Bubbled Up

The middle part of the proGram saw the melt turn into a new form.

Endless Sea- Cat Power
I Had a Dream Joe- Cat Power
Up In Smoke- Ceramic Animal
Tangled- Ceramic Animal


Will You Still Be Mine?- Ron Jackson
Freedom Jazz Dance- Brian Auger Ft. Alex Ligertwood [Live at the Winter Garden]
I Wanna Take You Higher- Brian Auger
Soif, Chameau, Pinot- Kind & Kinky Zoo
Poulpe Fiction- Kind & Kinky Zoo


Landline Memories- Circles Around The Sun (Live Charleston Pour House 11/12/21)
***pre-recorded conversation with Mark Levy of CATS***
Pete Jive- Circles Around The Sun (Live Charleston Pour House 11/12/21)


Winner’s Eyes- Mamas Gun
The Last Dance- St. Paul & The Broken Bones
Milan, Michigan- Calibro 35
Warpaint- Monophonics

Circles Around The Sun In Madison

IN THE BEGINNING: The mystery of just who was behind those far-out tunes that kept the crowds groovin’ during Fare Thee Well’s intermissions has been revealed. Circles Around the Sun, a band convened by guitarist Neal Casal, formed specifically to record just for those shows and the results were so right on and the audience reaction so overwhelmingly positive, the group decided to give the music a proper release. The project began when Neal was asked by video director Justin Kreutzmann to compose and record more than 5 hours of original music to be played along with the visuals Kreutzmann was preparing for the Fare Thee Well intermissions. “The idea was to not only show reverence for the past but to in reality, move it forward. Just like the music of the Grateful Dead. Neal was originally joined in the studio by keyboardist Adam MacDougall, a fellow member of Chris Robinson’s Brotherhood and Phil Lesh’s Friends. The balance of the then CATS consists of bassist Dan Horne (Beachwood Sparks, Jonathan Wilson) and drummer Mark Levy (The Congress). Here we are in 2022 and a lot has changed for the group. We lost Neal, but not the music.

I had the chance to catch up with Mark Levy to get into the March 26th event of Circles Around The Sun w/Mikaela Davis at the High Noon Saloon in Madison. While Mark was out on a quick vacation before happily getting back out on the road – we chatted about what to expect if you don’t know this group or its music, a new live record that’s oh so hot and an even brandier newer album with Mikaela Davis. We talk about all the newness – but spend most of our time talking about our mutual pal, Neal. The legacy continues as promised – the memories strong as the real ones remain and we still get to feel ‘it’ as the circle keeps spinning.

Ron Jackson And His 7 String Jazz Guitar

Versatile and sophisticated jazz guitarist Ron Jackson has performed, recorded and taught music in over 30 countries. With a varied career as a performer, composer and arranger, Highlights include shows and tours with artists such as Taj Mahal, Jimmy McGriff, Larry Coryell, Benny Golson, Oliver Lake, Russell Malone and Mulgrew Miller. Ron has been featured as a leader in jazz festivals all over the world, including the North Sea Jazz Festival, Edinburgh Jazz Festivals and Winter Jazzfest, NYC. Mr. Jackson was initially influenced by rock guitar greats like Jimmy Page, before falling under the spell of jazz and following the style and career of jazz guitar luminaries like Pat Metheny and George Benson. After attending Berklee School of Music on scholarship, studying jazz composition and arranging he spent two formative years in the mid-1980’s living and playing guitar with the lively expat jazz community in Paris, France. Ron then moved to New York City, where he remains an active participant in Gotham’s always vibrant jazz scene. A master of the six, seven and twelve string guitars, Ron appeared on over 40 albums by such artists as Hal Singer, Graeme Norris, Ron Blake, Gisele Jackson and T.K. Blue, before founding the independent record label Roni Music in 2003 which has since released some of his eight of his albums as a leader including The Dream I Had (2003), Flubby Dubby (2008) and Akustik InventYours (2014). His latest project, Jazz Standards and Other Songs (2019) is an alluring mix of familiar jazz numbers and innovative adaptations of songs from other genre’s like his trendsetting arrangement for jazz trio of Drake’s “Passion Fruit.” An acclaimed music educator, Ron currently teaches guitar at Jazz at Lincoln Center, The New School, Midori and Friends, and is the founder and director of the website www.practicejazzguitar.com. Ron has held master classes, concerts and workshops at Jazz at Lincoln Center-Jazz in the Schools, The Thelonious Monk Institute of Jazz, Escuela Creativa Musica in Madrid, Spain and California State University.

I had the honor of catching up with Mr. Jackson to talk about his upcoming show on March 12th a Cafe Coda in Madison on the heels of his brand new 7 string jazz guitar led trio album, ‘Standards And My Songs’ out now on his Roni music label. We dive head first into how he was able to get a grant for this tour that brings him my way [Jazz Road national initiative of South Arts], the maGic of the 7 string guitar and the creation of the new record. I heard a connection to my brother, Mr. Melvin Sparks, so we paid a little homage to our pal and Ron put together an idea of an extended setlist he might build around one of the new tunes. New record and a tour – sounds like 2 ways to take home music to me.

