Forms Formed

The final part of this week’s proGram was guided by the flows of the colors.

Bogotà- Umut Adan & Zebânis
Rolexxx- Da Cruz
Blue Rain- Clap! Clap! & Oscar Rocchi


West Coast Blues- Jonathan Karrant w/the Joe Alterman Trio (live)
Boo- Heather McKay
Close To You- Lucas Moinet Trio


Jen Shyu Life As You Envision
***pre-recorded conversation with Jen Shyu on M3 Festival***


BACK THAT AZZ UP- Kassa Overall
Joe Type Tune- Zack Lober Ft. Sun-Mi Hong, Suzan Veneman & Jasper Blom
Vignette- Zack Lober Ft. Sun-Mi Hong, Suzan Veneman & Jasper Blom


Heart-Shaped Box (Drain You)- Chris Smith
Would- Chris Smith Ft. Valerie Costa
Stains- Jonhatan Tenerini
Summer In The Wasteland- Grass

Earth Connector

The Middle part of this week’s proGram grew because of our help.

Express Yourself- Jimmy Burns & Soul Message Band
greenarrowradio theme song- mister rourke
Funk Don’t Beg- Mani Fredo

Sexecution- Moondog Wily
Music Speaks For Me- Larry Douglas Ft. Greg Cone
Lovin’ (Eric Hilton Trust A Thief Remix)- BALTHVS


Him- Denzel Curry
DOOM on the Beatbox- Lower Life Forms Ft. MF DOOM


Veggie Berber Boy- La Chooma
Cookie Crumble Cumbia- La Chooma
La Ceiba- Antibalas
Declaration Of Rights- Al Campbell & Sly & Robbie
Time Is Tight (Dub Edit)- Dub Stax
Slaver- Dr. Isreal & DJ Olive

Following Or

The first part of this week’s proGram was ready to advise.

Stagolee- Erin Harpe Ft. Jim Countryman
Take the Air- Larry Keel & Jon Stickley
Comin’ Home Baby- Holly Cole
The IPA Song- The Brothers Comatose Ft. Ronnie McCoury


Do I Have Your Attention?- Laura Cox
Love, You Have Done Me Wrong- Jeff Shew & The Late-Night Crew
Do It Right- Rashad the Blues Kid (Live)
Buzz Bomb- Wailin’ Walker


World On Its Head- Dom Mariani
Apple Tree- Gyasi


Fibers Displaced- Don Philippe
Locally Grown- Nu Vintage
Daylight- Nu Vintage & Pat Van Dyke


Get This to the People- Joe Alterman & Mocean Worker
**pre-recorded conversation w/Mocean Worker & Joe Alterman**
Lemme Tell You Somethin’- Joe Alterman & Mocean Worker

Mutual Mentorship for Musicians Festival

Mutual Mentorship for Musicians (M³), the groundbreaking initiative dedicated to advancing professional and artistic growth for women and gender-expansive musicians, presents the 4th annual M³ Festival 2025 on Saturday, October 4 at Roulette Intermedium, 509 Atlantic Avenue, Brooklyn, NY. The event begins at 7 pm and diGital tixx are available. The marathon-style event features Grammy-nominated singer-songwriter Becca Stevens, NEA Jazz Master & pianist Kenny Barron, acclaimed saxophonist/ composer Immanuel Wilkins, and pioneering M³ musicians and their projects including Siren Xypher (Melanie Dyer, Mara Rosenbloom, Kyoto Kitamura), Shoko Nagai and Satoshi Takeishi’s Vortex, Vertical Sounds (Kess Southpaw, Mnisibass, Melanie Dyer), Maia & Zamonda, and Devon Gates’ Ghost Stories (Gates, Victoria Awkward, Matt Greenwood), and Gili Lopes. Audience members at prior M³ festivals described the event as “innovative, nourishing, forward-thinking… shocking, heart-opening, magical… dynamic, creative and vibrant… collaborative… a beautiful collective of people really supporting each other through their creative process and learning from each other…you can see that give and take through the music that they’ve created.” The Festival will also launch the inaugural issue of M³ Magazine featuring writing from most of the artists performing at the Festival. It also includes an interview with 2025 M³ Luminary Awardee Maia who has earned renown as a longtime active member of the AACM and is giving a rare NYC performance at the Festival. The magazine springs from M³’s Anthologies of Writings which were formerly published in book format. Now celebrating its 5th anniversary, M³ was founded during the COVID pandemic in 2020 by Jen Shyu & Sara Serpa as a platform for creative risk-taking, exchange through musical commissions, peer-led mentorship, publication of anthologies, performances, festivals, and awards. In just 5 years, M3 has commissioned & supported 92 artists creating 46 new co-compositions and transforming the creative music industry around the world. Serpa & Shyu conceived of M³ through conversations about elevating women and non-binary musicians, particularly those of color, in their global music community. Having both experienced inequities in professional opportunities and financial remuneration, limited recognition and media visibility, and isolation in their own careers, they recognized firsthand the need for greater opportunity, community and support, as well as the need for women & non-binary mentors in the music industry.

