Spending Quality Time With Meklit

Meklit Hadero is an Ethiopian-American vocalist, songwriter, & composer, known for her electric stage presence, innovative sound & vibrant cultural activism. Her latest EP ‘Ethio Blue’ was released March 8, 2024. Meklit’s Ethio-Jazz performances have taken her to renowned stages across 4 continents. Her 2017 album ‘When the People Move, the Music Moves Too’ topped world music charts across the US + Europe, and was named amongst the best of the year by Bandcamp & The Sunday Times UK. Meklit has collaborated with renowned artists such as Kronos Quartet, Andrew Bird, Preservation Hall Jazz Band, and the late creator of funk music, Pee Wee Ellis. Meklit has always straddled her creative practice with her passion for cultural activism. She is the former Head of Creativity and Impact at Yerba Buena Center for the Arts in San Francisco, where she helped design & implement a slate of radical programs supporting social justice focused artists during the height of the pandemic. She is a sought after thought leader & speaker and has given talks on multiple TED Stages, at the UN, and at the National Geographic Storytellers Summit, as well as at companies, organizations & Universities around the globe. She is a National Geographic Explorer, a TED Senior Fellow, and a former Artist-in-Residence at Harvard University. She is the co-founder of the Nile Project, a featured voice in UN Women’s theme song and the winner of the 2021 globalFEST Artist Award. Meklit has been a guest DJ on KCRW’s Morning Becomes Eclectic, created new works via commissions from Lincoln Center, MAP Fund, Center for the Art of Performance at UCLA, Stanford Live, NYU Abu Dhabi and so many more. Her music has been featured by the New York Times, BBC, CNN, NPR, Washington Post, Vibe Magazine, San Francisco Chronicle, Boston Globe and many more. The list is long, but Meklit is also co-founder, co-producer & host of Movement, a new podcast, radio series & live show uplifting the stories/songs of immigrant musicians. The show airs monthly on PRX’s The World to an audience of around 2.5 million listeners.

I had the complete pleasure of chatting with Meklit about her latest project, her self-released ‘Ethio-Blue EP. We got into how it went from it’s beginning (a true birth-like moment) to its release into the world. We dissect a couple of tracks to get a little more inside the mind’s eye as we tend to look with our ears first. There’s family style props to all that worked on this project and you can sense it from the final product, that they people who put the puzzle toGether, cared for these songs. Before we hit record, I mentioned about wanting to talk about the National Geographic Explorer title she has as a part of her name because I had a little joke for it. Find out what grade my joke received and how you too could become an explorer. We also spend some time talking about the super cool transmedia storytelling initiative that lives at the intersection of migration and music, known as Movement. I really have had my phone to my ear learning and listening about people I am more interested in already after being introduced via this platform. This is just one of so many projects that Meklit is a part of, has been a part of as a bridge builder. We find out if she ever gets nervous or maybe perhaps a little gushy ever speaking to such cool and interesting artists/people. Before letting her go, and I think we could have just kept on talkin’ as the energy was so positive and felt like hanging out with a friend….we found out a little setlist stylin’ Meklit would put out for listeners if she took the DJ baton from me, she picks one from ‘Ethio Blue’ and then we get a some of her local flavors from the S.F. Bay area to get an education on.

Photo by Alexa Treviño.

Joe Marcinek Brings It on 1 River Street

The Joe Marcinek Band is a vibrant fusion of the Chicago Blues, Dat New Orleans Funk, Grateful Dead inspired jamming psychedelia and an array of intricate jazz fusion which creates a unique and eclectic musical journey. Attending a Joe Marcinek Band concert is an electrifying experience that takes listeners on a diverse musical journey. Each concert is unique, as the band is known for its improvisational skills, ensuring that no two performances are exactly alike. The band’s palpable energy and passion for music are infectious, making their concerts not just a listening experience, but a full-fledged musical adventure that resonates with fans of diverse musical tastes. Expect a night filled with skillful musicianship, unexpected musical turns, and a lively atmosphere that invites the audience to be part of the band’s ever-evolving musical narrative. For years now, Joe has also been curating a collection of albums with each showing that true range and ability he has with the music but also how he interacts with other artists to find their personal together landscape. It always feels fresh and evolving. His latest release, 1 River Street, was recorded in Massachusetts at Iron Wax Studios with Alan Evans producing and on drums, Nate Edgar on bass, Kris Yunker on keys, Brian Thomas on trombone and Alex Lee-Clark on trumpet and Jared Sims on sax & flute. It’s a tight collection of eight sharply-honed tunes that brinGs the funky and groove of life within each note.

