Inside The Flow of Sa-Roc

Sa-Roc grew up in Southeast D.C., at the height of the crack era, with neighborhoods plagued by poverty & disaffection. Her early experiences shaped her understanding of the world around her, deepened her emotional sensitivity and cemented a social consciousness that would later feature heavily within her work. She was born three-months premature and didn’t make a sound during the first fourteen months of her life. This struggle to find a voice, both literally and creatively, would later be critical in shaping her lyrical expression. Sa-Roc is arguably one of the most vibrant MCs in the world today. Her crisp articulation, fiery delivery, and her elevated & insightful lyricism has often placed her within the same conversation of some of Hip Hop’s most notable artists. There was no lack of early influences; she was raised by an artist father and an avid reader for a mother who would expose their young children to black writers, musicians & performers. She was raised on everything from the syncopated rhythms of hometown Go-Go acts like the Rare Essence & the Backyard band, to the prophetic poetry of Gil Scott Heron & Nikki Giovanni. It was the work of writers like these and more that helped Sa-Roc foster a love for language & writing and while still young, she began to pen her own poetry & short stories. She attended the Sankofa Institute, a Pan African centered school where her writing, social & creative expression was nurtured by Hasinatu Camara, an educator & civil rights activist. Camara would introduce Sa-Roc to close friends like Kwame Ture (f.k.a. Stokely Carmichael) MutaBaruka, and Haile Gerima. It was through these personal encounters that she began to see how artistic expression could be used as a tool to educate, inspire, & create change, a set of principles that she continues to live by. Sa-Roc was on the verge of graduating from Howard University as a biology major but decided to leave college and, D.C. for Atlanta. It was in THE ATL where she was introduced to famed DJ & producer, Sol Messiah. Inspired by one of the acts he was working with, Sa-Roc decided to record some of her poetry & rhymes to his beats. The result was her first EP, Astral Chronicles which dropped in 2008. She quickly began to gain recognition within the cultural & activist community in Atlanta, performing at social justice & political prisoner fundraisers, and other community based events. Still the full breadth of her artistic expression didn’t arrive until later that year when a surprise introduction at a Mutulu Shakur benefit concert thrusted her on stage for the very first time. Sa-Roc had finally found the full range of her voice and there was no looking back. Her powerful performances, metaphysical lyrics, and skills as an emcee, quickly caught the attention of the independent Hip Hop community in Atlanta. In an effort to maximize her momentum, as well as continually sharpen her skills, Sa-Roc & Sol Messiah continued to release a strong series of collaborative projects between 2008-2014. She also performed at the historic Zulu Nation 40th anniversary event, a performance which led to her gaining the attention of some of Hip Hop’s most respected pioneers. Sa-Roc was making waves as an emcee with notable stage presence and a prolific output — by 2014 she had dropped a stunning 8 projects in 6 years. Black Thought even pulled her on stage at A3C to perform an acapella verse. This led to several opportunities to open for The Roots as well as future creative collaborations w/Black Thought. She has opened for the likes of Common, Jay Electronica, and has shared the stage with legends such as Rakim, De La Soul, & Talib Kweli. She continued to write prolifically & tour with her peers/colleagues. In addition to her music career, Sa-Roc is a health and wellness advocate and public speaker, having led Hip Hop workshops and lectures both nationally and internationally. She is also an ambassador for Hip Hop is Green, an organization that uses the power and influence of Hip Hop music and culture to expose and educate underserved communities about the benefits of plant-based eating. Her Rhymesayers debut album, ‘The Sharecropper’s Daughter’, the title of which pays homage to her father’s experience growing up sharecropping tobacco, is in Sa-Roc’s own words “a sonic reflection on the generational inheritance of trauma and triumph that shapes our humanity and influences the way we see the world.” At a time where people all around the globe are calling for social change, Sa-Roc is an MC whose energy & conscious lyrics are here to shake up the rap game and remind us all that Hip Hop was always about giving a voice to the people.

