The Magic Of Marcia Ball

50+ years have passed in a flash for pianist/songwriter/vocalist Marcia Ball. The 2018 Texas State Musician Of The Year has won worldwide fame & countless fans for her ability to ignite a full-scale roadhouse party every time she takes the stage. Born in Orange, Texas and raised in Vinton, Louisiana, her deep Acadian heritage and a lifetime of absorbing Gulf Coast rhythm & blues is evident in her original songs and the classics she chooses to cover. This has made her a one-of-a-kind favorite with music lovers all over the world. With each new release, her reputation as a profoundly soulful singer, a boundlessly talented pianist and a courageous, inventive songwriter continues to grow. Her love of the road has led to years of soul-satisfying performances at festivals, concert halls & clubs. Marcia grew up in a family whose female members all played piano and she began taking lessons at age 5, playing old Tin Pan Alley and popular music tunes from her grandmother’s collection. But it wasn’t until she was 13 that Marcia discovered the power of soul music. One day in 1962, she sat amazed as Irma Thomas performed on a show at the Municipal Auditorium in New Orleans and delivered the most spirited & moving performance the young teenager had ever seen. A few years later she attended Louisiana State University and after dropping out to explore the brave new hippie world of the late 1960s, she was invited to try out for a blues-based rock band called Gum. She made the cut and her future was set. In 1970, she left Baton Rouge for San Francisco. Her car broke down in Austin, and while waiting for repairs she fell in love with the city and decided to stay. It wasn’t long before she was performing in local clubs with a band called Freda And The Firedogs, which attracted many musicians & significant media attention to Austin. It was around this time that she discovered Professor Longhair she knew she had found her direction. When Freda And The Firedogs broke up in 1974, Ball launched her solo career and began touring outside of Texas & Louisiana. She signed with Capitol Records in 1977, debuting with the country-rock album Circuit Queen. As she honed her own sound, she released 6 critically acclaimed titles on the Rounder Records label during the 1980s & 1990s. In 1990, Ball, collaborating with Angela Strehli & Lou Ann Barton, recorded the hugely successful Dreams Come True on the Antone’s label. At the end of 1997, Marcia finished work on a similar “three divas of the blues” project for Rounder, this time in the distinguished company of Tracy Nelson and her longtime inspiration, Irma Thomas. The CD, Sing It!, was released in 1998 and was nominated for a Grammy Award. Marcia Ball has appeared many times on national TV over the years, including the PBS special In Performance At The White House with B.B. King & Della Reese, Austin City Limits & HBO’s Treme. She performed in Piano Blues, the film directed by Clint Eastwood included in Martin Scorsese’s The Blues series which aired on PBS television nationwide in 2003. Marcia also appeared on The Late Show With David Letterman w/The New Orleans Social Club, where she helped to benefit victims of Hurricane Katrina. In 2012, she had a role in the independent film Angels Sing starring Harry Connick, Jr. & Lyle Lovett & Willie Nelson. Ball joined Alligator Records in 2001 with the release of the critically acclaimed Presumed Innocent. The CD won the 2002 Blues Music Award for Blues Album Of The Year. Her follow-up, So Many Rivers, was nominated for a Grammy Award, and won the 2004 Blues Music Award for Contemporary Blues Album Of The Year as well as the coveted Contemporary Blues Female Artist Of The Year award. Her next release, Live! Down The Road, released in 2005, also garnered a Grammy nomination, as did 2008’s Peace, Love & BBQ. She holds 11 Blues Music Awards, 10 Living Blues Awards, and 5 Grammy Award nominations. 2010’s Grammy-nominated Roadside Attractions and 2014’s The Tattooed Lady And The Alligator Man successfully grew her fan base even further. She has been inducted into both the Gulf Coast Music Hall Of Fame & the Louisiana Music Hall Of Fame and the Texas State legislature named her the official 2018 Texas State Musician. In 2018, Marcia was inducted into the Austin City Limits Hall of Fame. And she kept on traveling down the road to the next gig…