I had an opportunity to catchup with family to the proGram, Joe Marcinek to get into the new record 1 River Street. We talk about the evolution of both him as an artist and this new music. We get into the above mentioned players and friend of the program, Mr. Alan Evans’ studio and the desire for both to work with each other finally on a record like this. So this one is on Alan’s Vintage League Music label which is a conduit for many a funky great. Mostly, I really wanted to tell him how funky he is and that this record really shows off where the experiences of many years now has taken him. We find out what big shows Joe and his rotation of cool musical comrades played in the past year or so and highlight a couple of the bigger ones to look forward to this year. Joe is family, he is open to what & where the groove takes him, and I just really respect someone who can work with so many different people and the music still has it’s own unique smile to it, each time. If you are looking for a groove, it could very well live inside of 1 River Street.

Sky Roll

The final part of this week’s proGram was under the just about to.

Before You Accuse Me- John Primer (live)
***pre-recorded conversation with Mr. John Primer***
Mama Talk To Your Daughter- John Primer (live)
The Things I Used To Do- John Primer (live)

Danza de LA LOM- LA LOM
Yagibushi- Norio Maeda & All Stars
Tsugaru Jongara Bushi- Norio Maeda & All Stars
85’D- Joe Marcinek Band


Dreaming Of Mars- Jenova 7
Cryogenic Dream- Jenova 7
Deep Star Deception- Jenova 7
Take a Ride (To Planet 9)- Cobra Fantastic


Be the Change- Nation Beat
Forró le Fonque- Nation Beat

From Down to Up

The middle part of the proGram laid down to only look up.

Watching The Skies- Elkhorn
Limbo Dweller- E GONE
Moon You Are Not Scattered- E GONE
Eamonn Andrews- Soft Machine (live 1971)
Kings and Queens- Soft Machine (live 1971)


Hey, Mr. Reaper!- Kid Anderson Ft. Charlie Musselwhite
I Want What Chaz Has- The Cash Box Kings
**pre-recorded conversation w/Joe Nosek of The Cash Box Kings**
Hot Little Mess- The Cash Box Kings

Stuck Between- Sugaray Rayford
Human Decency- Sugaray Rayford
Don’t Make No Sense- The Fabulous Thunderbirds Ft. Terrance Simien
greenarrowradio promo- The Name Droppers
Starshine- The Name Droppers

Sometime Somewhere

The first part of the proGram will soon be out and out.

Long Gone- Laurie Lewis
Casey Jones- Tony Trischka
Brown’s Ferry Blues- Tony Trischka Ft. Billy Strings


Pinholes in the Dark- Los Days Ft. Tommy Guerrero & Josh Lippi
The Loss of Ancient Dreams- Los Days Ft. Tommy Guerrero & Josh Lippi
Wish You Would- Los Lonely Boys
When The World Was Round- Brian Ray


Paris, Paris, Paris, Paris- Combo Daguerre
Strange World- La Luz
Don’t Change- Los Bitchos


Wearing On My Soul- The Woggles
Toad In The Hole- The Woggles
Mr. Last Chance- The Woggles