I had the pleasure of catching up with the amazingly cool, Jen Shyu to get a peek behind the curtain when it comes to all that Mutual Mentorship for Musicians is about. We start by getting into each of the artists that will be making the maGic happen this year as part of the 2025 festival. We get a little flip the baseball card over and get a taste of each and this line-up is so sweet. We spend a bunch of time discussion the who & what of the why Mutual Mentorship for Musicians was born and nurtured. How many artist have been involved and just how the bridge to each other keeps on making global connections. We go through the process and rewards, the ins and outs and mostly the community that is constantly growing. Equality is something that has a definition but seems to be constantly overlooked in many scenes and environments and I am proud to be spreading the love of this festival and the important work that Jen & Sara are constantly finding time to keep the momentum moving forward. This conversation is detailed from start to finish and hopefully it wakens a bit of the ‘how can I help’ energy within others. I am so excited to get that streaming link and watch the soul changing event work its way through me. You can find out more about tixx here.

Keep The Line Open

Bassist/producer Mocean Worker (aka Adam Dorn) & pianist/composer Joe Alterman have released Keep The Line Open, a funky, feel-good tribute to the late soul jazz legend Les McCann. The 9-track collection taps into the genre-blurring spirit that defined McCann’s music, as well as his influence on Adam & Joe, who knew him as a mentor, collaborator & close friend. With credits ranging from Eddie Harris & Ramsey Lewis to Hal Willner, Marcus Miller & Brian Eno, Dorn & Alterman fuse their distinct artistry into an electrifying set that celebrates McCann’s essence while standing on its own as a joyous, party-starter. They created the album by melding live instrumentation with sampling to pay homage to an era when the groove reigned supreme and the vibe was decidedly danceable. Sonically designed to evoke a live album, it invites the listener to imagine themselves at a late-night jazz club in the ’60s. They also draw on years of conversations recorded for posterity, saved voicemails and other aural documents of McCann, weaving his voice, laughter, and ever-present sense of humor throughout the album, which threads in and out of the tracks. Adam’s relationship with Les McCann began through his father, the legendary Atlantic Records’ staff producer Joel Dorn, who worked closely with McCann on several albums, including rare-groove classics like Layers, Invitation to Openness, and the multi-platinum Swiss Movement, which also featured electric saxophone pioneer Eddie Harris. As a kid, the younger Dorn would often overhear long conversations between his father and McCann who shared a deep friendship. As he grew older, he himself began a relationship with McCann via extended phone conversations. It led McCann to hire Dorn, an accomplished bassist in his own right, to be part of his rhythm section on live dates. Meanwhile, Joe started out as a devoted fan of McCann who received the rare opportunity to open for one of his heroes at The Blue Note. The 2 connected instantly, forging a friendship that lasted for years, primarily through near daily, hour-plus phone conversations. Although plans to record & tour together never materialized due to McCann’s health issues, they did co-write the song “Don’t Forget To Love Yourself.” Alterman would later release Joe Alterman Plays Les McCann: Big Mo & Little Joe, a heartfelt tribute to his mentor and friend. It was ultimately McCann’s passing that brought Dorn and Alterman together. They had both become aware of each other through their independent friendships with McCann who would mention each of the artists in his conversations with the other. Following his death, they’d finally meet and organically the idea of making a record of original material inspired by McCann was hatched. Adam began writing sections of music, creating beats & rhythmic ideas that he’d send to Joe over which he’d improvise. Adam would then take those parts and shape them into songs. The result is an album that is immensely funky with nods to Latin grooves, and always heavy on the backbeat. There are times on Keep The Line Open where the listener will feel as though they are being taken to church and at other times being taken on a trip to Haight-Asbury in the ’60s, and yet simultaneously the music to feel modern and of the moment. There is a Les McCann cover tune (“Burnin’ Coal”), there is a moment for Joe to thrill with his considerable stride piano skills, and throughout there is Les, commenting on the proceedings with his inimitable wit, humor, & loving nature, making it all seem like it is being played just as he’d imagined. And while Les McCann is the driving force, the entire spirit of his era, from Ramsey Lewis to Horace Silver, Eddie Harris to Cannonball Adderley, lives in the music. It’s this inspiration that guides Mocean Worker & Joe Alterman through each of the nine tracks. Keep The Line Open is a musical celebration that, like Les McCann himself, makes you feel alive and happy and ready to have fun.