More Time With Jorma

A Grammy-winning American guitar player and rock & roll Hall of Famer, Jorma Kaukonen may be best known as a founding member of psychedelic rock legends Jefferson Airplane and cult blues-rockers, and one of my personal favorites, Hot Tuna. His fingerstyle guitar method, which is rooted in blues, folk, and Americana, has made him an influential figure and in-demand instructor — he operates his own guitar camp [see Fur Peace Ranch]. In addition to his work with Jefferson Airplane/Hot Tuna, Jorma is a prolific collaborator and successful solo artist who has released albums at a steady pace since the late 1970s. Jorma was born and grew up in Washington, D.C., where he first turned to the guitar. He lived in the San Francisco Bay Area in the early ’60s, playing backup to singer Janis Joplin in local clubs. In 1965, he became a founding member of Jefferson Airplane, which soared to fame in 1967. Though his songs and vocals were not prominently featured in the band, his distinctive guitar-playing was crucial to its sound. With bassist Jack Casady, he formed a spinoff duo from the group in 1970 called Hot Tuna, and this became his primary musical vehicle after Jefferson Airplane split in 1973. Hot Tuna recorded a series of albums on which Jorma sang and played guitar until 1978. After that, he worked as a soloist and with such groups as Vital Parts (1980). Jorma reunited with Casady in Hot Tuna during the ’80s, and both participated in the 1989 reunion of Jefferson Airplane. A Hot Tuna reunion album appeared the following year. Jorma has remained active as the 20th century ended and the 21st began, regularly touring and recording in different configurations before finding a home with Red House Records, which released acclaimed efforts like Stars in My Crown, (2007), River of Time (2009), Ain’t in No Hurry (2015), and The River Flows (2021).

It is not fair to try and put forth a ‘here’s what Jorma has done’ bio, he has been such an inspirational force in both his own career, and the careers of others. I had the complete pleasure of catching back up with our pal as he heads to the Mineral Point Opera House on March 5th. We paint a picture for any first timers, get deep into the Hot Tuna scene and there is even something really super cool in the works for Jefferson Airplane for this coming October. Jorma is not shy to talk about what’s been going on, as you can tell from his blog and his oft-updated website – so it is easy to know what is going on. We get into the Burgers/birthday celebration slated for April 22nd at Carnegie Hall with friends of the proGram, Teresa Williams and Larry Campbell, and how influential that album still feels today. The conversation is as smooth as many of his lyrics and pickin’- oh, there is even a mention of a new guitar that will make an appearance here in Wisconsin. While it sounds ike two pals getting together and talkin’ shop, there is a lot happening in this chat to keep you looped in, and turned on.

The Gospel According to Nikki Giovanni

Why would one of poetry’s most revered voices want to curate a jazz saxophonist’s album of gospel hymns and spirituals? “These songs are so important,” says Nikki Giovanni, one of Oprah’s 25 “Living Legends” and a Maya Angelou Lifetime Achievement Award winner for 2017. “They comforted people through times of slavery, and during recent years we needed them to comfort us again. But a lot of the students today do not know about the history of these songs, and they should. So I’m out here putting water on the flowers, because they need a drink.” Giovanni’s historic collaboration with saxophonist-composer and former Jazz Messenger Javon Jackson has yielded The Gospel According to Nikki Giovanni, available today on his Solid Jackson label. “The spirituals have been around so long,” says the renowned poet, activist and educator, who came to prominence in the 1960s and ’70s as a foundational member of the Black Arts movement following the publication of such early works as 1968’s book of poetry Black Feeling, Black Talk/Black Judgment and 1970’s Re:Creation. “Some spirituals have been updated and stayed around and some have been lost over time,” Giovanni notes “So for me, it’s just helping to keep something going. And I do it because there’s a need.” Jackson brings his bold-toned, Trane-inspired tenor lines to bear on a series of hymns, spirituals and gospel numbers hand-picked by Giovanni, who was also the first person to receive the Rosa L. Parks Women of Courage Award. And the 78-year-old poet makes a rare vocal appearance on the tender ballad “Night Song,” singing a song identified with her close friend, the late civil rights activist and High Priestess of Soul, Nina Simone. Joined by an outstanding crew comprised of pianist Jeremy Manasia, bassist David Williams and drummer McClenty Hunter — the same lineup that appeared on Jackson’s 2018 album For You and his 2020 follow-up, Deja Vu — Jackson interprets gospel staples like “Swing Low, Sweet Chariot,” “Wade in the Water,” “Didn’t My Lord Deliver Daniel” and “Leaning on the Everlasting Arms” with authoritative tenor tones, deep walking bass lines and an organic sense of group swing. “It’s the first time I worked in a collaborative manner,” Jackson says. “The project is personal for me. I come from a lineage of devout Christians, and that has afforded me the chance to connect with that ancestral stream. Captured live at Telefunken Studios in South Windsor, CT, the 10 tunes were all done without the use of headphones, another first for Javon. “This music is something that people will probably be a little surprised to see coming from me,” he says. But given the state of the world, it could be just in time. Both poet and saxophonist stand on the shoulders of their ancestors on The Gospel According to Nikki Giovanni.