Never Come Down- Hanford Flyover

The Legend John Primer

Mr. John Primer has undisputedly helped build the sound and style of Chicago blues as we all know it today. The echoes of tradition bellowing from the birthplaces he played such as: Maxwell Street, Theresa’s, Checkerboard & Rosa’s Lounges, pulse from every chord in his fingers still today. John Primer is a Chicago Blues Living Legend. Growing up on Mississippi sharecropper land in 1945, inspired by his family’s hard work & field songs daily, deep devotion to spirituals on Sundays, and blues on Saturdays. John dreamed of one day playing with the Legendary Muddy Waters! Moving to Chicago in 1963, he started on that path of becoming a great bluesman, getting his 1st steady gig at the legendary Maxwell Street in Chicago on Sundays and at the famous Theresa’s Lounge 7 nights a week for 7 years. John was taught by the founding fathers of the blues. Starting out with his own band the Maintainers with Pat Rushing on Maxwell Street, he then moved on to play with the legendary Sammy Lawhorn & Junior Wells at Theresa’s Lounge. He worked hard and impressed Willie Dixon enough to go on tour with him and his Chicago Blues All-Stars Band. At this point he was known and John’s dream finally came true in 1981 when he got to play with his idol, Muddy Waters. Muddy called for him to lead his band and changed his life forever. After Muddy’s untimely death, he joined up with Magic Slim & The Teardrops for the next 14 years, traveling all over the world. John paid his dues and in 1995 he began leading his own band, The Real Deal Blues Band. He has been recorded on more than 87 albums with 17 albums in his own name. He has written & produced more than 55 songs on more than six record labels including his own, Blues House Productions. Earning 2 Grammy Award nominations, given 2 Lifetime Achievement Awards, inducted into the Chicago Blues Hall of Fame, awarded the “Muddy Award” for being a traditional blues icon, winning a Blues Music Award, Blues Blast Awards and countless other awards, John Primer is a legendary Chicago Blues Icon!!!

I had the honor of getting to spend some time talking with Mr. John Primer ahead of his upcoming stops through Madison on June 22nd at the Red Rooster and then again on August 10th part of the Sessions At McPike Park. We got into what an audience can expect in the way of traditional blues that is flowing through this man’s veins and how is is doing all he can to keep that vibe alive. We spent time dissecting his recent award winning album “Teardrops For Magic Slim” and how the album (a live recording – was a tribute fitting for another legend to the scene). Mr. Primer was recently overseas for a festival so we talk anbout him prepping the band he inherited when he arrived and how they did such a bang up job. As you can imagine, we got into stories about the who and the what and the where and especially the how of major career paths in his life, a life worthy of any hall of fame and certainly his sound is in many of our individual sonic halls of fame. I invite you to take a listen to the past and learn a bit about where one of the originals to the Chicago Blues groove got his starts and stops, he come-uppins and his immense influence still to this day on generations of others, feeling this music. John Primer is a leGend.

Cash Box Kings Come Knockin’