I had the pleasure of catching up with the legendary pianist/singer/songwriter ahead of her heading back to Madison for a gig at The Bur Oak on March 5th. Marcia and I get into a bit of what that show will be like, with some of that good ol’ rockin’ and rollin’ being at the center. We talk about her love of Madison and how much she enjoys being here, musically and otherwise, including her working with a staple here, The Jimmys (with whom she’ll be hanging and playing with down in Jamacia before heading here). We get into her passion for Irma Thomas, and how much seeing her early on changed her life, and then they worked toGether on a few occasions. How dreamy?! For me, it is always nice to talk about new music and Marcia drooped a little knowledge this way that there in fact, is some of that heading our way. YES!!! While new music is usually a big part of my thanG, so is the give-back. Marcia is doing her part as well with the HOMES initiative, providing financial housing assistance for aging musicians in need. So I would have been remiss not to shine a little light on these fantastic efforts.

Simon Lott’s We Gon Do Dis

The Jazz Foundation Presents: Simon Lott’s We Gon Do Dis
February 19, 2025 5:00 pm – February 19, 2025 6:00 pm
Snug Harbor

Drummer & beyond, Simon Lott was born on January 6, 1982 and has been making music professionally since 1995. His career as a versatile drummer began in Louisiana at age 13 in Baton Rouge & New Orleans. He completed an B.A. in English Literature in 2004. At age 23, he moved to New York City after the destructive Hurricane Katrina & began touring internationally. 2 years later, he returned to the South and has been living in New Orleans since. He fashioned his first album of original music at age 18, an instrumental jazz recording called “In The Parking Lott of Swing.” Then at age 23 completed his second album of original music entitled “Things.” Things stepped into other facets of music: hip-hop, electronica, funk, rock, R&B, and included bits of vocals and a heavy amount of post-production and “cutting-&-pasting” of live recorded tracks mixed with composition and improvisation, highlighting Lott’s skills as composer as well as producer. The music was recorded in 2002 and was slowly edited over 3 years. At the age of 25, Simon began home recording and experimenting more with synthesizers and effects pedals. At age 28, he created a home studio called THE EARSE in New Orleans where he cultivated two alteregos– Context Killer and Diamond Kinkade: Context Killer’s main rig is a drum set w/contact microphones, synthesizer(s), looper(s), & effects pedal(s); later, electric bass & vocals were added– a malleable, morphing rig indeed… The initial concept of Context Killer’s music was to create a more visceral, organic kind of electronic music by making the music without pre-set loops or samples and with live drumming & keyboard playing. The Context Killer concept was also fabricated as a way to develop playing other instruments and singing. Context Killing is also about changing your current situation if it’s not working; it’s a way to come at things from a different angle so you don’t get stuck, or face the infinite spectrum–there’s always another layer to be uncovered & explored. For instance, using “negative” energy effectively to make music thus giving the listener diverse experience; or employing physical exercise to free your mind and become more in touch with the body that is needed for music-making. This looping period lasted for a good while with great affects & effects.

Snowwalking

The final part of this week’s proGram could trudge with the best of them.

Canto Del Agua- Novalima Ft. Hit La Rosa
Habibi- Alsarah & The Nubatones


No Use- Jazzanova Ft. Clara Hill
WATERFALL- Close Counters
All I Need- Maribou State Ft. Andreya Triana
II Remember- Maribou State
Everything- Errol Eats Everything
Round N Round- Errol Eats Everything


What’s Wrong with Your Mind- The Invisible Session
Favela de Rio de Janeiro- Hyldon & Adrian Younge
Mambosaki- Groovology


No Smokin’- Eldad Tarmu
Yeah- Eldad Tarmu
Radio Goose Bumps- Perceptions Trio
The Wicked Crew- Perceptions Trio

Closer Laked Viewing

The middle part of this week’s proGram took out its binoculars to take it in better.

