About grnarrow

Setlist Architect/Art Scene Checker-Outer/Sound Feeler

G Horse To Water

The first part of the program can lead you to it.

Folsom Prison Blues- The String Revolution & Tommy Emmanuel Ft. John Carter Cash

Cognac I Diazepan- Smoking Bambino
Do The Right Thing- TOMISLAV GOLUBAN (Live)
Soul Brother- Blackburn Brothers


Time and a Word- Instant Smile
Cathedrals- Violetera


Mrs. Postman- Black Pumas
Exotica Break- The Blassics
West Side Glory- The Blassics
Lucky Seven- The Funk Revolution Ft. Lucky Brown
Redbeard- The Funk Revolution Ft. Lucky Brown
Ride the Dragon- Nick Marks


On the Precipice of Change- Jeff Coffin
Here To Be Me- Jeff Coffin

Berry Ready To Turn

Did a pre-show G show and it had this jazzed up feelin’ to it:

Morning Breeze- Silvan Joray Ft. Nadav Erlich & Jeff Ballard
Kokodrillo- Silvan Joray Ft. Nadav Erlich & Jeff Ballard
The Liar- Silvan Joray Ft. Nadav Erlich & Jeff Ballard
Precipice- Koppel Colley Blade


Protect Your Light- Irreversible Entanglements
Room 608- Terell Stafford Ft. Johnathan Blake, Tim Warfield, Bruce Barth & David Wong
Home/Gone- Pathos Trio


Molten Glass- Richard Baratta
Boo Boo’s Birthday- Anthony Fung
Fo(U)Rth- Anthony Fung


Nefertiti: What a Sweetie- Adrian Legg
***pre-recorded conversation with Adrian Legg***
A Waltz for Leah- Adrian Legg

One Drop Of Kindness With Yungchen Lhamo

Yungchen Lhamo was born & raised in Lhasa, Tibet. Her name, which translates as ‘Goddess of Melody,’ was given to her by a lama at birth. In 1989 she made the month-long, 1,200-mile journey across the Himalayan Mountains to Dharamsala, India, to pursue her dreams. Later, she moved to Australia, where she began to sing prayers of meditation that inspired her to record her first album, ‘Tibetan Prayer’, which won the Australian Recording Industry Award (ARIA) for Best World Music Album in 1995. Yungchen was then signed by Peter Gabriel’s Real World Records label on which she released three more albums: ‘Tibet, Tibet’ (1996), ‘Coming Home’ (1998), & ‘Ama’ (meaning ‘Mother’), featuring Annie Lennox on ‘Fade Away’ & Joy Askew on ‘Tara’ (2006). In 2013 Cantaloupe Music released her fifth album, ‘Tayatha’ (meaning ‘It Is Like This’), a meditational collaboration with Russian classical pianist Anton Batagov. In March of 2022, she released a long-awaited sixth album, ‘Awakening’, through Six Degrees Records. With this album, Yungchen, who now lives in Upstate New York, explores the relevance of compassion-based spirituality to our modern-day, interdependent lives – each song reflecting topics that have become ever-more highlighted by the Covid-19 pandemic. These offerings aim to appeal to those of any religion, or of none, who are interested in sound healing & spiritual awakening. It is also the 1st album to include a song in Mandarin. And now in 2023, she has just released “One Drop of Kindness” into the world. This amazing being has performed, acapella or accompanied, in numerous countries on all 5 continents, including at such prestigious venues as Carnegie Hall, New York; Royal Festival Hall & Royal Albert Hall, London; National Concert Hall, Dublin; The Louvre, Paris; Philharmonic Hall, Berlin; International Performing Arts Centre, Moscow; The Vatican, Rome; & the Sydney Opera House. Others include the 1997 Lilith Fair festival, many WOMAD festivals, rock concerts, & benefit concerts. She has also contributed soundtracks to many films, including the 1997 film ‘Seven Years in Tibet’ starring Brad Pitt, and documentaries ‘Mission: Joy’ and ‘Better Living Through Chemistry’. She has performed or shared a stage with numerous well-known artists, including Philip Glass, Michael Stipe, Billy Corgan, Beastie Boys, Peter Gabriel, Natalie Merchant, Sarah McLachlan, Sheryl Crow, Jewel, Bill T Jones, Laurie Anderson, Sir Paul McCartney, Annie Lennox, Lou Reed, Peter Rowan, U2, Paul Brady, & Sinead O’Connor. In 2004, Yungchen established the One Drop of Kindness Foundation, formally known as the Yungchen Lhamo Charitable Foundation, which is dedicated to improving the welfare of human beings in need, regardless of borders, through direct action. A complete being she is!.

