The Listening G

man have I been exploding and exploring with sounds from all over, cannot always get them all on air but want to try to constantly make sure the names get out there as something I am appreciating, for whatever that is worth. The list is much greater than I will recall but here goes something:

ARTIST:ALBUM
——————————————-
Mad Juana: Bruja On the Corner
Neco Novellas: New Dawn Ku Khata
OGOGO: Linden
the Voodoo Organist: Darwin Dance Hall Days
Buzzy Linhart: Buzzy
Dayton Flic: Takin’ you Back to the Music Suite
Grant Calvin Weston: Nassira
Dub Gabriel: Anarchy & Alchemy

controlling digital-music lockers

For almost 10 years, Michael Robertson, the often controversial cofounder of MP3.com and Linspire, has toiled to store music in the cloud, the term used to describe the seemingly limitless amount of data and services accessible with a Web browser. But in the past, Robertson’s efforts have led him into huge legal battles with the music industry. That’s where he finds himself once again. In November, EMI filed a copyright suit against him and his music service, MP3tunes.com. More recently, Robertson has had to watch competitors generate headlines with an idea he helped pioneer. On Monday, Lala.com launched a service that enables customers to upload songs into digital music lockers (or the cloud) and then stream the tracks to Web-connected devices. Before launching, Lala obtained licenses from each of the top four recording companies. The differences between MP3tunes & Lala are many but the most notable among them is this: Robertson doesn’t believe services such as his are obligated to obtain licenses to help consumers store legally owned music. How this legal case is decided could help determine who owns the keys to digital lockers. Little in EMI’s complaint indicates that the label objects to the storing of music in lockers, digital or otherwise. As a matter of fact, the document reads like a run-of-the-mill piracy complaint. The record label accuses MP3tunes of then handing users the ability to share access to their music lockers with anybody. According to EMI, MP3tunes only requires customers to submit an e-mail and password to access their music. EMI lawyers argued that such lax security enables a locker to become a “virtual drop box for this illegal distribution.” Robertson dismisses EMI’s claims and said Sideload is nothing but a search engine just like Google and Yahoo. The Digital Millennium Copyright Act protects service providers from responsibility for any crimes committed by users, Robertson said. He claims EMI’s lawsuit is designed to camouflage the record industry’s true goal, which is to prevent him and anyone else from storing music in digital lockers without first paying licensing fees….for more head to Greg Sandoval’s article for CNET here.

Levi Stubbs-Rest in Peace

Four Tops frontman Levi Stubbs, whose dynamic and emotive voice drove such Motown classics as “Reach Out (I’ll Be There)” and “Baby I Need Your Loving,” died Friday at 72. With Stubbs in the lead, the Four Tops sold millions of records and performed for more than four decades without a change in personnel. “Levi Stubbs was one of the great voices of all times,” former Motown labelmate Smokey Robinson said. “He was very near and dear to my heart. He was my friend and my brother, I miss him. God bless his family and comfort them.” The Four Tops began singing together in 1953 under the name the Four Aims and signed a deal with Chess Records. They later changed their names to the Four Tops to avoid being confused with the Ames Brothers. The Four Tops signed with Motown Records in 1963 and produced 20 Top-40 hits over the next 10 years, making music history with the other acts in Berry Gordy’s Motown stable. “It is not only a tremendous personal loss for me, but for the Motown family, and people all over the world who were touched by his rare voice and remarkable spirit,” Gordy said Friday. “Levi was the greatest interpreter of songs I’ve ever heard.” Stubbs’ death leaves one surviving member of the original group: Abdul “Duke” Fakir. Original Top Lawrence Payton died of liver cancer in 1997. Renaldo “Obie” Benson died of lung cancer in 2005. Stubbs is survived by his wife Cliniece, five children and 11 grandchildren.

Change Rocks: The Dead/Allman Bros.

The Dead reunited last night (Monday, October 13) for the first time in four years, thrilling a sold-out crowd of devoted fans when they performed in State College, PA. The “Change Rocks” concert, which also featured the Allman Brothers Band, was held at the 15,000-capacity Bryce Jordan Center on the campus of Penn State University to raise awareness for Senator Barack Obama and the upcoming November 4 election. The crowd–a mix of college students, longtime Deadheads and Barack Obama supporters–were on their feet from the first notes of show opener “Truckin,’” through the psychedelic explorations of “Dark Star,” to the end of “Not Fade Away,” the night’s closer. In a video-taped message shown between sets, Senator Obama told the audience: “For twenty months, I’ve been traveling this country from town to town-even developing a ‘Touch of Grey’ of my own. And on that journey, I’ve seen Americans who are hurting under the politics and policies of Washington. They need change, and I am running for President to bring about that change. “On November 4th, you’ll get to make a choice between two different candidates with two dramatically different visions for our future. You’ll get to choose which direction you want to take our country. I believe that now is the time to put Americans back to work and rebuild our middle class; to live up to the promise of affordable health care for everyone; to guarantee a quality education for all our children; to end our dependence on Middle East oil; and to bring this war in Iraq to a responsible end. We can do all that. And on November 5th, I hope to announce that we ‘Ain’t Wasting Time No More.’” The Dead last performed in 2004 on their “Wave That Flag” tour. In February of this year, Hart, Lesh and Weir played a “Deadheads For Obama” show at the Warfield in San Francisco, and last year Weir, Kreutzmann and Hart performed at a post-inauguration for Speaker of the House Nancy Pelosi.