I had the privilege of catching up with Sa-Roc ahead to her event in Madison on December 5th at the Union Theater’s Play Circle. The Union is going to change the landscape a little in this setting to make it more of a club vibe as part of the Black Box Sessions celebration of Hip Hop. We get deep into what an intimate gathering together will be like, and what the hope is for all of us in attendance when we walk away from this experience. We get a chance to learn more insightful observations from her latest single, ‘Amazing Grace’ and where this lies in the heart & ears of those who tune in. I could not forget to thank her for the full body experience that is ‘The Sharecropper’s Daughter’ and just how relevant it feels today – so we tap into the possible reasons why that could be. And no convo with her could feel complete without sharing in the energy and collaborative execution between her and Sol Messiah. Word cannot describe how excited I am for my mind’s mind to be a part of this event (and the idea that there’s a new album in the works get dropped on us to).

Madison McFerrin – Impactful Connections

Independent artist & musician Madison McFerrin has come into her own. McFerrin holds a fruitful & robust solo career w/3 self-produced EPs and numerous performances & curatorships across the country & internationally. McFerrin’s distinct vocal and meticulously layered stylings of a ‘Capella & self-harmonizing culminate in work that blends the genres of R&B, pop, soul & jazz, all with a sense of softness. Her genre-bending work has led to Questlove dubbing her early sound “soul-appella!! The throughline of McFerrin’s work is independence and she is often looking towards a kind of inner liberation. Whether she is writing about understanding one’s intuition & inner beauty or the cyclical violence of anti-Blackness & sexism, McFerrin explores how to get free and how to care for oneself along the way. Her works live at the intersection of artistry & community building. She often looks back and honors a Black music canon while creating her own unique style, utilizing her voice as a central instrument and drawing upon lifelong inspirations like Stevie Wonder, Aretha Franklin, Erykah Badu, Pharell, Missy Elliot, & the Spice Girls. She is in community with other artists, cultural workers, & activists, and has been able to prioritize the work of women and POC in her curatorial tenures at venues like C’mon Everybody, the WNYC Greene Space, and the BRIC Jazz festival. The result of McFerrin’s work is an enduring commitment to finding ways to think better, express ourselves honestly, and nurture a sense of possibility. Born in San Francisco as the youngest sibling and only girl of 3, Madison grew up and lived across the U.S. throughout her adolescence and into early adulthood. As a young child, her earliest & fondest memories were singing & performing at impromptu home concerts and climbing trees, finding a sense of home & safety as she moved physical homes. Her lineage is also strongly rooted in music and performance. Her earliest influence in her home was her father, Bobby McFerrin a 10-time Grammy® winning world renowned vocalist and classical conductor. Madison McFerrin’s older brother, producer, Taylor McFerrin, was also a musical influence drawing her attention to the nuances of Timbaland’s production and exposing her to a wide range of sounds from Brazil to Brooklyn. All of these influences grow from her grandparents’ rich musical legacy, which includes her grandfather’s historic contract with the Metropolitan Opera and grandmother’s sought-after guidance as an award-winning vocal coach. From this, music and performance became a home of its own for her.

This event was held on 11/16 as part of Impactful Connections, our partnership with the District of Columbia Public Libraries and held on the Millennium Stage.

Narrowed Views

The final part of the proGram wanted to remind us to keep widening your views.

CODA for Tabla and Blues Harmoinca- Corky Siegel Ft. Kaylan Pathak

Blue Jay- Neta Raanan
Alba- Bruno Canfora
Sognando Roma- Bruno Canfora


Kickin’ Your Ass- Ludivine Issambourg
The Bear- Ludivine Issambourg


Cherokee (Phil Baxter Version)- Charlie Parker (live)
Request Denied!- Leslie Pintchik Ft. Scott Hardy, Michael Sarin & Satoshi Takeishi
MMC- Christian Sands
Ain’t That the Same- Christian Sands


Not My Blues- Jeff Rupert Ft. Kenny Barron, Peter Washington & Joe Farnsworth
The Gypsy- Philip Weberndoerfer Ft. Dayna Stephens, Richard Mikel & Peter Traunmueller

Up Is Away

The middle part of the proGram got itself up and away from it all.