The Cash Box Kings are co-led by real-deal Chicago blues vocalist & songwriter Oscar “Mr. 43rd Street” Wilson, and Madison, Wisconsin-based songwriter, harmonica giant & singer Joe Nosek, plays masterfully raw, unvarnished, old-school ensemble blues. Wilson’s huge, emotive vocals and Nosek’s blistering harmonica fuel their razor-sharp original songs and always incisive reinvention of obscure blues classics. On their new Alligator Records album, Oscar’s Motel (their 3rd for the label & 11th overall), The Cash Box Kings bring contemporary authority and old-school authenticity to each of the album’s 11 tracks. The band, featuring guitarist Billy Flynn, drummer Kenny “Beedy Eyes” Smith, bassist John W. Lauler, and keyboardist Lee Kanehira, opens a door into the intoxicating spirit and sounds of 1950s and 1960s Chicago-based blues, and then they bring it all right up to the minute with Wilson & Nosek’s original, instantly memorable songs. The history of The Cash Box Kings begins in Madison, Wisconsin where Nosek founded the band in 2001. Since 2007, his co-leader has been the charismatic, larger-than-life Chicago blues vocalist Oscar Wilson. Over 20 years apart in age and coming from vastly different backgrounds, the two form an unlikely pair, combining Wilson’s indisputably authentic South Side Chicago blues vocals and gritty, street-smart songwriting chops with Nosek’s storytelling vocals, dynamic harmonica and witty tunesmithing. In their first 6 years, The Cash Box Kings’ top-notch musicianship and deep blues feeling won the band a large and loyal audience across the Midwest. Wilson joined the group in 2007, bringing with him an instantly commanding stage presence and an authoritative vocal style that gives fire-breathing power to the music. A captivating singer, born in Chicago with the blues in his blood and with an encyclopedic knowledge of almost every blues song known to man, Wilson is a natural-born entertainer and a perfect foil for Nosek and the band. Born in 1953 on Chicago’s 43rd Street (aka “Muddy Waters Drive”), Wilson grew up in the company of many famous blues artists. Junior Wells, Elmore James, Big Smokey Smothers and close family friend David “Honeyboy” Edwards were all regulars at weekly Friday night fish fries/jam sessions at the Wilson home. Throughout his adulthood, Wilson held regular jobs but was always welcome sitting in with Chicago blues mainstays like Melvin Taylor & Johnny B. Moore. His vocal inspirations range from Muddy Waters, B.B. King and Albert King to Jimmy Reed, Jimmy Rogers and Little Walter, but he mostly sings like Oscar Wilson. A self-described blues fanatic, Nosek, born in Wisconsin in 1974 and raised the Chicago suburbs, spent his youth soaking up as much blues music as he could hear, both live and on record. In his teens, he began sneaking into blues clubs to watch Junior Wells, James Cotton, Otis Rush, Jimmy Rogers, Sunnyland Slim and others. He took up harmonica, quickly cultivating his own aggressive, fluid style. After moving to Madison in the early 1990s, he began sitting in with artists such as Clyde Stubblefield & Luther Allison. Finding like-minded musicians hell-bent on playing raw, rough-edged, hard-charging blues, Nosek formed The Cash Box Kings. They released their first album, Live! At The King Club, in 2003, instantly earning praise from critics and fans, and gaining a reputation as one of the hottest live bands on the circuit. With 10 previous releases to their credit and hundreds of live performances under their belts, The Cash Box Kings have won widespread acclaim throughout the blues world. Their Alligator Records debut, 2017’s Royal Mint, was named among the Top Ten Blues Albums of the Year by MOJOmagazine. 2019’s Hail To The Kings! continued the trend, with the band receiving three Blues Music Award nominations, praise from media including NPR, The Chicago Tribune, AllMusic.com, UK’s MOJO and Blues & Rhythm, and radio airplay around the world. The Cash Box Kings continue to play major festivals across the U.S. and Europe. They’ve blown away audiences at the Chicago Blues Festival, the Tampa Bay Blues Festival, the Doheny Blues Festival, the Mississippi Valley Blues Festival, the New Orleans Jazz and Heritage Festival, the Cincinnati Blues Festival, the Cambridge Folk Festival (UK), the Moulin Blues Festival (Netherlands), the Lucerne Blues Festival (Switzerland), the Baltic Blues Festival (Germany) and the Edmonton Blues Festival (Canada). They have also performed in Belgium, France, Spain & Uruguay, building their worldwide audience one jaw-dropping show at a time. No matter where The Cash Box Kings perform, they bring the music to fuel the party. Between Wilson’s natural blues vocal power and Nosek’s talent at wringing every last drop of emotion from his harmonica, The Cash Box Kings never fail to wow their longtime fans while earning new ones at every gig.

I had the chance to catch up with Joe Nosek ahead of a busy week in and around Madison. On Tuesday the 18th they will be rockin’ the Harry Whitehorse Sculpture Festival, and on the 21st, the Cash Box Kings will be part of a Make Music Madison event at 4pm and then aGain that evening at the North Street Cabaret. We start by filling in any newcomers to the scene on what to expect from a CBK’s show, traditional blues with a modern feel striving to provide a mosaic of feelings and get down rhythms. We go into their latest release on Alligator Records, ‘Oscar’s Motel’ and get deeper into the how’s and why’s of what they did and do for this record. We talk about speaking up and being the voice of the times as well as living the dream of working & hanging with friend of the program, Mr. Buddy Guy. Also, this chat would not be complete without hearing what track off the new album Joe would pick to share in a set, and what other artists would get in that list.

About To Burst

The final part of the proGram could easily tell it was ready to go.