I had the pleasure of hanGing out with friend of the program, Adam Dorn (Mocean Worker) & Joe Alterman shortly before the new album dropped. We got way deep into the ins and outs of the creation of the album. How the relationships with Les McCann and the love of the feeling of the 60’s soul acid jazz groove combined with a step into the now and future make this collection of form and rhythm so damn exciting. You can feel the love Joe had for Les and how his energy was woven into his daily life and Adam has the memories of longer ago and both speak so highly of the desire to find the fun within the music. There are personal stories shared that are both cool AND special, we dissect a track or two and we all feel the versatility of this new music. Joe & Adam both kinda let us in on how they believe Les would feel about this tribute to, the honoring of the music that he helped de and (re)define. While I can tell you how this music, these tunes, make me feel…it seems like the best way to really under and over-stand is to get some for yourself. This is sound that should find it’s way out to ears from under the needle, vinyl is not only available but most likely highly desired. I don’t often say things like this, but I feel like this could be an album of the year type release oif any one in the scene really is paying attention.


Berry Goodly

The final part of the proGram was fresh and juicy.

We’re the Wild Iris- Wild Iris Brass Band Ft. Steven Bernstein, Jeff Coffin, Ray Mason, Emmanuel Echem, Jovan Quallo, Neil Konouchi, Justin Amaral & Ryoko Suzuki
Let It Slide- Wild Iris Brass Band Ft. Jeff Coffin, Ray Mason, Emmanuel Echem, Jovan Quallo, Neil Konouchi, Justin Amaral & Ryoko Suzuki
Take Off Your Cool- Chief Adjuah Ft. Robert Glasper


Balloon Pop- Hiromi’s Sonicwonder
***pre-recorded conversation with HIROMI***
Pendulum- Hiromi’s Sonicwonder Ft. Michelle Willis


Aquarius- Patricia Brennan
Neuköln- Evan Ziporyn & ContaQt


Indy Blues- Kristen R. Bromley
In A Funky Way- Charlie Rouse
Spoonman- Chris Smith

Covered in Cloud

The middle part of the proGram knew to look up is to find the opening.

Do Me A Favour- Sons of Sevilla
Street Light Moon- Sons of Sevilla
Mesa Mesa- Yuuf
Sound Life of the Party- Jr. Thomas & Eraserhood
Horses and Spurs- CLAP! CLAP!
Right Track- CLAP! CLAP!


greenarrowradio Theme- Mister Rourke
Bang Bien- Nightmares On Wax Ft. Yasiin Bey & Mos Def
Forrowest (Quantic Remix)- Forro In The Dark
Birds (Kaan Duzarat Remix)- Ilhan Ersahin’s Istanbul Sessions
Chance Upon A Chance (Bopperson Remix)- Rosa Brunello


CHECK THE RHIME- Kassa Overall
SPOTTIEOTTIEDOPALISCIOUS- Kassa Overall
For Lu- Funkwrench Blues Ft. Nicole McCabe, Peter Varnado & Frank Swart
Funk-ish- Funkwrench Blues Ft. Jason Marsalis, Roland Barber, David DR Robbins & Frank Swart

Slide Leave

The first part of the proGram this week had a way to go around without being spotted.

