Joe Pitts: Just a Matter of Time

Slide over, no really SLIDE on over and listen to this. Joe Pitts can create a powerful storm of sound with a ghostly shadow of style reminding myself and many of the dear Duane Allman. Not afraid to rock a love song or tell that fantastic story, the album Just a Matter of Time, (Kijan Records 2007) takes a ride on the southern side of rock and keeps plenty of room for some of that sweet soulfulness of the blues. He has pulled influences from yesterday into today and has been compared to guitarists like Warren Haynes, Larry McCray and Walter Trout. Although his influences range from Duane Allman and Jeff Beck(ice cream cakes) to Roy Buchanan(Nickle and a Nail), he is becoming known worldwide for his slide guitar work. He uses his slide work to create tone-filled licks that both glide and soar over the music. And I am starting to wonder who is calling him their influence. He is also heavily inside the groove with really funky rhythmic improvisations, which as a listener you can get that true feeling on the final track, Funked Up…but be patient–coming out of the shadows of that track is the ghost of song greatness…..(lone me a dime) the great Fenton Robinson tune with the easily treasured slide work of Duane worked over with precision and pride…Thanks Joe.

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Back to the Cat: Barry Adamson

Barry Adamson was bass player in post punk band, Magazine between 1978-1982. He then went on to become a founder member of Nick Cave’s illustrious Bad Seeds in 1984. Since 1989, with the release of debut album ‘Moss Side Story‘, Adamson has forged his own highly acclaimed solo career with a series of distinctive and thematically linked soundscape albums, he has also worked on film soundtracks for David Lynch. In 2002, Adamson left his long-term label, Mute Records, and started his own “production home“, Central Control International. In 2006, he released Stranger on the Sofa, to critical acclaim. And this year, the release of the soulful funky sounds of Back to the Cat take listeners down a funky road of soul-slides and real wording. Soaked in a gravy of mood & sophistication, this album will catch on easily with the soul of your listening, and the enjoyment of your mischievous side…ENJOY!!!!

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Tracklisting:
1 The Beaten Side Of Town (4:49)
2 Straight ‘Til Sunrise (4:59)
3 Spend A Little Time (4:29)
4 Shadow Of Death Hotel (4:21)
5 I Could Love You (3:33)
6 Walk On Fire (4:32)
7 Flight (4:54)
8 Civilization (4:18)
9 People (3:23)
10 Psycho_Sexual (5:53)

For Anthony Michael

Zazu- Moodafaruka
Izniknami Badem Drvo-Mike Watt/Masina
Oye Como Va (extended Mix)- Kinky
Duke of Hazzard- Blockhead
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World Without Fear- Antibalas
the Johnson- Four Finger Five
Webspan- the Nucleus
Wosoubour-Vieux Farka Toure/Chris Annibell
Kwenda- Zap Mama
Shake Everything you got- Maceo Parker (live)
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Come to me- Robin Trower/Jack Bruce
Wing- Patti Smith (WCRW studios)
Little Red Robin Hood Hit the Road- Robert Wyatt
Dinah- Preservation Hall Hot 4
Chocolate on my Tongue- the Wood Brothers
Atlas- the Wood Brothers
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What a Man- Soul Summit (live)
Burning Down the House- Marcus Miller (live)
Earth Jam- Bela Fleck & the Flecktones
*Conversation with Victor Wooten*
Left, Right & Center- Victor Wooten
Ease Up- Wooten/Howe/Chambers
What is Hip- Marcus Miler
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Rock el Casbah- Rachid Taha
Bullet the Blue Sky- Vieux Farka Toure
Candela- Novalima
You Know I’m no Good- Amy Winehouse
Funplex- the B52’s
I don’t Know Why- Lovewhip
Ramblin’ WOman- Cat Power
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Already Fried- Widespread Panic
Ol’ Orleans- Baghdad Scuba Review
Love Henry- Bob Dylan
Broke Down Engine- Bob Dylan
I’m Sticking with you- the Velvet Underground
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I Feel Good/I’ve got the Feeling-Soul Summit (live)