I had the complete honor to connect with Mr. Jackson to discuss the creation of this project – the way the seeds were nurtured into the beautiful and important flowers released today. We talk about the choice singing by Nikki Giovanni to honor her friend, Nina Simone – how the interpretation of well know tunes made him feel and how one of the miGhty poet’s poems was placed ever so perfectly in a familiar tune. My words cannot express the depth of cool within these 10 tracks, nor the conversation Mr. Jackson and I share in discussion of it. Please earGrab both and let them take you where they will.

Victor DeLorenzo and Night Crickets

Debut release from David J (Bauhaus, Love And Rockets), Victor DeLorenzo (Violent Femmes) and multi-instrumentalist Darwin Meiners. Iconic bands in the history of alternative music certainly include Bauhaus, Love And Rockets, and Violent Femmes. San Francisco born artist Darwin Meiners was a fan of all three. A chance meeting 13 years ago with David J grew into a friendship, and Darwin not only became a bandmate, but David J’s manager. After reaching out to Victor DeLorenzo through e-mail, Darwin met the Violent Femmes drummer after the Femmes’ Coachella set in 2013. Soon after the 3 collaborated on Darwin’s 2014 release Souvenir. As the pandemic took hold, Darwin was looking for a new project to occupy the lock-down time and approached Victor, who was down to proceed and suggested that David join as well. The musical trust established between the 3 was immediate and Night Crickets were born. Within weeks a global process was initiated between them, the recordings eventually forming the album, A Free Society, now out on Omnivore Recordings. (The band’s name came from one of many Zoom meetings between the 3 members. After addressing a few pressing musical issues, the conversation rambled somewhat and turned to the subject of David Lynch, with David J telling an anecdote which was told to him by Lynch’s sound designer, John Neff. Lynch had asked Neff to obtain a field recording of crickets chirping at night for inclusion in Mulholland Drive. When Neff played him the tape, the director immediately recognized the sound that the insects make when it is light which is apparently a little different to their nocturnal chirp. “No! No! No! These are day crickets, John! I want my night crickets!” Victor, Darwin, and David then shared a look of mutual realization and instantly agreed that the project now had a name!)

I had the chance to find time in the field with our pal, Victor DeLorenzo to have a moment of reunite of Frail Pagans, our occasional open-minded share time. We got into the hatching of Night Crickets – and the results that proudly get to be shared into the ears of many. If this group sounds appealing to you – they are….and if they don’t…time to catch up. We also get into the creation of a new Nineteen Thirteen single, album on the way and who the alien being is that added that little something new I am hearing. As I type, we are hopeful to get Nineteen Thirteen back in Madison and maybe wherever you are, they are a welcoming certain THAT, you didn’t know you were needing.

Twisting Turned

The final part of the proGram knew how to weave into what you needed.

Cold Baby- The Voice of Lajorun, Samson Olawale & Session Resurrection
Listwar Zanset- Small Island Big Song Ft. Emlyn & Putad
Bring the Sun- The Black Seeds


Entangled- Mamak Khadem
Dorum Doyun- Aleksey Khovalyg
Sergei- The Reluctant Cosmonaut


Papa Wemba- Pierre Kwenders
Joy- Samm Henshaw
Tie Break- Sly5thAve & Roberto Verastegui
Las Tardes- Tambino
Gourmet Trap- Da Fly Hooligan

—-
Neptune Beach- Pete Calandra and Straight Up
Monaco- Makaya McCraven
Coppin’ The Haven- Makaya McCraven

Nine Lives from Kendra Morris

Kendra Morris’ new LP Nine Lives, due to be released on Karma Chief Records in early 2022, marks not only the culmination of the decade since the release of her first LP Banshee, but also a turning point in Kendra’s life professionally/personally. This album heralds the beginning of a new chapter; a new label, and an evolution to the next level of adulthood. Nine Lives is a collection of her original songs encapsulating moments from what could be nine lifetimes lived over a chronological time period, or nine lives lived simultaneously in parallel and convergent realities. With zero plans of slowing down and an innate belief in only evolving, the question lies in what will be her next nine lives?

Nine Lives will be available February 18th on vinyl, CD and digital/streaming formats via Karma Chief Records

I had the pleasure of hanGin’ out a bit with Kendra to dive a little deeper into how this new album, Nine Lives got to where it is today. The stories of the songs, the title, the words and feelings are all felt when we talk about the process between the then of the last music, to the now of this one. It is very endearing to hear people, artist go a little back in time with the them of those days….and the now of Nine Lives is easily relatable as a gift for the here we are. We talk a little bit about events and NYC, what she would spin off the new records along with a couple other tracks to build a set and we just talk. Be refreshed with our chat and get a taste of the new album to see how you relate…I think it has a lot of somethin’ for everyone.

