Check this out. I had a quick chat with the godfather of funk himself, Mr. George Clinton. Kids, take a listen and look into the World of funk, and never forget this man who is a historic figure in the music world. It is brief because he just left a Motown event and I just wanted the guy to catch his breath, but it is still as cool as cool can be.
listen to our conversation here.
listen to our conversation here.
The second-oldest of 10 children, Cagle started performing in public stations in New York City, including Union Square, Grand Central Terminal and subway stations in Times Square. In addition to singing, Cagle plays the guitar in the majority of her performances, with her sister Caroline playing bass and her brother Jesse on second guitar. Cagle began playing guitar at the age of 7, and by the age of 14 was writing poetry and songs. When older, she decided to leave her family and the Children of God group, at odds over their beliefs, and moved to New York. She soon began writing, recording music and performing in subway stations (her album, “The Subway Recordings”, is cut from live shows).
During a show in the Herald Square subway station, Cagle was discovered by producer Jay Levine, who introduced her to then new president of Columbia Records, Steve Greenberg. She soon became his first signing in this placement. Cagle and her band still tour and perform in New York’s underground. Her album currently sells across the US, the first released single titled “Shakespeare”. Susan has recently finished recording her new studion which should be coming out soon. Her MySpace site states the release date to be March of 2007.
You might know him from the Herbie Hancock and the Headhunters…you might. Or, you might recognize him as one of the truly authentic jazz/funk/soul/R&B/Blues/Hip Hop drummers on the planet. Check out this conversation for some insight to the world of music, the good and not so good. Little tricks of the trade that’ll make you say “cool” and a show tonight in Manchester Connecticut. The amount of people who have worked with Mike and also “borrowed” loops of his drumming,is absolutely mindboggling. For more about Mike,
check out his webpage
listen to our talk here.
finally, after a technical mess…I have relocated the interview with Dan Hicks and am able to bring the entertaing chat to you.Throughout his decades-long career, Dan Hicks stood as one of contemporary music’s true eccentrics. While steeped in folk, his acoustic sound knew few musical boundaries, drawing on country, call-and-response vocals, jazz phrasing, and no small amount of humor to create a distinctive, albeit sporadic, body of work which earned him a devoted cult following.
Check out Dan’s website.
Listen to chat here.
Cheb i Sabbah was born in Algeria and moved to France in the ’60s. He is one of the earliest practitioners of the art of deejaying and began spinning in Paris in 1964 where he first saw and met The Living Theatre, whose influence resonates in the drama and epic abandon of Shri Durga. It is hard to separate the myth from reality about Cheb i Sabbah’s life in the ’70s. He maintains a stoic silence about it. He makes no comments about his engagement by John and Yoko in the U.K. and the macrobiotic connection therein. Freaky performance art in body bags? Chebiji makes no elaboration. Although, we do know that he joined The Living Theatre in 1971 and later on, with Suzanne Thomas, started a theater troupe in San Francisco named Tribal Warning Theatre. In the late ’80s and through the ’90s dj Cheb i Sabbah was an icon of the DJ circuit in San Francisco and was involved in a breathtaking variety of musical collaborations and performances including Qawwali maestro Nusrat Fateh Ali Khan and jazz trumpeter Don Cherry. He produced an album called The Majoon Traveller, using DJ-cut-up techniques and making fast connections with Brion Gysin, Ira Cohen, Don Cherry, Ornette Coleman and Moroccan Jilala and Gnawa trance music for the Sub Rosa label. Since then, he has remixed Psychic TV, Paul Horn and Don Cherry. His diverse influences and spiritual curiosity resulted in Shri Durga, his debut album and a mind-bending, panaromic Hindu-goth piÃ¨Â£Â¥ de rÃ©Â³Â©stance.
“Music is the only thing I know. It has the power to liberate one from whatever one wants to be liberated from.” – dj Cheb i Sabbah
Join me in learning about a new band. Honeytribe. HONEYTRIBE’s music is feel based. Although featuring Devon Allman as the front man (yes from that Allman family), this band is an ensemble cast all the way. Devon has been busy lately, touring the planet, working on new material for the new Honeytribe album, and also being featured on a top ten hit in Europe with guitar monster, Javier Vargas. After several European tours and a video on MTV Europe, it’s been quite a year for the soul singer / blues guitarist and if you can catch him this year, you will see an artist on the threshold of greatness. The synergy of this band on stage is something to behold. Shifting from killer old blues songs to their own material, this is a band that will make you go “WOW!” while you watch them. From a straight up knock you in the teeth blues feel to a very girl-friendly island feel; this band has something for all feel-based music lovers. If you join any Tribe in today’s twisted world …make sure it’s HONEYTRIBE.