Can’t Stand the Heat- The Motet
**pre-recorded conversation w/Dave Watts of The Motet**
Something Better- The Motet


I’m a Real Bad Ass- Jerry Caringi Ft. Taylor Bailey Lawrence
Aeroport- Michel Jonasz
Amite- Michel Jonasz
Unrest- The Baker Brothers


Delilah- Mulatu Astatke & Hoodna Orchestra
Tail Feathers- The Tailfeathers
Band Doctor AL- Cassidy Clarke
Sun Coloured Eyes (Bay Ledges Remix)- BALTHVS


Humble African (Deejay Version)- Culture Ft. Trinity
Oh What a Joy- Sizzla
Governs Of Africa- Kwabna Ft. Marcia Griffiths

Hawkeye Piercing

The first part of this week’s proGram was up and still noticing it all.

Blues Is Still Alive- Will Wilde Ft. Walter Trout
Don’t Get In My Way- Eva Carboni
Let It Loose- The Wood


Ceiling Tiles- Sun Atoms
Shotgun Wedding- Vibravoid
Optical Sound- Vibravoid
Just As Well- The Tragically Hip (Live At The Misty Moon)


Pulled Up- Talking Heads (Live at CBGBs 10/10/77)
Everything Is Always Around You- FaithNYC
I Stood Up- FaithNYC
Rush Hour- FreeWorld


Heartbreaker- The Baker Brothers
It Might Not Be Love- Lyrics Born Ft. Lateef The Truthspeaker/Joyo Velarde/Trackademicks
Box Car Blues (3rd Rail Version)- Jimmy Stephens
In Motion- Bronze, Silver & Brass Brass

Love Time With The Motet

Formed over two decades ago, the funk six-piece The Motet have always strived to work as an interlocking unit, with each member bolstering one another towards the best creative output. This symbiosis has led to a unique style and cohesive musical chemistry, as seen in the band’s immaculate and energy sharing live performances and their seamless blend of funk, soul, jazz, and rock. With a fervent fanbase in tow, The Motet have sold out shows across the nation, performed six headlining slots at Red Rocks and sets at festivals such as Bonnaroo, Bottlerock, Electric Forest, Bumbershoot, Summer Camp, and High Sierra. But even after their 20+ years of accolades and recognition, the legendary outfit are still exploring new sonic ideas and finding new ways to showcase each other’s skill sets. The band released their 10th studio album, ‘All Day’, in January 2023 – an eclectic instrumental voyage threaded by the infectious grooves and immaculate, layered arrangements that The Motet have become known for. Now with vocal powerhouse Sarah Clarke deep in the mix, the band continues their journey with new songs and fresh arrangements of Motet classics and a new album which just dropped on November 15th of 2024.

Dave Watts / drums
Joey Porter / keys
Garrett Sayers / bass
Drew Sayers / keys & saxophone
Ryan Jalbert / guitar
Sarah Clarke / vocals

I had the opportunity to catch up with Dave Watts ahead of the November 23rd show at The Majestic Theatre with Ethno (Jeffrey James Franca). We get into what the event could shape up like since they are heading here just as the new album ‘Love Time’ drops. We dissect one of the tracks from the new album, getting into how it was created since they’ve added Sarah to the mix and how the chemistry, which seems to be one of the key facets of this group, was easily attained when she began getting her Motet on. There are clue in moments in our conversation about their set(s), how much new material they already have for the next album (maybe they’ll try one of those on for size here in Madison or wherever you catch them?), what band Dave drove seven hours to go see recently and a set-list is built. Open mind, body and sou as the Motet have a fun path into all three.

Empresarios on Millennium Stage

Empresarios is a Washington, D.C.–based collective of musicians and DJs who finely tuned their Tropicaliente sound over the past few years and shared this unique blend of tropical beats across the globe. With over three albums of original material and dozens of remixes already released, the Empresarios recently took the next step and launched their own label, Empresarios Musica.

Not only do the Empresarios release great music, they have also brought their live show across the U.S. and Puerto Rico. In recent years they have played great events as the Joshua Tree Music Festival, Musikfest, Landmark Festival, and the National Cannabis Festival, as well as D.C.’s Funk Parade and H Street Festival. The Empresarios have licensed their music to television networks like NBC, documentaries, films including Echo Park (2014), and video games such as EA Sports’ popular FIFA 12 (2012). Mixing together the warm sounds of the Caribbean is the specialty of the Empresarios, so get ready to dance to a fusion of reggae, salsa, hip hop, reggaetón, dub, and house. And they sure did rock the house on the Millennium Stage at the Kennedy Center on November 14th.

Mirrored Views

The final part of this week’s proGram reminds to watch what you think you saw.

