About grnarrow

Setlist Architect/Art Scene Checker-Outer/Sound Feeler

Fun Starts With SistaStrings

SistaStrings is a incredibly dynamic musical duo comprised of dynamic artists and sisters, Chauntee and Monique Ross, whose exceptional talent and versatility has made a profound impact on multiple music scenes. With their unique blend of classical training, heartfelt and heart-shared soulful melodies, and contemporary, even unique sounds, SistaStrings have established themselves as a formidable force within the an ever-widening music community. The duo was recently voted “best instrumentalists” for the Americana Music Associations 2023 honors. Born and raised in nearby Milwaukee, Wisconsin, Chauntee and Monique discovered their love for music at a extremely young age. Growing up in a musically inclined family, the sisters were exposed to a diverse range of genres and instruments. Chauntee found her calling as a violinist, while Monique ended up developing her skills as a cellist. Together, they embarked on a remarkable journey, fusing their classical training with their deep-rooted love for Rhythm and Blues, hip-hop, and gospel. As members of Brandi Carlile’s touring band, SistaStrings have performed at iconic venues such as Madison Square Garden, The Kennedy Center, Newport Folk Festival and even Saturday Night Live. They have performed with an eclectic array of artists such as Joni Mitchell, Ed Sheeran, Maggie Rogers, Margo Price, Allison Russell & Jason Isbell.

Sometimes when the phone gets picked up to start a conversation with artists, I immediately feel like we’ve done this before and any nerves just disappear. This was one of those times. I had a really great time chatting with Chauntee and Monique ahead of their November 21st event at the Stoughton Opera House. We talked about the way the event will shape up, with the music, the stories and the shared emotions all interconnected in the community of it all. I wanted to walk in their shoes during some very cool happenings. So we got into what’s been going on. The first time I wanted to tie their laces tight was the amazing experience (I can hardly even imagine being a part of), being able to play rare instruments at the Library of Congress. Say what?? Oh yes! This leads to all the feelings one could possibly have before a single event. They get time to name drop working with legends like Joni Mitchell, Elton John and Chaka Khan. We talk about the inspiration and friendship they’ve been able to foster with collaborator Peter Mulvey before and after their move to Nashville. Playing with friend of the program Allison Russell led to touring with Brandi Carlile and the hits have just kept on coming. It would be hard to find two better people to get to have these a part of their life’s stories. So we discuss what it is about these collaborative experiences of multiple genres that allows them to ‘bring themselves’ to it. Then we laugh about ‘that time networking in New York’. I am so looking forward to the next time the phone rings and it is SistaStrings catching up with all the next first times they’ve shared in.

Ahh Boo

The final part of this week’s proGram kept the porch company.

Pocket Rocket- The Boom Yeh
What Dreams Are Made Of- Lyrics Born Ft. Joyo Velarde
Live Your Life (Without Permission)- Lyrics Born Ft. 1-O.A.K.


Wiggling- Kiddus I, Bazbaz & The Salmon Ft. Tchiky
Dub Planet- Matumbi
Cry- Angelique
Jah Man- Errol Campbell


Secret Love- Statik Sound System
Unity Re-Dub (Black Market Dub)- Monkey
Eko Eko- The Bongo Hop Ft. Moonlight Benjamin


Invisible Sword- Marthe Halvorsen
Young Lion- Sade Adu


Dreaming- MaLLy & Last Word
Industrial Mylasia- Conveniens
Diyddiyd- Conveniens

Walk This Way

The middle part of the proGram told me to…

My Little Frankenstein- The Earls of Babylon
Ethereal Ink- Jake Blanchard
Mosaic- Jake Blanchard


Seven Days (Live in Madrid)- Cracker
Crossroads- G3 Ft. Joe Satriani, Eric Johnson & Steve Vai
Don’t Tell Mama (What Mama Don’t Know)- Parker Barrow
Bloodsucker- Hunger Anthem


Let Me Count the Reasons- Kelly Finnigan
Cold World- Kelly Finnigan
Waiting- The Altons
Reminds Me of You- Cliff Beach
Velluto Nero- Alex Puddu


Sabamobil- Hamburg Spinners
Huschdegudsl- Hamburg Spinners
Hot Tamale- The Boom Yeh

Don’t Stop

The first part of this week’s proGram still had a green->arrow.