Wayne “Frosty Freeze” Frost

Wayne “Frosty Freeze” Frost, a hip-hop pioneer whose acrobatic performance with the legendary Rock Steady Crew in the 1983 movie “Flashdance” helped set off a worldwide breakdancing craze, has died. He was 44. Breakdancing emerged from the Bronx and Harlem in the early 1970s, part of the hip-hop culture that also included graffiti, MCing or rapping, and disc jockeys scratching and mixing vinyl records on turntables. Frost was known for many things including his energetic style, intricate choreography and fearless moves including back flips & head spins. One was even dubbed the “Suicide.” Frost got his start back in 1978 with the Bronx-based Rock City Crew. In 1981, he became part of the Rock Steady Crew, joining such acclaimed breakdancers as Ken Swift and Lil Crazy Legs. Frost toured the world with the Rock Steady Crew and other hip-hop artists, including Fab 5 Freddy, Futura 2000 and Kool Lady Blue. Graffiti artist and close friend Zulu King Slone, who knew Frost for 15 years, said he was “like a walking hip-hop culture encyclopedia.”

Victor Wooten takes a moment

The day after his newest solo album, Palmystery was released on Heads Up and his book, The Music Lesson was released by Berkley Publishing Group/ A Division of The Penguin Group USA — I had the chance to discuss the new album/book and the tour which makes its way to Madison at the Barrymore on April 11 with Victor Wooten. We know VICTAH as an innovator and a Flecktone but this album is an eye opener and keeps it so real that you might just have to check with yourself after listening. During our conversation, we discuss the report that Marcus Miller gave us earlier that he, Victor and Stanley Clarke are working on somethings together and I think you’ll be surprised by the response.

Check out my time w/Victah here.
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One Love, One Woman-Sister Carol

The presence of someone who is all about good is easily recognizable by the radiant glow, and Sister Carol certainly brought that presence to the Majestic last night. Known as the “Black Cinderella” and “Mother Culture,” Sister Carol has led the way for women in reggae. Her music is rich with cultural heritage & infused with a vital social consciousness that permeates every aspect of life in the new illennium. Who knew that the thriving dancehall scene in New York City in the 70’s would lead Sister Carol to a path that would include movies, albums, television appearances and a Grammy nomination for her highly regarded 1996 release, Lyrically Potent. Having won talent contests in both Jamaica and New York, Sister Carol was offered an opening slot for one of Jamaica’s finest vocal trios, The Meditations, who had provided harmony vocals for Bob Marley. Bringing her greater recognition and a wider audience, as well as firmly establishing her as a cornerstone of the dancehall/dj movement, this opportunity opened the door for her to record her first two records, Liberation for Africa & Black Cinderalla. The energy from the evening is still strong within my spirit and the blessing of one love, one people has been brought to life by Sister Carol’s being, see her when you can.

Draft Day

Sail Away- Chris DeMarco/Billy Joel
Funked Up- Joe Pitts
Lone me a Dime- Joe Pitts
Still this Goes on- Lefty Williams Band
Told me a Lie- Sean Costello
Lives of Clay- Robin Trower/Jack Bruce
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Don’t That Bring you Back-Diane Durrett (live)
I Will- Al & the Transamericans
Sandunga- the Motet (live)
Basement Bhangra Anthem-DJ Rekha and Sunil Sehgal
Soothi-Midival Punditz w/Ustad Sultan Khan
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I’m Not a Fool-Sierra Leone’s Refugee All Stars
Everyone Deserves Music- Michael Franti (live)
Hollow Display- Taj Weeks & Adowa
Johnny Cool Man- Toots & the Maytals
Sambala- Salome de Bahia
Rivers of Dub- Asian Dub Foundation
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A Poet’s Journey- N Side
Red Clay- Andrew Black & the Naturals
Walter’s Flat-Susie Arioli Band feat Jordan Officer
ain’t misbehavin-Jarrett/Peacock/DeJohnette (live)
Mystic Brew- Ronnie Foster
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the Lesson- Victor Wooten
Us 2- Victor Wooten/Keb Mo
Higher Ground- Marcus Miller
She Said- George Porter Jr.

