Burnt Sugar-Streams of Sound Painting

BURNT SUGAR is a territory band, a neo-tribal thang, a community hang, a society music guild aspiring to the condition of all that is molten, glacial, racial, spacial, oceanic, mythic, antiphonal and telepathic. BURNT SUGAR, THE ARKESTRA CHAMBER is the creation of writer/guitarist/producer GregTate. Employing Conduction, an interpretative system for improvisers developed by Lawrence“ Butch” Morris, Tate guides the band through improvisations on each of its song forms. As a result, each performance is an original mutation in tune with the collective personality of the audience as well as the individual character and talents of the players. In addition to founding and conducting Burnt Sugar, Greg Tate is writer whos work has appeared in publications including The Village Voice, The NewYork Times, Rolling Stone, and Vibe and is the author of the books; Flyboy In The Buttermilk (Simon and Shuster), Everything But The Burden: What White People Are Taking From Black Culture (Broadway/Random House) and Midnight Lightning: Jimi Hendrix and the Black Experience (Acapella). Burnt Sugar performs regularly at the usual hotbed venues in New York, including; Joe’s Pub, Tonic, Symphony Space, The Blue Note, Makor, The Knitting Factory, Galapagos, CBGBs, BAM Café, Aaron Davis Hall, Lotus and The Cutting Room. On July 21st here in Hartford CT at REAL ART WAYS, Greg will bring this electric eclectic groove arkestra into our neighborhood for open minds, dancing souls and thirsty earholes can collaborate in a good listen.

LISTEN HERE TO GREG AND I DISCUSSING THE STREAM OF CONSCIOUSNESS SOUND PAINTING.

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Mauro Refosco of Forro in the Dark

Forro in the Dark is not quite that type of traditional forro band, instead they are bringing an updated style of the music to the hipsters and club-goers of NYC, but the sweaty, excitable vibe is still undeniable.
Supplementing the traditional instrumentation with electric guitars, an array of flutes, modern percussion and other contemporary instruments, along with the help of David Byrne, Bebel Gilberto and Miho Hatori, Forro in the Dark capture the immediate, pleasure-craving core of forro for modern audiences to relieve their stress on the dance floor just like the Brazilian workers of the early 1900s. I reached out to Mauro like so many people do these days and was received openly and before I knew it I was spinning my own copy of bonfires of sao joao, Forro’s latest release. Like the album, Mauro was a delight to speak with and we entertained each others opinions and ideas and really openly talk about this album, the people behind it and hopefully shared an organically cosmic moment via the phone waves.
I invite you to listen to our conversation here.

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a 2 piece named Sirsy…let’s discuss.

Looking around the room for that big sound that appears to be coming from that two piece on stage….look no further, it is them. This super-duo is called Sirsy. Fronted by the charismatic Melanie Krahmer who has a stunning voice capable of a lion’s roar & a sultry good morning whisper, with the lungs of a young swimmer & the grrrr-owl of a sixty something blues singer. She “plays Ian Anderson-esque flute solos and can bang those drums while doing so, all while standing up! Sharing the stage is cowriter, Rich Libutti, a dynamo on BOTH bass & guitar who even plays a snare with his feet (during Melanie’s flute solos) so the drums
don’t stop! WHAT??? I had the pleasure of talking with Melanie about the band, the live show and well having some laughs along the way. Sirsy is a fine addition to the friends of greenarrowradio. You can check them out at the Main Pub in Manchester CT on June 22nd. See you there.