The Scribbler Pt 1- March to August
Running Booze- March to August
While My Guitar Gently Weeps- Jerry Douglas
From Ankara to Ismir- Jerry Douglas


Ready, Fire, Aim- Billy Coulter
Mr. Wrong- Cracker Ft. Leftover Salmon
Teach No Lies- Dean Mueller
Long Gone Home- David Vest & Terry Robb
Drinkin’ Got the Best of Me- Ron Houston


Truth Come To Power- Billy Thompson Ft. David Martin Barard & Eddie Christmas
Honey, Honey, Honey- Kenny “Blues Boss” Wayne
Creosote- CW Ayon


GI Gina (revisited)- James Biscuit Rouse

Fountains Ahoy

The final part of this week’s proGram was finding its way up and up.

Für Elise- Jon Batiste
Madeline- Jeffery Broussard & The Nighttime Syndicate
Ooh Poo Pah Do- Delfeayo Marsalis & Uptown Jazz Orchestra


I Promise To Listen- Marquis Hill Ft. Manasseh
Zero Gravity In The 12th Dimension- Wayne Shorter (live)
Smilin’ Through- Wayne Shorter (Live)


Lions Heart 2- Ben Goldberg, Todd Sickafoose & Scott Amendola
***pre-recorded conversation with Scott Amendola***
Self Evident- Ben Goldberg, Todd Sickafoose & Scott Amendola


When the Time is Right- Javon Jackson & Nikki Giovanni
Farrar Konam- Liraz & Adrian Younge
Atlas- Adrian Younge & Ali Shaheed Muhammad

Into The Wind

The middle part of the proGram was inside the waves that moved the airs.

Sacrifice- Yaryu

Serial Killer- Sunflower Bean
German Camp- Crash Harmony
Strong Forever- Blitz Vega Ft. Johnny Marr


Morphine Drip- The Fleshtones
Fly The Astral Plane- The Chesterfield Kings
Whisky Dreams Bourbon Schemes- The Chesterfield Kings


Del Mondo Strangewich- lespecial
***pre-recorded Conversation with Luke Bemand of lespecial***
Enter Sandstorm- lespecial


Radio Ronza- Afro Celt Sound System
Melancaholic- Sonova
Neptune Rings- Sonova


Dr. Groove (Somethin’s Burnin’ Down)- King Pari

Listen To The Movement

The first past of this week’s proGram was out in the talls with ears up.

Holding out for You- Marcus Trummer
Cheap Fantastical Takedown- Blitzen Trapper
Sell, Steal or Die- Sugar Brown


The Czar- Bruce Katz Band (Live)
In Memory of Elizabeth Reed- Bruce Katz Band (Live)
Brawler Theme- Howlin Rain
Down A Drain- Howlin Rain


Late Too Early- Danny Bell and His Disappointments
Sickening Elixir- Jake Blanchard
Morphine Boogie- Jake Blanchard
Feel- Plastic Crimewave Syndicate


Up the Creek- Yaryu

Here To There: Goldberg Sickafoose Amendola

For friend of the proGram, Scott Amendola, the drum kit isn’t so much an instrument as a musical portal. As an ambitious composer, savvy bandleader, electronics explorer, first-call accompanist & capaciously creative foil for some of the world’s most inventive musicians, Scott applies his wide-ranging rhythmic virtuosity to a vast array of settings. His closest musical associates include guitarists Charlie Hunter, Nels Cline, & Jeff Parker, Hammond B-3 organist Wil Blades, violinist Jenny Scheinman, saxophonist Phillip Greenlief, clarinetist Ben Goldberg, bassists Trevor Dunn, & Todd Sickafoose, all players who have each forged a singular path within and beyond the realm of jazz. While rooted in the San Francisco Bay Area scene, Scott has woven a dense & far-reaching web of bandstand relationships that tie him to influential artists in jazz, blues, rock and new music. A potent creative catalyst, the Berkeley-based drummer is the nexus for a disparate community of musicians stretching from Los Angeles and Seattle to Chicago and New York. Whatever the context, Amendola possesses a gift for twisting musical genres in unexpected directions. Over a career spanning more than 3 decades, he has forged deep ties across the country, and throughout the world. As an ambitious composer, savvy bandleader, electronics explorer, first-call accompanist, and capaciously creative foil for some of the world’s most inventive musicians, Mr. Amendola applies his wide-ranging rhythmic virtuosity to a vast array of settings.