I had the complete pleasure to have a conversation with Yunchen Lhamo about her brand new group of sonic offerings that has been released into the world just the other day. ‘One Drop Of Kindness’ is out now on Real World Records. We get deep into how, and where these seven new offerings developed from, the clear mission of the music and the living of service for others. As we are talking about the sound healing that is clearly intended from this album, we talk in length about one track in particular, which I have been using for a month now as a daily start, a reminder. For me, so much of this music is the feeling and mood it brings within me and it is clear that there is a path being created for human communication and sharing of both the common and the uncommon, and putting others ahead of yourself. The bridges being built here come with tools form many countries and take the form in many shapes, the instruments and artists devoted to the spirit of this music, the meeting of her co-produces at the time, THE TIME that was just right. None of this moment by moment living escapes importance for Yungchen, and with this newest release, I have not lost faith in the hope of opening hearts, uniting communities and bringing cultures toGether. After-all, it could just start with ‘One Drop Of Kindness’.

Life Called

Barely got time to do a few tunes before life made the phone ring and take me away this week. Will do an extra hour on the front end next week. Everyone, be careful.

Jamey Has A Locket- Jim Patton & Sherry Brokus
It Never Lasts- Anton O’Donnell


Tears In My Eyes- John Mayall’s Blues Breakers (live ’67)
Extra Boom- Tomislav Gouluban (live)
Fast Love- Gyasi (live)

The Unique Fingerstylings of Adrian Legg

Globally acclaimed by critics & fans alike for his unique acoustic & electric fingerstyle guitar playing, Mr. Adrian Legg masterfully blends diverse musical styles, influences & inspirations to create a distinctive sound all his own. With multiple awards and accolades spanning 4 decades, he has been heralded as a “guitarist of astonishing virtuosity, (whose) imagination and melodic invention seem unbounded,” (Q magazine); “ridiculously talented,” (Music Week) and “simply the best acoustic guitar player I’ve ever heard.”(guitar icon Joe Satriani). But there’s even more to Adrian Legg’s draw as an engaging, one-of-a-kind performer. Described by Audio Magazine as a “kind of cross between Robert Fripp & Garrison Keillor,” Legg is more fully characterized as a “genuine entertainer who excels at not only painting pictures, if not frescoes, and telling stories with music— but also wittily regaling his audiences with tales from his life and travels and his cogent and often oblique yet thought-provoking observations on a spectrum of topics. It’s all part of his dedication to making his performances a full- blooded emotional experience.” Over his career, he has released over a dozen recordings of his original compositions, which are consistently described as “thrilling, engaging, emotionally compelling and evocative.”, while encapsulates his own music by saying, “I’m a collision between European classicism and the American guitar.” Loyal fans around the globe enthusiastically appreciate Legg’s witty, entertaining stories, often shared in between songs onstage and on his live albums. As noted by popular BBC radio personality Andy Kershaw, “Quite simply, there is no one else like him,” citing Legg’s “dazzling technique and equally large dollops of spirit, humor, passion, eclecticism and spontaneity.” The essence of his creativity is in live performance. “Playing live is the whole point,” he stresses. “Everyone makes a journey, an effort; we all come together — me, the audience, the people who run the venue — to share this wonderful, universal, human emotional interaction. This is where music lives; it has a huge social value which I think is very important.” When it comes to musical technique, he plays fingerstyle guitar, mixing an alternating-bass style with harmonics, banjo-peg retuning and single or double string bending. Often, he plays a piece entirely in arpeggios (similar to a classical guitar style) and extensively uses altered tunings and capos to create his signature sound. In addition to his well-honed gifts as a performer, Mr. Legg is an innovator in guitar design & amplification technology, an instructor, photographer, writer, author, and an at-large commentator for National Public Radio’s “All Things Considered” which still regularly uses many of his varied guitar interpretations of its theme music. So it’s no wonder that What’s Up magazine hails London-born Legg as “the greatest British import since Newcastle Brown Ale.”