You Got Soul- Quinn DeVeaux
Plays for Keeps- Johnny Burgos
Love Will Come Around- Resolution 88 Ft. Vanessa Haynes
Love Sex Magic- Silky Steps
Sarda Sarda- Or Kantor


If You Don’t Want Me- The Freedom Affair
Don’t Mind Me- Con Brio
Vast Wildfire Poison- Prefuse 73
Wise Up- Common & Pete Rock


Viva tu- Manu Chao
To Da Fe- Reginald Policard Ft. Gilmar Gomes & Richard Bona & Angelique Kidjo
Melancolia- Reginald Policard Ft. Richard Bona


RASIN MWEN- Paul Beaubrun Ft. KOLO, Kabysh & Badio
They Say- Paul Beaubrun Ft. CIMAFUNK & Keyon Harrold
These Eyes- Reggaddiction

See Them All

The middle part of the proGram paid attention to the many shades of all of us.

Under New Management- Curtis Salgado Ft. Anson Funderburgh
I’m Gonna Forget About You- Curtis Salgado Ft. Robert Cray
Talkin’ Smack- Gerald McClendon
She’s Tryin’ to Drive Me Crazy- Gerald McClendon
Ain’t That a Man- Sugaray Rayford
Aha- Sugaray Rayford


Back To Schooldays- Graham Parker & The Goldtops
Shed- Sub*T
Moon in Reverse- La Luz
Mystical & Paranoid- Dylan Chambers Ft. G Love & Special Sauce
Next Time- Raul Midón
Angelwings- Potatohead People Ft. Shafiq Husayn & Ivan Ave


Rainbow- Ruthie Foster
Come To Mama- Sierra Green & The Giants
***pre-recorded conversation with Sierra Green***
Can You Get To That- Sierra Green & The Giants
Break In the Road- Sierra Green & The Giants

Iris Roll

The first part of this week’s proGram went thru the tuck & roll and kept on.

I Shall Be Released- Rising Appalachia
Chinese Breakdown- Tony Trischka
Lady Madonna- Tony Trischka Ft. The Gibson Brothers


Train Coming- Angelique Francis Ft. Eric Gales
Day Tripper- Kid Anderson (live)
You Met Your Match- Lisa “Little Baby” Anderson
A Change Will Do Me Good- T-Bear
Your Husband’s Got a Gun- T-Bear


Whatcha Do To Me- The Fabulous Thunderbirds Ft. Elvin Bishop
Nothing In Rambling- The Fabulous Thunderbirds Ft. Bonnie Raitt, Keb Mo, Taj Mahal & Mick Fleetwood
Ring Them Bells- Rory Block
In a Flash- Gene Moran


Hey Don’t Go- Mason Via

A Rising Star In Sierra Green

Sierra Green was born and raised in New Orleans 7th ward where she began singing in the church choir at the age of 8. The 7th ward is a mecca for talent, spawning legends including Jelly Roll Morton, Allen Toussaint, & Frank Ocean, rappers Mannie Fresh & Mia X, and film stars Tyler Perry & Sidney Bechet. Hope rings throughout the community. Families are close; music is relevant; and everyone knows someone who made it out and became famous. Music, Art, & Talent remain fresh and abundant in the 7th ward, and Sierra Green and the Giants are the latest breakout. As a teen Sierra began busking on Frenchmen Street, one of the musical centers of the Crescent City, which taught her quickly how to keep an audience. Before long Sierra graduated to clubs, establishing the best residency in town playing a couple of nights a week to a packed Frenchmen Street house. In New Orleans when you have the best gig in town the best players gravitate toward you, and you eventually end up with the best players in town. These are Sierra Green’s Giants. Sierra’s summer was filled with excitement as she and her Giants, featuring William West on drums, Mike Perez on bass, Paul Provosty on guitar, Brandon Nater on trumpet, Maurice Cade on trombone, and David Ludman on saxophone, worked with New Orleans’ legendary producer David Torkanowsky on a blazing new EP called The Torch Sessions. The band recorded five tracks, including an impressive and passionate version of The Meter’s “Break in the Road” and the chance to project her own style into “Promised Land,” a song by the Revivalists’ David Shaw. On the crawling “One Thing” Sierra takes her gloves off with a powerful performance channeling the depth of her passion and range. Sierraowns Nina Simone’s anthem for liberation “Feeling Good.” You can feel the euphoria that comes from being liberated from oppression, something that is common in New Orleans’s 7th ward. “He Called Me Baby” is a perfect track to express the direction and soulful sound that you can expect Sierra to deliver throughout her career. Powerful horns to accent the groovy bass and piano lines and a vocal you can compare to any of the legends of 1960’s Motown. One common thread which runs through all these tracks is Sierra’s hunger and passion to change her own life while changing others with the power of her voice and her music.