Someone Else Tonight- KC Armstrong
Memphis Bound- Melon Jelly
greenarrowradio promo- HeavyDrunk
BluesLand Theme Park- HeavyDrunk & Watermelon Slim
Fresh- HeavyDrunk & Watermelon Slim
Ain’t Worth The Heartache- Tommy Castro & The Painkillers


I Try, I Try- The Altons
Don’t Like You Anymore- Tanika Charles
Let Me In- Canyon Lights
Midnight Sweat- Şatellites


Midnight Hour- Tjiwara Band de Kati
INTERLUDIO- Tony Allen & La BOA
LA MAQUINA DE TONY- Tony Allen & La BOA
After 24 Years- Femi Kuti


Victory Garden- Smoke & Mirrors
I’m the Man for You Baby- Dub Syndicate
Hey Ho- Dub Syndicate

LakedViews

The first part of this week’s proGram saw the fall of the powder on that lake.

Words & Birds- The Minus 5
Trouble- TV On The Radio (Live)
Keep On Loving You- Tenacious D
Jesus Doesn’t Want Me For A Sunbeam- levitation room


Los sueños que ya no se sueñan más- Les Breastfeeders
Narc- cutouts
March On For Max Romana- Psychedelic Porn Crumpets


Sugar Free Jazz- Soul Coughing
Amy Fisher- Soul Coughing
Good 2 Go- MikelParis Ft. Vernon Reid
HitMe- MikelParis Ft. G. Love


Up On The Mountain- Seth Walker
Last Thing In Sight- Reckoners
Joy, Joy!- Valerie June
Tear It Down- Little Georgie & The Shuffling Hungarians

International Festival 2025

Madison, Wis. (Feb. 5, 2025) — The International Festival returns to Overture Center for an exciting day full of cultural performances, food and more. The annual festival will take place on Saturday, March 8 from 10 a.m. – 5 p.m. Celebrating the rich cultural heritage within our community and enjoying nearly 30 FREE performances throughout Overture by artists who call Dane County home. Indulge in cuisines from around the world, browse stunning arts and crafts available for purchase, and learn about the many local businesses with global connections. More than 20 cultures will be represented.

Guests may participate in person at Overture or online for select livestreamed performances via Overture’s Facebook page.

PERFORMANCES – 10:15 a.m. to 5 p.m.
Atimevu – Traditional music from Ghana
Beni Daiko – Madison-based Japanese Taiko drumming
Breckenridge School of Highland Dance – Watch the swirling kilts and vibrant tartans of Scotland
Charanga Agozá – Cuban charanga-style dance music
Cris & Ann Plata – South Texas and Mexican border music: conjunto and norteño
Guitar House of Madison – Spanish guitar music with rhythm, passion & fire featuring Gabor Szarvas & friends
Hmong Institute’s Heritage Club – Traditional poetry songs (kwv txhiaj) with musical instruments
Last Gaspe – Canadian, Irish and American fiddle music that swings
Limanya Drum & Dance Ensemble – Traditional drumming and dancing from Guinea, West Africa
LuLu Quintet – Sparkling French/Romany “hot club” jazz inspired by Django Reinhardt
Mad Craic Irish Dance – All-adult dance troupe performing both modern and old-style Irish dances
Madison Chinese Culture Association – Promoting Chinese culture and supporting our community
Madison Männerchor – Wisconsin’s oldest German chorus, performing German and English songs
Madison Pipes & Drums – Scottish bagpipe band that promotes Celtic heritage through music
Meenakshi Ganesan & the Kalaanjali Dance Company – Bharatanatyam – classical Indian dance more than 3,000 years old
Mona Augustin – World beat love & social justice songs
Raizes do Brasil – Capoiera – an Afro-Brazilian art form that fuses self-defense, dance, music and acrobatics
Rebulu Group – Classic Cuban conjunto music
Sadira Middle Eastern Dance – Raqs Sharki – the joyful, classical women’s dance of the Middle East
Sergio El Vacilon – Cuban Son Guajira, Cha Cha Cha, Mambo, solo guitar and vocals
Son Del Atlantico – Colombian fusion band
Swapna Srinivasan-Mukula – Bharatanatyam dancer, teacher and performer
Tania Tandias Flamenco & Spanish Dance – Fiery flamenco dances from Southern Spain
UW Russian Folk Orchestra – Russian/Eastern European music played on authentic instruments
Yid Vicious – Festive blend of traditional and contemporary Klezmer music
Žaibas Lithuanian Dancers – Sharing, preserving and promoting Lithuanian heritage through dance
Zhong Yi Kung Fu Association – Traditional Sar Ping style of Lion Dance with live music

