surgery. After this devastating loss, and in the midst of the Covid pandemic, guitarist Phillip & pedal-steel player Chuck were faced with a daunting hurdle – how do they continuing doing what it is they’ve been doing? The answer is that you can’t. So with INNOVA, the Campbells have reimagined their group while continuing to honor their integrity & heritage. An essential part of this renewal can be found in Phillip’s songs, which burst forth with locomotive grooves, unbridled guitar wizardry and powerful messages of perseverance and healing. Alongside Phillip & Chuck on this outing are official band members including drummer & vocalist Carlton Campbell, bassist Daric Bennett and lead vocalist Denise Brown, as well as special guests who uphold the Brothers’ ideal of church-rooted strength: the singer Ron Staples, heir to Joe Ligon’s throne in the Mighty Clouds of Joy; Serena Young, a worship leader from the Campbells’ hometown of Rochester, N.Y., and an alumnus of the Kirk Franklin-hosted BET show Sunday Best; and Rochester organ great Rufus McGee. The Campbells developed in Rochester under the tough-love tutelage of their father, a bishop in the House of God Church, who delivered to his musician-sons a paradoxical demand: resist the temptations of secular music, but push yourself to meet the standards of blues, jazz and country music heroes: B.B. King, George Benson, Roy Clark, Jimmy Day, Buddy Emmons. A sense of fierce but healthy competition created an extrasensory rapport among the boys, a kind of musical mind-reading that perfectly suited the heavenward, snowballing passion of gospel. After the Campbell Brothers released their debut album in 1997 on the storied Arhoolie label, they began to stir interest among a vast and diverse swath of dedicated music fans: blues aficionados who heard them as a living conduit to a rich if unsung strain of Black roots music; jam-band kids who appreciated their funky, exhilarating spirituality; devotees of R&B and contemporary gospel who grew up in the church themselves. They worked constantly in the ensuing years, and became highly decorated keepers of a uniquely American tradition. The Campbells were named NEA National Heritage Fellows, received a commission to arrange John Coltrane’s A Love Supreme for its 50th anniversary, and collaborated with B.B. King, Mavis Staples, Medeski Martin & Wood, the Allman Brothers Band, the Blind Boys of Alabama and many others. Their music was even featured in The Sopranos.

I had the honor of catching up with Mr. Phillip Campbell ahead of the Campbell Brothers heading back to Madison to play La Fête De Marquette on July 13th. We get into the forthcoming uniqueness of this event: ‘Praise Break w/ Campbell Brothers, Fountain of Life Church and more’, and how something like this is the exact reason that the Campbell Brothers continue to spread the happiness and joy wherever they go. We talk about what a set of theirs usually consists of, stylistically, sonically (tunings) and oh yes, spiritually. While that image of what will go on at this festival, and anywhere you can catch them brightening your day, is something I cannot wait to become a present moment reality, it is the new album that I am also excited to be able to chat about. We get deep into the new record of tunes, ‘Innova’. We go seed to flower, but there is so much flower on this record, the sun and water must have nurtured it just riGht as it was growing. We talk about the feelings of this music (and you’ll feel it too) and the remembrance of before and the steps into tomorrow. We talk Sacred Steel and collaborators so I can wrap my head around just how this music seems to fit in everywhere, at any time. It all did circle back to that anthem of Happiness and Joy. I am ok with that!

Maude Caillat Quartet Come With Free Jazz

Maude Caillat is a prolific saxophonist leading four different projects all around the New Orleans area. The Maude Caillat Quartet is the most intimate version of her vast musical universe. Still recognized as an emerging new sound in the New Orleans jazz scene, the Quartet fuses in modern and traditional African & Arabic influences with a perfect amount of a Coltrane-esque thang. Sophistication, passionate improvisation, and heartfelt melodies are just a few words to describe the music of these inspired artists. Her quartet put out a release mid 2023, ‘Follow the Camel’, which is a completely free improvised sonic journey. The album features Maude Caillat on tenor sax & flute, Luke Palmer on keys & fingerboard, Sean Weber on bass and Moses Eder on drums and percussions. ‘Follow The Camel’ was recorded at Fountain Sound Studio in New Orleans by Biff Hitchins, mixed and mastered by Ratty Scurvics with original artwork by Dominic Sgro from Catahoula Tattoo. Produced and independantly released by the Maude Caillat Quartet.