Eno Be Me- Raz & Afla
Little Odessa- Eric Hilton Ft. The Infinite Daisy Chains
Across Brazil- Oilix
October 1998- Oilix
Dummy- Oilix & Hirokee
Jagoda- Neptungo


Own It All- Soul from the O Ft. Durand Bernarr

Girls Ride Horses Too- SistaStrings
**pre-recorded with Chauntee & Monique of SistaStrings**
Shea Butter Dreams- SistaStrings

For Ron Miles- Peggy Lee & Cole Schmidt
To The Rising Sun- Stephan Micus


Sathi- Safic with Gorkhali Takma Band
Faku Hiva- Banning Eyre
Fight Or Flight- Banning Eyre

Wrong Right Ways

The middle part of the proGram reminded that there’s more than one way.

Wrap It Up- James Biscuit Rouse
Baby I’m A Star- James Biscuit Rouse
June- Gizelle Smith & The Mighty Mocambos (Live at Le Printemps De Bourges)


Kunstkoepfe- Hamburg Spinners
Titisee-Express- Hamburg Spinners
Slip The Grip- The Greyboy Allstars
Othership- The Boom Yeh
Vampo- Les Hommes


Buttea la pasta senora- Augusto Martelli
I Wish I Knew How It Would Feel to Be Free- Delfeayo Marsalis & Uptown Jazz Orchestra Ft. Tonya Boyd-Cannon/Andrew Baham
Sidewalk Sizzle- Delfeayo Marsalis & Uptown Jazz Orchestra Ft. Aaron Narcisse


Three Piece Suit- Kokoroko Ft. Azekel
A Invasão De Pindorama- Nomade Orquestra
Llegaron los burros (Insurgentes Carismáticos)- Romperayo
El Gavilán Mayor- Romperayo

Ramping Up

The first part of this week’s proGram has new ideas for a new ways.

Dear Mr. Fantasy- Paul Lake
Silent Echo- Sidewalk Society
Nice Boys- Sidewalk Society
Sweet Thing- Gyasi


The Neighborhood- Ollee Owens
My Man- Ollee Owens
One More Day- David Gogo
4 On The Floor- Ian Siegal Meets Johnny Mastro


Shakespeare Blues- Shyfrin Alliance
No Good For Me- The Bluesbones
Stepping Stone- Vibravoid


The Shoals- Loose Cattle Ft. Patterson Hood
Cresent City- Loose Cattle
D-Up (Here’s to Diversity)- FreeWorld
Outta Sight- FreeWorld

Fun Starts With SistaStrings

SistaStrings is a incredibly dynamic musical duo comprised of dynamic artists and sisters, Chauntee and Monique Ross, whose exceptional talent and versatility has made a profound impact on multiple music scenes. With their unique blend of classical training, heartfelt and heart-shared soulful melodies, and contemporary, even unique sounds, SistaStrings have established themselves as a formidable force within the an ever-widening music community. The duo was recently voted “best instrumentalists” for the Americana Music Associations 2023 honors. Born and raised in nearby Milwaukee, Wisconsin, Chauntee and Monique discovered their love for music at a extremely young age. Growing up in a musically inclined family, the sisters were exposed to a diverse range of genres and instruments. Chauntee found her calling as a violinist, while Monique ended up developing her skills as a cellist. Together, they embarked on a remarkable journey, fusing their classical training with their deep-rooted love for Rhythm and Blues, hip-hop, and gospel. As members of Brandi Carlile’s touring band, SistaStrings have performed at iconic venues such as Madison Square Garden, The Kennedy Center, Newport Folk Festival and even Saturday Night Live. They have performed with an eclectic array of artists such as Joni Mitchell, Ed Sheeran, Maggie Rogers, Margo Price, Allison Russell & Jason Isbell.