Listen to our talk about Sirsy here.
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Bill Frisell takes a moment with MisterG

Over the years, Bill Frisell has contributed to the work of such collaborators as Paul Motian, John Zorn, Elvis Costello, Ginger Baker, The Los Angeles Philharmonic, Suzanne Vega, Loudon Wainwright III, Vic Chesnutt, Rickie, Lee Jones, Ron Sexsmith, Vinicius Cantuaria, Marc Johnson (in “Bass Desires”), Ronald Shannon Jackson and Melvin Gibbs (in “Power Tools”), Marianne Faithful, John Scofield, Jan Garbarek, Lyle Mays, Vernon Reid, Paul Bley, Wayne Horvitz, Rinde Eckert, The Frankfurt Ballet, film director Gus Van Sant, David Sanborn, David Sylvian, Petra Haden and numerous others, including Bono, Brian Eno, Jon Hassell and Daniel Lanois on the soundtrack for Wim Wenders’ film Million Dollar Hotel. Certainly this work has established him as one of the most sought-after guitar voices in music. The breadth of such performing and recording opportunities is a testament not only to his singular guitar conception, but his musical versatility as well. This, however, is old news by now. In recent years, it is his role as a composer and band leader which has generated increasing notoriety. For over ten years, Bill Frisell has quietly been the most brilliant and unique voice to come along in jazz guitar since Wes Montgomery. I happen to find the diverse nature of Mr. Frisell’s bodies of work to be just as touching and timeless as individual colors that a painter chooses to reflect their thought.

Take a moment to listen to Mr. Frisell with MisterG here.frisell.jpg

Gathering of the Vibes 2007 Bridgeport CT

From August 9th – August 12 at Seaside Park in Bridgeport Connecticut, the 12th annual Gathering of the Vibes will take form and fill your souls with good feelings. The list of bands for this years event is killer to say the least….just to name a few: Bob Weir & Ratdog, Mickey Hart Band, Mr. Buddy Guy, George Clinton & P Funk, Keller Williams, the Wailers, John Brown’s Body, Dirty Dozen Brass Band, Dickey Betts & Great Southern and many more. I recently had the chance to talk with Ken Hays, the organizer and founder of this colorful sound scape of music and events. We learn how this event got started, some solid information about the Seaside Park area and Ken gives us a tasty nugget of unannounced news.

Listen to Ken and I gather our vibes here.

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Tommy Emmanuel, more than the guitar.

The pleasure was all mine getting a moment to talk with Mr. Emmanuel. His work is that which I hear differently every time I get a taste. Tommy Emmanuel has a professional career that spans over four decades and continues to intersect with some of the finest musicians throughout the world. A household name in his native Australia, Tommy has garnered hundreds of thousands of loyal fans worldwide. Tommy’s unique style – “finger style” – is akin to playing guitar the way a pianist plays piano, using all ten fingers. But to me, this conversation reveals more than the love of songwriting and guitar playing, but a respect for the learning, teaching and the soul inside of style. If I am introducing you to someone new here, I hope you take more than a short moment to dive in, if you are one of the many who already are amazed by what you see and hear when Tommy Emmanuel plays, listen to our conversation here to perhaps see into ‘the mystery’.
I want to thank Tommy, his management and Kevin Richards at Favored Nations for helping me meet up with Tommy.

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A Moment in the ‘HuH?’ with Bassnectar.

I want you all to be sure to open your minds and check out some true genre bending sonic sounds that will work its way into your heartbeat sometime during its spin. Underground Communication by Bassnectar is freeform project that merges music, art, new media, social involvement, and community values; dedicated to a constantly-evolving ethos of collaborative creation, self-reinvention, and boundary-pushing experimentation…now doesn’t that fit like a g-love for greenarrowradio..hmmmmm?
It is unjust for me to drop my feeling about this album or to point you in a direction of any one song…it is one you need to dissect and digest for your self.

For starters, spend a moment in the huh with Bassnectar and MisterG here.

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What’s happening with Rob Wasserman

Shortly before he makes his way to Europe with Lou Reed for the BERLIN project, I had an opportunity to talk with Rob Wasserman about what has been going on recently and to see if there might be a look into some sounds to come. Known by many for his Grammy award winning album Duets, his creative partnerships with many great artists from Reed and Elvis Costello to members of the Grateful Dead family including Jerry Garcia and Bob Weir, Rob is getting a chance these days to make some music for himself and has actually shared some of that to premier on greenarrowradio. It is a pleasure to hear someone speak so naturally about the bass and the approach to creating new sounds without ever compromising the integrity of the music. In this conversation, there is an inside look at who Rob is working with these days and where he stands in his efforts to put together a special album with DVD documentary, the Woody Guthrie Project has been an on-going effort for Rob and we find out where that project stands today. I want to thank Clare , Sara and of course Rob for taking the time to speak with me and bring brand new (and wildly hot) music for my listeners and their open minds and thirsty earholes. So stay tuned to WHUS and greenarrowradio for more of this previously unreleased and fresh music.