I had the pleasure of getting to know Maude a little better in a recent call. Listening to her music, especially the quartet’s album ‘Follow The Camel’ has really set me off in a new, unknown direction. Seemed completely possible that a live event with her and a band would be an adventure of sonic discovery. We talked about her upcoming stop in Madison on July 6th at the North Street Cabaret and am definitely convinced that what is coming our way (and hopefully wherever you are, your way too) is going to be that of a new place/space creation. The way Maude describes how she got into the “Free Jazz scene’ in New Orleans and how it was just so much fun not following any set guidelines and truly letting the feeling…the music, guide. We find out the quartet coming our way is a little diffrent when it comes to who is playing, and how by the end of the tour, the aim is to create a new record based on the meetings/feelings/explorations of this tour. Listen in to find out how friend of the proGram Mike Dillon fits into Maude’s planning and I believe we learn just how freeing an improvised sharing for players and audience can be a place to build of a fresh new vision.

Spending Quality Time With Meklit

Meklit Hadero is an Ethiopian-American vocalist, songwriter, & composer, known for her electric stage presence, innovative sound & vibrant cultural activism. Her latest EP ‘Ethio Blue’ was released March 8, 2024. Meklit’s Ethio-Jazz performances have taken her to renowned stages across 4 continents. Her 2017 album ‘When the People Move, the Music Moves Too’ topped world music charts across the US + Europe, and was named amongst the best of the year by Bandcamp & The Sunday Times UK. Meklit has collaborated with renowned artists such as Kronos Quartet, Andrew Bird, Preservation Hall Jazz Band, and the late creator of funk music, Pee Wee Ellis. Meklit has always straddled her creative practice with her passion for cultural activism. She is the former Head of Creativity and Impact at Yerba Buena Center for the Arts in San Francisco, where she helped design & implement a slate of radical programs supporting social justice focused artists during the height of the pandemic. She is a sought after thought leader & speaker and has given talks on multiple TED Stages, at the UN, and at the National Geographic Storytellers Summit, as well as at companies, organizations & Universities around the globe. She is a National Geographic Explorer, a TED Senior Fellow, and a former Artist-in-Residence at Harvard University. She is the co-founder of the Nile Project, a featured voice in UN Women’s theme song and the winner of the 2021 globalFEST Artist Award. Meklit has been a guest DJ on KCRW’s Morning Becomes Eclectic, created new works via commissions from Lincoln Center, MAP Fund, Center for the Art of Performance at UCLA, Stanford Live, NYU Abu Dhabi and so many more. Her music has been featured by the New York Times, BBC, CNN, NPR, Washington Post, Vibe Magazine, San Francisco Chronicle, Boston Globe and many more. The list is long, but Meklit is also co-founder, co-producer & host of Movement, a new podcast, radio series & live show uplifting the stories/songs of immigrant musicians. The show airs monthly on PRX’s The World to an audience of around 2.5 million listeners.

I had the complete pleasure of chatting with Meklit about her latest project, her self-released ‘Ethio-Blue EP. We got into how it went from it’s beginning (a true birth-like moment) to its release into the world. We dissect a couple of tracks to get a little more inside the mind’s eye as we tend to look with our ears first. There’s family style props to all that worked on this project and you can sense it from the final product, that they people who put the puzzle toGether, cared for these songs. Before we hit record, I mentioned about wanting to talk about the National Geographic Explorer title she has as a part of her name because I had a little joke for it. Find out what grade my joke received and how you too could become an explorer. We also spend some time talking about the super cool transmedia storytelling initiative that lives at the intersection of migration and music, known as Movement. I really have had my phone to my ear learning and listening about people I am more interested in already after being introduced via this platform. This is just one of so many projects that Meklit is a part of, has been a part of as a bridge builder. We find out if she ever gets nervous or maybe perhaps a little gushy ever speaking to such cool and interesting artists/people. Before letting her go, and I think we could have just kept on talkin’ as the energy was so positive and felt like hanging out with a friend….we found out a little setlist stylin’ Meklit would put out for listeners if she took the DJ baton from me, she picks one from ‘Ethio Blue’ and then we get a some of her local flavors from the S.F. Bay area to get an education on.