Sometimes when the phone gets picked up to start a conversation with artists, I immediately feel like we’ve done this before and any nerves just disappear. This was one of those times. I had a really great time chatting with Chauntee and Monique ahead of their November 21st event at the Stoughton Opera House. We talked about the way the event will shape up, with the music, the stories and the shared emotions all interconnected in the community of it all. I wanted to walk in their shoes during some very cool happenings. So we got into what’s been going on. The first time I wanted to tie their laces tight was the amazing experience (I can hardly even imagine being a part of), being able to play rare instruments at the Library of Congress. Say what?? Oh yes! This leads to all the feelings one could possibly have before a single event. They get time to name drop working with legends like Joni Mitchell, Elton John and Chaka Khan. We talk about the inspiration and friendship they’ve been able to foster with collaborator Peter Mulvey before and after their move to Nashville. Playing with friend of the program Allison Russell led to touring with Brandi Carlile and the hits have just kept on coming. It would be hard to find two better people to get to have these a part of their life’s stories. So we discuss what it is about these collaborative experiences of multiple genres that allows them to ‘bring themselves’ to it. Then we laugh about ‘that time networking in New York’. I am so looking forward to the next time the phone rings and it is SistaStrings catching up with all the next first times they’ve shared in.

Ahh Boo

The final part of this week’s proGram kept the porch company.

Pocket Rocket- The Boom Yeh
What Dreams Are Made Of- Lyrics Born Ft. Joyo Velarde
Live Your Life (Without Permission)- Lyrics Born Ft. 1-O.A.K.


Wiggling- Kiddus I, Bazbaz & The Salmon Ft. Tchiky
Dub Planet- Matumbi
Cry- Angelique
Jah Man- Errol Campbell


Secret Love- Statik Sound System
Unity Re-Dub (Black Market Dub)- Monkey
Eko Eko- The Bongo Hop Ft. Moonlight Benjamin


Invisible Sword- Marthe Halvorsen
Young Lion- Sade Adu


Dreaming- MaLLy & Last Word
Industrial Mylasia- Conveniens
Diyddiyd- Conveniens

Walk This Way

The middle part of the proGram told me to…

My Little Frankenstein- The Earls of Babylon
Ethereal Ink- Jake Blanchard
Mosaic- Jake Blanchard


Seven Days (Live in Madrid)- Cracker
Crossroads- G3 Ft. Joe Satriani, Eric Johnson & Steve Vai
Don’t Tell Mama (What Mama Don’t Know)- Parker Barrow
Bloodsucker- Hunger Anthem


Let Me Count the Reasons- Kelly Finnigan
Cold World- Kelly Finnigan
Waiting- The Altons
Reminds Me of You- Cliff Beach
Velluto Nero- Alex Puddu


Sabamobil- Hamburg Spinners
Huschdegudsl- Hamburg Spinners
Hot Tamale- The Boom Yeh

Don’t Stop

The first part of this week’s proGram still had a green->arrow.

The Scribbler Pt 1- March to August
Running Booze- March to August
While My Guitar Gently Weeps- Jerry Douglas
From Ankara to Ismir- Jerry Douglas


Ready, Fire, Aim- Billy Coulter
Mr. Wrong- Cracker Ft. Leftover Salmon
Teach No Lies- Dean Mueller
Long Gone Home- David Vest & Terry Robb
Drinkin’ Got the Best of Me- Ron Houston


Truth Come To Power- Billy Thompson Ft. David Martin Barard & Eddie Christmas
Honey, Honey, Honey- Kenny “Blues Boss” Wayne
Creosote- CW Ayon


GI Gina (revisited)- James Biscuit Rouse

Fountains Ahoy

The final part of this week’s proGram was finding its way up and up.

Für Elise- Jon Batiste
Madeline- Jeffery Broussard & The Nighttime Syndicate
Ooh Poo Pah Do- Delfeayo Marsalis & Uptown Jazz Orchestra


I Promise To Listen- Marquis Hill Ft. Manasseh
Zero Gravity In The 12th Dimension- Wayne Shorter (live)
Smilin’ Through- Wayne Shorter (Live)


Lions Heart 2- Ben Goldberg, Todd Sickafoose & Scott Amendola
***pre-recorded conversation with Scott Amendola***
Self Evident- Ben Goldberg, Todd Sickafoose & Scott Amendola


When the Time is Right- Javon Jackson & Nikki Giovanni
Farrar Konam- Liraz & Adrian Younge
Atlas- Adrian Younge & Ali Shaheed Muhammad

Into The Wind

The middle part of the proGram was inside the waves that moved the airs.