The Rooster’s Dead- Hannah Delynn
This Old Guitar- Wesley Hanna


Fruits Of My Labor- Margaret Glaspy Ft. Julian Lage
Do It! To It!- Handsome Jack


Heebie Jeebies- Johnnie Johnson
Stagger Lee- Johnnie Johnson
Lover Man- Mud Morganfield
She’s Getting Her Groove On- Mud Morganfield
greenarrowradio promo- The Bluesmasters Ft. Cassie Taylor
Ol’ Victrola- Mike Zito & Albert Castiglia (Blood Brothers)
Can’t Be A Prophet- Mike Zito & Albert Castiglia (Blood Brothers)
Begging For Change- Billy Branch & The Sons Of Blues Ft. Shemekia Copeland & Ronnie Baker Brooks
Cowboy Gucci- Piper and The Hard Times


Weekends Are For Making Love- G. Love & Special Sauce Ft. R.L. Boyce & Luther Dickinson
6_6_06- GRASS
Killing Time- GRASS

HIROMI’s SONICWONDER

HIROMI has been began playing the piano since age six and studied composition at the Yamaha Music School. At age 17, she performed with Chick Corea. In 1999, she enrolled at Berklee College of Music in Boston. While a student, she signed with the prestigious jazz label Telarc and made her international debut in 2003 with the album “Another Mind.” In 2008, she released the album “Duet” with Chick Corea. In 2011, she won the “Best Contemporary Jazz Album” award at the 53rd Grammy Awards for her collaboration with Stanley Clarke, “The Stanley Clarke Band Featuring Hiromi Uehara.” In 2013, to coincide with the US release of her album “MOVE,” she appeared on the cover of the April issue of Downbeat, America’s most prestigious jazz magazine. In April 2016, Hiromi released her 4th album, “SPARK,” as the Trio Project FT. Anthony Jackson & Simon Phillips, which reached number 1 on the US Billboard Jazz Chart. In 2017, she performed at the BBC Proms, released the album “Live in Montreal” with Colombian harpist Edmar Castaneda, and became the only Japanese artist to perform at New York’s Blue Note for 13 consecutive years. In 2019, she released her 1st solo piano album in 10 years, “SPECTRUM.” Since the COVID-19 pandemic hit in 2020, she has launched the “SAVE LIVE MUSIC” series at Blue Note Tokyo to support the struggling live music industry. Despite various restrictions, she has performed over 100 times. In July 2021, she performed at the Tokyo 2020 Olympic Opening Ceremony. In September, Hiromi Uehara The Piano Quintet, a new project born from SAVE LIVE MUSIC, released the album SILVER LINING SUITE worldwide. She served as music director for the film BLUE GIANT, which was released in theaters in February 2023, and won the Best Original Score Award at the 47th Japan Academy Awards. In September, she released the album Sonicwonderland as part of her new project, Hiromi’s Sonicwonder. She also made a splash by appearing on the popular program Tiny Desk Concerts, organized by the American broadcasting station NPR. Hiromi’s Sonicwonder‘s latest album, OUT THERE, was released in April 2025. In Japan, he has received the 57th Minister of Education, Culture, Sports, Science and Technology’s Art Encouragement Prize in the Popular Entertainment category in 2007, the Japan Record Award for Best Album in 2008 and 2017, and the Agency for Cultural Affairs Commissioner’s Award in 2023.

I had the honor of spending a little time chatting with HIROMI ahead of the October 2nd show with SONICWONDER in Madison at the Union Theater’s Shannon Hall. We got into the pieces of the group that will be creating all this wonder when they hit Madison. Each artist brings that something she was looking for. I had caught their set t the Detroit Jazz Festival this year and we chatted about that experience and the specialness of an audience that is ready for everything. We dive into the creation of the latest release OUT THERE from SONICWONDER and the power of improvised music. When discussing her participation in the Tokyo Olympics opening ceremony, it was refreshing to hear that this show in Madison will be just as important to her as that one. No surprise that when I asked her to chose a song off OUT THERE to build a setlist around, she went with Balloon Pop – we take a walk through that track together, and she would pair it with something(s) from Mr. Chick Corea. This show is going to be one that people who are there will pull up from the memory banks when a good time reminder is needed.

Honking Along

The final part of this week’s proGram knew how to blow its own horns.

Courage Wolf- JMMR
Labor of Love- CARRTOONS & Haile Supreme
Sonfo- Amadou & Mariam Ft. Fally Ipupa


Improv 6- House of Waters
**pre-recorded conversation with Max ZT of House of Waters**
Improv 12- House of Waters

OP. 49 Cold Chicken Suite 3rd Movement- Christian McBride Big Band
Murder By Numbers- Christian McBride Big Band Ft. Sting
Première Miniature (Créole Renaissance)- Aruan Ortiz
Mo’s Theme- Eric Alexander & Vincent Herring
So Excited- Sued Nandayapa Bergmann Saunders


Laura- Matthew Jamal Ft. Shabaka Hutchings
Roaring Hours- Yuhan Su

Autumn Noticed

The mid part of the proGram has spotted SUM changes are coming.