Photo by Alexa Treviño.

Joe Marcinek Brings It on 1 River Street

The Joe Marcinek Band is a vibrant fusion of the Chicago Blues, Dat New Orleans Funk, Grateful Dead inspired jamming psychedelia and an array of intricate jazz fusion which creates a unique and eclectic musical journey. Attending a Joe Marcinek Band concert is an electrifying experience that takes listeners on a diverse musical journey. Each concert is unique, as the band is known for its improvisational skills, ensuring that no two performances are exactly alike. The band’s palpable energy and passion for music are infectious, making their concerts not just a listening experience, but a full-fledged musical adventure that resonates with fans of diverse musical tastes. Expect a night filled with skillful musicianship, unexpected musical turns, and a lively atmosphere that invites the audience to be part of the band’s ever-evolving musical narrative. For years now, Joe has also been curating a collection of albums with each showing that true range and ability he has with the music but also how he interacts with other artists to find their personal together landscape. It always feels fresh and evolving. His latest release, 1 River Street, was recorded in Massachusetts at Iron Wax Studios with Alan Evans producing and on drums, Nate Edgar on bass, Kris Yunker on keys, Brian Thomas on trombone and Alex Lee-Clark on trumpet and Jared Sims on sax & flute. It’s a tight collection of eight sharply-honed tunes that brinGs the funky and groove of life within each note.

I had an opportunity to catchup with family to the proGram, Joe Marcinek to get into the new record 1 River Street. We talk about the evolution of both him as an artist and this new music. We get into the above mentioned players and friend of the program, Mr. Alan Evans’ studio and the desire for both to work with each other finally on a record like this. So this one is on Alan’s Vintage League Music label which is a conduit for many a funky great. Mostly, I really wanted to tell him how funky he is and that this record really shows off where the experiences of many years now has taken him. We find out what big shows Joe and his rotation of cool musical comrades played in the past year or so and highlight a couple of the bigger ones to look forward to this year. Joe is family, he is open to what & where the groove takes him, and I just really respect someone who can work with so many different people and the music still has it’s own unique smile to it, each time. If you are looking for a groove, it could very well live inside of 1 River Street.

Cash Box Kings Come Knockin’