Bonerama at the Overture

At first glance, you’d be surprised enough to look away and then back again….Yep, it really is four trombones front-lining a NOLA Brass Jazz Funk Rock outfit. It indeed that is a Tuba back there blowing baselines, and eventually will have a solo…yeah, a Tuba solo…Well, really a sousaphone solo. With their funky “git-tar” riffs and a mighty drumming, Bonerama was in town last night in the beautiful Capitol Theater at the Overture Center of the Arts and really blew the roof off the joint playing many of their own tunes, a medley of Meter tunes (tasty) and even a version of Crosstown Traffic that ranks up there with one of the best live performances of a song in my book. There was an unbelievable energy on the stage as we got to see one of the co-founders of the band, Mr. Mark Mullins play his trombone through some interestingly odd and rock-n-roll cool effects, I am telling you there is more to this band that just the brass facts. The crowd at the Overture obviously appreciated the energy, enthusiasm and I would imagine that there would be an invitation to bring back the NOLA sounds and then some to Madison in the future. So if you can, Bonerama..please do Bonerama.

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Check out my conversation with the other co-founder of the group, Mr. Craig Klein here.

SETLIST:
1. intro/music
2. Epistrophy
3. Gekko Love
4. Lost My House (But I Got My Rugulator)
5. Crosstown Traffic
6. Mr. Go
7. Meters Medley
8. Equale
9. Hard Times
10. The Ocean
11. Big Fine Woman
Encore:
12. Folly >
13. The Mouse

Blockhead:Uncle Tony’s Coloring Book

Being a key name on the independent hip hop scene, the downtown Manhattan beat maker known as Blockhead has had a big role in assisting some other MCs into “name-dom“, Aesop Rock, Cage, Slug, and Murs. He approached Ninja Tune with a heavy demo which turned into his debut album, “Music by Cavelight” which was followed up by “Downtown Science“, a second album on Ninja Tune. He is deep in the production scene and most notably the Aesop Rock album None Shall Pass on the Def Jux label. And to keep it all rolling, Blockhead has this fantastic soundwave force of a new album, Uncle Tony’s Coloring Book, a self-released project and oh my, there’s a tour. The album is an ocean carrying this soundwave into fun instrumentals with tough beats, like the waters crashing onto the rocky shore. There are catchy grooves that you don’t want to shake off of yourself…so don’t!

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Mambo Pioneer “Cachao” Lopez

Cuban bassist & composer Israel “Cachao” Lopez, who is credited with pioneering the mambo style of music, died Saturday. He was 89. Known simply as Cachao, the Grammy-winning musician left communist Cuba and came to the United States in the early 1960s. He continued to perform into his late 80s, including a performance after the death of trombonist Generoso Jimenez in September 2007. Cachao was born in Havana in 1918 to a family of musicians. A classically trained bassist, he began performing with the Havana symphony orchestra as a teenager, working under the baton of visiting guest conductors, such as Herbert von Karajan, Igor Stravinsky and Heitor Villa-Lobos, during his nearly 30-year career with the orchestra. He also wrote hundreds of songs in Cuba for bands & orchestras, many based on the classic Cuban music style known as son. He and his late brother, multi-instrumentalist Orestes Lopez, created the mambo in the late 1930s. The mambo emerged from their improvisational work with the danzon, an elegant musical style that lends itself to slow dancing. The mambo was embraced early on and Cuban composers & jazz musicians have tweaked it over the years. It also influenced the development of salsa music. In the 1950s, Cachao and his friends began popularizing the descarga (“discharge” in Spanish), a raucous jam session incorporating elements of jazz & Afro-Cuban musical approaches. Cachao left Cuba in 1962, relocating first to Spain and soon afterward to New York, where he was hired to perform at the Palladium nightclub with the leading Latin bands. In the United States, he collaborated with such Latin music stars as Tito Puente, Tito Rodrigues, Machito, Chico O’Farrill, Eddie Palmieri and Gloria Estefan. In 2006, Cachao was honored at two Jazz at Lincoln Center concerts with the Afro-Latin Jazz Orchestra paying tribute to the Latin bass tradition. Cachao also led a mambo all-star band at a JVC Jazz Festival program at Carnegie Hall that year.

East errr West…Right here!