Under the Sun- Say She She
Disco Life- Say She She
Comme Rimbaud (demo)- Brigitte Fontaine
Il Pleut (1969 Niok Version)- Brigitte Fontaine


Haraka- Kutiman
Dertsiz Kedi- Peki Momés
Gamal Gadol- La Chooma
High Glow- La Chooma
Tourist- Owelu Dreamhouse
Cacti Traveler- BABON
Heat- BABON


Light of White Moon- Barking Dog
Clouds Over Shadows- Barking Dog
Bring It On- Kristen R. Bromley
Ode To Jeff Beck- Funkwrench Blues Ft. Adam Holzman, Roland Barber, David DR Robbins, Derrek Phillips & Frank Swart
Mr. Coleman- Funkwrench Blues Ft. Vernon Reid, G Calvin Weston, David DR Robbins & Frank Swart

Faded To

The first part of the program today was in this sorta mood(s).

Blow Wind Blow- rIx

Mellow Down Easy- Neal Casal
***pre-recorded conversation with Gary Waldman***
Indian Summer- Neal Casal


Do It Again- The Paul Litteral Band
No More Bad News- Mike Dangeroux


Life in The Sky- Sons of Sevilla
Dominoes- Lance Ferguson
Ivy- Polyrhythmics


Silence Leaves An Open Wound- Temporary Blessings
All About Me- Jalen Ngonda Ft. Victor Axelrod
The Moment That You Know (Interlude)- Steven Bamidele
Wreckage- Steven Bamidele


St. Laurent Blvd Walk- Karmawin

Neal Casal: No One Above You

Today, a new Neal Casal archival album No One Above You (The Early Years 1991–1998) is released, presenting 13 previously unavailable demos & studio recordings from the outset of the late songwriter & guitarist’s career. Brother Neal was a consummate collaborator, a celebrated roots guitarist who could be found playing alongside Willie Nelson, Shooter Jennings, The Jayhawks, & Phil Lesh. More than a sideman, he was a revered bandmate, and an integral part of the Chris Robinson Brotherhood, GospelbeacH, Ryan Adams & The Cardinals, The Skiffle Players, & Circles Around The Sun. His passing in 2019 left a hole in the hearts of fans & friends alike, leaving many looking for a few more moments from the prolific songwriter. No One Above You (The Early Years 1991–1998) helps close that gap, providing a few last documents of his perennial prowess. Primarily recorded between 1991 & 1995, in the years before the debut album ‘Fade Away Diamond Time’, the songs collected here embody his creative process leading up to that introduction. Casal archivists & producers Gary Waldman, Jim Scott, & Jon Graboff have compiled and remixed the tapes, adding subtle additions to these original takes, with performances by John Ginty, Dan Fadel, Angie McKenna, Jeff Hill, Graboff, and more. The album includes unheard compositions alongside covers of Tom T. Hall, The Incredible String Band, & Floyd “Red Crow” Westerman. Among the originals, the hallmarks of Neal’s songwriting remain evident, even in these early days. The release is also prefaced by a personal recollection from Waldman, Casal’s longtime manager & friend, recalling the events that led him to pursue a solo career and his evolution from these nascent studio days into a respected songwriter and guitarist. Its release is accompanied by a companion photo memoir, No One Above You (Christy Coleman + Neal Casal – A Love Story In Photographs), compiled by Neal’s former wife Christy Coleman. It provide an additional vital document of this era. Coleman shares images of the couple’s courtship and companionship, culled from pictures captured by herself, Casal, and a few friends along the way. It’s an unvarnished vision of backstage solitude, after hours revelry, and the counterbalance of a home away from the crowds. Available from the Neal Casal Music Foundation, the album—on limited edition 180-gram green vinyl, 180-gram black vinyl, CD and digital formats —and 304-page book are accompanied by two limited edition tees designed by Nashville-based imogene + willie—one in vintage white, the other in faded black—each featuring an original SX-70 Polaroid from the book.