Ben Goldberg played jazz on the saxophone and classical music on the clarinet. While getting a B.A. in music from the University of California at Santa Cruz, studied clarinet with Rosario Mazzeo, the dean of 20th century clarinet teachers. Mr. Goldberg started playing and studying klezmer music, which has a virtuosic clarinet tradition. He pondered how to use the clarinet in jazz & improvised music as he was getting tired of the search for “authenticity” through note-for-note reconstructions of old recordings. In Sweden he met Ziya Aytekin, a traditional zurna player from the Caucasus and felt/heard how much his music had in common with, for example, the late work of John Coltrane. He wondered if he could use klezmer music to explore this connection between the traditional and the “avant-garde.” One day he got together with some cats with whom he’d often played traditional klezmer music with and he suggested they take a familiar tune and cut loose on it to see where it might go. The result was exhilarating and had a powerful, lasting effect on him. It was his first taste of music as a transformative, liberating force. This was the beginning of his creative musical path; in the years since then, Mr. Goldberg continued to work with and cultivate the musical forces that were present at that time – research, education, musical fundamentals, diligence, attention to detail, and a relentless pursuit of truth.

Todd Sickafoose is a Tony & Grammy award-winning composer, producer, arranger, orchestrator, bandleader & double bassist. He has performed on hundreds of recordings, toured internationally, appeared at music venues/festivals from Carnegie Hall to New Orleans Jazz & Heritage Festival, and played on national television & radio programs including the Tonight Show with Jay Leno, Late Show with Conan O’Brien, The Artists Den, & NPR’s Mountain Stage. He is known known as a musical cross-breeder who stretches across genres. In 2004, he began performing/recording in a duo format with folk poet, activist & cultural icon Ani DiFranco. Their relationship has developed for nearly 2 decades and have made 7 albums, 2 concert DVDs, and performed over 1000 shows together. In 2007, he began working on Anaïs Mitchell’s folk opera, ‘Hadestown’, as arranger/orchestrator & music producer. After years of development and regional productions, the show opened at the Walter Kerr Theater on Broadway in 2019 and won 8 Tony Awards, including Best Musical & Best Orchestrations for Mr. Sickafoose and collaborator Michael Chorney. He produced the Hadestown Original Broadway Cast Recording which won a 2019 Grammy for Best Musical Theater Recording. ‘Hadestown’ continues to run both on Broadway and a North American Tour. Straddling the worlds of folk, indie rock, jazz & chamber music, his own band Tiny Resistors has performed at the North Sea Jazz Festival, Stern Grove Festival, Angel City Jazz Festival and been featured on many “Best-Of” lists including the Village Voice & JazzTimes. Writing for Tiny Resistors, he recently composed Bear Proof, a long-form chamber jazz hybrid commissioned by the Doris Duke Foundation.

I had the chance to catch up with Scott ahead of the November 9th record release event here in Madison at the North Street Cabaret. We get into how much he enjoys coming to Madison and specifically playing a spot that has an audience that’s there for it! I have to dsay, it does me/us good to know how welcoming some of our hometown haunts are to people doing the hard work out there of traveling and sharing their art. We get into the new record of course. On ‘Here to There’, Ben Goldberg, Todd Sickafoose, & Scott Amendola play music inspired by the bridges of Thelonious Monk compositions. We dissect one of the tracks that really called me into it. We will hear things off this record for sure, other things (including anything new one of these minds may have brought to the team before the show) and improv. Scott and I also compare/contra=st this project to another recent project with the group SticklerPhonics and I think there’s more room for more projects of Scott’s to come to Madison and play with us.