DLO3 With Cold As Weiss

Seattle-based soul-jazz groove-machine Delvon Lamarr Organ Trio (DLO3) are set to release their upcoming album “Cold As Weiss: on February 11th via our friends over at Colemine Records. “Cold As Weiss” is the band’s first release featuring new drummer Dan Weiss, also of the powerhouse soul and funk collective The Sextones. DLO3—specializes in the lost art of something we all need always, “feel good music.” The band features organist Delvon Lamarr, a self-taught virtuosic musician, with perfect pitch who taught himself jazz and has effortlessly been able to play a multitude of instruments. On guitar is the dynamo Jimmy James, who eases through Steve Cropper-style chanking guitar, volcanic acid-rock freak-out lead playing, and slinky Grant Green style jazz. From Reno, Nevada is the aforementioned drummer Dan Weiss, whose smoldering pocket-groove drumming locks in the trio’s explosive chemistry. Founded by Delvon’s wife and manager Amy Novo, the trio started from humble beginnings in 2015, but since then has released two Billboard charting albums and toured the world to sold out venues. Now, DLO3 is proud to present “Cold As Weiss”, their third studio album to date that finds them tighter than ever, and continuing to push funky instrumental music to a new generation of fans. I will attest to this, the album is ready to keep the doors wide open for soul fans of the past and those starting with the new and working their way backwards.

I had the pleasure of catching back up with friend of the program, Mr. Delvon Lamarr to allow us the opportunity to get into the new music, how this album really seems to play the band. I do believe we even got a little taste of how the band kinda does the thing they do. If you have never seen them live, well all questions can be answered once you feel this music pump up into you from all around, in the moment. For me, I found it quite interesting how the new drummer’s pocket played in the decision to have him be that “man”. Finding out where on this upcoming World Tour, he is excited to either check out or get back to and what song(s) off the new record would Delvon choose to build a set on greenarrowradio with…. Like Delvon, it is hard to put into words just how this music makes me feel, but interacting with him and Jimmy James and Amy, I can say that these cats are all the real deal, and the music follows that lead.

Fresh Pickles And Chris Castino

Chris Castino is the primary songwriter for his longtime popular Minnesota-based rock’n’roll jamband The Big Wu. The Big Wu started in the mid 90’s and quickly ascended from the comforts of the local club scene to playing H.O.R.D.E Fest, Bonnaroo, Gathering of the Vibes, High Sierra, and the list goes on. Chris joined forces with the incredibly talented band Chicken Wire Empire from Milwaukee, WI, and took the opportunity, while sitting through COVID-19 lock-downs in 2020 and 2021, to arrange some of his catalog into impeccably fitting bluegrass tunes. With the addition of many of Chris’s lifelong musical heroes, including several GRAMMY winning artists (and some friends to the proGram) in the bluegrass & Americana: Sam Bush, Peter Rowan, Tim O’Brien, Jerry Douglas, Andy Hall, Vince Herman, Nick Forster, & Keller Williams, this feels like a classic bluegrass album and sounds instantly familiar. “Fresh Pickles” aims to satisfy your cravings—it is a light-hearted, down-home concept that plays with the idea that although some of the songs were written many years before, they now feel brand new. Fresh.

“Fresh Pickles” features 11 original songs penned by Chris. All of which, but one, were first released on four of The Big Wu’s 5 studio albums spanning from 1997-2019, and will be independently released on February 4. I had the opportunity to chat with Chris about this brand new and exciting project. From the moment we start talking about the songs – the process and the artists – you can tell there was an almost “Christmas morning for the kid” feeling in Chris’ Voice. And, anytime I can hear someone talk about friend of the proGram, Jeff Austin, I am all ears. Listening to his record, I can understand why. Bluegrass fan, Wu fan, maybe its jamgrass….but music fans alike will find the ear appeal. Finding out how Chicken Wire Empire, who many of us around here in Madison have been diggin’ on, is a story worth hearing, and the whole thing made me wish I was in the room when the record button was hit. Open the music jar and grab yourself some “Fresh Pickles”.