Obama Speech Video
The Daeds Set:
Truckin >
US Blues
Help on the Way >Slipknot >
Franklin’s Tower
Playin in the Band>
Dark Star
St. Stephen>
Unbroken Chain >
Other One >
Throwin Stones >
Playin reprise
crowd
Phil rap >
Bobby rap >
Touch of Grey>
Not Fade Away

The Allman Brothers
Revival
Statesboro Blues
Who’s Been Talking
Midnight Rider
One Way Out
And It Stoned Me
Dreams (w/ Ron Holloway on sax)
Don’t Think Twice (w/ Susan Tedeschi and Ron Holloway)
Anyday (w/ Susan Tedeschi)
Melissa
Trouble No More
Ain’t Wastin’ Time No More
Jessica
E- Whipping Post

changerocks.jpg

Net radio bill passes House

Web radio stations live to fight another day. The House of Representatives has unanimously passed a bill that Web radio stations have painted as life or death for their services. The Webcaster Settlement Act, which would allow Internet radio stations to negotiate with the music industry for a royalty rate lower than what Congress mandated last year, passed the House by a voice vote on Saturday. Proponents of the bill had predicted a close vote. Tim Westergren, founder of Net music service Pandora, said he was elated about triumphing in the House, which came after traditional radio broadcasters withdrew their opposition. Dennis Wharton, a spokesman for the National Association of Broadcasters, said Saturday night that Rep. Howard Berman (D-Calif.) had met with representatives of the group and addressed some of their concerns. As a result, the NAB dropped its opposition in the House and will not oppose the bill when it moves to the Senate for a vote, either Sunday or Monday. “The bill having passed unanimously in the House certainly gives it momentum heading into the Senate,” Wharton said. Webcasters are fighting for the right to negotiate with the music industry to reduce the royalty rates they must pay to stream music over the Web. Any deal must be approved by the federal government. Congress is expected to adjourn on Monday, and the Webcaster Settlement Act enables Internet radio stations to reach an agreement with the music industry while Congress is out of session. Westergren, who has emerged as a de facto spokesman for the bill, said some Web radio stations can’t afford a long delay in the talks. Right now, the law requires them to pay the older royalty rate, which Webcasters say will soon drive them out of business. “It would be a killer blow,” Westergren said. “If we don’t get it passed now, it would mean waiting for a whole new Congress and administration and lots of uncertainty.” As for the legislation’s chances in the Senate, Westergren said he’s cautiously optimistic. “I’ve become gun shy because I’ve been burned so many times before,” he said. “We’re waiting to see what happens and consulting with our friends (in Congress).”

Original article credit to CNET

RIP Nappy Brown

From our friends at Landslide Records: We are sad to learn of the passing of the great soul shouter Nappy Brown after a long illness. Born Napoleon Brown Culp in 1929, Nappy rose through a gospel quartet career start to become one of the classic R&B singers of the 1950s. He had hits for Savoy Records, like “Don’t Be Angry” and “Little By Little,” which defined his distinctive singing style and were subsequently covered by white artists. Nappy wrote and recorded the original version of “The Right Time,” which Ray Charles later copied almost verbatim, and he appeared throughout the decade on numerous rock and roll concerts promoted by DJ Alan Freed. Landslide was fortunate to record Nappy’s classic mid-80s comeback album, TORE UP, which showcased his unique vocal abilities and featured a dynamic backup band led by Tinsley Ellis and the Heartfixers. In our work with Nappy, which involved tours in the U.S. and Europe, he dazzled us with stories of his experiences with legends like Chuck Berry, Muddy Waters, and Sarah Vaughan. He was a fun loving guy on and off the stage, and his ability as a showman was unparalleled. Little Richard once said, “I never wanted to have to follow Nappy onstage…he’d wear the audiences out.” Nappy continued to perform up until he was hospitalized recently, as his music reached a whole new generation of fans.