I had the chance to get some time with Gary Waldman just before the release of this wonderful collection of Neal (and Christie). We dive heart first into how the entire project came about, the songs, the photography & the many memories. It was an honor to get a look back in time with Gary, almost like living some of the moments with him. I had Neal on the proGram every time CRB or Circles Around The Sun would come to town – always a real conversation about the feels, the road and the times he captured both the scenery in images and the way that inspired his writing and playing. I miss those times. This new music and the accompanying book have been a nice way to reconnect and here a few whispers of new tales from the past.

House Of Waters Flow

“In today’s world, there are no musical boundaries,” says Max ZT of House of Waters, a trio that makes those words come alive as they incorporate elements of West-African, jazz, psychedelic, indie rock, classical and world music into their astonishingly unique sound. The “Jimi Hendrix of the Hammered Dulcimer” (NPR), Max ZT is an innovator of an instrument rarely heard in contemporary music. With roots in Irish folk music, Max has studied in Senegal, where he trained with the Cissoko Griot family, and India, where he studied under the santoor master Pandit Shivkumar Sharma. His unorthodox playing style has been a pioneering force in revolutionizing dulcimer techniques. Moto Fukushima is a recognized master of the six-string bass. With a background in jazz improvisation, Western classical music and the music of South America, Moto’s playing is a combination of finesse, subtlety, and power that leaves audiences “slack-jawed in awe.” (Jazz Wise) Nominated for the Best Contemporary Instrumental album at the 2024 GRAMMY awards, House of Waters is at the forefront of jazz innovation. With their new GroundUp Music recording, On Becoming, Max ZT and Moto Fukushima are joined by first-call accompanists: drummer Antonio Sanchez joins them throughout the album, and guitarist Mike Stern and vocalist Priya Darshini join the innovative group as special guests. “The concept for our new album, On Becoming was tuning the collaboration, focusing on the moment, openness, presentness, composition as a connective tool, composition as an isolating tool,” Max ZT states. “And the fluidity between the two. ”According to House of Waters’ bassist, Moto Fukushima, they strive for openness married to accessibility. “I want to keep the freedom, but if we keep everything free — like certain kinds of abstract music… it can often be a little too far to communicate between us and the audience. We want to have a certain structure and balance.” House of Waters has scored an Emmy-winning documentary (ESPN), and recently re-scored three 100+ year-old French Dadaist-Era silent films in partnership with GroundUP Music and Alamo Drafthouse Cinemas. They have received the South Arts Jazz Road Grant and have an extensive touring history around the world. Having shared the stage with influential musicians including Pandit Ravi Shankar, Victor Wooten, Tinariwen, Snarky Puppy, Karsh Kale, and more.

I had another chance to catch up with friend of the proGram, Max ZT ahead of the September 27th House Of Waters event at the Stoughton Opera House. We got into the who & what of that event (including the connective tissue that unites performer and audience member), the creations and being in the moments of their last two albums. Including this one that recieved a Grammy Nod.This conversation was rich in enlightenment and reminded me just how and why I can get my whole being into this music. We talk a bit about how working and touring with his with Priya Darshini on the album before the Imrpov Sessions album brought him back to the ways they first met. We even find out what he has been listening to recently and how even Andre 3000’s newer flute album shows the ‘in this moment’ we speak of throughout this conversation.

Mail Calling

The final part of the program knew it was ok to put the letter G in the slot.

Iron Ore- Led Bib
Eye of the Cyclops- Wild Iris Brass Band Ft. Bob Lanzetti, Weedie Braimah, Jeff Coffin, Ray Mason, Emmanuel Echem, Jovan Quallo, Neil Konouchi, Justin Amaral & Ryoko Suzuki
9 to 5- Wild Iris Brass Band Ft. Jeff Coffin, Ray Mason, Emmanuel Echem, Jovan Quallo, Neil Konouchi, Justin Amaral & Ryoko Suzuki


Wahoo- Kristen R. Bromley Quartet

Sweet Man- Colin Hancock’s Jazz Hounds Ft. Catherine Russell
Carolina Shout- Colin Hancock’s Jazz Hounds
Downstairs Blues Upstairs- Mark Masters Ft. Billy Harper & Mike Coltone
Was It Here…Is It There?- Mark Masters


Solidarity- Caelan Cardello
The Other Way- John Yao & His 17-Piece Instrument
V- Andrea Molinari


Skippy- Eric McPherson
Blind Pig- Eric McPherson
Quintessence- Ryan Keberle & Collectiv do Brasil

Window Viewings

The middle parts of the proGram saw from way up to the ground level.