Check out our Conversation here.

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Stratospheerius’ Joe Deninzon

Lead by electric violinist/vocalist/mandolinist Joe Deninzon, Stratospheerius unleash their fourth collection of songs. Hot on the heals of their acclaimed CD, “Live Wires“, “Headspace” brings their live energy into the studio. Vocal rock anthems like “New Material, “Old Ghosts“, and “Today is Tomorrow“, shout alongside some ripping instrumentals. From the bluegrass punk of “Gutterpunk Blues“, to the psychedelic roller coaster ride of “Mental Floss“, and the bigger and louder sequel to the Heavy Metal Hora “Heavy Shtettle II“. The disc also features a unique cover of The PoliceDriven to Tears“. This album is filled with memorable hooks alongside the ‘without a net’ instrumental jams the group has built its reputation on. Influences range from the Mahavishnu Project, Mr. Frank Zappa and the mighty Zeppelin, to Dave Matthews, Radiohead, Jeff Beck, and Bela Fleck.
I had the chance to chat with Joe to discuss the new album, the strangest billings he’s been a part of and….well just LISTEN TO OUR CONVERSATION HERE.

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with thanks to Anne at LeightonMedia

Beau Sasser of Akashic Record

Akashic Record is the funk brainchild of drummer Tom Arey and hammond organ whiz Beau Sasser formerly of the perennial Boston jamband , Uncle Sammy. The group began as a trio, utilizing the guitar work and composition skills of Roman Zeitlin(Zap Mama), and quickly gained national notoriety with a performance at the 2003 New Orleans Jazz Fest. Morphing into a quintet lineup in 2004, the group solidified with frontman Brian Thomas on trombone, Timo Shanko on tenor sax and Johnny Trauma on guitar.Playing consistently in the Northeast, their floor shakin’ live show continues to thrill capacity crowds night after night. Beau and his band mates will bring this family friendly funking good time to Tyrone Farm in Pomfret CT this Sunday May 27th. Hey boo boo bring yer pic-a-nic basket.

Check out my chat with Mr. Sasser here.

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Embrace Bomb Squad’s Brenna Gethers

I recently had the opportunity to talk with Ms. Brenna Gethers, the front woman of the Connecticut based funk group the BOMB SQUAD. Some might recognize her name from being a finalist on American Idol a few years ago, but the future looks to be fortified with some straightforward attitude and a little down home happy funk that is sure to please all those true music seekers. Those seekers need to look no further than on June the 9th at the Danbury Music Festival in Danbury CT, and again on June 22nd at the Skybox in Fairfield. You know that I’ll be at one of these events and I will be looking for you. To tempt your open minds and thirsty earholes even further, I will be getting some new material to PREMIERE on the show in the very near future. So stay tuned in!!

Check out Brenna taking a moment to talk with me here.

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Re-Visiting with Pedro Arevalo

Our good friend Pedro Arevalo will be visiting the area with Dickey Betts and Great Southern May 24-27 at the Ridgefield Playhouse and the Mohegan Sun Casino. I look forward to bringing you fine open minded and thirsty earholed listeners a first hand review of one of these shows, but strongly suggest you get out there yourself and get a feel for this rockin’ live show! In our visit, we talk about what has been going on in the last year, side projects and there are some real clear hints of some new, unheard recordings coming home with me to be spun just for you all…..stay tuned for the goods.

Pedro Arevalo and MisterG catching up here.

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Pedro Arevalo

Anyone for some FUNKY SAX?