SPECIAL ACTIVITIES
Little Eagle Arts Foundation (LEAF) (10 a.m. to 5 p.m.): Hands-on activities by various LEAF artists:
Molli Pauliot – natural fiber weavings
Lightning New Rider – natural fiber weavings
Glory of the Morning: Claire Maisells and Joy Maisells – hand crafted items all Native American made
Blue Bear Studios: Chris Sweet and Chrissy Shegonee – paintings, totes and mugs
Sky Woman Beadwork – Sayokla Kindness
Lillian WhiteEagle – traditional beadwork on everyday items and Ho-Chunk dancer regalia
Kimberly Crowley – basketry
Earth Jewelry by Leah: Leah Winneshiek – gemstone and beadwork mixed media
Little Eagle Arts Foundation – beadwork art making activity
UW-Madison International Reach (10 a.m. to 4 p.m.): Explore new cultures with student ambassadors

INTERNATIONAL MARKET & FOOD VENDORS
Aidanm Sweet Isintu Foundation
Akarim African Enterprise
Café Costa Rica
Friendship Force of Wisconsin-Madison
Friends of Ukraine – Madison, Inc.
Greenbush Heritage Foundation
Hope Institute of Uganda
Inti Fair Trade
Italian Workmen’s Club – Madison
Jakarta Cafe
Madame Chu Delicacies
Madison Arcatao Sister City Project (MASCP)
Madison Area Chinese Community Organization
Madison-Camaguey Sister City Association
Madison-Freiburg Sister City Committee
Madison-Obihiro Sister Cities, Inc.
Madison-Rafah Sister City Project
Madison-Tepatitlán Sister Cities
Madison-Vilnius Sister Cities, Inc.
Mundo Esperanza Inc.
M&J Jamaican Kitch’n
Nazka’s Handmade
Nepali American Friendship Association
Otavalo Art
Polish Heritage Club of Madison-Wisconsin
Returned Peace Corps Volunteers of Wisconsin-Madison
Spinning Handiworks
The Hmong Institute
The Rolling Pin Bake Shop
Verona Area International School


International Festival 2025 is funded by Ho-Chunk Gaming Madison.

Orchid Views

The final part of this week’s proGram had itself a unique feel that could be unmatched elsewhere.

Guzleme- Romano
Infinity- Smif-N-Wessun
Deixa Passar- Gerardo Frisina & Toco Ft. Luzia Dvorek
Naif- Anan Ft. Kadi Koulibaly


Money- Dukes Of Roots
Stoned Immaculate- Dub Syndicate
Fight the Power- Dub Syndicate
Peace- Famara
Afonhe- Kimi Djabate


Morena- Ryan Tennis Ft. El Caribefunk & Bakithi Kumalo
Zunzun Baba- Rita Donte
Beye Bu, Beye Ba- Ebo Taylor, Adrian Younge & Ali Shaheed Muhammad
Get Up- Ebo Taylor, Adrian Younge & Ali Shaheed Muhammad
Bhangra Rangeela- Red Baraat Ft. SMK & Bakhshi Brothers


Balloon Pop- Hiromi Ft. Sonicwonder

Ohh That’s The Spot There

The middle part of the proGram this week is there but not to be found.

somebody 2 love me- Black Light Animals
Mystery- Allen Stone Ft. PJ Morton


(Feels Like) Things Are Comin’ Our Way- Charles Wigg Walker
***pre-recorded conversation with Mr. Charles WIGG Walker***
I Like ‘Em Like That- Charles Wigg Walker


Together- SNACKTIME Ft. Devon Gilfillian
Shelley & Smoota Converse…Smoota Gets The Last Word- Burnt Sugar the Arkestra Chamber
Summertime At Paula’s Barn- Burnt Sugar the Arkestra Chamber
Ray’s Tune- Roy Haynes
TORMENTO- Alix Brown


Influences- Old Tek
Whirred Up- Old Tek
See You Soon- Cantrips
Paper Machine- Fujimara Band

Find The Chair

The first part of this week’s proGram knew about the special spit within.