Time after time- Jake Shimabukuro
Barkley’s Bug- David Grisman Quintet
Marley’s Ghost- Andrew York (live)
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Beans for Breakfast- BLKTOP Project
Miami Blues- Akashic Record
Big Whopper-Benevento/Russo Duo (live)
Into You- Eymarel
Corner Store- Robert Walter
Sunday off Broadway- Radam Schwartz
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Children’s Song- Chick Corea/Gary Burton
What Game Shall we Play Today-Gary Burton/Chick Corea
Flugufrelsarinn- Kronos Quartet
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Dog Trot- Moondog
Present for the Prez- Moondog
Sly- Herbie Hancock
The Machine- Garage a Trois
Anna- Remember SHAKTI (McLaughlin/Hussain..)
Serpent’s Tooth- Fusion for Miles feat Pat Martino
Bass on the Line- Bernie Worrell
Dunkin’ in the Deep- Stanton Moore
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Nothing Less than You- Stan Harrison
Bayou Betty- Bonerama (live)
*Conversation w/Bonerama’s Craig Klein*
Helter Skelter- Bonerama (live)
You’ve got a Friend in me- Bonerama
Spiral- John Coltrane
Nardis- Russell Gunn
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Tutu- Miles Davis (live)
Children of the Night- Wayne Shorter
Killing me Softly- Marcus Miller/Lalah Hathaway (live)
**Conversation with Marcus Miller**
Milky Way- Marcus Miller w/Keb Mo
‘Cause I want you- Marcus Miller w/Shihan the Poet
Tropical Storm- Victor Wooten/Steve Bailey
Kuru/Speak Like a Child- Jaco Pastorius
Inside Straight- Cannon ReLoaded
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Cut and Paste- Ron Carter
Isfahan- Rick McLaughlin Trio
Chalky’s Back with a Knife- Suite Crude

Bonerama’s Craig Klein

Just when you think it can’t get any funkier around here….Bonerama (pronounced Bone-a-Rama) will bring it home at the Overture Center for the Arts on Friday March 28th. I had the pleasure of talking with Co-founder of the group, Craig Klein about what to expect from a live show, the new album as well as a few other interesting pieces of Bonerama info. When they struts on-stage with their four-trombone frontline…it’s not quite like any rock ‘n’ roll band you’ve seen. When they tear into some vintage New Orleans funk, there’s no questioning from which city these guys hail. And when those ’bones start ripping into Hendrix and Led Zeppelin licks, all stylistic bets are off. Even in a city that doesn’t play by the rules, New Orleans’ Bonerama is something different. They’re not a traditional brass band, but they’ve got brass to spare-even with no trumpets or saxes in sight. They can evoke vintage funk, classic rock and free improvisation in the same set; maybe even the same song…just the reason I will be having myself a Bonerama of a Friday night.

Check out my conversation with Craig here.

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thanks to Amy & Abi & Craig for their time.

Cee Know the Doodlebug

Check out my on air conversation with Cee Know the Doodlebug of Digable Planets name and fame. We have been working on setting something up for a bit and now was the present, no time like it. We discuss a few upcoming and recent projects, things I have been spinning for sometime now as well as what’s in the works possibly with Digable. Also, check in on what Doodlebug thinks about Sun Ra.

Listen to MisterG and Doodlebug’s conversation here.

Hit up the Cosmic Funk All Stars here.

Check out Deviants of Reality here.

Check out DJ Alex here.

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Spring Break Express

Taking advantage of some open times on air is always a perfect thing to do while on vacation. Once again, I am excited to spin some things I might not otherwise get a chance to make room for and I enjoyed making neighborhoods out of todays sounds. Had the cool honor of rapping a quick chat with Cee Know the Doodlebug, of Digable Planet fame, to discuss new projects, Allen Iverson and Sun Ra.