We will miss him greatly. Our condolences go out to Nappy’s family and his many fans. DITTO!!

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RIP Nappy Brown 1929-2008

George Clinton & his Gangsters Of Love

09-17-08 – George Clinton & his Gangsters Of Love, musical guests on Jay Leno’s Tonight Show singing “Ain’t That Peculiar” featuring RonKat Spearman on lead vocals, guitar.
Garry “Do Wop” Shider: rhythm guitar, vocals.
Lige Curry: bass guitar.
Rick Rouse: lead guitar.
Greg Thomas, Steve Boyd, Belita Woods, Kendra Foster and Kim Manning: background vocals.

George Clinton & his Gangsters Of Love – Ain’t That Peculiar

RIP Richard Wright

LONDON (AP) — A Pink Floyd spokesman says founding member Richard Wright has died. He was 65. Wright died Monday after a short battle with cancer at his home in Britain. His family did not want to give more details about his death. Richard Wright met Pink Floyd members Roger Waters and Nick Mason at college and joined their early band Sigma 6. Sigma 6 eventually became Pink Floyd and Wright wrote and sang some of the band’s key songs. He wrote “The Great Gig In The Sky” and “Us And Them” from the bands 1973 “The Dark Side of the Moon.” He left the group in the early 1980s to form his own band but rejoined Floyd for their 1987 album “A Momentary Lapse of Reason.”

Man, so many times out out of body and mindness in my lifetime were aided by the mysteriously calmy soothing style of Pink Floyd and certainly Mr. Wright and his work stand true to those happenings.

RIP Richard Wright 28 July 1943 – 15 September 2008

It’s About the Giving Back

Emma Lane, a high school student in Mansfield Connecticut, is doing something most people claim they’d like to do. She’s giving back to those who never even had a hand in her personal world…until she made it a point to find out more. Emma is involved in a program that is helping to build homes for people in Mexico that live in the dump and have built make-shift abodes out of whatever they could find in the dump. She has been to Mexico and is organizing an event to raise not only funds needed to build one home, but more importantly…raise awareness about other peoples struggles. Emma is a role model to me.

Take a listen to Emma Lane talking about being thankful for each day and every thing right here.

Note** I have known Emma since she was around 8 or 9 and have been fortunate to have been a teacher, coach and friend of hers ever since.

something NEW

here are some of the new albums I have been checking out.

2nd Place by Throw Rag
Black Fortress of Opium- Self titled
Songs Famed for Sorrow & Joy- Samuel James
The Places we Lived- Backyard Tire Fire
NYC- the Brazilian Girls
Deep Lee- Lee Konitz and Minsarah
Live at the Village Vanguard-Paul Motion Trio 2000 +two

Made it back…phew!!

Took a week off, well….sort of…to head back east and finish up some duties. There were all sorts of times had. Good times included spending time with some real cool kids. A 5 year old who taught me some piano and didgeridoo, watching a young 2 year old live up to those “terribles”..(hee hee..not my child), feeling at home with our close friends and celebrating the right way with Brother Richard and Mustapha. Got a few chances to have pints of tasty beer and watch the Red Sox again, so i can’t complain. I have plenty of new music to share for this coming weeks show and look forward to opening you up to it…..and I won’t mention the not good times had…but the feeling of home is one that I welcome and enjoy.

Ahhhhhhhhhhhhhhhhhhhhhhhhhhhh.

-misterG

Jerry Wexler: R&B Prodcuer Plus

Legendary record producer Jerry Wexler, who helped shape R&B music with influential recordings of Aretha Franklin, Ray Charles and other greats, and later made key recordings with the likes of Bob Dylan and Willie Nelson, has died, says his co-author, David Ritz. He was 91. Wexler earned his reputation as a music industry giant while a partner at Atlantic Records. Under Ahmet Ertegun and Wexler, Atlantic provided an outlet for the groundbreaking work of African-American performers in the 1950s and ’60s. Later, it was a home to rock icons like Led Zeppelin and The Rolling Stones. Wexler later helped Dylan win his first Grammy by producing his 1979 “Slow Train Coming” album. Wexler helped boost the careers of both the “King of Soul,” Charles, and the “Queen of Soul,” Franklin. Wilson Pickett, Solomon Burke and Percy Sledge were among the other R&B greats who benefited from Wexler’s deft recording touch. He also produced Dusty Springfield‘s classic “Dusty in Memphis,” considered a masterpiece of “blue-eyed” soul. Among the standards produced by Wexler: Franklin’s “Respect,” a dazzling, feminist reworking of an Otis Redding song; Sledge’s deep ballad “When A Man Loves A Woman” and Pickett’s “In the Midnight Hour,” with a horn vamp inspired by Wexler’s admittedly rhythmless dancing. Wexler produced 16 albums and numerous hit singles for Franklin, who switched to Atlantic in the mid-1960s and rediscovered her gospel roots after several unhappy years singing show tunes for Columbia. “When it came to the studio, you could say the two of us were joined at the hip,” he once said. In the 1980s, Wexler worked with Dire Straits, Carlos Santana and George Michael. In April 1988, Atlantic marked its 40th anniversary with an 11-hour concert at Madison Square Garden, with the stage shared by performers from Crosby, Stills & Nash to the Bee Gees to Ben E. King.