Home Again- The Brothers Comatose Ft. Lindsay Lou
The Moment Of Truth (Live At The Coliseum)- Ella Fitzgerald


Maybe it Takes Time- The South Hill Experiment
Altitude- Immersion & SUSS
Become Sun- Fifth Daughter


I Love You, I Need You- GA-20
Fortune Teller Blues- Joe Bonamassa & Sammy Hagar
Fast Drive’n- Big Al and the Heavyweights
First Train Out- Robbert Duijf
Bring It Down- Reckoners


Sofa King- The Pro-Teens
Doomsday- The Pro-Teens
Tito’s Dumpling Machine- George Porter Jr. & Runnin’ Pardners
Yok Yok- Şatellites
White Noise- Peter Matson Ft. Kendra Morris

New Music From Charles WIGG Walker

Charles Walker was born in Nashville, Tennessee on 7/12/1940. Charles or “Wigg,” as he is known by his friends (his mother nicknamed him when he was born with a full head of hair), began singing at an early age in church & school. He cut his first record in 1959 for Ted Jarrett’s legendary Champion label. One cut, “Slave To Love,” was credited to Charles Walker and the Daffodils. In fact, there was no such group as the Daffodils. The backup singers on the record were label mates the Kinglets & Larry Birdsong. In 1960, Charles moved to New York City where studios & nightclub work were plentiful. 1962 found Charles recording with Chess Records out of Chicago, and soon he signed on as lead singer with the J.C. Davis Band. This band began touring the country opening for the greats of the era including James Brown, Jackie Wilson, Etta James, Wilson Pickett, Little Willie John, Otis Redding, & Sam Cooke. The J.C. Davis Band recorded some real barnstormers for Chess like “Sweet Sweet Love” & “The Chicken Scratch.” In 1964, Charles formed his own group, Little Charles and the Sidewinders. They became one of the most in demand soul bands in New York City’s nightclub scene, performing at the Apollo Theater, Small’s Paradise and venturing out to Las Vegas & Atlantic City. They subsequently recorded for Chess & Decca labels. The Sidewinders stayed together through the 60’s, and in 1969 he cut some sides for Botanic Records. The Sidewinders reformed in 1973 and worked as a show band in hotels, nightclubs, and casinos without the benefit of a recording contract. Early in the 80’s, he recorded in England and re-issued many of the Sidewinders classic sides. Realizing that there was a market for soul music in the U.K., he formed his own label P.R.G. and released the single “See Me” in Europe. He spent most of the 1980’s in England & Spain and worked steadily but recorded occasionally. In 1993, he moved back to Nashville to do some serious recording, since Nashville’s blues & R&B scene was really booming. His solo releases include “I’m Available,” “Leavin’ This Old Town,” “In the House” (live with Johnny Jones) & “Soul Stirring Thing.” He also released an album on the U.K. label Zane records called “Number By Heart” in 2003. Charles most recently was the featured singer for a band called “The Dynamites featuring Charles Walker”, and 3 records were released since June of 2007 on Outtasight Records. The band toured frequently in the U.S., Canada, Europe, & Australia. Charles is one of the few remaining original soul singers from back in the day when old school R&B/soul was brand new on the music scene. There has recently been a resurgence of this style of music, and it is finding a younger audience while rekindling memories for the old school crowd. Wigg is still delivering this style of music at a very high level, and his experience and maturity in the field of soul music gives him a perspective that is unmatched. Now in 2025, he comes out strong like never before even, with a new album ‘This Love Is Gonna Last’.

I had the chance to catch up quickly with Mr. Charles “Wigg” Walker’s shortly after ‘This Love Is Gonna Last‘, his first album in over a decade, officially dropped. We go seed to flower on the record, including dissecting two of the track a bit. The album is a dedication to his late wife and shifts seamlessly between definitive eras of soul, from Philly and Detroit to Memphis. We go back in time to learn a little about what he learned from James Brown, how he was the opening act for the Jackson 5 and the work he did fronting The Dynamites. I think this album will add to any music fans collection, but certainly, if that old feelin’ soul music is your thang – this has that and it feels fresh and new.