Homebound- Frollen Music Library
Otros Mundos- Cochemea
Diyanye Ko Te Sa- Orchestra Gold
Blazing- Karmawin
Hazy Nights- Karmawin Ft. Babouk


Broken Water- Barking Dog
Sprouted- Barking Dog

Slow Wave- Todd Clouser & JT Bates Ft. John Medeski
***pre-recorded conversation with Todd Clouser***
Agatha- Todd Clouser & JT Bates Ft. John Medeski)

The Middle- C.Tappin
Control, Pt. 2- C.Tappin
Satisfreaktion- Funkwrench Blues Ft. Guitar Shorty, Donald Harrison, Bill Summers, Roland Barber, David DR Robbins, Rich Kirch, Alvino Bennett & Frank Swart
Indelicate Balance- Funkwrench Blues Ft. Grant Green Jr, Hamid Drake & Frank Swart

Fly Drag On

The 1st part of today’s proGram tried to hide but you just needed to use all your eyes.

Dear Stranger- The Wildwoods
Breathe- Bill Scorzari


Hold On, I’m Coming- GA-20
I’m Your Gangster Of Love- Dion
greenarrowradio promo- Rusty Ends
Maggie Went Back To Mineola- Texas Headhunters
Burnin’ Daylight- Texas Headhunters
Brian’s Boogie (Hurry Home)- BB & the Bullets


Angi- Nick Harper
Smoke Road- Crystal Jacqueline and Friends
Flowers At Her Door- Fitzsimon and Brogan


I’m Pressing On- Earl Thomas (Live)
Life From Below- Polyrhythmics
Chophouse- Polyrhythmics
Sunshine- Bywater Call (Live)

Todd Jorge & MEDESKI

Todd Clouser is a dynamic guitarist, composer, songwriter, & performer whose genre-defying music blends rock, jazz, blues, spoken word, & improvisation. Originally from Minneapolis, Todd has made Mexico his home, immersing himself in its vibrant creative scene while forging a global presence through relentless touring & prolific output. Hailed by NPR as “a fascinating musician” who “doesn’t belong to any scene & doesn’t want to,” his work is marked by its adventurous spirit & cross-cultural collaboration. As the leader of A Love Electric, a critically acclaimed power trio with bassist Aaron Cruz & drummer Hernan Hecht (later Jorge Servín), Clouser has released 7 albums across labels in the U.S., Mexico, & Europe. The band’s explosive sound—described as “power psych, punk jazz, post-genre, freak rock” (Vive Latino)—has fueled over 1,000 performances across 4 continents, from rock festivals to jazz clubs, alongside luminaries like Medeski, Cyro Baptista, & Billy Martin. Their albums, including *Psychmonde* & *Son of a Hero*, showcase Todd’s ability to channel 1970s rock heroics, avant-garde flourishes, & introspective songcraft into a singular, high-energy experience. His virtuosity as a guitarist extended to his role with Klezmerson, a Yiddish-Mexican klezmer-rock ensemble. Performing compositions by John Zorn, he recorded for Tzadik Records on albums like *Book of Angels: Amon* & *The Book of Beriah*. His work with Klezmerson brought him to prestigious stages, including **The Village Vanguard** in New York City & **Masada Marathons** in Sarajevo & Vienna, where he shared the stage with avant-garde giants like Marc Ribot & Bill Frisell. These experiences, were transformative, deepening his approach to music and collaboration. He has become a cultural ambassador, bridging musical communities through his leadership of Ropeadope Sur, a Mexico City-based imprint of Ropeadope Records. Founded with Hernan Hecht, Ropeadope Sur amplifies independent Latin American artists, with releases like Los Cardencheros de Sapioriz’s a cappella recordings & La Pingo’s Orquesta’s *Midwest/Bajio*. His vision for the label reflects his commitment to fostering creative & economic viability for artists in Mexico and beyond. He also co-edited *Musicians in Mexico City Vol. 1 and 2*, a book project documenting the city’s thriving music scene, further cementing his role as a chronicler of its cultural pulse. Through his nonprofit Music Mission, he channels his passion for community outreach, donating instruments, education materials, workshops, & support to underserved communities in Mexico (Oaxaca, Chiapas, Mexico City, Durango) & Nicaragua. This initiative, alongside his organization of events like the Lakeside Guitar Festival in Minnesota, underscores his belief in music’s power to connect & uplift across borders. Clouser’s extensive discography includes solo projects like Man With No Country & The Mexico City Experiment, a vibrant tribute to his adopted city featuring collaborators like Germán Bringas & Erik Deutsch. His tireless work ethic, shaped by his recovery from addiction, has fueled collaborations with artists from Flea to Keb’ Mo and performances at venues from Japan to Patagonia. Whether shredding fuzzed-out riffs, penning poetic narratives, or advocating for independent artists, Todd Clouser remains a restless innovator, weaving stories & sounds that transcend genre and geography.