I had the chance to catch up with Mr. Adrian Legg ahead of his October 17th event here in Madison at The Bur Oak. We got into talking a little bit about what it is people can expect when he heads this way to play live…and….with a Shel Silverstein quote at the ready, you may have to head out to the event to really get the full picture. When we stated to talk about his ‘signature sound and how that was developed and even if it is a real thing, the time got very interesting for me. When the sounds are there, go find a way to make them happen the way you hear & feel them. I do actually want to see if each one of his finGers has a little face and brain of it’s own while he is playing. More reasons to get there and see him. Just like his commentary – he is brilliantly witty and I did get a little more insight into a possibly way that trickled into the way he puts on an event. We close out by talking aboyut how Mr. Legg refreshes his mind and finds inspiration when he isn’t working on his musical endeavors. The history is real and I can even picture the trail his bike is taking passing the timelines of the past as he pedals. Oh and when you go check him out live, don’t be fooled by one man sitting with a weird looking guitar, the outside of this book is much different when it sits on the table then when you open it up (and fingerstyle through).

Greenseed

The final part of this week’s proGram was filled with some kinda envy.

Izzy Come, Izzy Go- The Funk Revolution Ft. Lucky Brown
Scarlet Runner- The Funk Revolution Ft. Lucky Brown
The Fresh One- The Funk Revolution Ft. Lucky Brown
Horn OK Please (early)- The Blassics
Swazi Funk- The Blassics
Daincity- Davis Hall & The Green Lanterns
Gunkali- Alpacas Collective


Con Amore- Giuliano Sorgini
Mordente- Giuliano Sorgini
Fendente- Giuliano Sorgini
Birthday Song- Kendra Morris
Mood Swings- Teezo Touchdown


Funky- Harold López-Nussa
Sharp Left- The Steve Snyder Trio


Bloomin’- Goodge

Inseed View

The middle part of the program was all inseed it.

Sconnie Girl- Joyann Parker
Roots- Joyann Parker
Howlin’- Dom Martin
Cirque du Soleil- Jason Ricci & The Bad Kind


He Will Follow You With His Eyes- Corinne Bailey Rae

Let The Devil Play- Blackburn Brothers
Sister Rosa- Blackburn Brothers
(Let’s Break) The Curfew- The Faithful Brothers
Downtown, Uptown- The Faithful Brothers


Do It with Soul- Tower Of Power
***pre-recorded conversation with Emilio Castillo of ToP***
East Bay! All Day!- Tower Of Power
On the Soul Side of Town- Tower Of Power
East Bay! Oakland Style!- Tower Of Power

Yoda Mode- The Big Ol’ Nasty Getdown Ft. Maiya Sykes
Ice- Max Beesley’s High Vibes

Seedy

The First part of the proGram this week had to remember where it all begins.

Maybe It’s Not Too Late- Jeff Plankenhorn
Laying Right Here In Heaven- Tina Rose, Amy Nelson, Jason Hill & Jake Pinto
Crystal Closet Queen- Pixies


Runaways- Goodnight, Texas Ft. Kirk Hammett
She Still Shouts- The Blips


Godfather Theme- Popa Chubby & The Beast Band (Live AT G. Bluey’s Junk Joint)
69 Dollars- Popa Chubby & The Beast Band (Live AT G. Bluey’s Junk Joint)
Bloodshot Sky- Kyla Brox (Live at Köniz Castle)
Already Gone- EG Kight


789-0133- Dave Keller
Ain’t No If About It- The Groove Krewe Ft. Jonathon Boogie Long
More Days Like This- J.T. Lauritsen And The Buckshot Hunters Ft Mike Farris & Trez Gregory
Sticks and Stones- André Bisson
Roll Out- Jhett Black
Blues Don’t Care- Tom Hambridge Ft. Christone “Kingfish” Ingram