Sacrifice- Yaryu

Serial Killer- Sunflower Bean
German Camp- Crash Harmony
Strong Forever- Blitz Vega Ft. Johnny Marr


Morphine Drip- The Fleshtones
Fly The Astral Plane- The Chesterfield Kings
Whisky Dreams Bourbon Schemes- The Chesterfield Kings


Del Mondo Strangewich- lespecial
***pre-recorded Conversation with Luke Bemand of lespecial***
Enter Sandstorm- lespecial


Radio Ronza- Afro Celt Sound System
Melancaholic- Sonova
Neptune Rings- Sonova


Dr. Groove (Somethin’s Burnin’ Down)- King Pari

Listen To The Movement

The first past of this week’s proGram was out in the talls with ears up.

Holding out for You- Marcus Trummer
Cheap Fantastical Takedown- Blitzen Trapper
Sell, Steal or Die- Sugar Brown


The Czar- Bruce Katz Band (Live)
In Memory of Elizabeth Reed- Bruce Katz Band (Live)
Brawler Theme- Howlin Rain
Down A Drain- Howlin Rain


Late Too Early- Danny Bell and His Disappointments
Sickening Elixir- Jake Blanchard
Morphine Boogie- Jake Blanchard
Feel- Plastic Crimewave Syndicate


Up the Creek- Yaryu

Here To There: Goldberg Sickafoose Amendola

For friend of the proGram, Scott Amendola, the drum kit isn’t so much an instrument as a musical portal. As an ambitious composer, savvy bandleader, electronics explorer, first-call accompanist & capaciously creative foil for some of the world’s most inventive musicians, Scott applies his wide-ranging rhythmic virtuosity to a vast array of settings. His closest musical associates include guitarists Charlie Hunter, Nels Cline, & Jeff Parker, Hammond B-3 organist Wil Blades, violinist Jenny Scheinman, saxophonist Phillip Greenlief, clarinetist Ben Goldberg, bassists Trevor Dunn, & Todd Sickafoose, all players who have each forged a singular path within and beyond the realm of jazz. While rooted in the San Francisco Bay Area scene, Scott has woven a dense & far-reaching web of bandstand relationships that tie him to influential artists in jazz, blues, rock and new music. A potent creative catalyst, the Berkeley-based drummer is the nexus for a disparate community of musicians stretching from Los Angeles and Seattle to Chicago and New York. Whatever the context, Amendola possesses a gift for twisting musical genres in unexpected directions. Over a career spanning more than 3 decades, he has forged deep ties across the country, and throughout the world. As an ambitious composer, savvy bandleader, electronics explorer, first-call accompanist, and capaciously creative foil for some of the world’s most inventive musicians, Mr. Amendola applies his wide-ranging rhythmic virtuosity to a vast array of settings.

Ben Goldberg played jazz on the saxophone and classical music on the clarinet. While getting a B.A. in music from the University of California at Santa Cruz, studied clarinet with Rosario Mazzeo, the dean of 20th century clarinet teachers. Mr. Goldberg started playing and studying klezmer music, which has a virtuosic clarinet tradition. He pondered how to use the clarinet in jazz & improvised music as he was getting tired of the search for “authenticity” through note-for-note reconstructions of old recordings. In Sweden he met Ziya Aytekin, a traditional zurna player from the Caucasus and felt/heard how much his music had in common with, for example, the late work of John Coltrane. He wondered if he could use klezmer music to explore this connection between the traditional and the “avant-garde.” One day he got together with some cats with whom he’d often played traditional klezmer music with and he suggested they take a familiar tune and cut loose on it to see where it might go. The result was exhilarating and had a powerful, lasting effect on him. It was his first taste of music as a transformative, liberating force. This was the beginning of his creative musical path; in the years since then, Mr. Goldberg continued to work with and cultivate the musical forces that were present at that time – research, education, musical fundamentals, diligence, attention to detail, and a relentless pursuit of truth.

