Carsie Blanton is a singer-songwriter who grew up in rural Virginia and landed in Philadelphia in fall of 2006. Since then, her soulful, playful, intelligent music has earned her tons of national respect from fans and fellow artists. She has released five studio albums: Ain’t So Green (2005), Buoy (2009), Idiot Heart (2012), Not Old, Not New (2014), So Ferocious (2016)—and three EPs—Hush (2002), Beau (2010), Rude Remarks and Dirty Jokes (2013). Once she began working with manager Bill Eib (Amos Lee, Mutlu Onaral), she was quickly playing over one hundred live shows a year. In 2010, Blanton performed live on NPR’s nationally syndicated program, Mountain Stage, and opened for The Weepies and Shawn Colvin. In 2011, Blanton toured with Anais Mitchell’s Hadestown: A Folk Opera, playing the role of Head Fate. In 2014, Blanton performed on the nationally syndicated NPR program Song Travels with Michael Feinstein. She was also fortunate to have opened multiple shows on Paul Simon’s So Beautiful or So What tour. Carsie has also shared the stage with nationally hailed acts Amos Lee, Nellie McKay, John Oates and Leon Redbone, and has toured with Loudon Wainwright III, and with Blue Note recording artists and friends of the program, The Wood Brothers. And now, she has dropped a new album in February of 2019, Buck Up, that aims to provide a little relief from the now that is, happening now.
I had the chance to chat with Carsie ahead of her March 24th show in Madison at the High Noon Saloon. We dive into the moods and melodies that drove the new release from a seed to a flower and just how she can make anything sound catchy, sexy and fun. We spend time getting to know the person that is behind the music, if you check out her blog, you’ll see (and read) that she says it like she feels it, and she tells us what ideals/values got mixed up in a blender to create the her she is. It is always interesting to find out which song an artist would choose to air on the greenarrowradio proGram if given the opportunity and what they would surround it with in a set-list, Carsie’s choices are shared so we get a sense of what direction it might go.