55 Years Of Tower Of Power

For over 55 years, Tower of Power has delivered the best in funk and soul music. .“We were a Soul band called The Motowns.” recalls family of the proGram, Emilio Castillo. “Rocco was the bass player, I was there, and my brother was the drummer. I met “Doc” Kupka back in 1968, and gave him an audition. He came in the band, and we eventually changed our name to the Tower of Power.” The reason for the band name change was that they had a specific goal in mind.East Bay Grease defined their sound and landed them with Warner Brothers. Bump City, their 1972 debut for the label, was a hit on both the Billboard 200 and the R&B Albums chart, and netted them the hits “You’re Still A Young Man” and “Down to The Nightclub.” The 70s were a boom period with radio classics like “So Very Hard to Go” and “What Is Hip?,” and the band continued to tour and record over the years. Castillo says their love of the stage is the same today as it was back in 1968. 50 years later, in 2018, they returned to Oakland to celebrate their landmark 50th anniversary. Tower’s window-rattling grooves and raucous party spirit has been a balm for the soul throughout their half-century existence, but the release of 50 Years of Funk & Soul: Live at the Fox Theater couldn’t have arrived at a better time. The band has long since surpassed Castillo’s modest aspirations, traveling the world, enjoying hit singles on their own and backing legendary artists including Otis Redding, Elton John, Santana, the Grateful Dead, John Lee Hooker, Aerosmith, Bonnie Raitt, and countless others. In the process they’ve defined an “Oakland soul” sound as instantly recognizable as those from Castillo’s hometown, Detroit, as well as inspirations like Memphis and Philadelphia. The future of Tower of Power is set out to be vigorous and dynamic, and will prove to be just that for fans around the world starved for the band’s groove just the way Tower of Power likes it! And you do too!!

It’s that time of year aGain and you can feel it in the air. Tower Of Power is heading back to Party in Madison on October 3rd at the Orpheum. As usual, we got a chance to hang out with Emilio to talk about what is going to go down. We chat a bit about there to hear and then to now, and a lot of the feelings and conversations shared between all the people in the venue. Emilio and I always try our best to connect to the younger crowd who maybe through it all has not quite bumped into this scene, we’re going to be on the look out for all of you(s) at this party.

Dante’ Pope and The Jazz Collective at Millennium Stage

Dante’ Pope is a multi-genre percussionist from the westside of Chicago, based in Washington, D.C. Dante’ serves as the newest addition to Grammy Award®–winning, Nashville–based group Old Crow Medicine Show as the percussionist & featured vocalist. Dante’ was featured on percussion and vocals on the 2019 Grammy®–nominated album Black Cowboys. The album is a collaboration with friend of the proGram, Mr. Dom Flemons, founder of the Carolina Chocolate Drops and Smithsonian Folkways. Dante’ also served as drummer and music director for soul artists and lyricists Raheem Devaugh and Wes Felton, known as The Crossrhodes. His arranging and musicianship was featured for their NPR Tiny Desk Concert in 2017. Since his debut EP release After Five Music in 2019, Dante’ Pope has released several singles and EPs based in soul, jazz, blues, and hip hop traditions. As a solo act, he has played Rockwood Music Hall in New York City, the Strathmore Performing Arts Center, DC Jazz Festival and a host of venues throughout the U.S. He and the band put on yet another exception show on the Kennedy Center‘s Millennium Stage last night.

Orange We Ready For This

The final part of the proGram just wanted to check in.

Humberstone- Davis Hall & The Green Lanterns
A Web, A Knot, A Tangle- Black Market Brass
The Town I Live In- The Faithful Brothers
Night Man- The Faithful Brothers


Echoes – Smoove & Turrell

Still Spinning- Kendra Morris
Special- Kendra Morris
The Soaring Seagull- Electric Keyboard Orchestra
Synthporn- Dressel Amorosi


Life Is So Beautiful- Ursula 1000 Ft. Yuuko Sings
Locked Up- Danger Mouse & Jemini The Gifted One
Born-A-MC- Danger Mouse & Jemini The Gifted One
Mindful Solutionism- Aesop Rock
Brujería- El Búho Ft. Li Saumet


Pelican Dance- Sandunes

The Moment Between Closing

The middle part of this week’s program liked to sneak riGht on through.

Bounce It- Kurt Elling, Charlie Hunter & Superblue Ft. Huntertones
California- Franck & Damien Ft. Donavon Frankenreiter
Winding Roads- Stephen Marley Ft. Bob Weir & The Wolf Brothers & Jack Johnson


***pre-recorded conversation with Vinnie Amico of moe.***
The Conch- moe.
Tailspin- moe.
Tubing The River Styx- moe.

The Rain Song- The Caughtery
Jeane- The Persian Leaps
Don’t Rain on My Parade- Veronica Swift


Out In the Woods- Durand Jones & The Indications
Stranger In a Strange Land- Nathaniel Rateliff & The Night Sweats
Rapture- Jalen Ngonda
Kava- Maiiah & Angels of Libra
Homer- Davis Hall & The Green Lanterns

Wash Drink Repeat

The first part of this week’s proGram had a purple haze to it.