Equally comfortable behind a Steinway grand piano, Hammond organ or any number of vintage keyboards, John Medeski is a highly sought after improviser and band leader whose projects range from work with John Zorn, The Word (Robert Randolph, North Mississippi Allstars, Phil Lesh, Don Was, John Scofield, Coheed & Cambria, Susana Baca, Sean Lennon, Marc Ribot, Irma Thomas, Blind Boys of Alabama, Dirty Dozen Brass Band and many more. Classically trained, Medeski grew up in Ft.Lauderdale, FL where as a teenager he played with Jaco Pastorius before heading north to attend the New England Conservatory. He released his first solo piano record, A Different Time, on Sony’s Okeh Records in 2013, and current projects include a new album in the works with his band MadSkillet (Terrence Higgins, Kirk Joseph, Will Bernard), and HUDSON (a collaboration with Jack DeJohnette, John Scofield & Larry Grenadier), plus a documentary on Medeski Martin & Wood.

Jorge Servin is an explosive young drummer from Mexico City, Jorge Servin fuses jazz, rock, and Latin rhythms with fearless precision. A rising voice in international creative music, he’s collaborated with artists across genres & continents. He has been playing in many projects with Todd over the years, but I imagine this one is something he’ll mark down on the wall.

I had the chance to check in with family to the proGram, Todd Clouser ahead of the September 14th event at the North Street Cabaret with his drummer from A Love Electric, Jorge Servin and Keyboard maestro, John Medeski. We get into how he prepares for working with MEDESKI and just when he knows how to add or subtract from the moment as they create in real time. We both are very excited for Jorge as he gets to look over and see MEDESKI as he does his rhythms and grooves. I had to make sure to revisit the recent Lakeside Guitar Festival and find out what were some of the highlights, this always sounds like a great time to be had. Of course I could not let my long running joke with Todd about forming a trio with Him and Medeski and well, Me. I, of course would be playing power tools. I can remember the first time Todd told me he was getting a chance to play with one of his musical heroes and that feeling keeps riding the waves of height to establish more moments of musical outreach. Hope to see you at North Street Cabaret for this one.

Duane Betts and Palmetto Motel

Duane Betts ignites and brings an evolution to the Southern rock tradition. With a fiery legacy forged by his father, the legendary Dickey Betts, the second-generation musician infuses it with his own soul-stirring blend of blues, raw passion, and six-string mastery. Backed by his band, Palmetto Motel, Betts delivers a dynamic live show filled with searing guitar solos, heartfelt storytelling, and a mix of classic influences with fresh energy. Fans can expect a blend of roots rock, blues, and some improvisational jamming, creating an electrifying yet deeply authentic experience. With top-tier musicianship, a connection to rock ‘n’ roll history, and the desire to make every performance a true experience, a Palmetto Motel show is an unforgettable journey that no music lover should miss. Palmetto Motel is Johnny Stachela (guitar, vocals), Brother to the proGram Pedro Arevalo (bass, vocals), Vincent Fossett Jr. (drums), and Max Butler (B-3 organ). On the Millennium Stage, September 3rd.

Set list:

Savannah’s Dream
Colors Fade
Blue Sky
Taking Time
Rivers Run
For What it’s Worth
Impossible Germany
Waiting on a Song

Detroit Jazz Festival

One of my favorite festivals to catch online – one day I’ll make the physical journey. Here’s a sampling of all I saw online – the entire schedule of what went down can be found here.

CHRIS POTTER TRIO Featuring Matt Brewer and Kendrick Scott

Hiromi’s Sonicwonder

John Pizzarelli

Kenny Barron Voices featuring Tyreek McDole

Omar Sosa Quarteto Americanos

Branford Marsalis Quartet

Connie Han Trio

Chucho Valdés & Paquito D’Rivera Reunion Sextet

John Scofield Quartet featuring Vicente Archer, Bill Stewart and Nicholas Payton