Listen to what Devon says about their new album, and find out what his worst job was.
Although he has been involved in many musical projects, the album with the most legs seems to be his work with John Medeski, Lunar Crush. He is associate professor of guitar at Berklee School of Music, as well as a jazz “FUZE”ion guitar visionary.
In 1994 David, in collaboration with keyboardist John Medeski of Medeski Martin & Wood, woke up the sleeping jazz fusion world with a landmark CD, Lunar Crush chosen by Guitar Playerâ€™s 30th Anniversary Edition as a â€œDisc of Destinyâ€ â€“ in Guitar Playerâ€™s estimation, one of the most influential albums of the last thirty years. A funky, freaky party, Lunar Crush was a wild 90â€™s tribute to Tony Williamâ€™s groundbreaking early-fusion band â€œLifetimeâ€. Fuzeâ€™s signature palette of otherworldly guitar sounds and enormous chops received astonished accolades from critics and fans alike and landed him on the cover of Guitar Player as a trailblazer who could â€œchange the way you play!â€ In 1994 David became the original guitar player in Meshell NdegÃ©Ocelloâ€™s debut band and is prominently featured on her first two Grammy-nominated CDâ€™s.
check him out online at http://www.torsos.com/
listen to our talk here.
Listen to us talk here.
often credited as one of the most respected and influential Rock drummers of all time. Palmer is a veteran of a number of British bands, including The Crazy World of Arthur Brown, Atomic Rooster, Emerson, Lake & Palmer, and Asia. He has also contributed to works by Mike Oldfield.
Although none of the groups Palmer performed with are yet in the Rock and Roll Hall of Fame in Cleveland, Palmer’s 2Â½ ton stainless steel drum set is, after being purchased and donated by Ringo Starr.
In recent years, Carl has performed a series of drum clinics across the UK and Europe. He is currently on tour with the original line-up of Asia, celebrating their 25th anniversary
Something we didn’t talk about is: September 1 – 3, 2006
Snow Ridge Ski Area
Turin, NY The Seventh Annual moe.down will be held September 1-3 at the Snow Ridge Ski area in Turin, NY. moe.down is an annual party for moe. and its fans. The band will perform a total of six sets throughout the weekend. Past moe.down performers include Flaming Lips, They Might Be Giants, Matisyahu, MMW, Ani DiFranco, Blues Traveler, Leo Kottke, Michael Franti and Spearhead, Nellie McKay, Cracker Van Beethoven, David Grisman, and Les Claypool.
Listen to what we talked about here.
A backwoods country boy surfer whose surfing jaunts took him around the world long before music did, Mofroâ€™s JJ Grey embraces the title of “redneck” yet defies any of the negative stereotypes it evokes. Heâ€™s a multi-instrumentalist (voice, guitar, piano, harmonica, bass and drums) or as he says â€œI play just good enough to pull off a song or two.â€ As a lyricist and songwriter he is primarily a storyteller, trying in his own way to carry on the oral tradition. J.J. still resides on his grandparent’s old chicken farm where he and his family continue the tradition by farming organic vegetables.
Listen to our conversation here.
Toots Hibbert is one of the great voices of Jamaica; a legend whose career spans every development in Jamaican music, from ska through rock-steady to reggae. Toots and the Maytals have helped to chart the course of Jamaican music with unrivaled delivery and dynamism, setting new standards of excellence, and becoming the most enduring of all Jamaica’s groups. On September 29, 1980, Toots and The Maytals made history when the band played at London’s Hammersmith Palais. Less than 24 hours later, a live album from that show was on sale in record stores throughout Britain. It was the fastest live album in recording history and, according to some critics, TOOTS LIVE ranks alongside Bob Marley Live At The Lyceum, James Brown At The Apollo and Otis Redding in Europe as one of the finest live records ever made. The latest album, TRUE LOVE, finds Toots and the Maytals revisiting some of the band’s most classic works with a host of musical friends onboard – Keith Richards, Shaggy and Rahzel, Bonnie Raitt, Jeff Beck, Ben Harper, No Doubt, Marcia Griffiths, Ken Boothe, Ryan Adams, Bootsy Collins and the Roots, Eric Clapton, Terry Hall and the Skatalites and Trey Anastasio – for delightful fresh-ear journey through Toots‘ musical history. Add in the surprise tracks- Willie Nelson and Toots groovin’ on Willie’s STILL IS STILL MOVIN TO ME, Rachel Yamagata pleading on the newer BLAME ON ME and Bunny Wailer’s vocal comradery on the never-before released TAKE A TRIP for an unparalleled reggae joy ride.