The Cash Box Kings are co-led by real-deal Chicago blues vocalist & songwriter Oscar “Mr. 43rd Street” Wilson, and Madison, Wisconsin-based songwriter, harmonica giant & singer Joe Nosek, plays masterfully raw, unvarnished, old-school ensemble blues. Wilson’s huge, emotive vocals and Nosek’s blistering harmonica fuel their razor-sharp original songs and always incisive reinvention of obscure blues classics. On their new Alligator Records album, Oscar’s Motel (their 3rd for the label & 11th overall), The Cash Box Kings bring contemporary authority and old-school authenticity to each of the album’s 11 tracks. The band, featuring guitarist Billy Flynn, drummer Kenny “Beedy Eyes” Smith, bassist John W. Lauler, and keyboardist Lee Kanehira, opens a door into the intoxicating spirit and sounds of 1950s and 1960s Chicago-based blues, and then they bring it all right up to the minute with Wilson & Nosek’s original, instantly memorable songs. The history of The Cash Box Kings begins in Madison, Wisconsin where Nosek founded the band in 2001. Since 2007, his co-leader has been the charismatic, larger-than-life Chicago blues vocalist Oscar Wilson. Over 20 years apart in age and coming from vastly different backgrounds, the two form an unlikely pair, combining Wilson’s indisputably authentic South Side Chicago blues vocals and gritty, street-smart songwriting chops with Nosek’s storytelling vocals, dynamic harmonica and witty tunesmithing. In their first 6 years, The Cash Box Kings’ top-notch musicianship and deep blues feeling won the band a large and loyal audience across the Midwest. Wilson joined the group in 2007, bringing with him an instantly commanding stage presence and an authoritative vocal style that gives fire-breathing power to the music. A captivating singer, born in Chicago with the blues in his blood and with an encyclopedic knowledge of almost every blues song known to man, Wilson is a natural-born entertainer and a perfect foil for Nosek and the band. Born in 1953 on Chicago’s 43rd Street (aka “Muddy Waters Drive”), Wilson grew up in the company of many famous blues artists. Junior Wells, Elmore James, Big Smokey Smothers and close family friend David “Honeyboy” Edwards were all regulars at weekly Friday night fish fries/jam sessions at the Wilson home. Throughout his adulthood, Wilson held regular jobs but was always welcome sitting in with Chicago blues mainstays like Melvin Taylor & Johnny B. Moore. His vocal inspirations range from Muddy Waters, B.B. King and Albert King to Jimmy Reed, Jimmy Rogers and Little Walter, but he mostly sings like Oscar Wilson. A self-described blues fanatic, Nosek, born in Wisconsin in 1974 and raised the Chicago suburbs, spent his youth soaking up as much blues music as he could hear, both live and on record. In his teens, he began sneaking into blues clubs to watch Junior Wells, James Cotton, Otis Rush, Jimmy Rogers, Sunnyland Slim and others. He took up harmonica, quickly cultivating his own aggressive, fluid style. After moving to Madison in the early 1990s, he began sitting in with artists such as Clyde Stubblefield & Luther Allison. Finding like-minded musicians hell-bent on playing raw, rough-edged, hard-charging blues, Nosek formed The Cash Box Kings. They released their first album, Live! At The King Club, in 2003, instantly earning praise from critics and fans, and gaining a reputation as one of the hottest live bands on the circuit. With 10 previous releases to their credit and hundreds of live performances under their belts, The Cash Box Kings have won widespread acclaim throughout the blues world. Their Alligator Records debut, 2017’s Royal Mint, was named among the Top Ten Blues Albums of the Year by MOJOmagazine. 2019’s Hail To The Kings! continued the trend, with the band receiving three Blues Music Award nominations, praise from media including NPR, The Chicago Tribune, AllMusic.com, UK’s MOJO and Blues & Rhythm, and radio airplay around the world. The Cash Box Kings continue to play major festivals across the U.S. and Europe. They’ve blown away audiences at the Chicago Blues Festival, the Tampa Bay Blues Festival, the Doheny Blues Festival, the Mississippi Valley Blues Festival, the New Orleans Jazz and Heritage Festival, the Cincinnati Blues Festival, the Cambridge Folk Festival (UK), the Moulin Blues Festival (Netherlands), the Lucerne Blues Festival (Switzerland), the Baltic Blues Festival (Germany) and the Edmonton Blues Festival (Canada). They have also performed in Belgium, France, Spain & Uruguay, building their worldwide audience one jaw-dropping show at a time. No matter where The Cash Box Kings perform, they bring the music to fuel the party. Between Wilson’s natural blues vocal power and Nosek’s talent at wringing every last drop of emotion from his harmonica, The Cash Box Kings never fail to wow their longtime fans while earning new ones at every gig.

I had the chance to catch up with Joe Nosek ahead of a busy week in and around Madison. On Tuesday the 18th they will be rockin’ the Harry Whitehorse Sculpture Festival, and on the 21st, the Cash Box Kings will be part of a Make Music Madison event at 4pm and then aGain that evening at the North Street Cabaret. We start by filling in any newcomers to the scene on what to expect from a CBK’s show, traditional blues with a modern feel striving to provide a mosaic of feelings and get down rhythms. We go into their latest release on Alligator Records, ‘Oscar’s Motel’ and get deeper into the how’s and why’s of what they did and do for this record. We talk about speaking up and being the voice of the times as well as living the dream of working & hanging with friend of the program, Mr. Buddy Guy. Also, this chat would not be complete without hearing what track off the new album Joe would pick to share in a set, and what other artists would get in that list.