I had the pleasure of hanging out with Sierra Green shortly before she and the Giants headlining the Marquette Waterfront Festival here in Madison, Wisconsin on Sunday June 9th at 6:30pm. We get into what the people getting down at the festival can expect to get when Sierra & the Giants hit the stage. There is going to be moments to move, groove and dance your faces off. She may or may not have endorsed hopping up on stage to shake it in front of all. This sound has both the love of STAX Records and the New Orleans flavor seem to fit into any place that is ready for a party. We get into the new album to drop this fall, we went seed to flower on how that turned from sessions to ready to spin. Find out what Sierra’s grandma and I have in common, it has everything to do with how her voice can change the mood and we talk about what would be a setlist if I left the studio and Sierra hopped in. Get Ready To PARTY!


Betty Carter’s Jazz Ahead – Day 1

Under the direction of Jason Moran, Kennedy Center Artistic Director for Jazz, Betty Carter’s Jazz Ahead is an international two-week jazz residency performance and composition project discovering and presenting the next generation of jazz greats.

Betty Carter’s Jazz Ahead identifies outstanding, emerging jazz artist-composers (in their mid-teens to age 25) and brings them together under the tutelage of experienced artist-instructors who coach and counsel them, helping to polish their performance, composing, and arranging skills.

The two-week residency program—for which there is no tuition or application fee—includes daily workshops and rehearsal with established jazz artists and culminates in three concerts in the Kennedy Center Justice Forum, which will be livestreamed. The Kennedy Center will provide participants with lodging at a local hotel and per diem to cover meal expenses.

Betty Carter, who possessed one of this era’s most extraordinary voices, was devoted to jazz education. Her Jazz Ahead program, which she brought to the Kennedy Center in 1998, has helped launch the careers of several of today’s stars, including Cyrus Chestnut, Kendrick Scott, Jason Moran, Jazzmeia Horn, Nate Smith, Arco Iris Sandoval, and Matthew Whitaker, among others.

Bubbled Over Green

The final part of the proGram this week, saw SUM contrasting views.

Con Licencia- Orquesta Akokán
For The Soul- Potatohead People Ft. Moka Only
FromHere- NxWorries Ft. Snoop Dogg & October London


World of Peace- Radio Citizen & Masajjaa Ft. Bajka (Lehto Remix)
Ma Belle Fille- Saturno 4000
Portal To A World Of Sand- Jenova 7
Permeability- Varv


Race Car- Nation Beat
A New Flow- Nation Beat Ft. Christylez Bacon
Nard’s Right- Ghost-Note Ft. Bernard Wright
Mustard n’Onions- Ghost-Note Ft. Jay Jennings
The Curious Wild- Apifera


Totality (Crown-Lites dub remix)- Ghost Funk Orchestra
Congo Man- Paul Beaubrun

Chive Turkey

Now the second part of the proGram was a tasty and pretty looker:

Billy Canton’s Bulldog- Big Dave McLean
Got Me By The Short Hairs- Tornozo Cannon
Niki Hokey- Curtis Salgado
Midnight In Meridian- Wyly Bigger


Pump the Brakes- The Reddcoats
Reddcoat Stew- The Reddcoats
Tilt a Whirl- The Reddcoats
All That School For Nothing- John Grant


Joe’s Struggles- Wild Yaks
Les Assassins- Combo Daguerre
In The Green Fields Now- Ambassador Hazy


I’m Lonely- MASINO
All I Need- MASINO Ft. Jensine Benitez
Tough Love- MT Jones
Lemon n Lime Sours- Emilia Sisco w/Cold Diamond & Mink


Sun Don’t Shine- Wolfgang Valbrun
Dame Lo Que Tienes- Joe Tatton Trio Ft. Lucas de Mulder

Chive Shadow

The first part of this week’s proGram was no chive talker!