Do a Little Dancing- Jeff Plankenhorn
Woman’s Work- Joan Osborne
Eve Was Black- Allison Russell


greenarrowradio promo- Teresa James
I’d Do It for You- Teresa James & The Rhythm Tramps
Me And My Chauffer- Candice Ivory
When The Levee Breaks- Candice Ivory
HooDoo Lady- Candice Ivory Ft. Charlie Hunter
Anything You Need- Gabe Carter


Mother-In-Law Blues- Mitch Woods Ft. John Hammond
Saturday Night Boogie Woogie Man- Mitch Woods Ft. Elvin Bishop
2:19- Chris Yakopcic (Live)


When Love Comes Knocking- Chris Beard
greenarrowradio promo- Tom Hambridge
Meet Me In Chicago- Tom Hambridge Ft. Rob McNelly
Ain’t It Just Like Love- Tom Hambridge Ft. Buddy Guy

30+ Years of moe.

Hailed by American Songwriter for their “mind-bending musicality,” moe.is treasured for their mesmerizing musical synergy, unfettered showmanship, & smart, resonant songcraft. For 3 decades, the band has corralled diverse musical forms on a truly original journey. Fueled by an impassioned fan base, moe. has spent much of those 30 years on the road, encompassing countless live performances marked by eclectic wit, deep friendship, & exploratory invention. Having built an enduring legacy with hard work and a confirmed commitment to creativity and community, moe. seem as surprised as anyone to find themselves at such a significant landmark. The more the band traveled, the more they grew creatively, evincing a remarkable willingness to progress as they went along. moe. quickly became part of a burgeoning scene centered around NYC’s Wetlands, a grassroots revolution that embraced freewheeling genre fusion – spanning funk & free jazz, country & classic rock, prog, new wave, calypso, pop & everything else under the sun – fan interaction, & unrestrained improvisation. moe. widened its reach across America, earning new fans and national attention with their ingeniously imaginative interplay and a regularly growing catalogue. The band spent almost as much time in the studio as they did on the road. As if all that weren’t enough, the moe. canon – released largely through their own Fatboy Records, as well as via two label deals, one major, the other independent – further includes a wide range of archival live releases (including 2000’s L), a Christmas album, even a re-recorded collection of greatest hits. moe. is truly a live band, rightly adored by a fervent following for their epic concert performances, each one imaginatively improvisational, rhythmically audacious, and utterly unique. Indeed, the band has spent much of its 30-year career on the road, including innumerable headline tours, international festival sets from Bonnaroo to Japan’s famed Fuji Rock, music-themed cruises, and sold-out shows alongside such like-minded acts as the Allman Brothers Band, Robert Plant, members of the Grateful Dead, Dave Matthews Band, The Who, Gov’t Mule, & Blues Traveler, to name but a few. As if that weren’t enough, moe. has both promoted and headlined at multiple festivals of their own, including snoe.down and moe.down. That illustrious career path has been supported and nourished by the band’s ever-growing legion of devoted fans and followers, known lovingly as moe.rons. With their astonishing prolificacy and awe-inspiring longevity, moe. is among the rare bands that somehow manage to transcend time and trend to be passed down from one generation to the next. Impossible to pigeonhole as anything other than simply moe., this one-of-a-kind band has never been easily categorized, their sonic adventurousness and tongue-in-cheek humor distinctly and undeniably their own. Despite current circumstances, moe. is celebrating their milestone anniversary with characteristic self-deprecation and wistful optimism. Here’s to the next 30.

I had the pleasure of catching up with Drummer of moe., Vinnie Amico ahead of the band’s arrival back in Madison on September 29th at The Barrymore Theater. We got into what someone new to the scene can expect from the live experience, which is really what this group of artist seems to live for. We talk about how, after thirty years, things are feeling as good and fresh as ever. This is one of those bands that gets into that (as Vinnie said), the music at times starts to play the band, so of course we talk about that in the moment spirt and energy between band members, the fans and the music. Once again, this is a band that has an idea or a map to what should go down once the how begins, but it is that shared moment of this is now happening, and here we go, makes each song, each setlist a unique to you experience. Being a big fan of Al’s writing, we find out a little bit about what happens when he walks into the studio and presents a song he’s working out. It’s a classic answer about process, discussion and family style working through.

Portraits by friend of the proGram Jay Blakesberg

It Was Electric

The final part of the proGram lite everything up differently than seen before.