Mississippi Orgy- Lefty Williams Band
Rolling with the Blues- Joe Pitts
Smoke & Mirrors- Elliott Sharp’s Terraplane
So Much Love- Scrapomatic
Why you Wanna Bring me Down- Honeytribe
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Love Worth Having- Andrew Black & the Naturals
Don’t that Bring you Back- Diane Durrett
Son of a Preacherman- Soul Summit (live)
Back in the Dayz- Big Brother Soul (live)
Stank- Sol Creech Band
Keep on Looking- Sharon Jones & the Dapkings
Funky Miracle- the New Mastersounds (live)
Ain’t That a Kick in the Head-Rev. Organdrum
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When the Levee Breaks- Stanton Moore
El Garbanzo-Herb Alpert’s Tijuana Brass w/MMW
Blue Eyed Peas- Karl Denson w/Pee Wee Ellis
Gonna be a Wheel Someday-Herbie Hancock/George Porter Jr/Zigaboo Modeliste/Renard Poche
Missing my Baby- G Love
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Along Came Mr Nobody- Ursula 1000
Brazilectro- Zuco 103
Rebirth- Midival Punditz w/Anoushka Shankar
I love Baby Cheesy- Banco de Gaia
Neftakhir prt 1- Maghrebika w/ Bill Laswell
5- Beans w/William Parker & Hamid Drake
Wind Farm Harvest- Suphala w/Vernon Reid
Romane Planetaire- Dj Spooky that Subliminal Kid
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Mas- Kinky (live)
the Headphonist- Kinky (live)
Revolution- Sirsy
Soul Sucker- Sirsy
Happiness- AKACOD
Oh Yeah- Shadows of Knight
Hades Lady- Pop Levi
Rhythm and Booze- Treat her Right
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Whole Lotta Love- Dread Zeppelin
Love is the Answer for World Peace-Lipbone Redding
What is Hip- Marcus Miller
Rapid Decent- V. Wooten/S. Bailey/B. Sheehan
Sultan Song- Rob Wasserman/Usted Sultan Khan
Juju in those Strings- Eccodek
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Ain’t no Sunshine- Styke (G Corp remix)
Ride- Supreme Beings of Leisure
One- Tao of Groove w/Leslie King
the Source- Desdamona
Classic “ish”- Deviants of Reality
Change da Game (remix)- Deviants of Reality
I Never- Deviants of Reality
Spreadin Rhythm Around- Billie Holiday/LadyBUG Mecca/Lady Day

On Air Live Conversation w/ Doodlebug of Digable Planets

Space is Da place- Cosmic Funk All Stars
Lovelife- the Mighty Underdogs feat. LadyBUG Mecca
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Sabrosa- the Beastie Boys
Zip a dee doo dah-Ivan Neville’s Dumpstaphunk

(note, the shows not listed as greenarrowradio when listening in as its a fill in)
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Something to get Jazzed up over

-Got to do another fill-in show on WORT…There are some tracks during this set list that I am thankful to have had the opportunity to play on air, I hope it looks as appealing as I think it sounded. There was a very happy winner of the new Marcus Miller cd, MARCUS and I hope the others who called in and made all those little red lights shine but didn’t win this time, go out and get themsleves a copy, it’ll be worth it.

Fat Chance on a Friday Afternoon-Edgar Gabriel’s String Fusion
Art Blakey- Charlie Watt/Jim Keltner Project
Don’t Look Back- Steve Reid Ensemble
Saturn- Nels Cline & Gregg Bendian
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We all Wanna Boogie- Merl Saunders & his Funky Friends
You got it all- the New Mastersounds
I got a Woman- Rev. Organdrum
CC Rider- Ron Levy’s Wild Kingdom
Funky Good Time- the Melvin Sparks band
Action Jackson- Liquid Soul
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Bayou Betty- Bonerama
No War for Oil- Sam Kininger
You’ve got a Friend in Me- Bonerama
Shotgun- Soul Summit (live)
Little Bobby- the Microscopic Septet
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Panther- Marcus Miller
***Conversation with Marcus Miller***
Blast!- Marcus Miller
Ooh- Marcus Miller w/Lalah Hathaway
Mercy Mercy Mercy- Cannon Re-Loaded
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Tutu- Miles Davis (live 7/20/90 Switzerland)
Spain Theme-Chick Corea w/London Phil. Orch.
Rooster Blues- Rob Fried w/Randy Brecker
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Is this America?- Methany/McBride/Sanchez
So What- Jerry Garcia/David Grisman
Walkdance- L.A. Guitar Quartet
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Nairobe Express- Vital Tech Tones
Soul Circus- Victor Wooten
Actual Smiles- Club d’Elf (live 4/20/00 NYC)
Glad to be Unhappy-Billie Holiday/DJ LOGIC remix

Until the fire alarm went off

I got in an extra hour, well almost..with about 6 minutes to go, the fire alarm rang out…too hot in the greenarrowradio studio….