Liquid Modernity- Blake Leyh
Blackbird (12 String)- Mark Leggett


You’re What I Need- Jenny Don’t And The Spurs
Comin’ Up- Dylan Chambers
High (When I’m Low)- Dylan Chambers Ft. Lunchmoney Lewis & Dave Koz
You Gotta Respect Yourself- Dylan Chambers Ft. Cory Wong


Set Me Free- Rainy Eyes
Cold Cold World- Chris Kasper
Getting Right- Chris Kasper Ft. Oliver Wood
It’s Not Me, It’s You- Chris Kasper
I Gotta Go- Leslie Mendelson


The Ghost of D.B. Cooper- Goodnight, Texas
Motown Mash- Left Lane Cruiser
River Picker- Left Lane Cruiser

Tali Rubinstein Quartet at Lincoln Center

Los Angeles-based composer and musician Tali Rubinstein began playing the recorder when she was in the second grade. Her talent, distinctive style, and personal expression have made her the world’s greatest interpreter of that often underestimated instrument. She has put her virtuosity to work in fields as diverse as Latin pop, modern jazz, Hindustani ragas, contemporary classical, and children’s songs. In addition to her years of international touring, Rubinstein has performed at the Carnegie Hall, the Kennedy Center and Birdland Jazz Club. She has played alongside David Borza, the Israeli Andalusian Orchestra, Anat Cohen, the Orchestra of St. Luke’s, Alejandro Sanz, Mariza, the Manila Symphony Orchestra, Tomatito and Paco De Lucia’s band. Rubinstein and her band’s Lincoln Center headliner premiere showcases and celebrates music from her entire repertoire, including her most recent album, 2023’s Mémoire, produced by the multiple GRAMMY Award-winner Javier Limón.

The Others Garden

The final part of this week’s show had a little extra to it.

I Concentrate On You- Lizz Wright
Sparrow- Lizz Wright Ft. Angelique Kidjo
Your Love- Lizz Wright Ft. Meshell Ndegeocello and Brandee Younger
We Shall Overcome- Jazz at Lincoln Center Orchestra w/Wynton Marsalis Ft. Bryan Stevenson


Anything at All- Raul Midón
***pre-recorded conversation with Raul Midón***
Keep on Keeping On- Raul Midón


Ode to Barry- Charles McPherson
Surge- Charles McPherson
Am Gone Get Some- David Murray Quartet


Mercy, Mercy, Mercy- David Benoit Ft. Spice Fusion
Spark- Jon Gordon
Portrait- Omar Sosa


From the Ground Up- Rosa Brunello
Up from Under from Up- Bright Dog Red

A Burster

The middle part of the proGram blew up this wayz to the sun.

The Red Door- Orrin Evans
***pre-recorded conversation with Mr. Orrin Evans***
All The Things You Are- Orrin Evans
Smoke Rings- Orrin Evans

Ladies- Kenny Garrett & Svoy

Puerto Rican Rumble- Benjamin Koppel, Brian Blade & Anders Koppel
Peche a la Mouche- Stephane Wrembel Band & Jean-Michel Pilc
le Mythe de Sisyphe- Stephane Wrembel Band & Jean-Michel Pilc
Stromboli- Zaccai Curtis Ft. Luques Curtis, Willie Martinez, Camilo Molina & Reinaldo De Jesus


Bright City- Natsuki Tamura & Jim Black

Albert Ayler, a meditation in light- Wadada Leo Smith & Amina Claudine Myers
Imagine, a mosiac for John Lennon- Wadada Leo Smith & Amina Claudine Myers
Sacrifice- Jack Walrath (Live)
Ain’t That Some Shit- Andy Ezrin

You’re A Daisy If You Do

The first part of this week’s proGram laid right down next to you.