Photo by Lenny Gonzales

Luke Of lespecial with a lehanG

lespecial is redefining the term “power trio”. They sound & feel more like a heavy Prog-tronic Power Trio. The multi-instrumentalists from Connecticut continue to push the boundaries of what a three-piece band is capable of both live and in the studio with their their latest full-length album that dropped Autumn 2023, “Odd Times”. The band’s signature blend of “heavy future groove” combines headbanging metal riffage & surgical rhythmic precision with bone shaking 808s, sub synths and ethereal vocal stylings for a dance floor that welcomes moshing, dancing and hip swaying alike. Listeners are taken on a journey to the musical netherworld through esoteric soundscapes punctuated by raw, primal power. Odd Times, lespecial’s darkest and heaviest record to date, is an enigmatic and compelling musical project that explores the ever-changing nature of time amidst isolation. With heavy riffs, tribal drumming, and hints of levity, it’s a captivating journey crafted in collaboration with Havok‘s David Sanchez. An intriguing blend of old-school metal and modern djent-inspired riffage awaits in this haunting sonic experience.

Band Members:

Luke Bemand – Bass, Synth, Percussion, Vocals
Jonathan Grusauskas – Guitar, Synth, Sampler, Percussion, Vocals
Rory Dolan – Drums, Sampler, Percussion, Vocals

I had the chance to hanG out with Luke before this party rolls into Madison on November 8th at the Majestic. We got into what this tour and this event with Doom Flamingo is shaping up to be, including some of the special treats for not only your ears from lespecial, but prepare your eyes for some serios effects/lights. We go deep into their latest full-length mentioned above ‘Odd Times’ and how for me as a listeners, the heaviness of it came at a time when that rawness was needed, so we got into how if felt to create it, working with David and it felt like they too really got to enjoy being back together in the same space working as this is a band meant to be in a live setting creating the moods and supporting the grooves. We also talk a little bit about the conclusion of legetaway V, what this festival errr retreat err hang out, yes all of this, is all about. Sounds like a place to be a part of for the cool kids for sure. I have listened to this band for a few years and I just really enjoy the space within their music to invite others in and we get into one of those artists, the incomparable and friend of this program, Mike Dillion. We get into what kind of energy he brings, a project they created together and the coolness of playing with some like Mike that he grew up listening to and learning from since kidhood.

Hazy Leaves Glow

The final part of the proGram this week had people shaking their heads and bodies.

Intro to Liza- Delfeayo Marsalis & Uptown Jazz Orchestra (live)
Lil Liza Jane- Delfeayo Marsalis & Uptown Jazz Orchestra (live)
Blues Waltz- Jazz at Lincoln Center Orchestra with Wynton Marsalis (live)


Blues for D.P.- Wayne Escoffery
Have You Heard- Javon Jackson & Nikki Giovanni
Love Is a Many-Splendored Thing- Javon Jackson & Nikki Giovanni


Zero Gravity – Unbound- Wayne Shorter
Zero Gravity In The 11th Dimension- Wayne Shorter
Step On Step (Smoke Break)- Marquis Hill Ft. Manasseh
Enter the Stargate- Marquis Hill

Broiled Or Baked

The middle part of the proGram was cookin’ with it.

Uaná Eté- Adrian Younge & Ali Shaheed Muhammad Ft. Joyce & Tutty Moreno
Moreno- The Midnight Hour
Snake Stance- Nasheet Waits


No Clue- Robeone
Voodoo Vortex Part 1- Joe Deninzon & Stratospheerius


The Cape- Jenny Scheinman Ft. Bill Frisell & Nels Cline
***pre-recorded conversation with Jenny Scheinman***
The Sea Also Rises- Jenny Scheinman Ft. Carmen Staaf
Shutdown Stomp- Jenny Scheinman Ft. Bill Frisell & Julian Lage


Greenish Tents- Thumbscrew
We The People- Jeff Lederer Kirk Knuffke Bob Stewart Matt Wilson w/Curtis Hasselbring
Buttigieg VS. Saunders- Jeff Lederer Kirk Knuffke Bob Stewart Matt Wilson w/Curtis Hasselbring


Little Footsteps- Kris Davis Trio
Five Suns- Patricia Brennan Septet
Joy- Younee (live)

With A Little Extra Burst

The first part of this week’s proGram just exploded off the board.