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RIP Mister Jerry Wexler

an 8 yr old told to STOP??

ELKHORN, Wis. – When Tallan “T-Man” Latz was 5, he saw Joe Satriani playing guitar on TV. “I turned around to my dad and said, ‘That’s exactly what I want to do.'” Three years and countless hours of practicing later, 8-year-old Tallan is a blues guitar prodigy. He’s played in bars and clubs, including the House of Blues in Chicago, and even jammed with Les Paul and Jackson Browne. He has a summer of festivals scheduled and has drawn interest from venues worldwide. And what, you might ask, would a kid not even in the third grade have the blues about? The state of Wisconsin for one, and some possibly jealous older musicians for another. An anonymous e-mail sent to state officials complained that Tallan was too young to perform in taverns and nightclubs because of state child labor laws. His booking agent even got an anonymous letter threatening her with death if she keeps booking him. When Tallan’s father read him the state’s letter saying he couldn’t play clubs anymore (he can still play festivals), the boy’s response — like his music — seemed beyond his years. “He goes, ‘It’s not how many times you get knocked down but it’s how many times you get back up and go forward,’ Carl Latz said his son told him. “And I told him that’s exactly what this is all about and if nothing else this letter just taught you a life lesson.” The lesson can be stiff: Each day he performs, the employer can be fined $25 to $1,000 and the parent from $10 to $250. Jennifer Ortiz of the state Equal Rights Division said her agency has a responsibility to enforce the law once it becomes aware of a violation. “Well, the law prohibits it, and the Legislature enacted the laws to protect the health, safety and welfare of all children.” Latz, who also is Tallan’s manager, has asked a legislator for help changing the law but it’s unclear whether any action will be taken. Latz received the letter a few days before Tallan was to perform at Lil Downtown Lounge in suburban Milwaukee, where club co-owner Michelle Boche said the boy always packed the place when he sat in with other musicians. Boche said she has received backlash from musicians and area bar owners because she supports Tallan. Some have tried to take patrons away, she said. Some even called in fake incidents to police, causing them to look for guns or underage drinkers, she said. “If my doors close and I never open again and this boy becomes successful, then I will be the happiest person in the world,” she said. Tallan’s agent, Sharon Pomaville, said she received a threatening letter June 2 warning her to stop booking the boy. She thinks he’s a local musician and believes he’s harmless. Greg Koch, 42, an internationally known guitarist and clinician for Fender Musical Instruments, called the backlash despicable. He said most 8-year-olds don’t have the strength or attention span to pursue guitar or can’t endure the calluses. “It’s strange that a kid at this age would glean onto this particular kind of music and show the intensity and kind of the ability to function as kind of 8-year-old blues guy,” he said. Brad Tolinski, editor-in-chief of Guitar World magazine, said kid guitar prodigies are rare, with one emerging perhaps every four or five years. “It would be unusual to find an 8-year-old who can play Satriani licks,” he said. Carl Latz said there’s no explanation for Tallan’s blues connection other than he seems to have an old soul. “I’ve had more people tell me, they say ‘It’s a kid’s body but it has a 70-year-old dude inside,'” Carl Latz said. Tallan, whose heroes are Jimi Hendrix and Stevie Ray Vaughan, has 13 guitars and endorsements from at least nine companies to use their equipment. He can read music but plays mostly from memory. He has two bands — one with veterans called T-Man’s Blues Project and another with 16-and-younger bandmates called Tallan “The T-Man” Latz and the Young Guns. He also sings and plays drums, harmonica, bass and piano. Tallan said he likes to play guitar to “put smiles on people’s faces” when they are having a bad day. “It sounds awesome,” he said. “I think it’s so much you can do on the guitar.” He knows 30 to 40 songs and someday hopes to write his own. It was his idea to start playing in public. “He drags me around,” his dad said. “I don’t drag him around.” Tallan said the problems he’s faced have doing nothing to dampen his ambition to be a blues rock star when he grows up. Just the opposite, in fact. “Because I got more inspiration, I got more sadness in me,” Tallan said. “I’m just feelin’ it.”