Todd Sickafoose is a Tony & Grammy award-winning composer, producer, arranger, orchestrator, bandleader & double bassist. He has performed on hundreds of recordings, toured internationally, appeared at music venues/festivals from Carnegie Hall to New Orleans Jazz & Heritage Festival, and played on national television & radio programs including the Tonight Show with Jay Leno, Late Show with Conan O’Brien, The Artists Den, & NPR’s Mountain Stage. He is known known as a musical cross-breeder who stretches across genres. In 2004, he began performing/recording in a duo format with folk poet, activist & cultural icon Ani DiFranco. Their relationship has developed for nearly 2 decades and have made 7 albums, 2 concert DVDs, and performed over 1000 shows together. In 2007, he began working on Anaïs Mitchell’s folk opera, ‘Hadestown’, as arranger/orchestrator & music producer. After years of development and regional productions, the show opened at the Walter Kerr Theater on Broadway in 2019 and won 8 Tony Awards, including Best Musical & Best Orchestrations for Mr. Sickafoose and collaborator Michael Chorney. He produced the Hadestown Original Broadway Cast Recording which won a 2019 Grammy for Best Musical Theater Recording. ‘Hadestown’ continues to run both on Broadway and a North American Tour. Straddling the worlds of folk, indie rock, jazz & chamber music, his own band Tiny Resistors has performed at the North Sea Jazz Festival, Stern Grove Festival, Angel City Jazz Festival and been featured on many “Best-Of” lists including the Village Voice & JazzTimes. Writing for Tiny Resistors, he recently composed Bear Proof, a long-form chamber jazz hybrid commissioned by the Doris Duke Foundation.

I had the chance to catch up with Scott ahead of the November 9th record release event here in Madison at the North Street Cabaret. We get into how much he enjoys coming to Madison and specifically playing a spot that has an audience that’s there for it! I have to dsay, it does me/us good to know how welcoming some of our hometown haunts are to people doing the hard work out there of traveling and sharing their art. We get into the new record of course. On ‘Here to There’, Ben Goldberg, Todd Sickafoose, & Scott Amendola play music inspired by the bridges of Thelonious Monk compositions. We dissect one of the tracks that really called me into it. We will hear things off this record for sure, other things (including anything new one of these minds may have brought to the team before the show) and improv. Scott and I also compare/contra=st this project to another recent project with the group SticklerPhonics and I think there’s more room for more projects of Scott’s to come to Madison and play with us.

Photo by Lenny Gonzales

Luke Of lespecial with a lehanG

lespecial is redefining the term “power trio”. They sound & feel more like a heavy Prog-tronic Power Trio. The multi-instrumentalists from Connecticut continue to push the boundaries of what a three-piece band is capable of both live and in the studio with their their latest full-length album that dropped Autumn 2023, “Odd Times”. The band’s signature blend of “heavy future groove” combines headbanging metal riffage & surgical rhythmic precision with bone shaking 808s, sub synths and ethereal vocal stylings for a dance floor that welcomes moshing, dancing and hip swaying alike. Listeners are taken on a journey to the musical netherworld through esoteric soundscapes punctuated by raw, primal power. Odd Times, lespecial’s darkest and heaviest record to date, is an enigmatic and compelling musical project that explores the ever-changing nature of time amidst isolation. With heavy riffs, tribal drumming, and hints of levity, it’s a captivating journey crafted in collaboration with Havok‘s David Sanchez. An intriguing blend of old-school metal and modern djent-inspired riffage awaits in this haunting sonic experience.

Band Members:

Luke Bemand – Bass, Synth, Percussion, Vocals
Jonathan Grusauskas – Guitar, Synth, Sampler, Percussion, Vocals
Rory Dolan – Drums, Sampler, Percussion, Vocals

I had the chance to hanG out with Luke before this party rolls into Madison on November 8th at the Majestic. We got into what this tour and this event with Doom Flamingo is shaping up to be, including some of the special treats for not only your ears from lespecial, but prepare your eyes for some serios effects/lights. We go deep into their latest full-length mentioned above ‘Odd Times’ and how for me as a listeners, the heaviness of it came at a time when that rawness was needed, so we got into how if felt to create it, working with David and it felt like they too really got to enjoy being back together in the same space working as this is a band meant to be in a live setting creating the moods and supporting the grooves. We also talk a little bit about the conclusion of legetaway V, what this festival errr retreat err hang out, yes all of this, is all about. Sounds like a place to be a part of for the cool kids for sure. I have listened to this band for a few years and I just really enjoy the space within their music to invite others in and we get into one of those artists, the incomparable and friend of this program, Mike Dillion. We get into what kind of energy he brings, a project they created together and the coolness of playing with some like Mike that he grew up listening to and learning from since kidhood.