A saxophone legend, Berklee alum, and all-around funk genius, Sam Kininger is building his fan-base and repertoire simultaneously at clubs across the country. Kininger has been in legendary funk/soul groups since the beginning, including, but not limited to Lettuce, Soulive and the Brotherhood of Groove. As a solo artist Sam Kininger has developed a distinctive, organic sound on the saxophone that is strongly expressive. He consistently demonstrates his technical dexterity and rhythmic precision while maintaining an honest and innovative exploration of musical improvisation.
Sam will be bringing his “knock the walls down” sound of funk and groove to the Main Pub in Manchester CT on May 19th and if you like you sax funky, I will see you there.

Check out Sam and I talkin’ turkey here.

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the Poogie Bell Band Brings IT

Poogie Bell‘s drums is what you hear on many of the world’s finest jazz, neo-soul, R&B and hip-hop records. Performer, record producer, composer, and arranger, you’ve heard his work with artists including Chaka Khan, Marcus Miller, Stanley Clarke, Roberta Flack, Erykah Badu, David Bowie, John Scofield, David Sanborn, Angelique Kidjo, Al Jarreau, Vanessa Williams, Victor Wooten, and Randy Crawford. Native of New York and a second generation musician he has been immersed in music since he was born. Taking cues from his father, a jazz musician and professor of music, Poogie has always had an inherent connection to music. As hard as it may be to believe, he started playing at the age of ten months old and made his concert debut when he was two and half at Pittsburgh’s Carnegie Hall with his father. By the time he was five he’d already appeared on The Mike Douglas Show with Pearl Bailey. As a kid it wasn’t unusual for Poogie to see the likes of drummer Max Roach, saxophonist Ornette Coleman, pianist Marylou Williams, bassists, Paul Chambers, Ron Carter and Richard Davis in his living room jammin’ with his father. Poogie is doing his own project with The Poogie Bell Band!

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You can catch the Poogie Bell Band at the Main Pub on Saturday night, April 28. Listen to my conversation with Poogie RIGHT HERE.

Talking with Ellie Vee of the Charms

When Little Steven began signing bands to his new label, Wicked Cool Records, one of the bands at the top of the list was Boston-based purveyors of the garage rock movement, the Charms. On February 14, the Charms make their Wicked Cool debut with Strange Magic, their fourth release. The Charms’ sound garnered them attention from the very beginning when lead singer/songwriter Ellie Vee and guitarist Joe Wizda formed the band in 2002. Their first demo immediately caught the ear of Bill Kelly (Teenage Wasteland) and Gene Simmons, who was so impressed by what he heard that he called Ellie Vee personally to offer his feedback. The demo also landed in the hands of their manager Steev Riccardo who pushed the band to record their first CD Charmed I’m Sure. The disc was released in January 2003 on Red Car Records, a label stared by Riccardo, Vee and Wizda. Reaction to the CD was immediate with heavy airplay on college radio and specialty garage rock radio shows, and media coverage in local publications. Before long the Charms became one of the most popular bands in Boston. This band is even more red hot in a live setting, but the studio work gives you a great feel for this band living inside the world of high powered rock-n-roll.

Check out Ellie Vee & MisterG chatting here.

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DJ Mister Rourke to the Quiet Corner

April 6th TURNTABLE MADNESS and LIVE REGGAE: Mister Rourke, Axel Foley, DJ Reazon,and Zion Blood: Heading to Tyrone Farm in Pomfret Connecticut.
Prepare yourself for new concepts as scratch musicians Mister Rourke, Axel Foley and DJ Reazon improvise together live on six turntables, manipulating every imaginable noise from their arsenal of samples. Rourke is considered a pioneer of using the turntable in a live band setting. He has performed with his eight piece ensembles Fat Bag, The Formula, and with countless bands in genres including Hip Hop, Funk, Dub Reggae, Free Jazz, Electronica, Blues, Ambient, Moroccan, Trip Hop, R&B, African and even Gospel. His work has earned him three Boston Music Awards, he has been featured in the Boston Globe, jambase.com, Hip Hop Nation, Billboard Magazine, MTVs The Real World and HBO’s The Chris Rock Show. His music has also been used in short films, commercials, video games, made-for television movies, and a variety of local art exhibits. The DJ’s will be joined by Zion Blood, a Boston based progressive dub reggae trio which has been playing in Boston for the past 2 years. Their style is innovative, their compositions are original and the playing is spot on.