Metamorphosis Third Coast Percussion

Third Coast Percussion is a GRAMMY® Award-winning Chicago-based percussion quartet and GRAMMY®-nominated composer collective. For over fifteen , the ensemble has created exciting and unexpected performances that constantly redefine the classical music experience. The ensemble has been praised for “commandingly elegant” (New York Times) performances, the “rare power” (Washington Post) of their recordings, and “an inspirational sense of fun and curiosity” (Minnesota Star-Tribune). Third Coast Percussion maintains a busy tour schedule, with past performances in 38 of the 50 states and Washington, DC, plus international tour dates across 4 continents. A direct connection with the audience is at the core of all of TCP’s work, whether the musicians are speaking from the stage about a new piece of music, inviting the audience to play along in a concert or educational performance, or inviting their fans around the world to create new music using one of their free mobile apps. The 4 members of Third Coast are also accomplished teachers, and make active participation by all students the cornerstone of all their educational offerings. The quartet’s curiosity and eclectic taste have led to a series of unlikely collaborations that have produced exciting new art. That will be on display on January 27th in Madison for an all senses in, spirit bending performance titled ‘Metamorphosis’. I had the chance to get together with Sean Connors from the ensemble to discuss just how cool this upcoming event is going to be. Sean teases us just right with what one can expect if they go in to the show as a blank slate. We discuss the latest album, “Archetypes” (nominated for 3 Grammys) and how that was born and how it grew to into is final form and of course coming to the University means you have to go to class…so we talk briefly about the educational workshop with UW–Madison percussion students the ensemble will take part in on the 28th. A complete package indeed.

Third Coast Percussion joins forces with the groundbreaking choreography of Movement Art Is (co-founded by Lil Buck and Jon Boogz) for an intimate, evening-length program that explores the duality of human nature. At once intensely personal and fiercely virtuosic, two disparate styles of street dance blend seamlessly with new music by Jlin and Tyondai Braxton, as well as Third Coast Percussion’s critically-acclaimed arrangements of Philip Glass’s Aguas da Amazonia.

This performance is presented by Wisconsin Union Theater, and will take place in the Mead Witter Foundation Concert Hall at Hamel Music Center.

Metamorphosis:

PHILIP GLASS (arr. by Third Coast Percussion) Metamorphosis One
JLIN Perspective
TYONDAI BRAXTON Sunny X
PHILIP GLASS (arr. by Third Coast Percussion) Amazon River

Movement by Cameron Murphy and Quentin Robinson
Choreography by Movement Art Is
Lighting design by Joe Burke
Stage direction by Leslie Buxbaum Danzig

Click here for more information and to purchase tickets.

Click here to watch the Metamorphosis trailer, with videography by David Javier, Tim Salaz, and Dakota Sillyman.

Robert Finley Sharecropper’s Son

Robert Finley’s singing is as primal as an alligator & sweeter than late-summer honey. And on the new Sharecropper’s Son, he uses his marvelously expressive voice—which can glide from a gut-deep growl to a soothing purr to a transcendent falsetto all in one single phrase—to tell the story of his life in song. The album’s 10 numbers, produced by Dan Auerbach for his Easy Eye Sound label, are blues, soul, gospel, & rock-infused chapters from that life, weaving Mr. Finley’s own stories of picking cotton, country childhood, hardship on city streets, jail time, the pain and joy of love, the search for a better life & the dream of salvation into a spellbinding musical tale. You can hear that in how Mr. Finley and the band nearly breath together in songs like the gospel “Souled Out On You,” where the singer’s heart-piercing falsetto rings sharp and clear as an angel’s horn—underpinned by Auerbach’s fuzz-sweetened brown-butter guitar tone—and “Sharecropper’s Son,” where the musicians mine a deep, funky groove as Mr. Finley sings about his raising “out in the red hot sun, where the work is never done.” Cut-by-cut, this follow-up to his 2017’s Easy Eye Sound release “Going Platinum!” bristles w/the visceral energy that can only be captured by creatively charged musicians playing live & spontaneously in the studio. Of course, the fire behind the conflagrant performances on Sharecropper’s Son is Robert Finley, who was so deeply in the zone throughout that his lyrics & vocal approach for 2 of the album’s songs, the autobiographical “Country Child” and his manifesto of love and struggle, “Country Boy,” were improvised as he and the band rolled tape. Although he has long been a potent artist, for most of the past 20 years, after his blindness led him to semi-retirement, he’s mostly been playing little joints within an hour’s drive of Winnsboro—like Riverside Coney Island, which specializes in boiled crawfish, and Enoch’s Irish Pub & Café, both in Monroe, Louisiana. But his ascent has been swift since he was discovered in 2015 busking on the streets of Helena, Arkansas. In addition to touring more than 10 countries in the wake of his two earlier albums, he was also a contestant on the 2019 season of the TV competition America’s Got Talent reaching the semi-finals and quickly became a fan favorite during his run. His daughter Christy Johnson, who appeared with him on the show, also provides some backing vocals for Sharecropper’s Son.

I had the complete please of chatting with Mr. Finley about his upcoming performance here in Madison on January 22nd at the High Noon Saloon. We get into what folks in attendance can expect from that night’s show, including learning how you, the people there to see this show, are the most important thing in that moment for Mr. Finley. We take time to discuss how the new album went from there to here, then to now and how the stories seems so real, because they are. Certainly after listening to the new album, I do wish Mr. Finley was a name we all caught on to earlier….I bet the live show will back that up 100%.

UPDATE: This event has been moved to Feb 15th.