Red Deer- Josh Cole : KIND MIND
Inward, Curve- Jason Moran, Marcus Gilmore & Blankfor.ms
Wild and Free- Peter Xifaras


Alice In The Congo- Kris Davis Ft. Terri Lyne Carrington, Julian Lage, Val Jeanty & Trevor Dunn (live)
***pre-recorded conversation with Kris Davis***
Dolores- Kris Davis Ft. Terri Lyne Carrington, Julian Lage, Val Jeanty & Trevor Dunn (live)


Ancient Chocolate Buddha- Broun Fellinis
***pre-recorded conversation with Kevin Carnes of Broun Fellinis***
The Mystery of 3- Broun Fellinis
Carla- Broun Fellinis

Squeezed The Pop

The middle part of the proGram made sure to get the all from each.

Groundhog Day- Johnathan Blake
Tour de Force- Mulgrew Miller (live/solo)
Blues For Burns- Mike Jones Ft. Penn Jillette & Jeff Hamilton


Conspiracy Theory- Pete McCann
Message From the Meters- Steve Snyder Trio
Hox A- Black Market Brass
Little Ghosts- Black Market Brass


Ashé Chief Donald: Tribute Big Chief Donald Harrison Jr. – Congo Square Nation- Chief Adjuah
Golden Crown (Chief Xian aTunde Adjuah – Xodokan Nation- Chief Adjuah
Xodokan Iko – Hu Na Ney- Chief Adjuah
Rat-a-Tat- Harold López-Nussa
Olivia- Mike Clark

The Swirl Started To

The beGinning part of the program today went to the ways of that way.

Papa Norco- Rascal Reporters

A Walk in the Hood, Pt. 2- Freddie Bryant
Naughty Number Nine- Kurt Elling, Charlie Hunter & Superblue Ft. Huntertones


Intercepcion- Aguankó
Wild Blues- Hilario Duran And His Latin Jazz Big Band
Pacá po Juanito- Hilario Duran And His Latin Jazz Big Band
Latin Gemini- Carlos Hernandez


Dance of the Elders- Wolfgang Muthspiel, Scott Colley & Brian Blade
Tsumamiori- House of Waters
Tiempos- Johnathan Blake

Kris Davis’ Diatom Ribbons Live At The Village Vanguard

Pianist/composer Kris Davis introduced her acclaimed 2019 album ‘Diatom Ribbons’ by talking about the micro & the macro, using the titular microalgae as an evocative analogy for her compositional approach. The comparison could be extended, in a way, to describe the legendary Village Vanguard – although in time, rather than in space (the basement club’s notoriously intimate confines don’t allow for much of a macro view). On this venturesome new double album, the long & storied history of one of jazz’s most revered venues coexists with the immediacy of contemporary invention in thrilling and unexpected ways. With ‘Live at the Village Vanguard’, Davis’ 2nd release with her far-reaching Diatom Ribbons band, she adds her name to the astounding roster of legends who have recorded at the Vanguard, yet the music takes forms that even visionaries like John Coltrane, Sonny Rollins or Bill Evans could never have imagined. The album, which dropped September 1, 2023, via her own Pyroclastic Records label, reunites Davis with her core collaborators from that album – drummer Terri Lyne Carrington, turntablist & electronic musician Val Jeanty and bassist Trevor Dunn, as well as the addition of a new voice to the mix in the person of guitarist Julian Lage. ‘Live at the Village Vanguard’ follows in the kaleidoscopic spirit of its celebrated predecessor, which was hailed as one of the top 5 albums of 2019 by both DownBeat & JazzTimes magazines while topping the list of both the NPR Critics Poll and The New York Times. The music is an inspired collage of eclectic influences, drawing on the music and philosophies of Wayne Shorter, Olivier Messiaen, Sun Ra, Geri Allen, Karlheinz Stockhausen, Charlie Parker, Eric Dolphy, Ronald Shannon Jackson, Paul Bley & Conlon Nancarrow, among others. In her role as Associate Program Director of Creative Development for the Institute of Jazz and Gender Justice at Berklee College of Music, Kris plays an active part in remedying the historic injustices and imbalances in the jazz world while serving as a role model in her own work. She and bassist Linda May Han Oh are only the second & third women to win the Grammy for Best Jazz Instrumental Album for Terri Lyne Carrington’s 2022 album ‘New Standards Vol. 1’, an honor they share with Carrington, the first woman to win the category with 2013’s ‘Money Jungle: Provocative in Blue’. This new record showcases the fact that Kris Davis also becomes one of very few women instrumentalists to have recorded at the Vanguard, preceded only by Geri Allen, Shirley Horn & Junko Onishi.