Malamu- Yasmin Williams Ft. Marcus Gilmore & Immanuel Wilkins

Jack In The Box- Harlem Lake
All Tore Up- Guitar Jack Wargo
Serves Me Right To Suffer- JD Simo & Luther Dickinson
Come On- JD Simo & Luther Dickinson
Mr. Boogie’s Back in Town- Mitch Woods
BK’s Broiler- Bruce Katz Band (Live)


Life Is What You Make It- James Biscuit Rouse Ft. Vernon Reid
Stuck in the Mud- Thee Sacred Souls
Getting It Going- OJT
Loose Space- OJT


Emi Aluta- Seun Kuti & Egypt 80 Ft. Sampa the Great

Someone Asked Me How I’ve Been- Jonah Yano
Europinion- Sonova
Shadow Boxer- Peder
Surely Not Everybody Was Kung Fu Fighting- Peder

All Species Parade by Jenny Scheinman

Jenny Scheinman, acclaimed violinist & composer, for many years a stalwart of the New York jazz and creative music scenes, returned to her native Humboldt County, California in 2012. There she has continued her artistic evolution. For years, Scheinman nursed the idea of a musical homage to Humboldt, in particular the area known as the Lost Coast, a remote, earthquake and mudslide-prone region of coastal northern California, where she was raised. She considered the project from many angles. She wrote a song cycle based on the “crusty characters” from her hometown and sketched out a surrealist multimedia project based on the county’s namesake, Alexander Von Humboldt. She collaborated with filmmaker Ai Aiwane on a video installation about the Mattole River (Cojo Come Home) and immersed herself in the sounds & cultural history of the region, with hopes of conjuring, in music, the extraordinary diversity of life in the Pacific Northwest. Her epic new release, All Species Parade, is the result of these meditations. The all-original program is brought to life over the course of a double album, by pianist Carmen Staaf, guitar icons Bill Frisell, Nels Cline, & Julian Lage, and the revered rhythm team of bassist Tony Scherr & drummer Kenny Wollesen. It was recorded by Eli Crews, mixed by Tucker Martine, and mastered by Greg Calbi. Though ‘All Species Parade’ offers a brimming 72 minutes of music, it only contains 10 songs, several of which are over 11 minutes long, and 3 of which (“Jaroujiji,” “The Sea Also Rises” & “All Species Parade”) comprise an Ellington-inspired suite that clocks in at 20 minutes. This long-form approach is a departure for Scheinman, whose 10 previous albums tend toward a more concise, song-like aesthetic. Jenny’s playing is radiant, soulful, stamped with jazz vernacular and old-time fiddling tradition and anchored by her superb lyrical poise & masterful technique. In addition to her extensive work in jazz & improvised music with Jason Moran, Brian Blade, Ron Miles, Allison Miller, Vinicius Cantuaria and many more, she has toured and recorded with songwriting legends such as Lucinda Williams, Bruce Cockburn, Robbie Fulks, Rodney Crowell, Lou Reed, Ani DiFranco & Joni Mitchell. She is featured on the original cast recording of Anais Mitchell’s hit musical Hadestown, and has written several feature length movie scores, including the forthcoming Avenue Of The Giants.

I had the opportunity to catch up with Jenny on release day of this epic tale, ‘All Species’ Parade’ out now on Royal Potato Family and I quickly shared just how this album made me feel (Mycelium or yourcelium?). We got pretty deep into the how this album came together from the garden to the table, including dissecting a track or two and certainly getting into the involvement of that 3 headed guitar monster. Jenny has 2 friends of the program, Mr. Julian Lage & Mr. Bill Frisell as well as Nels Cline on this album, all have a place and reason to share the story as it goes down. We touch on just how and why the song length on this album increased for a few of the tunes, and what memory/comment did she old with her that kept her ear/mind open for just the moment to let things spill over. The album is an incredible story that as a listener, I found myself being welcomed in and not truly wanting to leave until I soaked it all in, thought about it and then wanted to share.

photo by: Kory Thibeault

In Formations

The final part of this week’s program was a honking line of forward, on!

On the Move- Chromeo Ft. Cannons
Göç Mevsimi- Peki Momés
Names in the Sky- The Secret Garden Ft. Jo Wallace
Somethin’ Somethin’- King Pari


Black Saba- The Arab Blues
**pre-recorded conversation with Karim & Rami of The Arab Blues**
Fakarouny- The Arab Blues
Sweet Munyati- The Arab Blues


C’mon Every Beatbox- Smoke and Mirrors Sound System Ft. Zoe Devlin
Rid Them (Piper Street Sound RMX)- Piper Street Sound
Exodus- Novalima
The Lockdown Reel- Afro Celt Sound System


Sufi Habibi- Karavan Sarai

On The Streets

The middle part of this week’s proGram had a chance to get out on that town.