At Home With Alsarah

ALSARAH‘S RECIPE FOR EGGPLANT SALAD

Ingredients:

One small eggplant – fried in vegetable oil
1/2 onion chopped (can be caramelized)
1 plum tomato chopped
One handful of parsley, dill, and cilantro mixed together
2 cloves of garlic minced
1/2 lime
ground cumin – the holy spice
3 tbsp of natural peanut butter – no sugar added
chili powder, salt, and pepper to taste

Mix all ingredients together in a salad bowl – use peanut butter per your preference and for a smooth texture. If you like the salad tart, the way Alsarah does, then use the juice of 1 full lime instead of a 1/2. Enjoy!

Enter The Kettle From OSS

“Enter The Kettle” is the second album on Alex Paterson from The Orb’s new label Orbscure. Released November 19th on CD, download & stream with the LP to follow in 2022, it’s primarily an album with him and old friend Fil Le Gonidec, who together are OSS. Other guests on the album include official-other-half-of-The Orb Michael Rendall, plus Jah Wobble, Roger Eno & George Holt – whose credits include Depeche Mode & Erasure. OSS have played at Glastonbury, Fuji Rock, supported Kraftwerk and played chess with Robbie Williams, who also stole their speed. They were originally known as Orb Sound System – a half DJ/half live version of The Orb, which could gig more nimbly than the main machine. Early shows saw reggae-heavy selections and sometimes featured toasters, but seeing as they never actually had a soundsystem, can’t play out at the moment and have made a record – it’s currently just OSS, which now stands for On Sum Shit. Loosely speaking, on“Enter The Kettle”, the hard-edged metallic clang comes from “hardcase Yorkshireman” Fil, while Alex’s soft southern influence brings dubwise steppers, ambient house & a trademark surrealist humor. In case that wasn’t enough, Omnibus Press recently published Paterson’s new book ‘Babble on an’ Ting: Alex Paterson’s Incredible Journey Beyond the Ultraworld with The Orb’, the first full account of his life story, featuring first-hand interviews with Youth, Andrew Weatherall, Primal Scream, Jah Wobble, Jimmy Cauty and a parade of other friends, collaborators and starship mechanics.

I had the pleasure of catching up with Alex to talk about the new release from OSS, “Enter The Kettle”. We got into how it went form nothing to something and how his relationship with Fil made the smooth move forward. We talk about the plans for the label *and its mates) to make music and tour and how the interchangeable pieces will make up some amazing wholes. We even get into the new book about…well…him. Of course, one of the common threads of this conversation is the music of and the versatility of The Orb…sounds that helped shape my inner being.

She Walks In Beauty with Jim McCarty

Jim McCarty is the original drummer in the legendary Yardbirds, a musical force of nature since the 1960s and still active today with Jim as the sole remaining original member. Acclaimed as one of the most influential rock bands of all time, their music is rooted in the blues, but their amazing forays over the decades into jazz, folk, rock, pop, raga, improv, distortion, guitar feedback and, of course, the blues, is the stuff of legend and incredible influence…so much so that the band was deservedly inducted into the Rock and Hall of Fame in 1992. The Yardbirds dazzling guitar pyrotechnics, which in the band’s earlier days featured the talents of Eric Clapton, Jeff Beck and Jimmy Page, are the stuff of rock legend. Jim was and is the steady anchor for this high-flying outfit…his rock-solid drumming keeping the band grounded during the band’s awe-inspiring flights of musical frenzy, both then and now. He’s the only band member to be a member of every lineup since the band was founded in 1963 up through the present day. Of course, you may remember, the last lineup of the early Yardbirds, called The New Yardbirds, which included Jim and Jimmy Page, eventually morphed in to Led Zeppelin. Jim, who is also an accomplished singer and songwriter having released numerous solo albums over the years, has just released the second installment of his memoirs, entitled “She Walks in Beauty”, which is a follow-up to his initial autobiography, “Nobody Told Me”, which was released to great acclaim in 2018. “She Walks in Beauty” continues with Jim’s life journey – inside and outside of music – expanding on his storied musical career while also giving the reader a very personal and intimate look at Jim’s personal lifelong quest to unravel the mysteries of the life that exists beyond the world in which we live. The book tells of his travels to remote areas of the world – including China, India, & the Himalayas – as his search explores the world hidden just out of reach, the shadows that are just out of sight and the certainty that there is an enduring connection between the living and the dead. It’s an intimate, honest, fascinating look inside the life of a rock legend whose boundless curiosity for a life often unseen and/or understood makes for a compelling read.

I had the honor of catching up with Mr. McCarty to discuss “She Walks In Beauty”. We got into the reasons now was the time for these stories to not only be told, but shared. We speak of things that many shake their heads about, but many others have experienced and I believe this book is a great way to think back through the nw and then but also the here and there. I can tell you about our conversation, but ultimately you either have to check it out, or better yet, find a way to get the book and find the common threads you may have neglected to remember or notice. Be open. I am thankful for Mr. McCarty sharing these stories (not a whole lot about music in this chat or in this book), they really open a window into him and beyond.