Listen to our talk here.
I had the pleasure of chatting with Sweet Honey in the Rock member Miss Aisha Kahlil. She was walking through her neighborhood on a sunny April day and we had a fun little conversation. We spoke of the upcoming show at Uconn’s Jorgensen Center for the Performing Arts , this Saturday April 29th. if you are not familiar with their work, Aisha will clue you in a little and also let us know what she is personally up to on the side.
Listen to our conversation here.
For over fifty years the Juilliard String Quartet has been an international presence and an American institution. They perform with emotional intensity, technical precision, and intellectual rigor in concerts given across the globe, while in the United States its members have been educators, mentors, and champions of new music. I had an opportunity to speak with Mr. Krosnick, who teaches and plays the cello, before the Quartet plays at von der Mehden Recital Hall at the Uconn Storrs campus. I was overwhelmed with the rigors of his life as a faculty member and Quartet member. You can hear the love for what he does with every word he speaks. We touched briefly on the issue of preserving the history of classical music by educating and funding programs for the youth and various ways he envisions all interested parties to assist. A Connecticut native, we had to talk for a moment about UCONN sports, find out Mr. Krosnick‘s observations on the women’s basketball program and how it relates to the preservation ideas of classical muisc.
Listen to Mr. Joel Krosnick here.
What a nice guy. We spoke of upcoming “in the studio” time, tours and a little bit about DAD. Take a listen to the conversation and you will learn a lot about Jordan including his work with Notorious B.I.G…I know, I am as suprised as you. I hope to keep in contact with Jordan and perhaps try to get him and whomever he gets onboard for the upcoming tour, to visit this area. Until then visit him here at his website.
Listen to Jordan Zevon here.
We all know Bill Payne for his being the keyboardist and one of the founding members of the band Little Feat. Well, after years of pushing and prodding and working on a dinosaur of a computer: it took a hernia to get him to finally take his thoughts and the rides he took in his musical mind to create a solo project. In CIELO NORTE,
You are provided a rare insight into Bill’s uniquely personal and intimate voice during a journey through a wide-open display of musical influences. Cielo Norte was released February 22, 2005 from the kind folks at Hot Tomato Records.
Click here to listen to our conversation.
a photograph actually taken by Billy.
The sound of the barratone sax is one that is unforgetable, especially when being produced by Dana Colley. You know him from Morphine, Orchestra Morphine and now Twinemen. Check out the conversation we had and stay tuned as we find out if I was successful in getting Mars Williams and Dana together or better yet, Twinemen and Liquid Soul. Two great tastes that do taste great together.
listen to our conversation here
listen to the conversation here
if I ever become involved in musicians management, this might be the time when I first took that direction. After this chat with the oft-busy Mars Williams, you must listen to the conversation with Dana Colley to see where the idea of Liquid Soul and Twinemen gettng together.
Mars Williams & Liquid Soul
We had a bad connection, as I believe Mr. Allen was at work on his cell. Either way, I certainly appreciate the time he took to chat and as always, he is a musician looking out for the others. We learn thru this interview that a re-mix of Return the Gift will be out in May.
take a listen here
Relevant artists: Gang of Four,Dave Allen & The Elastic Purejoy,Shriekback,Glassjaw,squall
Listen here for the world according to Roy “futureman” Wooten from his own futuristic world as well as an occasional tour with Bela Fleck as one of the flecktones. I think you’ll agree that he is out of this world and still as cool as Fonzie…aaaaaaa
Listen to the FUTUREMAN podcast here
The three time Grammy award winner from Bela Fleck and the Flecktones is back at it again! Taking downtempo, house, breakbeat, jazz, tribal, and funk, Futureman is mixing it all together and serving it up through turntables, laptops, drum machines, live kits, and visual projections.
That’s right, I chatted with G-Love about the bands release-to-be in August. We spoke about his 76ers and my Celtics. We put away dishes and chilled out talkin’ about hip hop blues. We got on the subject of his collaborating with one of his influences Mr. John Hammond, who we spoke to hear a few weeks back. As you would expect….G-Love is a cool cat and one can only imagine if John Hammond will dip his toes into the hip hop blues world that G-love calls his own.
This is one of the coolest conversations I have been a part of. G Love and I just chillin’. He’s a good multi-tasker…Seriously, the musical sponge really does put the dishes away…and minds his 4 year old as well.
Listen to the podcast here.