Check out my convo with DJ Mister Rourke here.

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Tony Tyler MORE!!!!

Music Matters Entertainment and Jamland Productions presents an evening with Wet Willie, with opening act the Tony Tyler Trance, on Saturday, April 7 at Club 29 in Decatur, GA. This is the full Wet Willie lineup, including founding members Jimmy & Jack Hall! Don’t miss this rare opportunity to see these icons of Southern Rock. Jack Hall of Wet Willie has recently joined Alabama blues greats Mojo:Saint. I’m pleased to announce that Mojo:Saint has just been added to the lineup, and will go on at 8:30. I had the chance to record another conversation with Tony Tyler, who about a year ago was just getting it all started and I believe you will see what I mean when I say “My how he has grown”. As the opportunities get more and more, Tony seems to have a good grip on where he wants to be and what he needs to do. We discuss the above mentioned show, a little on the new album and as always some fun banter.

Listen to Tony Tyler conversation here.

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Get out and see TOUBAB KREWE.

On April 6th at the Main Pub in Manchester, come on out and witness Toubab Krewe, a fusion of West African music and some “dirty south” influences that combined create a hybrid of rock and roll yet tapped into. The magnetic instrumental quintet formed in early 2005 and has attracted a diverse and devoted national following, captivating crowds everywhere from the Bonnaroo Music Festival and the Blue Note to the John F. Kennedy Center for the Performing Arts. The band’s energetic performances and acclaimed self-titled debut have won them praise from the New York Times, Global Rhythm, and Afropop Worldwide. I had the opportunity to speak with percussionist Luke Quaranta recently and would like to introduce some new ears to this splendid sound.

Check out the conversation with Luke Here.

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A double dose of Cherryholmes

Friday March 23rd and Saturday March 24th, Cherryholmes brings its family style bluegrass show to the stage of Jorgensen Center for the Performing Arts at the Storrs campus of the University of Connecticut. The band goes by the family’s surname, and got its start after Jere and Sandy Cherryholmes took the family on a road trip to a bluegrass festival. The trip was meant to be a spirit-lifter after the death of their daughter Shelley. The festival inspired the couple, who were homeschooling their children, to add music to the educational agenda. Molly and B.J. played fiddle, Skip played guitar. Eldest sister Cia, 22, took up banjo and became the band’s singer and songwriter as well. Now, after only four years of performing, Cherryholmes have been signed to country star Ricky Skaggs’ label. The family’s tour bus is headquartered in Goodlettesville, a suburb of Nashville, Tenn., where they moved two years ago. But the bus is rarely in the driveway — the Cherryholmes family is on a stage most nights of the year. And I am pleased to bring a quick conversation with Jerry Cherryholmes, as he was able to step away from rehearsal long enough for a quick chat.

Listen to our conversation here.

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Bill Payne of Little Feat

Well, here’s the deal. Both Billy and I had a scratchy reception. We forged ahead as it was the only time that would work for us. There was some good chatter back and forth about the visit to The Wolf Den on March 18th 2007, the latest Little Feat excursion to Jamaica, and I do try and pry a little into what Billy is up to in a solo artists vane. Payne, who co-founded Little Feat with the late, great Lowell George 35 years ago, has been Little Feat’s keyboardist – and its pilot – throughout the band’s existence, writing and singing such beloved classics as ”Oh Atlanta,“ ”Day or Night,“ ”Time Loves a Hero“ and ”Gringo,“ while ”steering a ship that was rudderless,“ as he puts it. He’s also contributed to hundreds of records as a sideman. The list of the artists Payne has recorded with is as lengthy as a small-town telephone book, ranging from Jackson Browne to Beck to Jimmy Buffett – and that’s just some of the ”B“s. Although the quality of this recording is sub par, I still wanted to make it available.

Check out our scratchy chat here.

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