Kenny Laguna is a long time member of the music community, as performer, songwriter, and producer. His body of work spans many genres, demonstrating his versatility and ability to create artist appropriate music. Through his multifaceted talent, his style is always apparent. Kenny started his career as a performer, having hits with music greats such as The Ohio Express and The Lemon Peppers. At sixteen, he was producing Bill Medley and churning out Bubblegum hits. During his sessions with Bill Medley, he met and began working with Darlene Love, Phil Spectors legendary lead voice (â€œLeader of the Packâ€ and the Lethal Weapon movie series). He went on to produce the soundtrack to an Andy Warhol movie called Lonesome Cowboys. He was a member of Tommy James and the Shondels as the keyboard player and background singer. Kenny produced Jay and the Americans, Tony Orlando, and Edwin Star, as well as for The Who’s record label in London. n the late seventies, he wrote and produced new wave punk hits for the legendary Beserkley Record Label with artists such as Jonathan Richmond and Greg Kihn. Kenny was asked to produce Bow Wow Wow. The outcome of these sessions was a hit called “I Want Candy.” Around the same time, he began working with Joan Jett. This collaboration marked the beginning of a long-standing partnership between Kenny and Joan. He has been with Joan from the start of her solo career as a producer, co-collaborator, and musician. He has worked with Kathleen Hanna of Bikini Kill (the riot-girl band) as well as a project called Evil Stig. For this project Joan Jett took the role of Lead singer for the band The Gits, who lost their own lead singer to rape and murder. The murder was unsolved, thus Evil Stig was born, a CD from which proceeds would go to the investigation to find Zapata‘s murderer. Mia Zapata‘s words live on through Evil Stig. Listen to Kenny tell it how he sees it, as we discuss the new Joan Jett & the Blackhearts album SINNER, the current administration and to be or not to be a producer.
It is a pleasure to speak with Kenny Laguna at any time. Hear it Here.
I had the distinct pleasure to have a quick piece of Jake Shimabukuro’stime. For those of you that are unaware of Jake, listen up. I will be playing a good quantity of his music on this weeks show. Known for lightning-fast fingers and revolutionary playing techniques, Jake Shimabukuro is a master of the â€˜ukulele. The 29-year-old virtuoso shatters musical boundaries, playing jazz, blues, funk, classical, bluegrass, folk, flamenco, and rock. While Jake has great respect and love for traditional Hawaiian ukulele music, his mission is to show everyone that the ukulele is capable of so much more.
Jake will be playing in Mansfield Mass. at the Tweeter Center with Jimmy Buffett on August 10th. Make sure you check out this unbelieveable performance.
Listen to our conversation here.
photo credit: Jayson Tanega
Please take a moment, if you have never heard of Mr. Denny Dent before, this is for you. Brian Olsen is an Edward Scissorhands of artistry. He weaves and bobs, blends and mixes, cranks tunes and of course, has the auidence enthralled. This spirited showman can be found at BRIANOLSEN.com Please do yourself a favor and check it out. His work is complex and crazed at times, sometimes he ends up looking the part if the easel. You’ll be on the edge of your seat, jaw dropped catching flies and astonished how the end results gets to where it is via the route Brian takes.
Listen to our conversation here.
Check this out. I had a quick chat with the godfather of funk himself, Mr. George Clinton. Kids, take a listen and look into the World of funk, and never forget this man who is a historic figure in the music world. It is brief because he just left a Motown event and I just wanted the guy to catch his breath, but it is still as cool as cool can be.
listen to our conversation here.
finally, after a technical mess…I have relocated the interview with Dan Hicks and am able to bring the entertaing chat to you.Throughout his decades-long career, Dan Hicks stood as one of contemporary music’s true eccentrics. While steeped in folk, his acoustic sound knew few musical boundaries, drawing on country, call-and-response vocals, jazz phrasing, and no small amount of humor to create a distinctive, albeit sporadic, body of work which earned him a devoted cult following.
Check out Dan’s website.
Listen to chat here.
Cheb i Sabbah was born in Algeria and moved to France in the ’60s. He is one of the earliest practitioners of the art of deejaying and began spinning in Paris in 1964 where he first saw and met The Living Theatre, whose influence resonates in the drama and epic abandon of Shri Durga. It is hard to separate the myth from reality about Cheb i Sabbah’s life in the ’70s. He maintains a stoic silence about it. He makes no comments about his engagement by John and Yoko in the U.K. and the macrobiotic connection therein. Freaky performance art in body bags? Chebiji makes no elaboration. Although, we do know that he joined The Living Theatre in 1971 and later on, with Suzanne Thomas, started a theater troupe in San Francisco named Tribal Warning Theatre. In the late ’80s and through the ’90s dj Cheb i Sabbah was an icon of the DJ circuit in San Francisco and was involved in a breathtaking variety of musical collaborations and performances including Qawwali maestro Nusrat Fateh Ali Khan and jazz trumpeter Don Cherry. He produced an album called The Majoon Traveller, using DJ-cut-up techniques and making fast connections with Brion Gysin, Ira Cohen, Don Cherry, Ornette Coleman and Moroccan Jilala and Gnawa trance music for the Sub Rosa label. Since then, he has remixed Psychic TV, Paul Horn and Don Cherry. His diverse influences and spiritual curiosity resulted in Shri Durga, his debut album and a mind-bending, panaromic Hindu-goth piÃ¨Â£Â¥ de rÃ©Â³Â©stance.