I Put a Spell on You- Samantha Fish (Live)
Gang Woman- The Zac Schulze Gang
Halo- Eddie 9V
Take Time to Taste It- Devon Allman
Sahara- Devon Allman


Bus Stop- King Llama
Orange Was the Color of Her Dress, Then Blue Silk- Thumbscrew


I Feel It- The Allergies
Sunrise- The Baker Brothers Ft. Hannah Williams


Them Changes- James Biscuit Rouse
***pre-recorded conversation with Biscuit Rouse***
Down By The River- James Biscuit Rouse


Not Fade Away- Grateful Brass Ft. Erin Honeywell LIVE Guild Theater 2​/​13​/​24
Big Tuba- Hot 8 Brass Band

In The Breeze

The first portion of this week’s proGram was getting a little help finding the wind beneath itself.

Spying By The Numbers- Librarians with Hickeys
Always- The Coward Brothers


3:35 AM- Mississippi MacDonald
Long, Lean, and Lanky- Mitch Woods
Sold Gold Cadillac- Mitch Woods
Street People- JD Simo & Luther Dickinson
Right Down There- JD Simo & Luther Dickinson


Soul Theme- Jimmy Carpenter
Grizzle n’ Bone- Tas Cru (live)
Tush- Joe Flip (live)


Concrete Blues- Randy Lee Riviere
Mojo Thief- Kat Riggins & Her Blues Revival
Don’t Feel So God Today- Bruce Katz Band (live)

Biscuit & Buddy from James BISCUIT Rouse

James “Biscuit” Rouse, a native of Philadelphia, is a highly sought-after drummer with a remarkable track record. Not only has he showcased his drumming prowess, but he has also served as the musical director for renowned artists such as Miss Lauryn Hill, Vivian Green, & Syleena Johnson. Biscuit’s musical journey has encompassed a diverse range of genres, from collaborating on House music projects with producer Kenny “Dope” Gonzales to touring alongside notable figures such as Living Colour, Ashanti, Kelis, Nile Rodgers, Vernon Reid, & the Screaming Headless Torsos. Biscuit has also proven himself as a skilled producer & songwriter, collaborating with a multitude of exceptional artists. Noteworthy among these collaborations is his work with the award-winning Haitian producer and film scorer Jerry Wonda (of Fugees fame). Biscuit’s collaboration with the rising artist “The Violin Diva” resulted in the production of the enchanting track “Bethlehem,” featured in the 2022 film “Miracle Before Christmas.” Biscuit is now preparing to release his debut album “Buddy and Biscuit”, which celebrated its worldwide release in the Autumn-time of 2024 on German funk/jazz label Leopard Records, part of Broken Silence Distribution. For this release, Rouse has taken the repertoire from Buddy Miles, re-imagined it in his own style and created the first ever Buddy Miles Tribute Album. It features songs that are Buddy’s classics such as “Life is What You Make It” and the Neil Young penned song “Down by the River”, which Buddy made popular. Biscuit chose to make this project because George ‘Buddy’ Miles has inspired him as a musician. ‘Buddy’ is the blueprint for what Biscuit is as a musician & musical director. The Tribute album is very timely, as the underrated soul funk legend is finally being recognized and was inducted into the R&B Hall of Fame on Sunday, October 6th at a ceremony where Biscuit will accept the award on the family’s behalf with an acceptance speech.

I had the honor of chatting it up with Biscuit to get a little deeper into the way this album came toGether. I had no idea that we’d get into talking about family to the program, Mr. Greg Tate of our Burnt Sugar the Arkestra Chamber family, and how his words are part of this journey. We dive into a couple of the tracks that it turns out where the first to be worked through, “Down By The River” and “Them Changes”, both of which show off a foundation that is recognized but a new groove to enhance that feeling of nostalgia. Vernon Reid‘s part in this is a fun story that sounds like the way it would go and just what was one of the best things Biscuit picked up by working and creating with friend of the program David FUZE Fiuczynski. It was words that I think we all need to hear at some time in our lives. Frankly speaking, I do believe THIS is one of the hottest album of 2024 and I sure hope all the right ears get to it to recognize it.