GongMyoung Blows Minds

In collaboration with the Embassy of the Republic of Korea and the Korean Cultural Center on the Millennium Stage at the Kennedy Center.

The Korean drumming collective GongMyoung is renowned for its innovative reinterpretations of time-honored Korean music—with a modern jam-session flair, unconventional improvised instruments, and an effortless sense of cool. Formed in 1997, the group has the unique ability to recreate & rearrange traditional Korean music, showcasing the versatility & diversity of Korean culture through surprisingly approachable works. Their performances often feature their namesake—a distinctive bamboo instrument they created, called the GongMyoung—plus a variety of wind & percussion instruments. As an ensemble, GongMyoung transcends genres in both their style and musical application, which includes major concerts, stage musicals, plays, dance performances, & films. GongMyoung’s global impact extends to over fisty countries and 130 international festivals. The group has been selected for some of the world’s largest art showcases & festivals, including performances at AAM 2001 in Singapore, GATEWAY 2006 in Mexico, APAP 2007 in New York, WOMEX 2008 in Spain, MIDEM 2009 in France, SXSW 2010 in Texas, and CINARS in 2007 and 2014 in Canada. They have performed at numerous international festivals including in Australia (Melbourne, Sydney), Norway (Ford), Sweden (Malmö, EBU Folk Festival), Italy (San Marino), China (Guangzhou), Germany (Pina Bausch), Canada (Vancouver), the Philippines, Zimbabwe (Harare), Mongolia (Playtime), Belgium (SFINKS Mixed Festival), and Taipei (WMF). Their performances in international diplomacy and cross-cultural exchange has taken GongMyoung across the globe as well, to India (New Delhi, Mumbai, Kolkata, Chennai), Portugal, Greece, Bangladesh, the Philippines, China (Guangzhou), New Zealand (Auckland, Wellington, Christchurch), Chile, the United States of America (Los Angeles, Seattle, Boston), Vietnam, Japan (Tokyo), Brazil, Pakistan, the UAE, the United Kingdom (London), Germany (Wuppertal), Zimbabwe, Mauritius, Sweden, Bulgaria, Canada, Cambodia, Mongolia, Hong Kong, Egypt, Kuwait, Saudi Arabia, Finland, Estonia, Latvia, France, Belgium, Taiwan, Romania, Nauru, Saint Lucia, Saint Vincent, Trinidad and Tobago, and many more. Their performances continue to expand globally, further cementing their place as a prominent cultural ambassador group.

Members:
Director: Seo Hyungwon
Planning: Jeong Wooin

Musicians: Kyongkeun Song (sogeum, daegeum), Youngju Lim (percussion), Sunil Kang (janggu, gayanggeum), Seungwon Park (guitar, string bamboo)

Mali Obomsawin Amazes At Lincoln Center

The genre-fluid, accomplished creator Mali Obomsawin is a bassist, composer, vocalist and proud citizen of the Odanak First Nation. Obomsawin’s increasingly broad body of work spans jazz and roots music, indie rock and experimental sound, film scoring, and all-ages instruction. An international touring artist and celebrated accompanist, her current projects include the shoegaze duo Deerlady, the Julia Keefe Indigenous Big Band and her eponymous free-jazz ensemble, making its Lincoln Center premiere at the David Rubenstein Atrium. Obomsawin’s music liberally references her Native heritage and the challenges of realizing freedom under colonialism while challenging listeners with expressive harmonies.

Under The Dome

The final part of this week’s proGram had a little more shine to parts than expected.

Approaching the Red Planet- Moonbrew & Paolo “Apollo” Negri
Stab- Kuna Maze
Clean- Küf Knotz & Christine Elise
Inner G- Küf Knotz & Christine Elise Ft. Boogieman Dela & Shad


Let’s Git It On- Smif-N-Wessun
**pre-recorded conversation with Tek & Steele of Smif-N-Wessun**
Bucktown- Smif-N-Wessun
Elephant In The Room- Smif-N-Wessun

Emi Aluta (Zamrock Remix)- Seun Kuti & Egypt 80 w/Sampa the Great
Ayalolo- Dusty Ft. King Owusu
People of Earth- Old Tek


Memories of Senegal (Remix)- Ernest Ranglin
A Música Na Minha Fantasia- Adrian Younge
Stand Up (BALTHVS Remix)- King Canyon
Batto- Songhoy Blues

Mosaic Above

The middle part of the proGram made you look up and smile.