Psychedelic Sex Machine-N. Miss. All Stars (live)
I’m Getting Over it- Papa Mali
Just Leave- Lisa Bourne
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Down Home Livin’- Corey Harris/Henry Butler
Check Mr. Popeye- Eddie Bo
Shake What Your Mama Gave you- Corey Harris/Henry Butler
Something You Got- Darell Crawford
Hey Baby- Bo Diddley
Big Chief- Neville Brothers
Cold Snap- Soul Summit (live)
Shoes- George Soule
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I’m Tore Down- John Hammond/G. Love
Big Jake- Roy Rogers/Norton Buffalo
Memphis in the Meantime- Gregg Allman
Stranger in my Own Home Town- Elvis Presley
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Food & Creative Love- Rusted Root
Lapdance- the John Popper Project feat. DJ Logic
Watermelon Man- Herbie Hancock
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Duffin’ Round- the New Mastersounds
Groovin’ Witchu- Ron Levy’s Wild Kingdom w/Melvin Sparks
Good Friends Good Music- Skeebo Knight
Blast!- Marcus Miller
BBBeat- Balkan Beat Box
La Cumparsita- Tango #9
Canto del Delfin- Juan Carlos-Formell
Sonido Amazonico- Los Mirios
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Non Fiction Burning-Pm Dawn/Flora Purim/Airto
Pedestal- Portishead
the Light- Supreme Beings of Leisure
Never the Same- Supreme Beings of Leisure (in KCRW studio)
Mambo Burger- Jack “Bongo” Burger
James Brown Medley- Soul Summit (live)
Honky Tonk Side A & B- Rev. Organdrum
————————————————————————–
White Fang- Bill Frisell
The Red one-P. Mathany/C. McBride/A. Sanchez
the Mystery- Tommy Emmanuel
Katrina Blues…- Elliott Sharp’s Terraplane
Ascension- the Macpodz
Von- the Attic
You all Over me- Club d’Elf (live @Tonic ’04)

Talkin’ bout “Marcus”

It is an honor for me to be able to bring to you a conversation with Mr. Marcus Miller, as he just released a special album entitled “Marcus“. Winner of the Grammy Award for Best Contemporary Jazz Album of 2001, spent a few years as a top call New York studio musician, working with Aretha Franklin, Roberta Flack, Grover Washington Jr., Bob James and David Sanborn, among others. He has appeared as a bassist on over 400 records including recordings by artists as diverse as Joe Sample, McCoy Tyner, Mariah Carey, Bill Withers, Elton John, Bryan Ferry, Frank Sinatra, and LL Cool J. In 1981, he joined his boyhood idol Miles Davis and spent two years on the road with the fabled jazzman, in 1986, he collaborated again with Miles Davis, producing the landmark Tutu album, the first of three Davis albums he would produce. He has also produced Al Jarreau, the Crusaders, Wayne Shorter, Take 6, Chaka Khan, and Kenny Garrett among others, and Luther Vandross. The list of credits goes on for miles (couldn’t resist), but the man behind the music is as bona-fide as the music itself. Please take a moment a listen to us discuss the new album, some moments with Mr. Miles Davis as well as some information on a rare track I happened to find myself in possession of.

Check out my conversation with Mr. Marcus Miller here.

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Benevento/Russo duo High Nooners

What a way to kick off a hump day…some seriously innovative rockin’ took place at the High Noon Saloon. The Benevento/Russo duo showed off the ability to do so much with less. The creativity of this duo is visibly as obvious as feeling the intense sound bounce on and off of you. It is often, if you close your eyes…..that you forget it’s actually a drum and organ duo (of course with some mind-blending sampling intact)….especially when they begin brewing up their musical storm. From unscripted “improvisationals” and challenging interpretations of some classic tracks is born a set of music that left many in the High Noon Saloon memorized while dancing with their ears wide open. The unspoken communication, whether intentional or not between artists and audience, kept each note alive with the hopes for the next one to be born right there in front of us. ANDDDD, in case you’ve been asleep recently, the duo opened up for Grace Potter and the Nocturnals, an act that no longer needs any explanation, just go check them out!

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