Ready, Set, Go! With Divinity Roxx

This fall brings the release of Ready Set Go!, the energetic debut family album from the internationally acclaimed, award-winning bassist and songwriter, Divinity Roxx, released November 5. Ready Set Go! is a celebration of self-love and positivity specifically designed for kids aged 8 and under. The upbeat and sunny collection features 8 original songs filled with powerful messages that encourage kids to become the best versions of themselves. Divinity made her entrance into the family music scene earlier this year and instantly gained attention with her infectious bass beats & unique approach to meaningful music for kids & families. The lyrics of two of the songs from the album, ‘Happy & Healthy’ (11/15/21) and ‘Me + You,’ (12/1/21) are being released and published as picture books by Scholastic, the global children’s publishing, education and media company, as part of the Company’s ongoing commitment to provide authentic and inclusive books to support family and community engagement. The books are illustrated by NaShantá Fletcher. The mighty Divinity is a Grammy-nominated recording artist, composer, & musician, with three solo albums (Ain’t No Other Way – 2003, The Roxx Boxx Experience – 2012, ImPossible – 2016). In addition to her own work, she is well known for touring and performing with Beyoncé (2006–2011) as her bassist & Musical Director. Her career as a bass-player skyrocketed after attending a bass camp led by the legendary 5 time Grammy award winning bass virtuoso, (and friend of the program Mr. Victor Wooten where she was invited to join him out on tour.

I had the honor of chatting it up with Divinity about this brand new and first time family/kids album. We talked about the timeline of events that got it from seed to flower, the wonderful array of talent she surrounded herself with on the endeavor and most of all, we talked about the reasons why making music for this important demoGraphic, the kids was definitely in her plans for a long while. Divinity is the type of person who gets it, and wants to share it with all of us, but she isn’t about to forget the ones who matter the most. Not only will this music make the kid in all of us shake our parts all over, it will surely strengthen egos, guide others to think of others and mostly…thru it all….BE YOURSELF.

Celebrate Tony Rice With Barry Waldrep

In the era of modern music, describing any artist as the “greatest of all time” can often be met with resistance — if for no other reason than the ever-evolving tastes of both musicians and fans alike — but if the topic is bluegrass guitar players, there’s a universally correct answer to “who’s the best”; the late, great Tony Rice. Rice was unequivocally one of the most influential, inventive, and beloved musicians in all of bluegrass & Americana music, and after he passed away in late 2020, his songs and stylings continue to live on in the droves of musicians he inspired. This year, on the one-year anniversary of Rice’s passing, bluegrass instrumentalist and producer Barry Waldrep will be releasing quite the tribute to Mr. Rice with the 21-song, special-guest laden Barry Waldrep and Friends Celebrate Tony Rice. When looking through Waldrep’s list of friends, its apparent how far Rice’s music reached beyond just bluegrass. Americana greats Rodney Crowell and Jim Lauderdale and Jam-band royalty Warren Haynes and Oteil Burbridge make appearances alongside Rock and Roll Hall of Fame inductees Spooner Oldham and Patrick Simmons & country superstars Vince Gill & Emmylou Harris. And that’s just a fraction of who’s contributed to this celebration of the music of Tony Rice. “Barry Waldrep and Friends Celebrate Tony Rice” will be available everywhere on December 24th.

I had the chance to catch up with Barry Waldrep to talk about someone we both grabbed onto early on in our ear careers. We talk about what is is about Mr. Rice’s ways that attracted us to him. Barry and I spend a whole lot of time dissecting the new album from songs to artists to give an insiders perspective into how this special collection became a reality. It is so clear that an open mind is part of the key to feeling the true impact of Mr. Rice’s music. There should be no boundaries. Our chat is not quite as great as the album – but I think the two go hand to ear or ear to hand. Check out some of the specifics:

Street Survivors with Artimus Pyle

44 years ago this past October 2oth, the music world endured one of the greatest tragedies in its history when a Convair CV-240 passenger plane carrying several members of Southern Rock band Lynyrd Skynyrd, including founding member and vocalist Ronnie Van Zant, crashed into the woods near Gillsburg, Mississippi, killing six including Van Zant. The event has been memorialized in both song as well as in the hearts and minds of music fans the world over. Most recently, this singularly devastating accident was dramatized on film in a full-length feature Street Survivors: The True Story Of The Lynyrd Skynyrd Plane Crash. Told from the perspective of Skynyrd drummer, Artimus Pyle, who not only survived the crash but helped rescue other members from the wreckage, the movie is a powerful testament to enduring legacy of Lynyrd Skynyrd and all that the band had to overcome in its incredible career. The accompanying soundtrack to the film converts the inspiring true story into musical form, taking selections of the film’s orchestral score and blending it with original music inspired by Skynyrd with guest appearances by Pyle as well as blues rock legend Pat Travers. Artimus was the drummer in the band’s classic lineup at the height of the band’s fame in the 1970, performing in the band from 1974 to 1977 and again from 1987 to 1991. He was inducted into the Rock and Roll Hall of Fame as a member in 2006. Artimus is considered a hero in the sense that after the crash, although injured himself, he pulled the remaining survivors out of the wreck and somehow was able to walk to a nearby farmhouse and secure help for his injured bandmates. He currently tours with the Artimus Pyle Band, a rockin’ crew that plays both original music and note-for-note versions of Skynyrd classics in the true spirit of the classic 70s lineup.