Toby Arrives- Greg Koch
Magic Carpet Ride- Karl Latham Ft. Mark Egan, Wolfgang Lackerschmid, Mitch Stein, Henry Hey & Roger Squitero


I Can’t Get You Out Of My Mind- Luke Marzec
Midnight Rendezvous- Charles Wigg Walker
Broken Promised Land- Reckoners
Looking for a Reason- Reckoners Ft. Susan Tedeschi


Renard’s Groove- Bronze, Silver & Brass
Paris- Wolfgang Valbrun
The Gas Face- The Pro-Teens
Lifestyles- Rosettes
Fight Song- Hot 8 Brass Band
Ronda- Danzón El Gato


Moto joie- Gaspar Claus
Moto drame- Gaspar Claus


Rock Candy- Frollen Music Library
Space Between Us- Franc Moody
TRA TRA TRA- El Dusty & DJ Kane

Dropping Performance Art

The first part of this week’s proGram went out to jazz it up once again.

Chapters- John Mailander’s Forecast
Boom- Sierra Hull
Gunfire at Midnight- Stephen Jacques


Come and Go- The First Cosmopolitans All Male Chorus

Honeysuckle- Rev Peyton’s Big Damn Band
Go Ahead- 63 Deluxe
I’m Gonna Ride- Geoff Achison
Delta Dave- Geoff Achison


Change Calls the Tune- David Ronaldo
New York Minute- Dion
Ride or Die- Graeme Jonez
Together Forever- The Bablers


Zero Sun- Little Barrie & Malcom Catto
Snake City- Gyasi
Star- Gyasi
Man Made Of Meat- Viagra Boys

Smif-N-Wessun Got It Going

Currently celebrating 30 Years Since Their Groundbreaking Debut, Dah Shinin’, Brooklyn, NY-Iconic duo, Smif-N-Wessun is preparing to release their latest album Infinity, February 21st., 2025. Hailing from Bucktown, a borderless place where otherwise warring Brooklyn neighborhoods find peace, Smif-N-Wessun, aka Tek & General Steele, are recognized and respected worldwide for their lyrical control. The pair first appeared on Black Moon’s debut album Enta Da Stage in 1993. Adding relentless rhymes to tracks “U da Man” & “Black Smif N’ Wessun,” the pair paved the way for the Brooklyn Supergroup Boot Camp Clik. Smif-N-Wessun released their classic debut Dah Shinin’ January 10, 1995 on Nervous Records. The album was noted for its hardcore lyrical content & gritty production, handled by Da Beatminerz production crew and was selected as one of The Source’s 100 Best Rap Albums of all time. Always standing on business, the Brooklyn duo has always stayed true to their roots. Never faltering or curving to conformity Infinity is a testament to their staying power and a gift to their loyal fans. The album will be released on Bucktown USA Entertainment/ Duck Down Music. The first single, “Infinity” was released on January 10th, followed by “Elephant In The Room” both produced by Khrysis, February 7th. A third single, “Medina” featuring Pharoahe Monch produced by SND*TRK, to be released simultaneously on February 21st. Fresh from the triumphant return of a successful domestic & international tour, Smif-N-Wessun’s new album is a cumulative reflection of their life experiences. Executive Produced by college professor & world renowned producer, 9th Wonder and the Soul Council, 9th explains the thought process with the album. “I wanted to make sure that it didn’t sound dated. It sounds like them (Smif-N-Wessun) but it’s also new. They are our generation’s version of Thelonious Monk, Charlie Parker, Donald Byrd.” Illustrious MCs featured on the album include, Buckshot, Pharoahe Monch, Conway the Machine, legendary artists Sean Price & Prodigy, multi-platinum RnB legend, Ralph Tresvant along with rising stars, Sweta and Jalisa. Infinity cements Smif-N-Wessun’s status as creators of nothing but classics. This is their eighth album and the 2nd collaboration with 9th Wonder and the Soul Council. Showcasing buttery beats from Council members, 9th Wonder himself, Khrysis, SND*TRK, Kash, Mu’aath & Nottz, the album delivers a sonic smash that will satisfy everyone from the rap purist to new school connoisseurs. This new album has cemented Smif-N-Wessun’s place in Hip-Hop history as stalwart artists and champions of Hip-Hop culture.