The Arab Blues Present Saba

The Arab Blues traces a trajectory between tradition and innovation, embodying the call of tradition and the response of the diaspora. The synthesis Rami & Karim create is an auditory expression of not only the power & persistence of tradition but equally the validity of its transformation under the unique cultural conditions they inhabit. The basis of their work is the Turath, the canon of classical Arab compositions & improvisational techniques. This rich heritage consists of melodic & rhythmic exposition and instrumental interaction at countless levels of depth. They interpret these forms in the context of the sounds of the contemporary North American metropole. In this project, the equally lush traditions of Blues & Jazz in Chicago provide the context of how the two approach and assimilate the Turath. This marriage of forms is fruitful because of the emotional range of the Blues and the improvisational flexibility and ingenuity of Jazz. The Arab Blues was developed by Lebanese-Egyptian oud & guitar player Rami Gabriel through a research fellowship at the Center for Black Music Research, 2 Illinois Artist grants, and a decade of experience as a jazz and blues musician in Chicago. Native Egyptian percussionist Karim Nagi, a 2-time beneficiary of the Doris Duke Building Bridges grant for Muslim Artists, a TEDx speaker, and accomplished teacher completes this duo with his energetic & lyrical rhythms on Riqq, Tublah and alternatively assembled drum-set. Chicago inspires this duo to amplify & expand the sound of their Arab folk traditions – discovering the trajectory of their community’s music; the future of their past sound. They are participating in this city’s musical possibilities by celebrating and embodying the potential of the immigrant experience. On their debut full-length album, Saba, The Arab Blues growl & romp their way through original Arabic themes & arrangements in the blues traditions of Chicago, Mississippi, & Mali. Drawing from their acoustic & electric repertoire, the album reflects the anger, protest, and dislocation of our cultural moment. In the hands of The Arab Blues, traditional forms such as the Sama’i (‘Sama’i Kurd guitari’) and Levantine folk music (‘Golan’) are transformed into electrifying journeys. On Saba, an Egyptian and a Lebanese musician make a definitive statement of their sound crafted in Chicago. Forged in the diaspora, this sound bellows freedom, longing, & defiance.

I was very excited to get to spend a little time with Karim & Rami ahead of The Arab Blues October 17th album release event in Madison at the North Street Cabaret. We dive deep into the new album, dissecting a few tracks and not only how they came toGether to form the songs, but the true, human feelings within these tracks that at times smack you right in the face. We talk about humanity, trying to get a solid footing as a group steeped in a traditional music whose people have been vilified in the U.S.. So much of this music and these feeling resonated with me form the moment I hit play, I could FEEL this music and the emotions that clearly went into creating it. There is talk about the influences of both Black Sabbath & Led Zeppelin, where they recently found themselves rocking the same stage the mighty Zep first played. They are in the middle of the Venn Diagram where tradition holds hands with the possibilities of the future and some heavy grooves to help wake people up and open their senses. This show..This album..These people!

An Orb In Time

Final part of this week’s proGram lit the ways.

Break G4S I. The Machine- Ize Trio Ft. John Patitucci
Elemeno I. Be A kid!- Ize Trio Ft. John Patitucci
A Hearty Breakfast- Ryuichi Sakamoto
Beyond Reason- Ryuichi Sakamoto
The Seed And The Sower- Ryuichi Sakamoto


Letters: Pt. 2 (Aftermath)- ARKAI
Milonga Hermética- Dario Acosta Teich Ft. Timna Comedi & Eleanor Dubinsky
Improvisation No. 4 / Les Cinq Doigts, No. 5- Trygve Seim & Frode Haltli


WindBeast- Taka Nawashiro
Merry-Go-Round of Life- Plínio Fernandes
Guachi Guaro- Dred Scott Trio Ft. Tom Beckham
First Steps- Kris Davis Trio Ft. Johnathan Blake & Robert Hurst
Los Otros (The Other Side)- Patricia Brennan Septet


Ball and Chain- M. Azanyah and Mausiki Scales & The Common Ground Collective