Sauntering with Mr. Brown- Tomeka Reid Quartet Ft. Mary Halvorson, Tomas Fujiwara & Jason Roebke
Outubro- Milton Nascimento & esperanza spalding


Bass Salute- Peter Dominguez
**pre-recorded conversation with Peter Dominguez**
Honor Song For RD- Peter Dominguez


Perspective (Peace and Love)- Isaiah Collier & the Chosen Few
Guest Of Honor- Ron Miles (live)


Mission Statement- Julius Rodriguez
Wattensaw- Jason Robinson


Starlight- Fred Hersch
Softly, as in a Morning Sunrise- Fred Hersch

Orrin Evans At Madison Jazz Fest

During his kaleidoscopic quarter-century as a professional jazz musician, pianist Orrin Evans has become the model of a fiercely independent artist who pushes the envelope in all directions. Evans upholds that reputation on his 20th album, Magic of Now (Smoke Sessions), on which he helms a multi-generational A-list quartet through an eight-piece program that exemplifies state-of-the-art modern jazz. From first note to last, the members, convening as a unit for the first time, display the cohesion and creative confidence of old friends, mirroring the leader’s predisposition for finding beauty in the heat of the moment. Although he’s never had the support of a major label, Evans has ascended to top-of-the-pyramid stature on his instrument, as affirmed by a #1-ranking as “Rising Star Pianist” in the 2018 DownBeat Critics Poll. Grammy nominations for the Smoke Sessions albums The Intangible Between and Presence, by Evans’ raucous, risk-friendly Captain Black Big Band, cement his bona fides as a bandleader & composer. Mr. Evans bedrocks his speculative sensibility with virtuoso command of the piano and deep assimilation of the fundamentals. A deft tune deconstructor, he commands vocabulary across a broad timeline of swinging, blues-infused hardcore jazz and spiritual jazz/avant garde jazz dialects, as well as the Euro-canon, and conveys his stories with the intuitive spontaneity of an ear player. He projects an instantly recognizable sound, sometimes creating flowing rubato tone poems, sometimes embodying the notion that the piano comprises 88 tuned drums. His stylistically polyglot compositions – influenced by the expansive, individuality-first Black Music culture of his native Philadelphia and by a decade playing Charles Mingus’ beyond-category music in the Mingus Big Band – similarly postulate an environment of “structured freedom” that instigates the personnel to push the envelope in all his multifarious leader and collaborative projects. These include the Eubanks Evans Experience (a recent venture w/eminent guitarist Kevin Eubanks); the recently-formed Brazilian unit Terreno Comum; Evans’ working trio with bassist Luques Curtis & drummer Mark Whitfield; Jr.; & Tar Baby (a collective trio of 20 years standing with bassist Eric Revis & drummer Nasheet Waits). One of Tar Baby’s two 2022 releases will be released on Evans’ imprint, Imani Records, which he founded in 2001 and relaunched in 2018. An influential educator, Evans is devoted to passing the torch to new generations. His students include the outstanding young alto saxophonist & Blue Note artist Immanuel Wilkins, and the prodigious, Grammy-nominated teenage pianist Brandon Goldberg.

I had the honor of spending some time with Mr. Orrin Evans ahead of his headlining set on June 15th at the University of Wisconsin Terrace as part of the 2024 Madison Jazz Festival. We first took care of business and got to know each of his bandmates for the event and how he looks forward to being able to create music with these folks in a spot he has hear a lot about as a beautiful place to play. Who could argue? Mr. Evans goes back in time and reflects on how some form of the arts was going to be a part of him always, he was never discouraged from doing things he enjoyed and wanted to try, which has seemed to translate into the way he goes about creating/leading/teaching within the arts. The question ‘What are you listening to?’ leads to some interesting words and it seems on a good day, we and many may have a certain sound in common. We talk about how his 2023 album, ‘The Red Door’ came together and how he got to work with so many folks he always wanted to on that record and why not build a setlist? Man, after that I wanna go over and hang with him and have a listening party.