I had the complete honor and pleasure to get together with Artimus Pyle for a chat about this tragic event that changed the landscape of rock and roll…heck, let’s not limit it….the landscape of music. We talk about the day of the events, the deep honor of the man (Ronnie Van Zant) and his ability to write hit records with songs that will withstand whatever we humans can throw at it. While talking about the music, we discuss what his band, Artimus Pyle Band does to honor the Skynyrd family while moving the music forward We got into the making of the Street Survivors movie and soundtrack and how Artimus doesn’t get a single penny from either. Cleopatra Records & Films released Street Survivors: The True Story of the Lynyrd Skynyrd Plane Crash that depicts Pyle’s memories of the before and aftermath of the crash back in October of 2020. Artimus wrote the outline of the story that was made into the film. Cleopatra Records also released a soundtrack to the film that features performances by two of his sons: Marshall & Chris. I am here to help with the “reboot” of this project as the COVID world has certainly caused many to miss the original release. After spending time with Artimus and hearing about this tale many of us think we know about, getting deeper insights shared by him into him, as a person to be in awe over and well, frankly, there so much in this chat my words cannot touch it. But, listen for the part about Dolly Parton when you get in there – there’s so much cool here for you.

You can purchase the Street Survivors: The True Story Of The Lynyrd Skynyrd Plane Crash film here.

Stream or download the film soundtrack here:

Eclectic Electric With Joe Louis Walker

Friend of the proGram Joe Louis Walker is one of the greatest bluesmen of his generation. He is a four-time Blues Music Award winner and 2013 Blues Hall of Fame inductee who has appeared on multiple Grammy-winning albums. He is known worldwide as one of the genre’s top musical trailblazers—a mesmerizing guitarist and soul-testifying vocalist. The New York Times raves, “Walker is a singer with a Cadillac of a voice. He delivers no-nonsense, gutsy blues. His guitar solos are fast, wiry and incisive, moaning with bluesy despair.” Rolling Stone simply calls him “ferocious.” And Billboard writes: “His playing blows all over the map…gutbucket blues, joyous gospel, Rolling Stones-style rock crunch, and aching R&B. Walker’s guitar playing is fine and fierce.” Joe won the 2016 Blues Foundation Contemporary Blues Male Artist of the Year award at the Blues Foundation Awards ceremony in Memphis. The Blues Music Awards are universally recognized as the highest accolade afforded blues music performers. The annual Blues Music Awards ceremony is the premier event for blues professionals, musicians, and fans from all over the world.

I had the opportunity and pleasure to catch back up with Joe as he is set to release a brand new album on November 12th on Cleopatra Recordss titled “Eclectic Electric”. We spend some time talking about the songs and the guests and how people close to him kinda like to hear the way he spins the classics. We dissect a couple of the tunes so you know how they went down, like you were there yourself and we spend some time talking about our mutual pal, Bette Smith‘s work not only on the album, but perhaps a little more down the line as well. When you listen to Joe Louis Walker tell you about it….there is no wonder why he has been successful at doing what he does..it’s him.

Taj Weekes: Pause and Ghana

Bred in the Caribbean island of St. Lucia but shaped by intercontinental life experience, my friend Taj Weekes is also an unwavering, energetic humanitarian, who founded his children’s charity, They Often Cry Outreach (TOCO). His efforts has garnered him the title UNICEF Champion for Children for St. Lucia where he implements and executes various programs designed to enrich the lives of Caribbean children. Aside from brains, a heart, and a great smile, Taj has six acclaimed albums of musically adventurous reggae that imbues his songs with a pragmatic, non-judgmental optimism that is not merely unusual in reggae, but almost unique. So what makes Taj Weekes special can be summarized in three words: MUSICIAN. POET. HUMANITARIAN. What makes him astonishing is the easy and unforced harmony among all these facets of his existence.

I have been doing a lot of checking in with family to the program recently, so it makes sense that Taj and I caught up to dive deep into his brand new album, “Pause”. We get into the many newness’s that went into this, his 7th release, an album I feel captures so much of the him that first lead me his way. We talk about how working on this album with Ziggy Coltrane, took him to new levels…in this chat, we experience some of those actions and the path to the flowering results is fascinating. We also, as followers to this program are well aware, get into the real important stuff with what he has been up to with his TOCO (They Often Cry Outreach) endeavors. This time around, Taj traveled to Accra, Ghana for his first humanitarian mission to Africa and performed and reached out to the Ghanaian youth with local and international charitable organizations. We circle back after talking about walking that African walk that many artists talk about, and feel how this is shaping not only the storytelling songwriter – and the plans for more intimate live shows – but the individual that is already one who reflects and understands the miGhty good feelings of the give back. #respect.