I had the honor of chatting with Tek & Steele like we was hanging out on the front stoop together talking music. We got into the 30th anniversary of Das Shinin’ and how that album got it’s story built, and the fellas of course, mention those who came before and helped them through. We also got into the upcoming event at the Union Theater’s Play Circle in Madison on February 13th and what showgoers can think to expect, especially with this new record, ‘Infinity’ set to drop a little over a week later. We gonna get some teasers! That of course got us into the new album and how these joints came to life, and they got me a couple of tunes ahead of time to share with listeners. From the classic to the this moment music, Smif-n-Wessun are always poised to share their stories in a way that are relatable, image in the mind worthy and got a soul of their own riding on beats to move to.

Seeing You

Final part of this week’s proGram had all eyes on you.

Come My Way- Azato Ft. Aisea Taimani & Riya Davis
Boukanack- Mariaa Siga with Oddy
Raj3een Tany- SSLH Collective
Why Am I a Rastaman Dub- Culture
Light Your Fire- Dennis Brown & The Aggrovators
Toukambela- Songhoy Blues


**pre-recorded conversation with our friend Ahmed**
I Have No Address- Ahmed Muin and Friends


Sant Joan feu-lo ben gran- Libérica
Golpe de Garza- Larry & Joe
Festival en Guararé- Larry & Joe
Luoddaearru – The Crossroads- Áššu


Soul Element- Rick Roe
The Trial- Enrico Rava Ft. Evita Polidoro/Matteo Paggi/Francesco Ponticelli/Francesco Diodati

Into Progressing

The middle part of the proGram thought to move forward, even.

Whatever It Is- Charles Wigg Walker
Warm- Carvalho
Trouble Man- Eugenie Jones
Sinnerman- Eugenie Jones


Slop Jar Boogie Oogie Oogie Blues- Burnt Sugar the Arkestra Chamber (live)
Hollering Hoodoo Ghosts Conduction #2- Burnt Sugar the Arkestra Chamber (live)


Hop Bico- Derya Yildirim & Grup Simsek
Las Olas- The Sure Fire Soul Ensemble
Ibiza- Butcher Brown
Birthday Song- J3PO


AIO (Bosq Remix)- BALTHVS
Visions- Dusty

SUMthin’ In ProGress

The first part of this week’s proGram kept on making improvements.

(open)- John Mailander’s Forecast
Road- John Mailander’s Forecast
Southeastern Stomp- A Thousand Horses
Good Time Girl- Paige Plaisance
Drive- Jason Boland & The Stragglers


Too Many Times Down That Road- Gerry Jack Macks
Keepin’ It Hot- Jim Kahr
greenarrowradio promo- TOMISLAV GOLUBAN
Standing On Shakey Ground- Greg Koch


Hopper’s On Top (Genius)- The Waterboys
Out Of My Head- Sorrows
Wax & String- Shannon & The Clams

Ghalia Volt On WWOZ

Ghalia Volt cut her chops busking in the streets of her native Belgium and fronting blues-rock bands. The personable singer, drummer, guitarist, & songwriter followed the blues trail to New Orleans, where she fronted the local band ‘Mama’s Boys’ – to Chicago and back down the river through Mississippi and finally back to the Crescent City, where she is now based. She’s charted on the Billboard Blues Chart with her 2019 album Mississippi Blend, which includes appearances by Cody Dickinson and Cedric Burnside, among others. Since then she’s stripped down her sound ahead of her One Woman Band project, which began with a month-long songwriting Amtrak trip and launched a solo tour. Her 2023 Shout Sister Shout! release brings her back with a full band and includes originals like “Po Boy John” as well as her rocking version of the blues standard title cut. Tuned in last Friday afternoon to catch a live set from Ghalia Volt at WWOZ.