“Music is the only thing I know. It has the power to liberate one from whatever one wants to be liberated from.” – dj Cheb i Sabbah
Toots Hibbert is one of the great voices of Jamaica; a legend whose career spans every development in Jamaican music, from ska through rock-steady to reggae. Toots and the Maytals have helped to chart the course of Jamaican music with unrivaled delivery and dynamism, setting new standards of excellence, and becoming the most enduring of all Jamaica’s groups. On September 29, 1980, Toots and The Maytals made history when the band played at London’s Hammersmith Palais. Less than 24 hours later, a live album from that show was on sale in record stores throughout Britain. It was the fastest live album in recording history and, according to some critics, TOOTS LIVE ranks alongside Bob Marley Live At The Lyceum, James Brown At The Apollo and Otis Redding in Europe as one of the finest live records ever made. The latest album, TRUE LOVE, finds Toots and the Maytals revisiting some of the band’s most classic works with a host of musical friends onboard – Keith Richards, Shaggy and Rahzel, Bonnie Raitt, Jeff Beck, Ben Harper, No Doubt, Marcia Griffiths, Ken Boothe, Ryan Adams, Bootsy Collins and the Roots, Eric Clapton, Terry Hall and the Skatalites and Trey Anastasio – for delightful fresh-ear journey through Toots‘ musical history. Add in the surprise tracks- Willie Nelson and Toots groovin’ on Willie’s STILL IS STILL MOVIN TO ME, Rachel Yamagata pleading on the newer BLAME ON ME and Bunny Wailer’s vocal comradery on the never-before released TAKE A TRIP for an unparalleled reggae joy ride.
Listen to our talk here.
For over fifty years the Juilliard String Quartet has been an international presence and an American institution. They perform with emotional intensity, technical precision, and intellectual rigor in concerts given across the globe, while in the United States its members have been educators, mentors, and champions of new music. I had an opportunity to speak with Mr. Krosnick, who teaches and plays the cello, before the Quartet plays at von der Mehden Recital Hall at the Uconn Storrs campus. I was overwhelmed with the rigors of his life as a faculty member and Quartet member. You can hear the love for what he does with every word he speaks. We touched briefly on the issue of preserving the history of classical music by educating and funding programs for the youth and various ways he envisions all interested parties to assist. A Connecticut native, we had to talk for a moment about UCONN sports, find out Mr. Krosnick‘s observations on the women’s basketball program and how it relates to the preservation ideas of classical muisc.
Listen to Mr. Joel Krosnick here.
The sound of the barratone sax is one that is unforgetable, especially when being produced by Dana Colley. You know him from Morphine, Orchestra Morphine and now Twinemen. Check out the conversation we had and stay tuned as we find out if I was successful in getting Mars Williams and Dana together or better yet, Twinemen and Liquid Soul. Two great tastes that do taste great together.
listen to our conversation here
listen to the conversation here
if I ever become involved in musicians management, this might be the time when I first took that direction. After this chat with the oft-busy Mars Williams, you must listen to the conversation with Dana Colley to see where the idea of Liquid Soul and Twinemen gettng together.
Mars Williams & Liquid Soul
Listen here for the world according to Roy “futureman” Wooten from his own futuristic world as well as an occasional tour with Bela Fleck as one of the flecktones. I think you’ll agree that he is out of this world and still as cool as Fonzie…aaaaaaa
Listen to the FUTUREMAN podcast here
The three time Grammy award winner from Bela Fleck and the Flecktones is back at it again! Taking downtempo, house, breakbeat, jazz, tribal, and funk, Futureman is mixing it all together and serving it up through turntables, laptops, drum machines, live kits, and visual projections.
Moustapha and I had the chance to speak with Mr. David Harrington about the upcoming show (March 21st) at the Jorgensen Center for the Performing Arts. What a pleasure it was to have a conversation with a musician who loves waking up and facing the next project. For more than 30 years now, Kronos has pursued a singular artistic vision, combining a spirit of fearless exploration with a commitment to expanding the range and context of the string quartet. In the process, Kronos has become one of the most celebrated and influential ensembles of our time, performing thousands of concerts worldwide, releasing more than 40 recordings of extraordinary breadth and creativity, collaborating with many of the world’s most eclectic composers and performers, and commissioning hundreds of works and arrangements for string quartet. Kronos’ work has also garnered numerous awards, including a Grammy for Best Chamber Music Performance (2004) and “Musicians of the Year” (2003) from Musical America.
The show at Uconn will be SUN RINGS. Sun Rings, written by longtime Kronos collaborator Terry Riley, is an evening-length work in 10 movements. With visual design by Willie Williams, lighting design by Larry Neff and sound design by Mark Grey, Sun Rings is a multimedia production featuring a choir and both sounds and images from space. The piece, commissioned for Kronos by NASA and others, received its first performance at the University of Iowa’s Hancher Auditorium in October 2002, and has since been performed in cities including London, San Francisco, Calgary, Tucson and Boston.
Listen to the interview here.
Go get your tickets soon! Dial 860-486-4226.
Today I had the pleasure of Interviewing Colin Mochrie from the very popular “Who’s Line Is It Anyway?” Listen to the podcast here.
Yes, you did hear it correctly, Colin invited yours truly and the Mrs. of the yours truly to go backstage(w/gifts in hand) to meet the talent. Any ideas/thoughts on what this years gift should be?
Take a moment to listen to one of the world’s most articulate men in the music world. I am so proud of the opportunity I had to speak to the man known as Ravi Shankar. This phone interview certainly makes me happy to be alive. Mr. Shankar is a gracious human being who loves a good laugh and telling tales of authentic Indian raga/sitar music. ENJOY