I had the honor of getting some time with Kris Davis to walk through the creation and performance of this new record. Kris explained how she was able to get onto the schedule of the Village Vanguard with Diatom Ribbons. ‘Knock Knock – who is it?” We got into the pieces of the band and how they fit into the whole of the space of the music and the spaces between. Having had Julian Lage on the program before it was clear about how these open-minded blazers of new trails made time for this project. Each person/artist fills a need for me as a listener to this live landscape – and you can feel the drops of their soul’s sweat in each note. We talk about song selection with honoring those who came before and also adding a bit of a newness to the past. Check out which tines we sorta dissect a bit including “Delores Takes 1 & 2”. I was able to get some insight into a new release on her Pyroclastic Record Label, “Sculpting Sound”, six high-definition concert films, each featuring two musicians famed for their distinctive voices playing with, and on, sound sculptures by Harry Bertoia‘s Sonambient sculptures. This has to be as maGical as it looks in writing. Kris and I also spoke about another visionry on the scene and friend of this program, Kassa Overall, as she was on his latest release and if you listen closely, there could be more to come.

Kris Davis Diatom Ribbons by Caroline Mardok

Kevin Carnes of Broun Fellinis

Formed 1991 in San Francisco by Kevin Carnes, drums/sampler (Beatnigs), David Boyce, tenor/soprano saxophone, efx, synth, spoken word, and Kirk Peterson, electric bass. The miGhty Afrofuturists, Broun Feelinis, have been profiled on NPR, BET, and KCRW in the US and on Radio Nova in France. The trio has been featured at festivals such as the San Sebastian International Jazz Festival in Spain, the San Francisco Jazz Festival in the US and they’ve performed sold out shows at top venues such as Yoshi’s, The Independent, and The Warfield. The Broun Fellinis play a soulful and highly energetic style of post modern improvised/composed jazzical sound that is informed by dub, afro beat, abstract funk, hardcore/psych/prog rock and film soundtracks. Broun Fellinis have toured with Ben Harper and The Dirty Dozen Brass Band and performed with many great and varied acts such as Meshell Ndegeocello, the Roots, Rafael Sadiq, Mos Def, Living Colour, Erykah Badu, Bad Brains, The Last Poets, Gil Scott-Heron, Zakir Hussain, Bernie Worrell, George Clinton, Les Claypool, Jimmy Smith, General Public, Ravi Coltrane, Galactic, Medeski, Martin, Wood, and more. This type of sonic diversity says a ton to me about the kind of exploration and ‘feeling’ that goes on within a live performance by this mind-opening trio.

And lucky for us here in Madison on September 22nd, we get to share in an evening of new moments and a walk through a fresh landscape with Broun Fellinis at Cafe Coda. I had the chance to spend some time with Mr. Kevin Carnes to talk about the upcoming sets and man, let me tell you, he gave me one of the greatest replies to paining that scene of where me may go from where we have been. He shared the who, the what and even a bit of the how we will all get to the new spaces – in a deep fashion that makes me wanna go out to be a part of it. We learn how the trio found one another, how they make the food on stage that involves all the emotions and ‘you hafta feel its’ that are within them and spread out amongst the masses, the universe and that yet to be. We also learn where in Madison you can find Kevin as he opens the paths up to others in a free to be improvising space. For me, this is the type of thinG that is like the fluids running through me for a survival of me spirit. That spirit deserves to roam.

I Feel Reds Bursts

The final part of this week’s proGram knew it would open all sorts of minds.

Stanishlaw- Harry Stafford & Marco Butcher
Faces in your World- Harry Stafford & Marco Butcher
Unreal Thing- Harry Stafford & Marco Butcher


Baby Ghost (from the 1900s)- mssv
**pre-recorded conversation with Mike Baggetta of mssv**
Pity Parody- mssv
French Road Drifters- mssv


Over and Out- Rascal Reporters
I Cries Crimes- Rascal Reporters
Fat Delivered- Rascal Reporters
Chrysanthemums- A Light Sleeper
Trees And Flora- A Light Sleeper

—-
De La Soul- Gareth Donkin
All I- Danger Mouse & Jemini The Gifted One
The Scoop- The Oscillators